Complete Works of Jane Austen (390 page)

The Walter family settled in Lincolnshire, where they have held Church preferment, and have also been well known in the world of sport. Phila’s brother James seems to have been at the same time an exemplary parson, beloved by his flock, and also a sort of ‘Jack Russell,’ and is said to have met his death in the hunting-field, by falling into a snow-drift, at the age of eighty-four. His son Henry distinguished himself in a more academical manner. He was second wrangler in 1806, and a Fellow of St. John’s. Nor was he only a mathematician; for in June 1813 Jane Austen met a young man named Wilkes, an undergraduate of St. John’s, who spoke very highly of Walter as a scholar; he said he was considered the best classic at Cambridge. She adds: ‘How such a report would have interested my father!’ Henry Walter was at one time tutor at Haileybury, and was also a beneficed clergyman. He was known at Court; indeed, it is said that, while he declined higher preferment for himself, he was consulted by George IV and William IV on the selection of bishops.

The wife that George Austen chose belonged to the somewhat large clan of the Leighs of Adlestrop in Gloucestershire, of which family the Leighs of Stoneleigh were a younger branch. Her father was the Rev. Thomas Leigh, elected Fellow of All Souls at so early an age that he was ever after called ‘Chick Leigh,’ and afterwards Rector of Harpsden, near Henley.

Both these branches of the Leigh family descended from Sir Thomas Leigh, Lord Mayor of London, behind whom Queen Elizabeth rode to be proclaimed at Paul’s Cross. He was rich enough and great enough to endow more than one son with estates; but while the elder line at Adlestrop remained simple squires, the younger at Stoneleigh rose to a peerage. The latter branch, however, were now rapidly approaching extinction, while the former had many vigorous scions. The family records have much to say of one of the squires — Theophilus (who died in 1724), the husband of Mary Brydges and the father of twelve children, a strong character, and one who lived up to fixed, if rather narrow, ideas of duty. We hear of his old-fashioned dress and elaborate bows and postures, of his affability to his neighbours, and his just, though somewhat strict, government of his sons. It is difficult to picture to oneself a set of modern Oxford men standing patiently after dinner, in the dining-parlour, as Theophilus’s sons did, ‘till desired to sit down and drink Church and King.’ Meanwhile, his brother-in-law, the Duke of Chandos (the patron of Handel), used to send for the daughters to be educated in the splendour of Canons (his place in Middlesex), and to make such matches as he chose for them with dowries of £3000 a-piece.

Cassandra’s father, Thomas, was the fourth son of Theophilus Leigh. An older and better known brother was another Theophilus, Master of Balliol for more than half a century.

The story of his election, in 1727, is remarkable. The Fellows of Balliol could not agree in the choice of any one of their own body; and one set, thinking it would be no disadvantage to have a duke’s brother as master, invited their visitor, Dr. Brydges, to stand. On his declining, they brought forward his nephew, Theophilus Leigh, then a young Fellow of Corpus. The election resulted in a tie, and the visitor had no qualms of conscience in giving his casting vote to his nephew. Theophilus proved to be a man ‘more famous for his sayings than his doings, overflowing with puns and witticisms and sharp retorts; but his most serious joke was his practical one of living much longer than had been expected or intended.’ He no doubt became a most dignified Head, and inspired the young men with fear and respect; but he must have sometimes remembered the awful day when he first preached before his father, who immediately turned his back on the divine, saying afterwards: ‘I thank you, Theo, for your discourse; let us hereafter have less rhetoric and more divinity; I turned my back lest my presence might daunt you.’ When Theo in turn was an old man, and when Jane Austen’s eldest brother went to Oxford, he was asked to dine with this dignified kinsman. Being a raw freshman, he was about to take off his gown, when the old man of eighty said with a grim smile: ‘Young man, you need not strip; we are not going to fight.’

Cassandra Leigh’s youth was spent in the quiet rectory of Harpsden, for her father was one of the more conscientious of the gently born clergy of that day, living entirely on his benefice, and greatly beloved in his neighbourhood as an exemplary parish-priest. ‘He was one of the most contented, quiet, sweet-tempered, generous, cheerful men I ever knew,’ so says the chronicler of the Leigh family, ‘and his wife was his counterpart. The spirit of the pugnacious Theophilus dwelt not in him; nor that eternal love of company which distinguished the other brothers, yet he was by no means unsocial.’ Towards the end of his life he removed to Bath, being severely afflicted with the gout, and here he died in 1763. His peaceful wife, Jane Walker, was descended on her mother’s side from a sufficiently warlike family; she was the daughter of an Oxford physician, who had married a Miss Perrot, one of the last of a very old stock, long settled in Oxfordshire, but also known in Pembrokeshire at least as early as the fourteenth century. They were probably among the settlers planted there to overawe the Welsh, and it is recorded of one of them that he slew ‘twenty-six men of Kemaes and one wolf.’ A contrast to these uncompromising ancestors was found in Mrs. Leigh’s aunt, Ann Perrot, one of the family circle at Harpsden, whom tradition states to have been a very pious, good woman. Unselfish she certainly was, for she earnestly begged her brother, Mr. Thomas Perrot, to alter his will by which he had bequeathed to her his estates at Northleigh in Oxfordshire, and to leave her instead an annuity of one hundred pounds. Her brother complied with her request, and by a codicil devised the estates to his great-nephew, James, son of the Rev. Thomas Leigh, on condition that he took the surname and arms of Perrot. Accordingly, on the death of Mr. Thomas Perrot at the beginning of 1751, James Leigh became James Leigh Perrot of Northleigh. His two sisters, Jane and Cassandra, also profited by the kindness of their great-aunt, who left two hundred pounds to each. Another legacy which filtered through the Walkers from the Perrots to the Austens was the advantage of being ‘kin’ to the Founder of St. John’s College, Oxford — Sir Thomas White — an advantage of which several members of the family availed themselves.

Northleigh, for some reason or other, did not suit its new owner. He pulled down the mansion and sold the estate to the Duke of Marlborough, buying for himself a property at Hare Hatch on the Bath Road, midway between Maidenhead and Reading. We shall meet him again, and his devoted wife, Jane Cholmeley; and we shall see a remarkable instance of his steadfast love for her.

George Austen perhaps met his future wife at the house of her uncle, the Master of Balliol, but no particulars of the courtship have survived. The marriage took place at Walcot Church, Bath, on April 26, 1764, the bride’s father having died at Bath only a short time before. Two circumstances connected with their brief honeymoon — which consisted only of a journey from Bath to Steventon, broken by one day’s halt at Andover — may be mentioned. The bride’s ‘going-away’ dress seems to have been a scarlet riding-habit, whose future adventures were not uninteresting; and the pair are believed to have had an unusual companion for such an occasion — namely, a small boy, six years old, the only son of Warren Hastings by his first wife. We are told that he was committed to the charge of Mr. Austen when he was sent over to England in 1761, and we shall see later that there was a reason for this connexion; but a three-year-old boy is a curious charge for a bachelor, and poor little George must have wanted a nurse rather than a tutor. In any case, he came under Mrs. Austen’s maternal care, who afterwards mourned for his early death ‘as if he had been a child of her own.’

CHAPTER II. STEVENTON

1764-1785

Steventon is a small village tucked away among the Hampshire Downs, about seven miles south of Basingstoke. It is now looked down upon at close quarters by the South-Western Railway, but, at the time of which we are writing, it was almost equidistant from two main roads: one running from Basingstoke to Andover, which would be joined at Deane Gate, the other from Basingstoke to Winchester, joined at Popham Lane. Communication with London was maintained — at any rate, in 1800 — by two coaches that ran each night through Deane Gate. It does not appear, however, to have been by any means certain that an unexpected traveller would get a place in either of them.

The surrounding country is certainly not picturesque; it presents no grand or extensive views: the features, however, being small rather than plain. It is, in fact, an undulating district whose hills have no marked character, and the poverty of whose soil prevents the timber from attaining a great size. We need not therefore be surprised to hear that when Cassandra Leigh saw the place for the first time, just before her marriage, she should think it very inferior to the valley of the Thames at Henley. Yet the neighbourhood had its beauties of rustic lanes and hidden nooks; and Steventon, from the fall of the ground and the abundance of its timber, was one of the prettiest spots in it. The Rectory had been of the most miserable description, but George Austen improved it until it became a tolerably roomy and convenient habitation. It stood ‘in a shallow valley, surrounded by sloping meadows, well sprinkled with elm-trees, at the end of a small village of cottages, each well provided with a garden, scattered about prettily on either side of the road. . . . North of the house, the road from Deane to Popham Lane ran at a sufficient distance from the front to allow a carriage drive, through turf and trees. On the south side, the ground rose gently and was occupied by one of those old-fashioned gardens in which vegetables and flowers are combined, flanked and protected on the east by one of the thatched mud walls common in that country, and overshadowed by fine elms. Along the upper or southern side of the garden ran a terrace of the finest turf, which must have been in the writer’s thoughts when she described Catherine Morland’s childish delight in “rolling down the green slope at the back of the house.”

‘But the chief beauty of Steventon consisted in its hedgerows. A hedgerow in that country does not mean a thin formal line of quickset, but an irregular border of copse-wood and timber, often wide enough to contain within it a winding footpath, or a rough cart-track. Under its shelter the earliest primroses, anemones, and wild hyacinths were to be found; sometimes the first bird’s nest; and, now and then, the unwelcome adder. Two such hedgerows radiated, as it were, from the parsonage garden. One, a continuation of the turf terrace, proceeded westward, forming the southern boundary of the home meadows; and was formed into a rustic shrubbery, with occasional seats, entitled “The Wood Walk.” The other ran straight up the hill, under the name of “The Church Walk,” because it led to the parish church, as well as to a fine old manor-house of Henry VIII’s time, occupied by a family named Digweed, who for more than a century rented it, together with the chief farm in the parish.’

The usefulness of a hedgerow as a place where a heroine might remain unseen and overhear what was not intended to reach her ears must have impressed itself early on the mind of our author; and readers of
Persuasion
will remember the scene in the fields near Uppercross where Anne hears a conversation about herself carried on by Captain Wentworth and Louisa Musgrove. The writer had possibly intended to introduce a similar scene into
Mansfield Park
, for, in a letter to her sister, of January 29, 1813, when turning from
Pride and Prejudice
to a new subject, she says: ‘If you could discover whether Northamptonshire is a country of hedgerows I should be glad again.’ Presumably, her question was answered in the negative, and her scrupulous desire for accuracy did not allow of her making use of the intended device.

Steventon Church ‘might have appeared mean and uninteresting to an ordinary observer; but the adept in church architecture would have known that it must have stood there some seven centuries, and would have found beauty in the very narrow Early English windows, as well as in the general proportions of its little chancel; while its solitary position, far from the hum of the village, and within sight of no habitation, except a glimpse of the grey manor-house through its circling green of sycamores, has in it something solemn and appropriate to the last resting-place of the silent dead. Sweet violets, both purple and white, grow in abundance beneath its south wall. One may imagine for how many centuries the ancestors of those little flowers have occupied that undisturbed sunny nook, and may think how few living families can boast of as ancient a tenure of their land. Large elms protrude their rough branches; old hawthorns shed their annual blossoms over the graves; and the hollow yew-tree must be at least coeval with the church. But whatever may be the beauties or defects of the surrounding scenery, this was the residence of Jane Austen for twenty-four years. This was the cradle of her genius. These were the first objects which inspired her young heart with a sense of the beauties of nature. In strolls along these wood-walks, thick-coming fancies rose to her mind, and gradually assumed the forms in which they came forth to the world. In that simple church she brought them all into subjection to the piety which ruled her in life and supported her in death.’

To this description of the surroundings of the home, given by the author of the
Memoir
, whose own home it was through childhood and boyhood, we may add a few sentences respecting its interior as it appeared to his sister, Mrs. Lefroy. She speaks of her grandfather’s study looking cheerfully into the sunny garden, ‘his own exclusive property, safe from the bustle of all household cares,’ and adds:

‘The dining- or common sitting-room looked to the front and was lighted by two casement windows. On the same side the front door opened into a smaller parlour, and visitors, who were few and rare, were not a bit the less welcome to my grandmother because they found her sitting there busily engaged with her needle, making and mending. In later times — but not probably until my two aunts had completed their short course at Mrs. Latournelle’s at Reading Abbey, and were living at home — a sitting-room was made upstairs: “the dressing-room,” as they were pleased to call it, perhaps because it opened into a smaller chamber in which my two aunts slept. I remember the common-looking carpet with its chocolate ground, and painted press with shelves above for books, and Jane’s piano, and an oval looking-glass that hung between the windows; but the charm of the room with its scanty furniture and cheaply painted walls must have been, for those old enough to understand it, the flow of native wit, with all the fun and nonsense of a large and clever family.’ Such was the room in which the first versions of
Sense and Sensibility
and
Pride and Prejudice
were composed.