Complete Fictional Works of Washington Irving (Illustrated) (314 page)

BOOK: Complete Fictional Works of Washington Irving (Illustrated)
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CHAPTER XCII
I.

HOW QUEEN ISABELLA TOOK A VIEW OF THE CITY OF GRANADA, AND HOW HER CURIOSITY COST THE LIVES OF MANY CHRISTIANS AND MOORS.

The royal encampment lay so distant from Granada that the general aspect of the city only could be seen as it rose gracefully from the Vega, covering the sides of the hills with palaces and towers. Queen Isabella had expressed an earnest desire to behold nearer at hand a city whose beauty was so renowned throughout the world; and the marques of Cadiz, with his accustomed courtesy, prepared a great military escort and guard to protect her and the ladies of the court while they enjoyed this perilous gratification.

On the morning of June the 18th a magnificent and powerful train issued from the Christian camp. The advanced guard was composed of legions of cavalry, heavily armed, looking like moving masses of polished steel. Then came the king and queen, with the prince and princess and the ladies of the court, surrounded by the royal bodyguard, sumptuously arrayed, composed of the sons of the most illustrious houses of Spain; after these was the rearguard, a powerful force of horse and foot, for the flower of the army sallied forth that day. The Moors gazed with fearful admiration at this glorious pageant, wherein the pomp of the court was mingled with the terrors of the camp. It moved along in radiant line across the Vega to the melodious thunders of martial music, while banner and plume and silken scarf and rich brocade gave a gay and gorgeous relief to the grim visage of iron war that lurked beneath.

The army moved toward the hamlet of Zubia, built on the skirts of the mountain to the left of Granada, and commanding a view of the Alhambra and the most beautiful quarter of the city. As they approached the hamlet the marques of Villena, the count Urena, and Don Alonso de Aguilar fled off with their battalions, and were soon seen glittering along the side of the mountain above the village. In the mean time, the marques of Cadiz, the count de Tendilla, the count de Cabra, and Don Alonso Fernandez, senior of Alcaudrete and Montemayor, drew up their forces in battle array on the plain below the hamlet, presenting a living barrier of loyal chivalry between the sovereigns and the city.

Thus securely guarded, the royal party alighted, and, entering one of the houses of the hamlet which had been prepared for their reception, enjoyed a full view of the city from its terraced roof. The ladies of the court gazed with delight at the red towers of the Alhambra rising from amid shady groves, anticipating the time when the Catholic sovereigns should be enthroned within its walls and its courts shine with the splendor of Spanish chivalry. “The reverend prelates and holy friars who always surrounded the queen looked with serene satisfaction,” says Fray Antonio Agapida, “at this modern Babylon, enjoying the triumph that awaited them when those mosques and minarets should be converted into churches, and goodly priests and bishops should succeed to the infidel alfaquis.”

When the Moors beheld the Christians thus drawn forth in full array in the plain, they supposed it was to offer battle, and hesitated not to accept it. In a little while the queen beheld a body of Moorish cavalry pouring into the Vega, the riders managing their fleet and fiery steeds with admirable address. They were richly armed and clothed in the most brilliant colors, and the caparisons of their steeds flamed with gold and embroidery. This was the favorite squadron of Muza, composed of the flower of the youthful cavaliers of Granada. Others succeeded, some heavily armed, others “a la gineta” with lance and buckler, and lastly came the legions of foot-soldiers with arquebuse and crossbow and spear and scimetar.

When the queen saw this army issuing from the city she sent to the marques of Cadiz, and forbade any attack upon the enemy or the acceptance of any challenge to a skirmish, for she was loth that her curiosity should cost the life of a single human being.

The marques promised to obey, though sorely against his will, and it grieved the spirit of the Spanish cavaliers to be obliged to remain with sheathed sword’s while bearded by the foe. The Moors could not comprehend the meaning of this inaction of the Christians after having apparently invited a battle. They sallied several times from their ranks, and approached near enough to discharge their arrows, but the Christians were immovable. Many of the Moorish horsemen galloped close to the Christian ranks, brandishing their lances and scimetars and defying various cavaliers to single combat; but Ferdinand had rigorously prohibited all duels of the kind, and they dared not transgress his orders under his very eye.

Here, however, the worthy Fray Antonio Agapida, in his enthusiasm for the triumphs of the faith, records the following incident, which we fear is not sustained by any grave chronicler of the times, but rests merely on tradition or the authority of certain poets and dramatic writers who have perpetuated the tradition in their works: While this grim and reluctant tranquillity prevailed along the Christian line, says Agapida, there rose a mingled shout and sound of laughter near the gate of the city. A Moorish horseman, armed at all points, issued forth, followed by a rabble who drew back as he approached the scene of danger. The Moor was more robust and brawny than was common with his countrymen. His visor was closed; he bore a huge buckler and a ponderous lance; his scimetar was of a Damascus blade, and his richly ornamented dagger was wrought by an artificer of Fez. He was known by his device to be Tarfe, the most insolent yet valiant of the Moslem warriors — the same who had hurled into the royal camp his lance inscribed to the queen. As he rode slowly along in front of the army his very steed, prancing with fiery eye and distended nostril, seemed to breathe defiance to the Christians.

But what were the feelings of the Spanish cavaliers when they beheld, tied to the tail of his steed and dragged in the dust, the very inscription—”AVE MARIA” — which Hernan Perez del Pulgar had affixed to the door of the mosque! A burst of horror and indignation broke forth from the army. Hernan was not at hand to maintain his previous achievement, but one of his young companions-in-arms, Garcilasso de la Vega by name, putting spurs to his horse, galloped to the hamlet of Zubia, threw himself on his knees before the king, and besought permission to accept the defiance of this insolent infidel and to revenge the insult offered to our Blessed Lady. The request was too pious to be refused. Garcilasso remounted his steed, closed his helmet, graced by four sable plumes, grasped his buckler of Flemish workmanship and his lance of matchless temper, and defied the haughty Moor in the midst of his career. A combat took place in view of the two armies and of the Castilian court. The Moor was powerful in wielding his weapons and dextrous in managing his steed. He was of larger frame than Garcilasso, and more completely armed, and the Christians trembled for their champion. The shock of their encounter was dreadful; their lances were shivered, and sent up splinters in the air. Garcilasso was thrown back in his saddle: his horse made a wide career before he could recover, gather up the reins, and return to the conflict. They now encountered each other with swords. The Moor circled round his opponent as a hawk circles where about to make a swoop; his steed obeyed his rider with matchless quickness; at every attack of the infidel it seemed as if the Christian knight must sink beneath his flashing scimetar. But if Garcilasso was inferior to him in power, he was superior in agility: many of his blows he parried; others he received upon his Flemish shield, which was proof against the Damascus blade. The blood streamed from numerous wounds received by either warrior. The Moor, seeing his antagonist exhausted, availed himself of his superior force, and, grappling, endeavored to wrest him from his saddle. They both fell to earth: the Moor placed his knee upon the breast of his victim, and, brandishing his dagger, aimed a blow at his throat. A cry of despair was uttered by the Christian warriors, when suddenly they beheld the Moor rolling lifeless in the dust. Garcilasso had shortened his sword, and as his adversary raised his arm to strike had pierced him to the heart. “It was a singular and miraculous victory,” says Fray Antonio Agapida; “but the Christian knight was armed by the sacred nature of his cause, and the Holy Virgin gave him strength, like another David, to slay this gigantic champion of the Gentiles.”

The laws of chivalry were observed throughout the combat — no one interfered on either side. Garcilasso now despoiled his adversary; then, rescuing the holy inscription of “AVE MARIA” from its degrading situation, he elevated it on the point of his sword, and bore it on as a signal of triumph amid the rapturous shouts of the Christian army.*

* The above incident has been commemorated in old Spanish ballads,

and made the subject of a scene in an old Spanish drama ascribed by some

to Lope de Vega.

The sun had now reached the meridian, and the hot blood of the Moors was inflamed by its rays and by the sight of the defeat of their champion. Muza ordered two pieces of ordnance to open a fire upon the Christians. A confusion was produced in one part of their ranks: Muza called to the chiefs of the army, “Let us waste no more time in empty challenges — let us charge upon the enemy: he who assaults has always an advantage in the combat.” So saying, he rushed forward, followed by a large body of horse and foot, and charged so furiously upon the advance guard of the Christians that he drove it in upon the battalion of the marques of Cadiz.

The gallant marques now considered himself absolved from all further obedience to the queen’s commands. He gave the signal to attack, “Santiago!” was shouted along the line, and he pressed forward to the encounter with his battalion of twelve hundred lances. The other cavaliers followed his example, and the battle instantly became general.

When the king and queen beheld the armies thus rushing to the combat, they threw themselves on their knees and implored the Holy Virgin to protect her faithful warriors. The prince and princess, the ladies of the court, and the prelates and friars who were present did the same, and the effect of the prayers of these illustrious and saintly persons was immediately apparent. The fierceness with which the Moors had rushed to the attack was suddenly cooled; they were bold and adroit for a skirmish, but unequal to the veteran Spaniards in the open field. A panic seized upon the foot-soldiers; they turned and took to flight. Muza and his cavaliers in vain endeavored to rally them. Some took refuge in the mountains, but the greater part fled to the city in such confusion that they overturned and trampled upon each other. The Christians pursued them to the very gates. Upward of two thousand were either killed, wounded, or taken prisoners, and the two pieces of ordnance were brought off as trophies of the victory. Not a Christian lance but was bathed that day in the blood of an infidel.*

* Cura de los Palacios, cap. 101; Zurita, lib. 20, c. 88.

Such was the brief but bloody action which was known among the Christian warriors by the name of “the Queen’s Skirmish;” for when the marques of Cadiz waited upon Her Majesty to apologize for breaking her commands, he attributed the victory entirely to her presence. The queen, however, insisted that it was all owing to her troops being led on by so valiant a commander. Her Majesty had not yet recovered from her agitation at beholding so terrible a scene of bloodshed, though certain veterans present pronounced it as gay and gentle a skirmish as they had ever witnessed.

The gayety of this gentle pass at arms, however, was somewhat marred by a rough reverse in the evening. Certain of the Christian cavaliers, among whom were the count de Urena, Don Alonso Aguilar, his brother Gonsalvo of Cordova, Diego Castrillo, commander of Calatrava, and others to the number of fifty, remained in ambush near Armilla, expecting the Moors would sally forth at night to visit the scene of battle and to bury their dead. They were discovered by a Moor who had climbed an elm tree to reconnoitre, and who hastened into the city to give notice of their ambush. Scarce had night fallen when the cavaliers found themselves surrounded by a host which in the darkness seemed innumerable. The Moors attacked them with sanguinary fury to revenge the disgrace of the morning. The cavaliers fought to every disadvantage, overwhelmed by numbers, ignorant of the ground, perplexed by thickets and by the watercourses of the gardens, the sluices of which were all thrown open. Even retreat was difficult. The count de Urena was surrounded and in imminent peril, from which he was saved by two of his faithful followers at the sacrifice of their lives. Several cavaliers lost their horses, and were themselves put to death in the watercourses. Gonsalvo of Cordova came near having his own illustrious career cut short in this obscure skirmish. He had fallen into a watercourse, whence he extricated himself, covered with mud and so encumbered with his armor that he could not retreat. Inigo de Mendoza, a relative of his brother Alonso, seeing his peril, offered him his horse. “Take it, senor,” said he, “for you cannot save yourself on foot, and I can; but should I fall take care of my wife and daughters.”

Gonsalvo accepted the devoted offer, mounted the horse, and had made but few paces when a lamentable cry caused him to turn his head, and he beheld the faithful Mendoza transfixed by Moorish lances. The four principal cavaliers already named, with several of their followers, effected their retreat and reached the camp in safety; but this nocturnal reverse obscured the morning’s triumph. Gonsalvo remembered the last words of the devoted Mendoza, and bestowed a pension on his widow and marriage portions on his daughters.*

* The account of this nocturnal affair is from Peter Martyr, lib. 4,

Epist. 90, and Pulgar, Hazanas del Gran Capitan, page 188, as cited by

Alcantara, Hist. Granada, tom. 4, cap. 18.

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