Complete Fictional Works of Washington Irving (Illustrated) (493 page)

BOOK: Complete Fictional Works of Washington Irving (Illustrated)
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“I have lost confidence in the favorable disposition of my countrymen, and look forward to cold scrutiny and stern criticism, and this is a line of writing in which I have not hitherto ascertained my own powers. Could I afford it, I should like to write, and to lay my writings aside when finished. There is an independent delight in study and in the creative exercise of the pen; we live in a world of dreams, but publication lets in the noisy rabble of the world, and there is an end of our dreaming.”

In a letter to Brevoort, February 23, 1828, he fears that he can never regain:

“that delightful confidence which I once enjoyed of not the good opinion, but the good will, of my countrymen. To me it is always ten times more gratifying to be liked than to be admired; and I confess to you, though I am a little too proud to confess it to the world, the idea that the kindness of my countrymen toward me was withering caused me for a long time the most weary depression of spirits, and disheartened me from making any literary exertions.”

It has been a popular notion that Irving’s career was uniformly one of ease. In this same letter he exclaims: “With all my exertions, I seem always to keep about up to my chin in troubled water, while the world, I suppose, thinks I am sailing smoothly, with wind and tide in my favor.”

In a subsequent letter to Brevoort, dated at Seville, December 26, 1828, occurs almost the only piece of impatience and sarcasm that this long correspondence affords. “Columbus” had succeeded beyond his expectation, and its popularity was so great that some enterprising American had projected an abridgment, which it seems would not be protected by the copyright of the original. Irving writes:

“I have just sent to my brother an abridgment of ‘Columbus’ to be published immediately, as I find some paltry fellow is pirating an abridgment. Thus every line of life has its depredation. ‘There be land rats and water rats, land pirates and water pirates, — I mean thieves,’ as old Shylock says. I feel vexed at this shabby attempt to purloin this work from me, it having really cost me more toil and trouble than all my other productions, and being one that I trusted would keep me current with my countrymen; but we are making rapid advances in literature in America, and have already attained many of the literary vices and diseases of the old countries of Europe. We swarm with reviewers, though we have scarce original works sufficient for them to alight and prey upon, and we closely imitate all the worst tricks of the trade and of the craft in England. Our literature, before long, will be like some of those premature and aspiring whipsters, who become old men before they are young ones, and fancy they prove their manhood by their profligacy and their diseases.”

But the work had an immediate, continued, and deserved success. It was critically contrasted with Robertson’s account of Columbus, and it is open to the charge of too much rhetorical color here and there, and it is at times too diffuse; but its substantial accuracy is not questioned, and the glow of the narrative springs legitimately from the romance of the theme. Irving understood, what our later historians have fully appreciated, the advantage of vivid individual portraiture in historical narrative. His conception of the character and mission of Columbus is largely outlined, but firmly and most carefully executed, and is one of the noblest in literature. I cannot think it idealized, though it required a poetic sensibility to enter into sympathy with the magnificent dreamer, who was regarded by his own generation as the fool of an idea. A more prosaic treatment would have utterly failed to represent that mind, which existed from boyhood in an ideal world, and, amid frustrated hopes, shattered plans, and ignoble returns for his sacrifices, could always rebuild its glowing projects and conquer obloquy and death itself with immortal anticipations.

Towards the close of his residence in Spain, Irving received unexpectedly the appointment of Secretary of Legation to the Court of St. James, at which Louis McLane was American Minister; and after some hesitation, and upon the urgency of his friends, he accepted it. He was in the thick of literary projects. One of these was the History of the Conquest of Mexico, which he afterwards surrendered to Mr. Prescott, and another was the “Life of Washington,” which was to wait many years for fulfillment. His natural diffidence and his reluctance to a routine life made him shrink from the diplomatic appointment; but once engaged in it, and launched again in London society, he was reconciled to the situation. Of honors there was no lack, nor of the adulation of social and literary circles. In April, 1830, the Royal Society of Literature awarded him one of the two annual gold medals placed at the disposal of the society by George IV., to be given to authors of literary works of eminent merit, the other being voted to the historian Hallam; and this distinction was followed by the degree of D. C. L. from the University of Oxford, — a title which the modest author never used.

VIII. RETURN TO AMERICA — SUNNYSIDE — THE MISSION TO MADR
ID

In 1831 Mr. Irving was thrown, by his diplomatic position, into the thick of the political and social tumult, when the Reform Bill was pending and war was expected in Europe. It is interesting to note that for a time he laid aside his attitude of the dispassionate observer, and caught the general excitement. He writes in March, expecting that the fate of the cabinet will be determined in a week, looking daily for decisive news from Paris, and fearing dismal tidings from Poland. “However,” he goes on to say in a vague way, “the great cause of all the world will go on. What a stirring moment it is to live in! I never took such intense interest in newspapers. It seems to me as if life were breaking out anew with me, or that I were entering upon quite a new and almost unknown career of existence, and I rejoice to find sensibilities, which were waning as to many objects of past interest, reviving with all their freshness and vivacity at the scenes and prospects opening around me.” He expects the breaking of the thraldom of falsehood woven over the human mind; and, more definitely, hopes that the Reform Bill will prevail. Yet he is oppressed by the gloom hanging over the booksellers’ trade, which he thinks will continue until reform and cholera have passed away.

During the last months of his residence in England, the author renewed his impressions of Stratford (the grateful landlady of the Red Horse Inn showed him a poker which was locked up among the treasures of her house, on which she had caused to be engraved “Geoffrey Crayon’s Sceptre”); spent some time at Newstead Abbey; and had the sorrowful pleasure in London of seeing Scott once more, and for the last time. The great novelist, in the sad eclipse of his powers, was staying in the city, on his way to Italy, and Mr. Lockhart asked Irving to dine with him. It was but a melancholy repast. “Ah,” said Scott, as Irving gave him his arm, after dinner, “the times are changed, my good fellow, since we went over the Eildon Hills together. It is all nonsense to tell a man that his mind is not affected when his body is in this state.”

Irving retired from the legation in September, 1831, to return home, the longing to see his native land having become intense; but his arrival in New York was delayed till May, 1832.

If he had any doubts of the sentiments of his countrymen toward him, his reception in New York dissipated them. America greeted her most famous literary man with a spontaneous outburst of love and admiration. The public banquet in New York, that was long remembered for its brilliancy, was followed by the tender of the same tribute in other cities, an honor which his unconquerable shrinking from this kind of publicity compelled him to decline.

The “Dutch Herodotus, Diedrich Knickerbocker,” to use the phrase of a toast, having come out of one such encounter with fair credit, did not care to tempt Providence further. The thought of making a dinner-table speech threw him into a sort of whimsical panic, — a noble infirmity, which characterized also Hawthorne and Thackeray.

The enthusiasm manifested for the homesick author was equaled by his own for the land and the people he supremely loved. Nor was his surprise at the progress made during seventeen years less than his delight in it. His native place had become a city of two hundred thousand inhabitants; the accumulation of wealth and the activity of trade astonished him, and the literary stir was scarcely less unexpected. The steamboat had come to be used, so that he seemed to be transported from place to place by magic; and on a near view the politics of America seemed not less interesting than those of Europe. The nullification battle was set; the currency conflict still raged; it was a time of inflation and land speculation; the West, every day more explored and opened, was the land of promise for capital and energy. Fortunes were made in a day by buying lots in “paper towns.” Into some of these speculations Irving put his savings; the investments were as permanent as they were unremunerative.

Irving’s first desire, however, on his recovery from the state of astonishment into which these changes plunged him, was to make himself thoroughly acquainted with the entire country and its development. To this end he made an extended tour in the South and West, which passed beyond the bounds of frontier settlement. The fruit of his excursion into the Pawnee country, on the waters of the Arkansas, a region untraversed by white men, except solitary trappers, was “A Tour on the Prairies,” a sort of romance of reality, which remains to-day as good a description as we have of hunting adventure on the plains. It led also to the composition of other books on the West, which were more or less mere pieces of book-making for the market.

Our author was far from idle. Indeed, he could not afford to be. Although he had received considerable sums from his books, and perhaps enough for his own simple wants, the responsibility of the support of his two brothers, Peter and Ebenezer, and several nieces, devolved upon him. And, besides, he had a longing to make himself a home, where he could pursue his calling undisturbed, and indulge the sweets of domestic and rural life, which of all things lay nearest his heart. And these two undertakings compelled him to be diligent with his pen to the end of his life. The spot he chose for his “Roost” was a little farm on the bank of the river at Tarrytown, close to his old Sleepy Hollow haunt, one of the loveliest, if not the most picturesque, situations on the Hudson. At first he intended nothing more than a summer retreat, inexpensive and simply furnished. But his experience was that of all who buy, and renovate, and build. The farm had on it a small stone Dutch cottage, built about a century before, and inhabited by one of the Van Tassels. This was enlarged, still preserving the quaint Dutch characteristics; it acquired a tower and a whimsical weathercock, the delight of the owner (“it was brought from Holland by Gill Davis, the King of Coney Island, who says he got it from a windmill which they were demolishing at the gate of Rotterdam, which windmill has been mentioned in ‘Knickerbocker’”), and became one of the most snug and picturesque residences on the river. When the slip of Melrose ivy, which was brought over from Scotland by Mrs. Renwick and given to the author, had grown and well overrun it, the house, in the midst of sheltering groves and secluded walks, was as pretty a retreat as a poet could desire. But the little nook proved to have an insatiable capacity for swallowing up money, as the necessities of the author’s establishment increased: there was always something to be done to the grounds; some alterations in the house; a greenhouse, a stable, a gardener’s cottage, to be built, — and to the very end the outlay continued. The cottage necessitated economy in other personal expenses, and incessant employment of his pen. But Sunnyside, as the place was named, became the dearest spot on earth to him; it was his residence, from which he tore himself with reluctance, and to which he returned with eager longing; and here, surround by relatives whom he loved, he passed nearly all the remainder of his years, in as happy conditions, I think, as a bachelor ever enjoyed. His intellectual activity was unremitting, he had no lack of friends, there was only now and then a discordant note in the general estimation of his literary work, and he was the object of the most tender care from his nieces. Already, he writes, in October, 1838, “my little cottage is well stocked. I have Ebenezer’s five girls, and himself also, whenever he can be spared from town; sister Catherine and her daughter; Mr. Davis occasionally, with casual visits from all the rest of our family connection. The cottage, therefore, is never lonely.” I like to dwell in thought upon this happy home, a real haven of rest after many wanderings; a seclusion broken only now and then by enforced absence, like that in Madrid as minister, but enlivened by many welcome guests. Perhaps the most notorious of these was a young Frenchman, a “somewhat quiet guest,” who, after several months’ imprisonment on board a French man-of-war, was set on shore at Norfolk, and spent a couple of months in New York and its vicinity, in 1837. This visit was vividly recalled by Irving in a letter to his sister, Mrs. Storrow, who was in Paris in 1853, and had just been presented at court:

“Louis Napoleon and Eugenie Montijo, Emperor and Empress of France! one of whom I have had a guest at my cottage on the Hudson; the other, whom, when a child, I have had on my knee at Granada. It seems to cap the climax of the strange dramas of which Paris has been the theatre during my lifetime. I have repeatedly thought that each grand coup de theatre would be the last that would occur in my time; but each has been succeeded by another equally striking; and what will be the next, who can conjecture? “The last time I saw Eugenie Montijo she was one of the reigning belles of Madrid; and she and her giddy circle had swept away my charming young friend, the beautiful and accomplished —— —— , into their career of fashionable dissipation. Now Eugenie is upon a throne, and a voluntary recluse in a convent of one of the most rigorous orders! Poor —— ! Perhaps, however, her fate may ultimately be the happiest of the two. ‘The storm’ with her ‘is o’er, and she’s at rest;’ but the other is launched upon a returnless shore, on a dangerous sea, infamous for its tremendous shipwrecks. Am I to live to see the catastrophe of her career, and the end of this suddenly conjured-up empire, which seems to ‘be of such stuff as dreams are made of’?”

As we have seen, the large sums Irving earned by his pen were not spent in selfish indulgence. His habits and tastes were simple, and little would have sufficed for his individual needs. He cared not much for money, and seemed to want it only to increase the happiness of those who were confided to his care. A man less warm-hearted and more selfish, in his circumstances, would have settled down to a life of more ease and less responsibility.

To go back to the period of his return to America. He was now past middle life, having returned to New York in his fiftieth year. But he was in the full flow of literary productiveness. I have noted the dates of his achievements, because his development was somewhat tardy compared that of many of his contemporaries; but he had the “staying” qualities. The first crop of his mind was of course the most original; time and experience had toned down his exuberant humor; but the spring of his fancy was as free, his vigor was not abated, and his art was more refined. Some of his best work was yet to be done.

And it is worthy of passing mention, in regard to his later productions, that his admirable sense of literary proportion, which is wanting in many good writers, characterized his work to the end.

High as his position as a man of letters was at this time, the consideration in which he was held was much broader than that, — it was that of one of the first citizens of the Republic. His friends, readers, and admirers were not merely the literary class and the general public, but included nearly all the prominent statesmen of the time. Almost any career in public life would have been open to him if he had lent an ear to their solicitations. But political life was not to his taste, and it would have been fatal to his sensitive spirit. It did not require much self-denial, perhaps, to decline the candidacy for mayor of New York, or the honor of standing for Congress; but he put aside also the distinction of a seat in Mr. Van Buren’s cabinet as Secretary of the Navy. His main reason for declining it, aside from a diffidence in his own judgment in public matters, was his dislike of the turmoil of political life in Washington, and his sensitiveness to personal attacks which beset the occupants of high offices. But also he had come to a political divergence with Mr. Van Buren. He liked the man, — he liked almost everybody, — and esteemed him as a friend, but he apprehended trouble from the new direction of the party in power. Irving was almost devoid of party prejudice, and he never seemed to have strongly marked political opinions. Perhaps his nearest confession to a creed is contained in a letter he wrote to a member of the House of Representatives, Gouverneur Kemble, a little time before the offer of a position in the cabinet, in which he said that he did not relish some points of Van Buren’s policy, nor believe in the honesty of some of his elbow counselors. I quote a passage from it:

“As far as I know my own mind, I am thoroughly a republican, and attached, from complete conviction, to the institutions of my country; but I am a republican without gall, and have no bitterness in my creed. I have no relish for Puritans, either in religion or politics, who are for pushing principles to an extreme, and for overturning everything that stands in the way of their own zealous career.... Ours is a government of compromise. We have several great and distinct interests bound up together, which, if not separately consulted and severally accommodated, may harass and impair each other.... I always distrust the soundness of political councils that are accompanied by acrimonious and disparaging attacks upon any great class of our fellow-citizens. Such are those urged to the disadvantage of the great trading and financial classes of our country.”

During the ten years preceding his mission to Spain, Irving kept fagging away at the pen, doing a good deal of miscellaneous and ephemeral work. Among his other engagements was that of regular contributor to the “Knickerbocker Magazine,” for a salary of two thousand dollars. He wrote the editor that he had observed that man, as he advances in life, is subject to a plethora of the mind, occasioned by an accumulation of wisdom upon the brain, and that he becomes fond of telling long stories and doling out advice, to the annoyance of his friends. To avoid becoming the bore of the domestic circle, he proposed to ease off this surcharge of the intellect by inflicting his tediousness on the public through the pages of the periodical. The arrangement brought reputation to the magazine (which was published in the days when the honor of being in print was supposed by the publisher to be ample compensation to the scribe), but little profit to Mr. Irving. During this period he interested himself in an international copyright, as a means of fostering our young literature. He found that a work of merit, written by an American who had not established a commanding name in the market, met very cavalier treatment from our publishers, who frankly said that they need not trouble themselves about native works, when they could pick up every day successful books from the British press, for which they had to pay no copyright. Irving’s advocacy of the proposed law was entirely unselfish, for his own market was secure.

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