Complete Works of Jane Austen (378 page)

Again: ‘When staying at Chawton, with two of her other nieces, we often had amusements in which my aunt was very helpful. She was the one to whom we always looked for help. She would furnish us with what we wanted from her wardrobe; and she would be the entertaining visitor in our make-believe house. She amused us in various ways. Once, I remember, in giving a conversation as between myself and my two cousins, supposing we were all grown up, the day after a ball.’

Very similar is the testimony of another niece:—’Aunt Jane was the general favourite with children; her ways with them being so playful, and her long circumstantial stories so delightful. These were continued from time to time, and were begged for on all possible and impossible occasions; woven, as she proceeded, out of nothing but her own happy talent for invention. Ah! if but one of them could be recovered! And again, as I grew older, when the original seventeen years between our ages seemed to shrink to seven, or to nothing, it comes back to me now how strangely I missed her. It had become so much a habit with me to put by things in my mind with a reference to her, and to say to myself, I shall keep this for aunt Jane.’

A nephew of hers used to observe that his visits to Chawton, after the death of his aunt Jane, were always a disappointment to him. From old associations he could not help expecting to be particularly happy in that house; and never till he got there could he realise to himself how all its peculiar charm was gone. It was not only that the chief light in the house was quenched, but that the loss of it had cast a shade over the spirits of the survivors. Enough has been said to show her love for children, and her wonderful power of entertaining them; but her friends of all ages felt her enlivening influence. Her unusually quick sense of the ridiculous led her to play with all the common-places of everyday life, whether as regarded persons or things; but she never played with its serious duties or responsibilities, nor did she ever turn individuals into ridicule. With all her neighbours in the village she vas on friendly, though not on intimate, terms. She took a kindly interest in all their proceedings, and liked to hear about them. They often served for her amusement; but it was her own nonsense that gave zest to the gossip. She was as far as possible from being censorious or satirical. She never abused them or
quizzed
them —
that
was the word of the day; an ugly word, now obsolete; and the ugly practice which it expressed is much less prevalent now than it was then. The laugh which she occasionally raised was by imagining for her neighbours, as she was equally ready to imagine for her friends or herself, impossible contingencies, or by relating in prose or verse some trifling anecdote coloured to her own fancy, or in writing a fictitious history of what they were supposed to have said or done, which could deceive nobody.

The following specimens may be given of the liveliness of mind which imparted an agreeable flavour both to her correspondence and her conversation: —

On reading in the newspapers the marriage of Mr. Gell to Miss Gill, of Eastbourne.

At Eastbourne Mr. Gell, From being perfectly well,
Became dreadfully ill, For love of Miss Gill.
So he said, with some sighs, I’m the slave of your
iis
;
Oh, restore, if you please, By accepting my
ees
.

On the marriage of a middle-aged Flirt with a Mr. Wake, whom, it was supposed, she would scarcely have accepted in her youth.

Maria, good-humoured, and handsome, and tall,
  For a husband was at her last stake;
And having in vain danced at many a ball,
  Is now happy to
jump at a Wake
.

‘We were all at the play last night to see Miss O’Neil in Isabella. I do not think she was quite equal to my expectation. I fancy I want something more than can be. Acting seldom satisfies me. I took two pockethandkerchiefs, but had very little occasion for either. She is an elegant creature, however, and hugs Mr. Young delightfully.’

‘So, Miss B. is actually married, but I have never seen it in the papers; and one may as well be single if the wedding is not to be in print.’

Once, too, she took it into her head to write the following mock panegyric on a young friend, who really was clever and handsome: —

1.

In measured verse I’ll now rehearse
  The charms of lovely Anna:
And, first, her mind is unconfined
  Like any vast savannah.

2.

Ontario’s lake may fitly speak
  Her fancy’s ample bound:
Its circuit may, on strict survey
  Five hundred miles be found.

3.

Her wit descends on foes and friends
  Like famed Niagara’s Fall;
And travellers gaze in wild amaze,
  And listen, one and all.

.

Her judgment sound, thick, black, profound,
  Like transatlantic groves,
Dispenses aid, and friendly shade
  To all that in it roves.

5.

If thus her mind to be defined
  America exhausts,
And all that’s grand in that great land
  In similes it costs —

6.

Oh how can I her person try
  To image and portray?
How paint the face, the form how trace
  In which those virtues lay?

7.

Another world must be unfurled,
  Another language known,
Ere tongue or sound can publish round
  Her charms of flesh and bone.

I believe that all this nonsense was nearly extempore, and that the fancy of drawing the images from America arose at the moment from the obvious rhyme which presented itself in the first stanza.

The following extracts are from letters addressed to a niece who was at that time amusing herself by attempting a novel, probably never finished, certainly never published, and of which I know nothing but what these extracts tell. They show the good-natured sympathy and encouragement which the aunt, then herself occupied in writing ‘Emma,’ could give to the less matured powers of the niece. They bring out incidentally some of her opinions concerning compositions of that kind: —

Extracts
.

‘Chawton, Aug. 10, 1814.

‘Your aunt C. does not like desultory novels, and is rather fearful that yours will be too much so; that there will be too frequent a change from one set of people to another, and that circumstances will be sometimes introduced, of apparent consequence, which will lead to nothing. It will not be so great an objection to me. I allow much more latitude than she does, and think nature and spirit cover many sins of a wandering story. And people in general do not care much about it, for your comfort . . .’

‘Sept. 9.

‘You are now collecting your people delightfully, getting them exactly into such a spot as is the delight of my life. Three or four families in a country village is the very thing to work on; and I hope you will write a great deal more, and make full use of them while they are so very favourably arranged.’

‘Sept. 28.

‘Devereux Forrester being ruined by his vanity is very good: but I wish you would not let him plunge into a “vortex of dissipation.” I do not object to the thing, but I cannot bear the expression: it is such thorough novel slang; and so old that I dare say Adam met with it in the first novel that he opened.’

‘Hans Place (Nov. 1814).

‘I have been very far from finding your book an evil, I assure you. I read it immediately, and with great pleasure. Indeed, I do think you get on very fast. I wish other people of my acquaintance could compose as rapidly. Julian’s history was quite a surprise to me. You had not very long known it yourself, I suspect; but I have no objection to make to the circumstance; it is very well told, and his having been in love with the aunt gives Cecilia an additional interest with him. I like the idea; a very proper compliment to an aunt! I rather imagine, indeed, that nieces are seldom chosen but in compliment to some aunt or other. I dare say your husband was in love with me once, and would never have thought of you if he had not supposed me dead of a scarlet fever.’

Jane Austen was successful in everything that she attempted with her fingers. None of us could throw spilikins in so perfect a circle, or take them off with so steady a hand. Her performances with cup and ball were marvellous. The one used at Chawton was an easy one, and she has been known to catch it on the point above an hundred times in succession, till her hand was weary. She sometimes found a resource in that simple game, when unable, from weakness in her eyes, to read or write long together. A specimen of her clear strong handwriting is here given. Happy would the compositors for the press be if they had always so legible a manuscript to work from. But the writing was not the only part of her letters which showed superior handiwork. In those days there was an art in folding and sealing. No adhesive envelopes made all easy. Some people’s letters always looked loose and untidy; but her paper was sure to take the right folds, and her sealing-wax to drop into the right place. Her needlework both plain and ornamental was excellent, and might almost have put a sewing machine to shame. She was considered especially great in satin stitch. She spent much time in these occupations, and some of her merriest talk was over clothes which she and her companions were making, sometimes for themselves, and sometimes for the poor. There still remains a curious specimen of her needlework made for a sister-in-law, my mother. In a very small bag is deposited a little rolled up housewife, furnished with minikin needles and fine thread. In the housewife is a tiny pocket, and in the pocket is enclosed a slip of paper, on which, written as with a crow quill, are these lines: —

This little bag, I hope, will prove
  To be not vainly made;
For should you thread and needles want,
  It will afford you aid.

And, as we are about to part,
  ‘T will serve another end:
For, when you look upon this bag,
  You’ll recollect your friend.

It is the kind of article that some benevolent fairy might be supposed to give as a reward to a diligent little girl. The whole is of flowered silk, and having been never used and carefully preserved, it is as fresh and bright as when it was first made seventy years ago; and shows that the same hand which painted so exquisitely with the pen could work as delicately with the needle.

I have collected some of the bright qualities which shone, as it were, on the surface of Jane Austen’s character, and attracted most notice; but underneath them there lay the strong foundations of sound sense and judgment, rectitude of principle, and delicacy of feeling, qualifying her equally to advise, assist, or amuse. She was, in fact, as ready to comfort the unhappy, or to nurse the sick, as she was to laugh and jest with the lighthearted. Two of her nieces were grown up, and one of them was married, before she was taken away from them. As their minds became more matured, they were admitted into closer intimacy with her, and learned more of her graver thoughts; they know what a sympathising friend and judicious adviser they found her to be in many little difficulties and doubts of early womanhood.

I do not venture to speak of her religious principles: that is a subject on which she herself was more inclined to
think
and
act
than to
talk
, and I shall imitate her reserve; satisfied to have shown how much of Christian love and humility abounded in her heart, without presuming to lay bare the roots whence those graces grew. Some little insight, however, into these deeper recesses of the heart must be given, when we come to speak of her death.

CHAPTER VI.

Habits of Composition resumed after a long interval — First publication — The interest taken by the Author in the success of her Works
.

It may seem extraordinary that Jane Austen should have written so little during the years that elapsed between leaving Steventon and settling at Chawton; especially when this cessation from work is contrasted with her literary activity both before and after that period. It might rather have been expected that fresh scenes and new acquaintance would have called forth her powers; while the quiet life which the family led both at Bath and Southampton must have afforded abundant leisure for composition; but so it was that nothing which I know of, certainly nothing which the public have seen, was completed in either of those places. I can only state the fact, without assigning any cause for it; but as soon as she was fixed in her second home, she resumed the habits of composition which had been formed in her first, and continued them to the end of her life. The first year of her residence at Chawton seems to have been devoted to revising and preparing for the press ‘Sense and Sensibility,’ and ‘Pride and Prejudice’; but between February 1811 and August 1816, she began and completed ‘Mansfield Park,’ ‘Emma,’ and ‘Persuasion,’ so that the last five years of her life produced the same number of novels with those which had been written in her early youth. How she was able to effect all this is surprising, for she had no separate study to retire to, and most of the work must have been done in the general sitting-room, subject to all kinds of casual interruptions. She was careful that her occupation should not be suspected by servants, or visitors, or any persons beyond her own family party. She wrote upon small sheets of paper which could easily be put away, or covered with a piece of blotting paper. There was, between the front door and the offices, a swing door which creaked when it was opened; but she objected to having this little inconvenience remedied, because it gave her notice when anyone was coming. She was not, however, troubled with companions like her own Mrs. Allen in ‘Northanger Abbey,’ whose ‘vacancy of mind and incapacity for thinking were such that, as she never talked a great deal, so she could never be entirely silent; and therefore, while she sat at work, if she lost her needle, or broke her thread, or saw a speck of dirt on her gown, she must observe it, whether there were any one at leisure to answer her or not.’ In that well occupied female party there must have been many precious hours of silence during which the pen was busy at the little mahogany writing-desk,  while Fanny Price, or Emma Woodhouse, or Anne Elliott was growing into beauty and interest. I have no doubt that I, and my sisters and cousins, in our visits to Chawton, frequently disturbed this mystic process, without having any idea of the mischief that we were doing; certainly we never should have guessed it by any signs of impatience or irritability in the writer.