Complete Fictional Works of Washington Irving (Illustrated) (198 page)

“I arrived at Bayonne, on my way to Spain, on the following Friday. At midnight I was startled from my sleep, as I had formerly been; but it was no longer by the vision of the dying commander. It was old Foulques Taillefer who stood before me, armed cap-à-pie, and presenting the point of his sword. I made the sign of the cross, and the spectre vanished, but I received the same red-hot thrust in the heart which I had felt in the armory, and I seemed to be bathed in blood. I would have called out, or have arisen from my bed and gone in quest of succor, but I could neither speak nor stir. This agony endured until the crowing of the cock, when I fell asleep again; but the next day I was ill, and in a most pitiable state. I have continued to be harassed by the same vision every Friday night; no acts of penitence and devotion have been able to relieve me from it; and it is only a lingering hope in divine mercy, that sustains me, and enables me to support so lamentable a visitation.”

*

The Grand Prior of Minorca wasted gradually away under this constant remorse of conscience, and this horrible incubus. He died some time after having revealed the preceding particulars of his case, evidently the victim of a diseased imagination.

The above relation has been rendered, in many parts literally, from the French memoir, in which it is given as a true story: if so, it is one of those instances in which truth is more romantic than fiction.

*

LEGEND OF THE ENGULPHED CONVEN
T
.

BY GEOFFREY CRAYON, GENT.

At the dark and melancholy period when Don Roderick the Goth and his chivalry were overthrown on the banks of the Guadalete, and all Spain was overrun by the Moors, great was the devastation of churches and convents throughout that pious kingdom. The miraculous fate of one of those holy piles is thus recorded in one of the authentic legends of those days.

On the summit of a hill, not very distant from the capital city of Toledo, stood an ancient convent and chapel, dedicated to the invocation of Saint Benedict, and inhabited by a sisterhood of Benedictine nuns. This holy asylum was confined to females of noble lineage. The younger sisters of the highest families were here given in religious marriage to their Saviour, in order that the portions of their elder sisters might be increased, and they enabled to make suitable matches on earth, or that the family wealth might go undivided to elder brothers, and the dignity of their ancient houses be protected from decay. The convent was renowned, therefore, for enshrining within its walls a sisterhood of the purest blood, the most immaculate virtue, and most resplendent beauty, of all Gothic Spain.

When the Moors overran the kingdom, there was nothing that more excited their hostility than these virgin asylums. The very sight of a convent-spire was sufficient to set their Moslem blood in a foment, and they sacked it with as fierce a zeal as though the sacking of a nunnery were a sure passport to Elysium.

Tidings of such outrages committed in various parts of the kingdom reached this noble sanctuary and filled it with dismay. The danger came nearer and nearer; the infidel hosts were spreading all over the country; Toledo itself was captured; there was no flying from the convent, and no security within its walls.

In the midst of this agitation, the alarm was given one day that a great band of Saracens were spurring across the plain. In an instant the whole convent was a scene of confusion. Some of the nuns wrung their fair hands at the windows; others waved their veils and uttered shrieks from the tops of the towers, vainly hoping to draw relief from a country overrun by the foe. The sight of these innocent doves thus fluttering about their dovecote, but increased the zealot fury of the whiskered Moors. They thundered at the portal, and at every blow the ponderous gates trembled on their hinges.

The nuns now crowded round the abbess. They had been accustomed to look up to her as all-powerful, and they now implored her protection. The mother abbess looked with a rueful eye upon the treasures of beauty and vestal virtue exposed to such imminent peril. Alas! how was she to protect them from the spoiler! She had, it is true, experienced many signal interpositions of providence in her individual favor. Her early days had been passed amid the temptations of a court, where her virtue had been purified by repeated trials, from none of which had she escaped but by a miracle. But were miracles never to cease? Could she hope that the marvelous protection shown to herself would be extended to a whole sisterhood? There was no other resource. The Moors were at the threshold; a few moments more and the convent would be at their mercy. Summoning her nuns to follow her, she hurried into the chapel; and throwing herself on her knees before the image of the blessed Mary, “Oh, holy Lady!” exclaimed she, “oh, most pure and immaculate of virgins! thou seest our extremity. The ravager is at the gate, and there is none on earth to help us! Look down with pity, and grant that the earth may gape and swallow us rather than that our cloister vows should suffer violation!”

The Moors redoubled their assault upon the portal; the gates gave way, with a tremendous crash; a savage yell of exultation arose; when of a sudden the earth yawned; down sank the convent, with its cloisters, its dormitories, and all its nuns. The chapel tower was the last that sank, the bell ringing forth a peal of triumph in the very teeth of the infidels.

*

Forty years had passed and gone, since the period of this miracle. The subjugation of Spain was complete. The Moors lorded it over city and country; and such of the Christian population as remained, and were permitted to exercise their religion, did it in humble resignation to the Moslem sway.

At this time, a Christian cavalier, of Cordova, hearing that a patriotic band of his countrymen had raised the standard of the cross in the mountains of the Asturias, resolved to join them, and unite in breaking the yoke of bondage. Secretly arming himself, and caparisoning his steed, he set forth from Cordova, and pursued his course by unfrequented mule-paths, and along the dry channels made by winter torrents. His spirit burned with indignation, whenever, on commanding a view over a long sweeping plain, he beheld the mosque swelling in the distance, and the Arab horsemen careering about, as if the rightful lords of the soil. Many a deep-drawn sigh, and heavy groan, also, did the good cavalier utter, on passing the ruins of churches and convents desolated by the conquerors.

It was on a sultry midsummer evening, that this wandering cavalier, in skirting a hill thickly covered with forest, heard the faint tones of a vesper bell sounding melodiously in the air, and seeming to come from the summit of the hill. The cavalier crossed himself with wonder, at this unwonted and Christian sound. He supposed it to proceed from one of those humble chapels and hermitages permitted to exist through the indulgence of the Moslem conquerors. Turning his steed up a narrow path of the forest, he sought this sanctuary, in hopes of finding a hospitable shelter for the night. As he advanced, the trees threw a deep gloom around him, and the bat flitted across his path. The bell ceased to toll, and all was silence.

Presently a choir of female voices came stealing sweetly through the forest, chanting the evening service, to the solemn accompaniment of an organ. The heart of the good cavalier melted at the sound, for it recalled the happier days of his country. Urging forward his weary steed, he at length arrived at a broad grassy area, on the summit of the hill, surrounded by the forest. Here the melodious voices rose in full chorus, like the swelling of the breeze; but whence they came, he could not tell. Sometimes they were before, sometimes behind him; sometimes in the air, sometimes as if from within the bosom of the earth. At length they died away, and a holy stillness settled on the place.

The cavalier gazed around with bewildered eye. There was neither chapel nor convent, nor humble hermitage, to be seen; nothing but a moss-grown stone pinnacle, rising out of the centre of the area, surmounted by a cross. The greensward around appeared to have been sacred from the tread of man or beast, and the surrounding trees bent toward the cross, as if in adoration.

The cavalier felt a sensation of holy awe. He alighted and tethered his steed on the skirts of the forest, where he might crop the tender herbage; then approaching the cross, he knelt and poured forth his evening prayers before this relique of the Christian days of Spain. His orisons being concluded, he laid himself down at the foot of the pinnacle, and reclining his head against one of its stones, fell into a deep sleep.

About midnight, he was awakened by the tolling of a bell, and found himself lying before the gate of an ancient convent. A train of nuns passed by, each bearing a taper. The cavalier rose and followed them into the chapel; in the centre of which was a bier, on which lay the corpse of an aged nun. The organ performed a solemn requiem: the nuns joining in chorus. When the funeral service was finished, a melodious voice chanted, “
Requiescat in pace!
”—”May she rest in peace!” The lights immediately vanished; the whole passed away as a dream; and the cavalier found himself at the foot of the cross, and beheld, by the faint rays of the rising moon, his steed quietly grazing near him.

When the day dawned, the cavalier descended the hill, and following the course of a small brook, came to a cave, at the entrance of which was seated an ancient man, clad in hermit’s garb, with rosary and cross, and a beard that descended to his girdle. He was one of those holy anchorites permitted by the Moors to live unmolested in dens and caves, and humble hermitages, and even to practise the rites of their religion. The cavalier checked his horse, and dismounting, knelt and craved a benediction. He then related all that had befallen him in the night, and besought the hermit to explain the mystery.

“What thou hast heard and seen, my son,” replied the other, “is but type and shadow of the woes of Spain.”

He then related the foregoing story of the miraculous deliverance of the convent.

“Forty years,” added the holy man, “have elapsed since this event, yet the bells of that sacred edifice are still heard, from time to time, sounding from under ground, together with the pealing of the organ, and the chanting of the choir. The Moors avoid this neighborhood, as haunted ground, and the whole place, as thou mayest perceive, has become covered with a thick and lonely forest.”

The cavalier listened with wonder to the story of this engulphed convent, as related by the holy man. For three days and nights did they keep vigils beside the cross; but nothing more was to be seen of nun or convent. It is supposed that, forty years having elapsed, the natural lives of all the nuns were finished, and that the cavalier had beheld the obsequies of the last of the sisterhood. Certain it is, that from that time, bell, and organ, and choral chant have never more been heard.

The mouldering pinnacle, surmounted by the cross, still remains an object of pious pilgrimage. Some say that it anciently stood in front of the convent, but others assert that it was the spire of the sacred edifice, and that, when the main body of the building sank, this remained above ground, like the top-mast of some tall ship that has foundered. These pious believers maintain, that the convent is miraculously preserved entire in the centre of the mountain, where, if proper excavations were made, it would be found, with all its treasures, and monuments, and shrines, and reliques, and the tombs of its virgin nuns.

Should any one doubt the truth of this marvelous interposition of the Virgin, to protect the vestal purity of her votaries, let him read the excellent work entitled “España Triumphante,” written by Padre Fray Antonio de Sancta Maria, a barefoot friar of the Carmelite order, and he will doubt no longer.

*

THE COUNT VAN HOR
N
.

During the minority of Louis XV., while the Duke of Orleans was Regent of France, a young Flemish nobleman, the Count Antoine Joseph Van Horn, made his sudden appearance in Paris, and by his character, conduct, and the subsequent disasters in which he became involved, created a great sensation in the high circles of the proud aristocracy. He was about twenty-two years of age, tall, finely formed, with a pale, romantic countenance, and eyes of remarkable brilliancy and wildness.

He was of one of the most ancient and highly-esteemed families of
European nobility, being of the line of the Princes of Horn and
Overique, sovereign Counts of Hautekerke, and hereditary Grand Veneurs
of the empire.

The family took its name from the little town and seigneurie of Horn, in Brabant; and was known as early as the eleventh century among the little dynasties of the Netherlands, and since that time by a long line of illustrious generations. At the peace of Utrecht, when the Netherlands passed under subjection to Austria, the house of Van Horn came under the domination of the emperor. At the time we treat of, two of the branches of this ancient house were extinct; the third and only surviving branch was represented by the reigning prince, Maximilian Emanuel Van Horn, twenty-four years of age, who resided in honorable and courtly style on his hereditary domains at Baussigny, in the Netherlands, and his brother, the Count Antoine Joseph, who is the subject of this memoir.

The ancient house of Van Horn, by the intermarriage of its various branches with the noble families of the continent, had become widely connected and interwoven with the high aristocracy of Europe. The Count Antoine, therefore, could claim relationship to many of the proudest names in Paris. In fact, he was grandson, by the mother’s side, of the Prince de Ligne, and even might boast of affinity to the Regent (the Duke of Orleans) himself. There were circumstances, however, connected with his sudden appearance in Paris, and his previous story, that placed him in what is termed “a false position;” a word of baleful significance in the fashionable vocabulary of France.

The young count had been a captain in the service of Austria, but had been cashiered for irregular conduct, and for disrespect to Prince Louis of Baden, commander-in-chief. To check him in his wild career, and bring him to sober reflection, his brother the prince caused him to be arrested and sent to the old castle of Van Wert, in the domains of Horn. This was the same castle in which, in former times, John Van Horn, Stadtholder of Gueldres, had imprisoned his father; a circumstance which has furnished Rembrandt with the subject of an admirable painting. The governor of the castle was one Van Wert, grandson of the famous John Van Wert, the hero of many a popular song and legend. It was the intention of the prince that his brother should be held in honorable durance, for his object was to sober and improve, not to punish and afflict him. Van Wert, however, was a stern, harsh man of violent passions. He treated the youth in a manner that prisoners and offenders were treated in the strongholds of the robber counts of Germany in old times; confined him in a dungeon and inflicted on him such hardships and indignities that the irritable temperament of the young count was roused to continual fury, which ended in insanity. For six months was the unfortunate youth kept in this horrible state, without his brother the prince being informed of his melancholy condition or of the cruel treatment to which he was subjected. At length, one day, in a paroxysm of frenzy, the count knocked down two of his gaolers with a beetle, escaped from the castle of Van Wert, and eluded all pursuit; and after roving about in a state of distraction, made his way to Baussigny and appeared like a sceptre before his brother.

The prince was shocked at his wretched, emaciated appearance and his lamentable state of mental alienation. He received him with the most compassionate tenderness; lodged him in his own room, appointed three servants to attend and watch over him day and night, and endeavored by the most soothing and affectionate assiduity to atone for the past act of rigor with which he reproached himself. When he learned, however, the manner in which his unfortunate brother had been treated in confinement, and the course of brutalities that had led to his mental malady, he was roused to indignation. His first step was to cashier Van Wert from his command. That violent man set the prince at defiance, and attempted to maintain himself in his government and his castle by instigating the peasants, for several leagues round, to revolt. His insurrection might have been formidable against the power of a petty prince; but he was put under the ban of the empire and seized as a state prisoner. The memory of his grandfather, the oft-sung John Van Wert, alone saved him from a gibbet; but he was imprisoned in the strong tower of Horn-op-Zee. There he remained until he was eighty-two years of age, savage, violent, and unconquered to the last; for we are told that he never ceased fighting and thumping as long as he could close a fist or wield a cudgel.

In the mean time a course of kind and gentle treatment and wholesome regimen, and, above all, the tender and affectionate assiduity of his brother, the prince, produced the most salutary effects upon Count Antoine. He gradually recovered his reason; but a degree of violence seemed always lurking at the bottom of his character, and he required to be treated with the greatest caution and mildness, for the least contradiction exasperated him.

In this state of mental convalescence, he began to find the supervision and restraints of brotherly affection insupportable; so he left the Netherlands furtively, and repaired to Paris, whither, in fact, it is said he was called by motives of interest, to make arrangements concerning a valuable estate which he inherited from his relative, the Princess d’Epinay.

On his arrival in Paris, he called upon the Marquis of Créqui, and other of the high nobility with whom he was connected. He was received with great courtesy; but, as he brought no letters from his elder brother, the prince, and as various circumstances of his previous history had transpired, they did not receive him into their families, nor introduce him to their ladies. Still they fêted him in bachelor style, gave him gay and elegant suppers at their separate apartments, and took him to their boxes at the theatres. He was often noticed, too, at the doors of the most fashionable churches, taking his stand among the young men of fashion; and at such times, his tall, elegant figure, his pale but handsome countenance, and his flashing eyes, distinguished him from among the crowd; and the ladies declared that it was almost impossible to support his ardent gaze.

The Count did not afflict himself much at his limited circulation in the fastidious circles of the high aristocracy. He relished society of a wilder and less ceremonious cast; and meeting with loose companions to his taste, soon ran into all the excesses of the capital, in that most licentious period. It is said that, in the course of his wild career, he had an intrigue with a lady of quality, a favorite of the Regent; that he was surprised by that prince in one of his interviews; that sharp words passed between them; and that the jealousy and vengeance thus awakened, ended only with his life.

About this time, the famous Mississippi scheme of Law was at its height, or rather it began to threaten that disastrous catastrophe which convulsed the whole financial world. Every effort was making to keep the bubble inflated. The vagrant population of France was swept off from the streets at night, and conveyed to Havre de Grace, to be shipped to the projected colonies; even laboring people and mechanics were thus crimped and spirited away. As Count Antoine was in the habit of sallying forth at night, in disguise, in pursuit of his pleasures, he came near being carried off by a gang of crimps; it seemed, in fact, as if they had been lying in wait for him, as he had experienced very rough treatment at their hands. Complaint was made of his case by his relation, the Marquis de Créqui, who took much interest in the youth; but the Marquis received mysterious intimations not to interfere in the matter, but to advise the Count to quit Paris immediately; “If he lingers, he is lost!” This has been cited as a proof that vengeance was dogging at the heels of the unfortunate youth, and only watching for an opportunity to destroy him.

Such opportunity occurred but too soon. Among the loose companions with whom the Count had become intimate, were two who lodged in the same hotel with him. One was a youth only twenty years of age, who passed himself off as the Chevalier d’Etampes, but whose real name was Lestang, the prodigal son of a Flemish banker. The other, named Laurent de Mille, a Piedmontese, was a cashiered captain, and at the time an esquire in the service of the dissolute Princess de Carignan, who kept gambling-tables in her palace. It is probable that gambling propensities had driven these young men together, and that their losses had brought them to desperate measures: certain it is, that all Paris was suddenly astounded by a murder which they were said to have committed. What made the crime more startling, was, that it seemed connected with the great Mississippi scheme, at that time the fruitful source of all kinds of panics and agitations. A Jew, a stock-broker, who dealt largely in shares of the bank of Law, founded on the Mississippi scheme, was the victim. The story of his death is variously related. The darkest account states, that the Jew was decoyed by these young men into an obscure tavern, under pretext of negotiating with him for bank shares to the amount of one hundred thousand crowns, which he had with him in his pocketbook. Lestang kept watch upon the stairs. The Count and De Mille entered with the Jew into a chamber. In a little while there were heard cries and struggles from within. A waiter passing by the room, looked in, and seeing the Jew weltering in his blood, shut the door again, double-locked it, and alarmed the house. Lestang rushed downstairs, made his way to the hotel, secured his most portable effects, and fled the country. The Count and De Mille endeavored to escape by the window, but were both taken, and conducted to prison.

A circumstance which occurs in this part of the Count’s story, seems to point him out as a fated man. His mother, and his brother, the Prince Van Horn, had received intelligence some time before at Baussigny, of the dissolute life the Count was leading at Paris, and of his losses at play. They despatched a gentleman of the prince’s household to Paris, to pay the debts of the Count, and persuade him to return to Flanders; or, if he should refuse, to obtain an order from the Regent for him to quit the capital. Unfortunately the gentleman did not arrive at Paris until the day after the murder.

The news of the Count’s arrest and imprisonment on a charge of murder, caused a violent sensation among the high aristocracy. All those connected with him, who had treated him hitherto with indifference, found their dignity deeply involved in the question of his guilt or innocence. A general convocation was held at the hotel of the Marquis de Créqui, of all the relatives and allies of the house of Horn. It was an assemblage of the most proud and aristocratic personages of Paris. Inquiries were made into the circumstances of the affair. It was ascertained, beyond a doubt, that the Jew was dead, and that he had been killed by several stabs of a poniard. In escaping by the window, it was said that the Count had fallen, and been immediately taken; but that De Mille had fled through the streets, pursued by the populace, and had been arrested at some distance from the scene of the murder; that the Count had declared himself innocent of the death of the Jew, and that he had risked his own life in endeavoring to protect him; but that De Mille, on being brought back to the tavern, confessed to a plot to murder the broker, and rob him of his pocketbook, and inculpated the Count in the crime.

Another version of the story was, that the Count Van Horn had deposited with the broker, bank shares to the amount of eighty-eight thousand livres; that he had sought him in this tavern, which was one of his resorts, and had demanded the shares; that the Jew had denied the deposit; that a quarrel had ensued, in the course of which the Jew struck the Count in the face; that the latter, transported with rage, had snatched up a knife from a table, and wounded the Jew in the shoulder; and that thereupon De Mille, who was present, and who had likewise been defrauded by the broker, fell on him, and despatched him with blows of a poniard, and seized upon his pocketbook; that he had offered to divide the contents of the latter with the Count,
pro rata
, of what the usurer had defrauded them; that the latter had refused the proposition with disdain, and that, at a noise of persons approaching, both had attempted to escape from the premises, but had been taken.

Regard the story in any way they might, appearances were terribly against the Count, and the noble assemblage was in great consternation. What was to be done to ward off so foul a disgrace and to save their illustrious escutcheons from this murderous stain of blood? Their first attempt was to prevent the affair from going to trial, and their relative from being dragged before a criminal tribunal, on so horrible and degrading a charge. They applied, therefore, to the Regent, to intervene his power; to treat the Count as having acted under an access of his mental malady; and to shut him up in a madhouse. The Regent was deaf to their solicitations. He replied, coldly, that if the Count was a madman, one could not get rid too quickly of madmen who were furious in their insanity. The crime was too public and atrocious to be hushed up or slurred over; justice must take its course.

Seeing there was no avoiding the humiliating scene of a public trial, the noble relatives of the Count endeavored to predispose the minds of the magistrates before whom he was to be arraigned. They accordingly made urgent and eloquent representations of the high descent, and noble and powerful connexions of the Count; set forth the circumstances of his early history; his mental malady; the nervous irritability to which he was subject, and his extreme sensitiveness to insult or contradiction. By these means they sought to prepare the judges to interpret every thing in favor of the Count, and, even if it should prove that he had inflicted the mortal blow on the usurer, to attribute it to access of insanity, provoked by insult.