Complete Works of Fyodor Dostoyevsky (750 page)

“We have looked in the house, but we haven’t found the money. It may still be there or it may have disappeared next day and be in the prisoner’s hands now. In any case he was at her side, on his knees before her, she was lying on the bed, he had his hands stretched out to her and he had so entirely forgotten everything that he did not even hear the men coming to arrest him. He hadn’t time to prepare any line of defence in his mind. He was caught unawares and confronted with his judges, the arbiters of his destiny.

“Gentlemen of the jury, there are moments in the execution of our duties when it is terrible for us to face a man, terrible on his account, too! The moments of contemplating that animal fear, when the criminal sees that all is lost, but still struggles, still means to struggle, the moments when every instinct of self-preservation rises up in him at once and he looks at you with questioning and suffering eyes, studies you, your face, your thoughts, uncertain on which side you will strike, and his distracted mind frames thousands of plans in an instant, but he is still afraid to speak, afraid of giving himself away! This purgatory of the spirit, this animal thirst for self-preservation, these humiliating moments of the human soul, are awful, and sometimes arouse horror and compassion for the criminal even in the lawyer. And this was what we all witnessed then.

“At first he was thunderstruck and in his terror dropped some very compromising phrases. ‘Blood! I’ve deserved it!’ But he quickly restrained himself. He had not prepared what he was to say, what answer he was to make, he had nothing but a bare denial ready. ‘I am not guilty of my father’s death.’ That was his fence for the moment and behind it he hoped to throw up a barricade of some sort. His first compromising exclamations he hastened to explain by declaring that he was responsible for the death of the servant Grigory only. ‘Of that bloodshed I am guilty, but who has killed my father, gentlemen, who has killed him? Who can have killed him, if not I?’ Do you hear, he asked us that, us, who had come to ask him that question! Do you hear that uttered with such premature haste—’if not I’ — the animal cunning, the naivete the Karamazov impatience of it? ‘I didn’t kill him and you mustn’t think I did! I wanted to kill him, gentlemen, I wanted to kill him,’ he hastens to admit (he was in a hurry, in a terrible hurry), ‘but still I am not guilty, it is not I murdered him.’ He concedes to us that he wanted to murder him, as though to say, you can see for yourselves how truthful I am, so you’ll believe all the sooner that I didn’t murder him. Oh, in such cases the criminal is often amazingly shallow and credulous.

“At that point one of the lawyers asked him, as it were incidentally, the most simple question, ‘Wasn’t it Smerdyakov killed him?’ Then, as we expected, he was horribly angry at our having anticipated him and caught him unawares, before he had time to pave the way to choose and snatch the moment when it would be most natural to bring in Smerdyakov’s name. He rushed at once to the other extreme, as he always does, and began to assure us that Smerdyakov could not have killed him, was not capable of it. But don’t believe him, that was only his cunning; he didn’t really give up the idea of Smerdyakov; on the contrary, he meant to bring him forward again; for, indeed, he had no one else to bring forward, but he would do that later, because for the moment that line was spoiled for him. He would bring him forward perhaps next day, or even a few days later, choosing an opportunity to cry out to us, ‘You know I was more sceptical about Smerdyakov than you, you remember that yourselves, but now I am convinced. He killed him, he must have done!’ And for the present he falls back upon a gloomy and irritable denial. Impatience and anger prompted him, however, to the most inept and incredible explanation of how he looked into his father’s window and how he respectfully withdrew. The worst of it was that he was unaware of the position of affairs, of the evidence given by Grigory.

“We proceeded to search him. The search angered, but encouraged him, the whole three thousand had not been found on him, only half of it. And no doubt only at that moment of angry silence, the fiction of the little bag first occurred to him. No doubt he was conscious himself of the improbability of the story and strove painfully to make it sound more likely, to weave it into a romance that would sound plausible. In such cases the first duty, the chief task of the investigating lawyers, is to prevent the criminal being prepared, to pounce upon him unexpectedly so that he may blurt out his cherished ideas in all their simplicity, improbability and inconsistency. The criminal can only be made to speak by the sudden and apparently incidental communication of some new fact, of some circumstance of great importance in the case, of which he had no previous idea and could not have foreseen. We had such a fact in readiness — that was Grigory’s evidence about the open door through which the prisoner had run out. He had completely forgotten about that door and had not even suspected that Grigory could have seen it.

“The effect of it was amazing. He leapt up and shouted to us, ‘Then Smerdyakov murdered him, it was Smerdyakov!’ and so betrayed the basis of the defence he was keeping back, and betrayed it in its most improbable shape, for Smerdyakov could only have committed the murder after he had knocked Grigory down and run away. When we told him that Grigory saw the door was open before he fell down, and had heard Smerdyakov behind the screen as he came out of his bedroom — Karamazov was positively crushed. My esteemed and witty colleague, Nikolay Parfenovitch, told me afterwards that he was almost moved to tears at the sight of him. And to improve matters, the prisoner hastened to tell us about the much-talked-of little bag — so be it, you shall hear this romance!

“Gentlemen of the jury, I have told you already why I consider this romance not only an absurdity, but the most improbable invention that could have been brought forward in the circumstances. If one tried for a bet to invent the most unlikely story, one could hardly find anything more incredible. The worst of such stories is that the triumphant romancers can always be put to confusion and crushed by the very details in which real life is so rich and which these unhappy and involuntary storytellers neglect as insignificant trifles. Oh, they have no thought to spare for such details, their minds are concentrated on their grand invention as a whole, and fancy anyone daring to pull them up for a trifle! But that’s how they are caught. The prisoner was asked the question, ‘Where did you get the stuff for your little bag and who made it for you?”I made it myself.”And where did you get the linen?’ The prisoner was positively offended, he thought it almost insulting to ask him such a trivial question, and would you believe it, his resentment was genuine! But they are all like that. ‘I tore it off my shirt. “Then we shall find that shirt among your linen to-morrow, with a piece torn off.’ And only fancy, gentlemen of the jury, if we really had found that torn shirt (and how could we have failed to find it in his chest of drawers or trunk?) that would have been a fact, a material fact in support of his statement! But he was incapable of that reflection. ‘I don’t remember, it may not have been off my shirt, I sewed it up in one of my landlady’s caps.”What sort of a cap?”It was an old cotton rag of hers lying about.”And do you remember that clearly?”No, I don’t.’ And he was angry, very angry, and yet imagine not remembering it! At the most terrible moments of man’s life, for instance when he is being led to execution, he remembers just such trifles. He will forget anything but some green roof that has flashed past him on the road, or a jackdaw on a cross — that he will remember. He concealed the making of that little bag from his household, he must have remembered his humiliating fear that someone might come in and find him needle in hand, how at the slightest sound he slipped behind the screen (there is a screen in his lodgings).

“But, gentlemen of the jury, why do I tell you all this, all these details, trifles?” cried Ippolit Kirillovitch suddenly. “Just because the prisoner still persists in these absurdities to this moment. He has not explained anything since that fatal night two months ago, he has not added one actual illuminating fact to his former fantastic statements; all those are trivialities. ‘You must believe it on my honour.’ Oh, we are glad to believe it, we are eager to believe it, even if only on his word of honour! Are we jackals thirsting for human blood? Show us a single fact in the prisoner’s favour and we shall rejoice; but let it be a substantial, real fact, and not a conclusion drawn from the prisoner’s expression by his own brother, or that when he beat himself on the breast he must have meant to point to the little bag, in the darkness, too. We shall rejoice at the new fact, we shall be the first to repudiate our charge, we shall hasten to repudiate it. But now justice cries out and we persist, we cannot repudiate anything.”

Ippolit Kirillovitch passed to his final peroration. He looked as though he was in a fever, he spoke of the blood that cried for vengeance, the blood of the father murdered by his son, with the base motive of robbery! He pointed to the tragic and glaring consistency of the facts.

“And whatever you may hear from the talented and celebrated counsel for the defence,” Ippolit Kirillovitch could not resist adding, “whatever eloquent and touching appeals may be made to your sensibilities, remember that at this moment you are in a temple of justice. Remember that you are the champions of our justice, the champions of our holy Russia, of her principles, her family, everything that she holds sacred! Yes, you represent Russia here at this moment, and your verdict will be heard not in this hall only but will re-echo throughout the whole of Russia, and all Russia will hear you, as her champions and her judges, and she will be encouraged or disheartened by your verdict. Do not disappoint Russia and her expectations. Our fatal troika dashes on in her headlong flight perhaps to destruction and in all Russia for long past men have stretched out imploring hands and called a halt to its furious reckless course. And if other nations stand aside from that troika that may be, not from respect, as the poet would fain believe, but simply from horror. From horror, perhaps from disgust. And well it is that they stand aside, but maybe they will cease one day to do so and will form a firm wall confronting the hurrying apparition and will check the frenzied rush of our lawlessness, for the sake of their own safety, enlightenment and civilisation. Already we have heard voices of alarm from Europe, they already begin to sound. Do not tempt them! Do not heap up their growing hatred by a sentence justifying the murder of a father by his son!

Though Ippolit Kirillovitch was genuinely moved, he wound up his speech with this rhetorical appeal — and the effect produced by him was extraordinary. When he had finished his speech, he went out hurriedly and, as I have mentioned before, almost fainted in the adjoining room. There was no applause in the court, but serious persons were pleased. The ladies were not so well satisfied, though even they were pleased with his eloquence, especially as they had no apprehensions as to the upshot of the trial and had full trust in Fetyukovitch. “He will speak at last and of course carry all before him.”

Everyone looked at Mitya; he sat silent through the whole of the prosecutor’s speech, clenching his teeth, with his hands clasped, and his head bowed. Only from time to time he raised his head and listened, especially when Grushenka was spoken of. When the prosecutor mentioned Rakitin’s opinion of her, a smile of contempt and anger passed over his face and he murmured rather audibly, “The Bernards!” When Ippolit Kirillovitch described how he had questioned and tortured him at Mokroe, Mitya raised his head and listened with intense curiosity. At one point he seemed about to jump up and cry out, but controlled himself and only shrugged his shoulders disdainfully. People talked afterwards of the end of the speech, of the prosecutor’s feat in examining the prisoner at Mokroe, and jeered at Ippolit Kirillovitch. “The man could not resist boasting of his cleverness,” they said.

The court was adjourned, but only for a short interval, a quarter of an hour or twenty minutes at most. There was a hum of conversation and exclamations in the audience. I remember some of them.

“A weighty speech,” a gentleman in one group observed gravely.

“He brought in too much psychology,” said another voice.

“But it was all true, the absolute truth!”

“Yes, he is first rate at it.”

“He summed it all up.”

“Yes, he summed us up, too,” chimed in another voice, “Do you remember, at the beginning of his speech, making out we were all like Fyodor Pavlovitch?”

“And at the end, too. But that was all rot.”

“And obscure too.”

“He was a little too much carried away.”

“It’s unjust, it’s unjust.”

“No, it was smartly done, anyway. He’s had long to wait, but he’s had his say, ha ha!”

“What will the counsel for the defence say?”

In another group I heard:

“He had no business to make a thrust at the Petersburg man like that; ‘appealing to your sensibilities’ — do you remember?”

“Yes, that was awkward of him.”

“He was in too great a hurry.”

“He is a nervous man.”

“We laugh, but what must the prisoner be feeling?”

“Yes, what must it be for Mitya?”

In a third group:

“What lady is that, the fat one, with the lorgnette, sitting at the end?”

“She is a general’s wife, divorced, I know her.”

“That’s why she has the lorgnette.”

“She is not good for much.”

“Oh no, she is a piquante little woman.”

“Two places beyond her there is a little fair woman, she is prettier.”

“They caught him smartly at Mokroe, didn’t they, eh?”

“Oh, it was smart enough. We’ve heard it before, how often he has told the story at people’s houses!

“And he couldn’t resist doing it now. That’s vanity.”

“He is a man with a grievance, he he!”

“Yes, and quick to take offence. And there was too much rhetoric, such long sentences.”

“Yes, he tries to alarm us, he kept trying to alarm us. Do you remember about the troika? Something about ‘They have Hamlets, but we have, so far, only Karamazovs!’ That was cleverly said!”