Complete Works of Emile Zola (575 page)

“It is not thought that she will, madame,” he replied.

She had no lovers: the thing was only too apparent. One had only to look at her there by the side of that daughter of hers, sitting so insignificant and constrained on her footstool. That sepulchral drawing room of hers, which exhaled odors suggestive of being in a church, spoke as plainly as words could of the iron hand, the austere mode of existence, that weighed her down. There was nothing suggestive of her own personality in that ancient abode, black with the damps of years. It was Muffat who made himself felt there, who dominated his surroundings with his devotional training, his penances and his fasts. But the sight of the little old gentleman with the black teeth and subtle smile whom he suddenly discovered in his armchair behind the group of ladies afforded him a yet more decisive argument. He knew the personage. It was Theophile Venot, a retired lawyer who had made a specialty of church cases. He had left off practice with a handsome fortune and was now leading a sufficiently mysterious existence, for he was received everywhere, treated with great deference and even somewhat feared, as though he had been the representative of a mighty force, an occult power, which was felt to be at his back. Nevertheless, his behavior was very humble. He was churchwarden at the Madeleine Church and had simply accepted the post of deputy mayor at the town house of the Ninth Arrondissement in order, as he said, to have something to do in his leisure time. Deuce take it, the countess was well guarded; there was nothing to be done in that quarter.

“You’re right, it’s enough to make one kick the bucket here,” said Fauchery to his cousin when he had made good his escape from the circle of ladies. “We’ll hook it!”

But Steiner, deserted at last by the Count Muffat and the deputy, came up in a fury. Drops of perspiration stood on his forehead, and he grumbled huskily:

“Gad! Let ‘em tell me nothing, if nothing they want to tell me. I shall find people who will talk.”

Then he pushed the journalist into a corner and, altering his tone, said in accents of victory:

“It’s tomorrow, eh? I’m of the party, my bully!”

“Indeed!” muttered Fauchery with some astonishment.

“You didn’t know about it. Oh, I had lots of bother to find her at home. Besides, Mignon never would leave me alone.”

“But they’re to be there, are the Mignons.”

“Yes, she told me so. In fact, she did receive my visit, and she invited me. Midnight punctually, after the play.”

The banker was beaming. He winked and added with a peculiar emphasis on the words:

“You’ve worked it, eh?”

“Eh, what?” said Fauchery, pretending not to understand him. “She wanted to thank me for my article, so she came and called on me.”

“Yes, yes. You fellows are fortunate. You get rewarded. By the by, who pays the piper tomorrow?”

The journalist made a slight outward movement with his arms, as though he would intimate that no one had ever been able to find out. But Vandeuvres called to Steiner, who knew M. de Bismarck. Mme du Joncquoy had almost convinced herself of the truth of her suppositions; she concluded with these words:

“He gave me an unpleasant impression. I think his face is evil. But I am quite willing to believe that he has a deal of wit. It would account for his successes.”

“Without doubt,” said the banker with a faint smile. He was a Jew from Frankfort.

Meanwhile La Faloise at last made bold to question his cousin. He followed him up and got inside his guard:

“There’s supper at a woman’s tomorrow evening? With which of them, eh? With which of them?”

Fauchery motioned to him that they were overheard and must respect the conventions here. The door had just been opened anew, and an old lady had come in, followed by a young man in whom the journalist recognized the truant schoolboy, perpetrator of the famous and as yet unforgotten “tres chic” of the Blonde Venus first night. This lady’s arrival caused a stir among the company. The Countess Sabine had risen briskly from her seat in order to go and greet her, and she had taken both her hands in hers and addressed her as her “dear Madame Hugon.” Seeing that his cousin viewed this little episode with some curiosity, La Faloise sought to arouse his interest and in a few brief phrases explained the position. Mme Hugon, widow of a notary, lived in retirement at Les Fondettes, an old estate of her family’s in the neighborhood of Orleans, but she also kept up a small establishment in Paris in a house belonging to her in the Rue de Richelieu and was now passing some weeks there in order to settle her youngest son, who was reading the law and in his “first year.” In old times she had been a dear friend of the Marquise de Chouard and had assisted at the birth of the countess, who, prior to her marriage, used to stay at her house for months at a time and even now was quite familiarly treated by her.

“I have brought Georges to see you,” said Mme Hugon to Sabine. “He’s grown, I trust.”

The young man with his clear eyes and the fair curls which suggested a girl dressed up as a boy bowed easily to the countess and reminded her of a bout of battledore and shuttlecock they had had together two years ago at Les Fondettes.

“Philippe is not in Paris?” asked Count Muffat.

“Dear me, no!” replied the old lady. “He is always in garrison at Bourges.” She had seated herself and began talking with considerable pride of her eldest son, a great big fellow who, after enlisting in a fit of waywardness, had of late very rapidly attained the rank of lieutenant. All the ladies behaved to her with respectful sympathy, and conversation was resumed in a tone at once more amiable and more refined. Fauchery, at sight of that respectable Mme Hugon, that motherly face lit up with such a kindly smile beneath its broad tresses of white hair, thought how foolish he had been to suspect the Countess Sabine even for an instant.

Nevertheless, the big chair with the red silk upholsteries in which the countess sat had attracted his attention. Its style struck him as crude, not to say fantastically suggestive, in that dim old drawing room. Certainly it was not the count who had inveigled thither that nest of voluptuous idleness. One might have described it as an experiment, marking the birth of an appetite and of an enjoyment. Then he forgot where he was, fell into brown study and in thought even harked back to that vague confidential announcement imparted to him one evening in the dining room of a restaurant. Impelled by a sort of sensuous curiosity, he had always wanted an introduction into the Muffats’ circle, and now that his friend was in Mexico through all eternity, who could tell what might happen? “We shall see,” he thought. It was a folly, doubtless, but the idea kept tormenting him; he felt himself drawn on and his animal nature aroused. The big chair had a rumpled look — its nether cushions had been tumbled, a fact which now amused him.

“Well, shall we be off?” asked La Faloise, mentally vowing that once outside he would find out the name of the woman with whom people were going to sup.

“All in good time,” replied Fauchery.

But he was no longer in any hurry and excused himself on the score of the invitation he had been commissioned to give and had as yet not found a convenient opportunity to mention. The ladies were chatting about an assumption of the veil, a very touching ceremony by which the whole of Parisian society had for the last three days been greatly moved. It was the eldest daughter of the Baronne de Fougeray, who, under stress of an irresistible vocation, had just entered the Carmelite Convent. Mme Chantereau, a distant cousin of the Fougerays, told how the baroness had been obliged to take to her bed the day after the ceremony, so overdone was she with weeping.

“I had a very good place,” declared Leonide. “I found it interesting.”

Nevertheless, Mme Hugon pitied the poor mother. How sad to lose a daughter in such a way!

“I am accused of being overreligious,” she said in her quiet, frank manner, “but that does not prevent me thinking the children very cruel who obstinately commit such suicide.”

“Yes, it’s a terrible thing,” murmured the countess, shivering a little, as became a chilly person, and huddling herself anew in the depths of her big chair in front of the fire.

Then the ladies fell into a discussion. But their voices were discreetly attuned, while light trills of laughter now and again interrupted the gravity of their talk. The two lamps on the chimney piece, which had shades of rose-colored lace, cast a feeble light over them while on scattered pieces of furniture there burned but three other lamps, so that the great drawing room remained in soft shadow.

Steiner was getting bored. He was describing to Fauchery an escapade of that little Mme de Chezelles, whom he simply referred to as Leonide. “A blackguard woman,” he said, lowering his voice behind the ladies’ armchairs. Fauchery looked at her as she sat quaintly perched, in her voluminous ball dress of pale blue satin, on the corner of her armchair. She looked as slight and impudent as a boy, and he ended by feeling astonished at seeing her there. People comported themselves better at Caroline Hequet’s, whose mother had arranged her house on serious principles. Here was a perfect subject for an article. What a strange world was this world of Paris! The most rigid circles found themselves invaded. Evidently that silent Theophile Venot, who contented himself by smiling and showing his ugly teeth, must have been a legacy from the late countess. So, too, must have been such ladies of mature age as Mme Chantereau and Mme du Joncquoy, besides four or five old gentlemen who sat motionless in corners. The Count Muffat attracted to the house a series of functionaries, distinguished by the immaculate personal appearance which was at that time required of the men at the Tuileries. Among others there was the chief clerk, who still sat solitary in the middle of the room with his closely shorn cheeks, his vacant glance and his coat so tight of fit that he could scarce venture to move. Almost all the young men and certain individuals with distinguished, aristocratic manners were the Marquis de Chouard’s contribution to the circle, he having kept touch with the Legitimist party after making his peace with the empire on his entrance into the Council of State. There remained Leonide de Chezelles and Steiner, an ugly little knot against which Mme Hugon’s elderly and amiable serenity stood out in strange contrast. And Fauchery, having sketched out his article, named this last group “Countess Sabine’s little clique.”

“On another occasion,” continued Steiner in still lower tones, “Leonide got her tenor down to Montauban. She was living in the Chateau de Beaurecueil, two leagues farther off, and she used to come in daily in a carriage and pair in order to visit him at the Lion d’Or, where he had put up. The carriage used to wait at the door, and Leonide would stay for hours in the house, while a crowd gathered round and looked at the horses.”

There was a pause in the talk, and some solemn moments passed silently by in the lofty room. Two young men were whispering, but they ceased in their turn, and the hushed step of Count Muffat was alone audible as he crossed the floor. The lamps seemed to have paled; the fire was going out; a stern shadow fell athwart the old friends of the house where they sat in the chairs they had occupied there for forty years back. It was as though in a momentary pause of conversation the invited guests had become suddenly aware that the count’s mother, in all her glacial stateliness, had returned among them.

But the Countess Sabine had once more resumed:

“Well, at last the news of it got about. The young man was likely to die, and that would explain the poor child’s adoption of the religious life. Besides, they say that Monsieur de Fougeray would never have given his consent to the marriage.”

“They say heaps of other things too,” cried Leonide giddily.

She fell a-laughing; she refused to talk. Sabine was won over by this gaiety and put her handkerchief up to her lips. And in the vast and solemn room their laughter sounded a note which struck Fauchery strangely, the note of delicate glass breaking. Assuredly here was the first beginning of the “little rift.” Everyone began talking again. Mme du Joncquoy demurred; Mme Chantereau knew for certain that a marriage had been projected but that matters had gone no further; the men even ventured to give their opinions. For some minutes the conversation was a babel of opinions, in which the divers elements of the circle, whether Bonapartist or Legitimist or merely worldly and skeptical, appeared to jostle one another simultaneously. Estelle had rung to order wood to be put on the fire; the footman turned up the lamps; the room seemed to wake from sleep. Fauchery began smiling, as though once more at his ease.

“Egad, they become the brides of God when they couldn’t be their cousin’s,” said Vandeuvres between his teeth.

The subject bored him, and he had rejoined Fauchery.

“My dear fellow, have you ever seen a woman who was really loved become a nun?”

He did not wait for an answer, for he had had enough of the topic, and in a hushed voice:

“Tell me,” he said, “how many of us will there be tomorrow? There’ll be the Mignons, Steiner, yourself, Blanche and I; who else?”

“Caroline, I believe, and Simonne and Gaga without doubt. One never knows exactly, does one? On such occasions one expects the party will number twenty, and you’re really thirty.”

Vandeuvres, who was looking at the ladies, passed abruptly to another subject:

“She must have been very nice-looking, that Du Joncquoy woman, some fifteen years ago. Poor Estelle has grown lankier than ever. What a nice lath to put into a bed!”

But interrupting himself, he returned to the subject of tomorrow’s supper.

“What’s so tiresome of those shows is that it’s always the same set of women. One wants a novelty. Do try and invent a new girl. By Jove, happy thought! I’ll go and beseech that stout man to bring the woman he was trotting about the other evening at the Varietes.”

He referred to the chief clerk, sound asleep in the middle of the drawing room. Fauchery, afar off, amused himself by following this delicate negotiation. Vandeuvres had sat himself down by the stout man, who still looked very sedate. For some moments they both appeared to be discussing with much propriety the question before the house, which was, “How can one discover the exact state of feeling that urges a young girl to enter into the religious life?” Then the count returned with the remark: