Complete Fictional Works of Washington Irving (Illustrated) (127 page)

“Enough!” cried Aben Habuz, joyfully, “tomorrow morning with the first light we will ascend and take possession.”

The happy monarch slept but little that night. Scarcely had the rays of the sun begun to play about the snowy summit of the Sierra Nevada, when he mounted his steed, and, accompanied only by a few chosen attendants, ascended a steep and narrow road leading up the hill. Beside him, on a white palfrey, rode the Gothic princess, her whole dress sparkling with jewels, while round her neck was suspended her silver lyre. The astrologer walked on the other side of the king, assisting his steps with his hieroglyphic staff, for he never mounted steed of any kind.

Aben Habuz looked to see the towers of the palace brightening above him, and the imbowered terraces of its gardens stretching along the heights; but as yet nothing of the kind was to be descried. “That is the mystery and safeguard of the place,” said the astrologer, “nothing can be discerned until you have passed the spellbound gateway, and been put in possession of the place.”

As they approached the gateway, the astrologer paused, and pointed out to the king the mystic hand and key carved upon the portal of the arch. “These,” said he, “are the talismans which guard the entrance to this paradise. Until yonder hand shall reach down and seize that key, neither mortal power nor magic artifice can prevail against the lord of this mountain.”

While Aben Habuz was gazing, with open mouth and silent wonder, at these mystic talismans, the palfrey of the princess proceeded, and bore her in at the portal, to the very centre of the barbican.

“Behold,” cried the astrologer, “my promised reward; the first animal with its burden which should enter the magic gateway.”

Aben Habuz smiled at what he considered a pleasantry of the ancient man; but when he found him to be in earnest, his gray beard trembled with indignation.

“Son of Abu Ayub,” said he, sternly, “what equivocation is this? Thou knowest the meaning of my promise: the first beast of burden, with its load, that should enter this portal. Take the strongest mule in my stables, load it with the most precious things of my treasury, and it is thine; but dare not raise thy thoughts to her who is the delight of my heart.”

“What need I of wealth,” cried the astrologer, scornfully; “have I not the book of knowledge of Solomon the wise, and through it the command of the secret treasures of the earth? The princess is mine by right; thy royal word is pledged: I claim her as my own.”

The princess looked down haughtily from her palfrey, and a light smile of scorn curled her rosy lip at this dispute between two gray-beards, for the possession of youth and beauty. The wrath of the monarch got the better of his discretion. “Base son of the desert,” cried he, “thou may’st be master of many arts, but know me for thy master, and presume not to juggle with thy king.”

“My master! my king!” echoed the astrologer. “The monarch of a molehill to claim sway over him who possesses the talismans of Solomon! Farewell, Aben Habuz; reign over thy petty kingdom, and revel in thy paradise of fools; for me, I will laugh at thee in my philosophic retirement.”

So saying he seized the bridle of the palfrey, smote the earth with his staff, and sank with the Gothic princess through the centre of the barbican. The earth closed over them, and no trace remained of the opening by which they had descended.

Aben Habuz was struck dumb for a time with astonishment. Recovering himself, he ordered a thousand workmen to dig, with pickaxe and spade, into the ground where the astrologer had disappeared. They digged and digged, but in vain; the flinty bosom of the hill resisted their implements; or if they did penetrate a little way, the earth filled in again as fast as they threw it out. Aben Habuz sought the mouth of the cavern at the foot of the hill, leading to the subterranean palace of the astrologer; but it was nowhere to be found. Where once had been an entrance, was now a solid surface of primeval rock. With the disappearance of Ibrahim Ebn Abu Ayub ceased the benefit of his talismans. The bronze horseman remained fixed, with his face turned toward the hill, and his spear pointed to the spot where the astrologer had descended, as if there still lurked the deadliest foe of Aben Habuz.

From time to time the sound of music, and the tones of a female voice, could be faintly heard from the bosom of the hill; and a peasant one day brought word to the king, that in the preceding night he had found a fissure in the rock, by which he had crept in, until he looked down into a subterranean hall, in which sat the astrologer, on a magnificent divan, slumbering and nodding to the silver lyre of the princess, which seemed to hold a magic sway over his senses.

Aben Habuz sought the fissure in the rock, but it was again closed. He renewed the attempt to unearth his rival, but all in vain. The spell of the hand and key was too potent to be counteracted by human power. As to the summit of the mountain, the site of the promised palace and garden, it remained a naked waste; either the boasted elysium was hidden from sight by enchantment, or was a mere fable of the astrologer. The world charitably supposed the latter, and some used to call the place “The King’s Folly,” while others named it “The Fool’s Paradise.”

To add to the chagrin of Aben Habuz, the neighbors whom he had defied and taunted, and cut up at his leisure while master of the talismanic horseman, finding him no longer protected by magic spell, made inroads into his territories from all sides, and the remainder of the life of the most pacific of monarchs was a tissue of turmoils.

At length Aben Habuz died, and was buried. Ages have since rolled away. The Alhambra has been built on the eventful mountain, and in some measure realizes the fabled delights of the garden of Irem. The spellbound gateway still exists entire, protected no doubt by the mystic hand and key, and now forms the Gate of Justice, the grand entrance to the fortress. Under that gateway, it is said, the old astrologer remains in his subterranean hall, nodding on his divan, lulled by the silver lyre of the princess.

The old invalid sentinels who mount guard at the gate hear the strains occasionally in the summer nights; and, yielding to their soporific power, doze quietly at their posts. Nay, so drowsy an influence pervades the place, that even those who watch by day may generally be seen nodding on the stone benches of the barbican, or sleeping under the neighboring trees, so that in fact it is the drowsiest military post in all Christendom. All this, say the ancient legends, will endure from age to age. The princess will remain captive to the astrologer; and the astrologer, bound up in magic slumber by the princess, until the last day, unless the mystic hand shall grasp the fated key, and dispel the whole charm of this enchanted mountain.

Note to “The Arabian Astrologer
”

Al Makkari, in his history of the Mahommedan dynasties in Spain, cites from another Arabian writer an account of a talismanic effigy somewhat similar to the one in the foregoing legend.

In Cadiz, says he, there formerly stood a square tower upwards of one hundred cubits high, built of huge blocks of stone, fastened together with clamps of brass. On the top was the figure of a man, holding a staff in his right hand, his face turned to the Atlantic, and pointing with the forefinger of his left hand to the Straits of Gibraltar. It was said to have been set up in ancient times by the Gothic kings of Andalus, as a beacon or guide to navigators. The Moslems of Barbary and Andalus considered it a talisman which exercised a spell over the seas. Under its guidance, swarms of piratical people of a nation, called Majus, appeared on the coast in large vessels with a square sail in the bow, and another in the stern. They came every six or seven years; captured every thing they met with on the sea; guided by the statue, they passed through the Straits into the Mediterranean, landed on the coasts of Andalus, laid every thing waste with fire and sword; and sometimes carried their depredations on the opposite coasts even as far as Syria.

At length, it came to pass in the time of the civil wars, a Moslem Admiral who had taken possession of Cadiz, hearing that the statue on top of the tower was of pure gold, had it lowered to the ground and broken to pieces; when it proved to be of gilded brass. With the destruction of the idol, the spell over the sea was at an end. From that time forward, nothing more was seen of the piratical people of the ocean, excepting that two of their barks were wrecked on the coast, one at Marsu-l-Majus (the port of the Majus), the other close to the promontory of Al-Aghan.

The maritime invaders mentioned by Al Makkari must have been the Northmen.

The Court of Lion
s
.

The peculiar charm of this dreamy old palace is its power of calling up vague reveries and picturings of the past, and thus clothing naked realities with the illusions of the memory and the imagination. As I delight to walk in these “vain shadows,” I am prone to seek those parts of the Alhambra which are most favorable to this phantasmagoria of the mind; and none are more so than the Court of Lions, and its surrounding halls. Here the hand of time has fallen the lightest, and the traces of Moorish elegance and splendor exist in almost their original brilliancy. Earthquakes have shaken the foundations of this pile, and rent its rudest towers; yet see! not one of those slender columns has been displaced, not an arch of that light and fragile colonnade given way, and all the fairy fretwork of these domes, apparently as unsubstantial as the crystal fabrics of a morning’s frost, exist after the lapse of centuries, almost as fresh as if from the hand of the Moslem artist. I write in the midst of these mementos of the past, in the fresh hour of early morning, in the fated Hall of the Abencerrages. The blood-stained fountain, the legendary monument of their massacre, is before me; the lofty jet almost casts its dew upon my paper. How difficult to reconcile the ancient tale of violence and blood with the gentle and peaceful scene around! Everything here appears calculated to inspire kind and happy feelings, for everything is delicate and beautiful. The very light falls tenderly from above, through the lantern of a dome tinted and wrought as if by fairy hands. Through the ample and fretted arch of the portal I behold the Court of Lions, with brilliant sunshine gleaming along its colonnades, and sparkling in its fountains. The lively swallow dives into the court and, rising with a surge, darts away twittering over the roofs; the busy bee toils humming among the flower beds, and painted butterflies hover from plant to plant, and flutter up and sport with each other in the sunny air. It needs but a slight exertion of the fancy to picture some pensive beauty of the harem, loitering in these secluded haunts of Oriental luxury.

He, however, who would behold this scene under an aspect more in unison with its fortunes, let him come when the shadows of evening temper the brightness of the court, and throw a gloom into surrounding halls. Then nothing can be more serenely melancholy, or more in harmony with the tale of departed grandeur.

At such times I am apt to seek the Hall of Justice, whose deep shadowy arcades extend across the upper end of the court. Here was performed, in presence of Ferdinand and Isabella, and their triumphant court, the pompous ceremonial of high mass, on taking possession of the Alhambra. The very cross is still to be seen upon the wall, where the altar was erected, and where officiated the Grand Cardinal of Spain, and others of the highest religious dignitaries of the land. I picture to myself the scene when this place was filled with the conquering host, that mixture of mitred prelate and shaven monk, and steel-clad knight and silken courtier; when crosses and crosiers and religious standards were mingled with proud armorial ensigns and the banners of haughty chiefs of Spain, and flaunted in triumph through these Moslem halls. I picture to myself Columbus, the future discoverer of a world, taking his modest stand in a remote corner, the humble and neglected spectator of the pageant. I see in imagination the Catholic sovereigns prostrating themselves before the altar, and pouring forth thanks for their victory; while the vaults resound with sacred minstrelsy, and the deep-toned Te Deum.

The transient illusion is over — the pageant melts from the fancy — monarch, priest, and warrior, return into oblivion, with the Moslems over whom they exulted. The hall of their triumph is waste and desolate. The bat flits about its twilight vault, and the owl hoots from the neighboring Tower of Comares.

Entering the Court of the Lions a few evenings since, I was almost startled at beholding a turbaned Moor quietly seated near the fountain. For a moment one of the fictions of the place seemed realized: an enchanted Moor had broken the spell of centuries, and become visible. He proved, however, to be a mere ordinary mortal; a native of Tetuan in Barbary, who had a shop in the Zacatin of Granada, where he sold rhubarb, trinkets, and perfumes. As he spoke Spanish fluently, I was enabled to hold conversation with him, and found him shrewd and intelligent. He told me that he came up the hill occasionally in the summer, to pass a part of the day in the Alhambra, which reminded him of the old palaces in Barbary, being built and adorned in similar style, though with more magnificence.

As we walked about the palace, he pointed out several of the Arabic inscriptions, as possessing much poetic beauty.

“Ah, senor,” said he, “when the Moors held Granada, they were a gayer people than they are nowadays. They thought only of love, music, and poetry. They made stanzas upon every occasion, and set them all to music. He who could make the best verses, and she who had the most tuneful voice, might be sure of favor and preferment. In those days, if anyone asked for bread, the reply was, make me a couplet; and the poorest beggar, if he begged in rhyme, would often be rewarded with a piece of gold.”

“And is the popular feeling for poetry,” said I, “entirely lost among you?”

“By no means, senor; the people of Barbary, even those of lower classes, still make couplets, and good ones too, as in old times, but talent is not rewarded as it was then; the rich prefer the jingle of their gold to the sound of poetry or music.”

As he was talking, his eye caught one of the inscriptions which foretold perpetuity to the power and glory of the Moslem monarchs, the masters of this pile. He shook his head, and shrugged his shoulders, as he interpreted it. “Such might have been the case,” said he; “the Moslems might still have been reigning in the Alhambra, had not Boabdil been a traitor, and given up his capital to the Christians. The Spanish monarchs would never have been able to conquer it by open force.”

I endeavored to vindicate the memory of the unlucky Boabdil from this aspersion, and to show that the dissensions which led to the downfall of the Moorish throne, originated in the cruelty of his tiger-hearted father; but the Moor would admit of no palliation.

“Muley Abul Hassan,” said he, “might have been cruel; but he was brave, vigilant, and patriotic. Had he been properly seconded, Granada would still have been ours; but his son Boabdil thwarted his plans, crippled his power, sowed treason in his palace, and dissension in his camp. May the curse of God light upon him for his treachery!” With these words the Moor left the Alhambra.

The indignation of my turbaned companion agrees with an anecdote related by a friend, who, in the course of a tour in Barbary, had an interview with the Pacha of Tetuan. The Moorish governor was particular in his inquiries about Spain and especially concerning the favored region of Andalusia, the delights of Granada, and the remains of its royal palace. The replies awakened all those fond recollections, so deeply cherished by the Moors, of the power and splendor of their ancient empire in Spain. Turning to his Moslem attendants, the Pacha stroked his beard, and broke forth in passionate lamentations, that such a sceptre should have fallen from the sway of true believers. He consoled himself, however, with the persuasion, that the power and prosperity of the Spanish nation were on the decline; that a time would come when the Moors would reconquer their rightful domains; and that the day was perhaps not far distant, when Mohammedan worship would again be offered up in the Mosque of Cordova, and a Mohammedan prince sit on his throne in the Alhambra.

Such is the general aspiration and belief among the Moors of Barbary, who consider Spain, or Andaluz, as it was anciently called, their rightful heritage, of which they have been despoiled by treachery and violence. These ideas are fostered and perpetuated by the descendants of the exiled Moors of Granada, scattered among the cities of Barbary. Several of these reside in Tetuan, preserving their ancient names, such as Paez and Medina, and refraining from intermarriage with any families who cannot claim the same high origin. Their vaunted lineage is regarded with a degree of popular deference, rarely shown in Mohammedan communities to any hereditary distinction, excepting in the royal line.

These families, it is said, continue to sigh after the terrestrial paradise of their ancestors, and to put up prayers in their mosques on Fridays, imploring Allah to hasten the time when Granada shall be restored to the faithful: an event to which they look forward as fondly and confidently as did the Christian crusaders to the recovery of the Holy Sepulchre. Nay, it is added, that some of them retain the ancient maps and deeds of the estates and gardens of their ancestors at Granada, and even the keys of the houses, holding them as evidences of their hereditary claims, to be produced at the anticipated day of restoration.

My conversation with the Moor set me to musing on the fate of Boabdil. Never was surname more applicable than that bestowed upon him by his subjects of El Zogoybi, or the Unlucky. His misfortunes began almost in his cradle, and ceased not even with his death. If ever he cherished the desire of leaving an honorable name on the historic page, how cruelly has he been defrauded of his hopes! Who is there that has turned the least attention to the romantic history of the Moorish domination in Spain, without kindling with indignation at the alleged atrocities of Boabdil? Who has not been touched with the woes of his lovely and gentle queen, subjected by him to a trial of life and death, on a false charge of infidelity? Who has not been shocked by his alleged murder of his sister and her two children, in a transport of passion? Who has not felt his blood boil, at the inhuman massacre of the gallant Abencerrages, thirty-six of whom, it is affirmed, he ordered to be beheaded in the Court of Lions? All these charges have been reiterated in various forms; they have passed into ballads, dramas, and romances, until they have taken too thorough possession of the public mind to be eradicated. There is not a foreigner of education that visits the Alhambra but asks for the fountain where the Abencerrages were beheaded, and gazes with horror at the grated gallery where the queen is said to have been confined; not a peasant of the Vega or the Sierra, but sings the story in rude couplets, to the accompaniment of his guitar, while his hearers learn to execrate the very name of Boabdil.

Never, however, was name more foully and unjustly slandered. I have examined all the authentic chronicles and letters written by Spanish authors, contemporary with Boabdil, some of whom were in the confidence of the Catholic sovereigns, and actually present in the camp throughout the war. I have examined all the Arabian authorities I could get access to, through the medium of translation, and have found nothing to justify these dark and hateful accusations. The most of these tales may be traced to a work commonly called The Civil Wars of Granada, containing a pretended history of the feuds of the Zegries and Abencerrages, during the last struggle of the Moorish empire. The work appeared originally in Spanish, and professed to be translated from the Arabic by one Gines Perez de Hita, an inhabitant of Murcia. It has since passed into various languages, and Florian has taken from it much of the fable of his Gonsalvo of Cordova; it has thus, in a great measure, usurped the authority of real history, and is currently believed by the people, and especially the peasantry of Granada. The whole of it, however, is a mass of fiction, mingled with a few disfigured truths, which give it an air of veracity. It bears internal evidence of its falsity; the manners and customs of the Moors being extravagantly misrepresented in it, and scenes depicted totally incompatible with their habits and their faith, and which never could have been recorded by a Mahometan writer.

I confess there seems to me something almost criminal, in the wilful perversions of this work: great latitude is undoubtedly to be allowed to romantic fiction, but there are limits which it must not pass; and the names of the distinguished dead, which belong to history, are no more to be calumniated than those of the illustrious living. One would have thought, too, that the unfortunate Boabdil had suffered enough for his justifiable hostility to the Spaniards, by being stripped of his kingdom, without having his name thus wantonly traduced, and rendered a by-word and a theme of infamy in his native land, and in the very mansion of his fathers!

If the reader is sufficiently interested in these questions to tolerate a little historical detail, the following facts, gleaned from what appear to be authentic sources, and tracing the fortunes of the Abencerrages, may serve to exculpate the unfortunate Boabdil from the perfidious massacre of that illustrious line so shamelessly charged to him. It will also serve to throw a proper light upon the alleged accusation and imprisonment of his queen.