Cold Fire (49 page)

Back in the car, Jim slumped in his seat.

Holly folded her arms on the steering wheel, put her forehead on her arms.

He looked out the side window at the park. The giant mole trail was still there. The sidewalk was cracked and tumbled. The bench lay on its side.

He just couldn’t believe that the thing beneath the park had been only a figment of his imagination, empowered only by his mind. He had been in control of himself all his life, living a Spartan existence of books and work, with no vices or indulgences. (Except a frighteningly convenient forgetfulness, he thought sourly.) Nothing about Holly’s theory was harder for him to accept than that a wild and savage part of him, beyond his conscious control, was the only real danger that they faced.

He was beyond ordinary fear now. He was no longer perspiring or shivering. He was in the grip of a primal terror that left him rigid and Dry-Ice dry.

“It wasn’t me,” he repeated.

“Yes, it was.” Considering that she believed he’d almost killed her, Holly was surprisingly gentle with him. She did not raise her voice; it was softened by a note of great tenderness.

He said, “You’re still on this split-personality kick.”

“Yes.”

“So it was my dark side.”

“Yes.”

“Embodied in a giant worm or something,” he said, trying to hone a sharp edge on his sarcasm, failing. “But you said The Enemy only broke through when I was sleeping, and I wasn’t sleeping, so even if I
am
The Enemy, how could I have been that thing in the park?”

“New rules. Subconsciously, you’re getting desperate. You’re not able to control that personality as easily as before. The closer you’re forced to the truth, the more aggressive The Enemy’s going to become in order to defend itself.”

“If it was me, why wasn’t there an alien heartbeat like before?”

“That’s always just been a dramatic effect, like the bells ringing before The Friend put in an appearance.” She raised her head from her arms and looked at him. “You dropped it because there wasn’t time for it. I was reading that plaque, and you wanted to stop me as fast as you could. You needed a distraction. Let me tell you, babe, it was a lulu.”

He looked out the window again, toward the windmill and the lectern that held the information about
The Black Windmill.

Holly put a hand on his shoulder. “You were in a black despair after your parents died. You needed to escape. Evidently a writer named Arthur Willott provided you with a fantasy that fit your needs perfectly. To one extent or another, you’ve been living in it ever since.”

Though he could not admit it to her, he had to admit to himself that he was groping toward understanding, that he was on the brink of seeing his past from a new perspective that would make all of the mysterious lines and angles fall into a new and comprehensible shape. If selective amnesia, carefully constructed false memories, and even multiple personalities were not indications of madness but only the hooks he had used to hold on to sanity—as Holly insisted—then what would happen to him if he let go of those hooks? If he dug up the truth about his past, faced the things he had refused to face when he had turned to fantasy as a child, would the truth drive him mad
this
time? What was he hiding from?

“Listen,” she said, “the important thing is that you shut it down before it reached us, before it did any harm.”

“My shin hurts like hell,” he said, wincing.

“Good,” she said brightly.

She started the engine.

“Where are we going now?” he asked.

“Where else? The library.”

Holly parked on Copenhagen Lane in front of the small Victorian house that served as the New Svenborg library.

She was pleased that her hands were not shaking, that her voice was level and calm, and that she had been able to drive from Tivoli Gardens without weaving all over the road. After the incident in the park, she was amazed that her pants were still clean. She had been reduced to raw terror—a pure, intense emotion untainted by any other. Diluted now, it was still with her, and she knew it would remain with her until they were out of these spooky old woods—or dead. But she was determined not to reveal the depth of her fear to Jim, because he had to be worse off than she was. After all, it was
his
life that was turning out to be a collage of flimsy lies. He needed to lean on her.

As she and Jim went up the front walk to the porch (Jim limping), Holly noticed he was studying the lawn around him, as if he thought something might start burrowing toward them.

Better not, she thought, or you’ll have
two
bleeding shins.

But as she went through the front door, she wondered if a jolt of pain would work a second time.

In the paneled foyer, a sign announced NONFICTION SECOND FLOOR. An arrow pointed to a staircase on her right.

The foyer funneled into a first-floor hallway off which lay two large rooms. Both were filled with bookshelves. The chamber on the left also contained reading tables with chairs and a large oak desk.

The woman at the desk was a good advertisement for country living: flawless complexion, lustrous chestnut hair, clear hazel eyes. She looked thirty-five but was probably twelve years older.

The nameplate in front of her said ELOISE GLYNN.

Yesterday, when Holly had wanted to come into the library to see if the much-admired Mrs. Glynn was there, Jim had insisted that she would be retired, that she had been “quite old” twenty-five years ago, when in fact she obviously had been fresh out of college and starting her first job.

By comparison with previous discoveries, this was only a minor surprise. Jim hadn’t wanted Holly to come into the library yesterday, so he’d simply lied. And from the look on his face now, it was clear that Eloise Glynn’s youth was no surprise to him either; he had known, yesterday, that he was not telling the truth, though perhaps he had not understood
why
he was lying.

The librarian did not recognize Jim. Either he had been one of those kids who left little impression or, more likely, he had been telling the truth when he’d said he had not been to the library since he’d left for college eighteen years ago.

Eloise Glynn had the bouncy manner and attitude of a girls’ sports coach that Holly remembered from high school. “Willott?” she said in answer to Holly’s question. “Oh, yes, we’ve got a truckload of Willott.” She bounced up from her chair. “I can show you right where he’s at.” She came around her desk, stepping briskly, and led Holly and Jim across the hall to the other large room. “He was local, as I’m sure you know. Died a decade ago, but two-thirds of his books are still in print.” She stopped in front of the young-adult section and made a sweeping gesture with one hand to indicate two three-foot shelves of Willott titles. “He was a productive man, Artie Willott, so busy that beavers hung their heads in shame when he walked by.”

She grinned at Holly, and it was infectious. Holly grinned back at her. “We’re looking for
The Black Windmill.
”

“That’s one of his most popular titles, never met a kid didn’t love it.” Mrs. Glynn plucked the book off the shelf almost without looking to see where it was, handed it to Holly. “This for your kid?”

“Actually for me. I read about it on the plaque over in Tivoli Gardens.”

“I’ve read the book,” Jim said. “But she’s curious.”

With Jim, Holly returned to the main room and sat at the table farthest from the desk. With the book between them, they read the first two chapters.

She kept touching him—his hand, shoulder, knee—gentling him. Somehow she had to hold him together long enough for him to learn the truth and be healed by it, and the only glue she could think of was love. She had convinced herself that each small expression of love—each touch, smile, affectionate look or word—was a bonding agent that prevented him from shattering completely.

The novel was well and engagingly written. But what it revealed about Jim Ironheart’s life was so astonishing that Holly began to skim and spot read, whispering passages to him, urgently seeking the next startling revelation.

The lead character was named Jim, not Ironheart but Jamison. Jim Jamison lived on a farm that had a pond and an old windmill. The mill was supposedly haunted, but after witnessing a number of spooky incidents, Jim discovered that an alien presence, not a spirit, was quartered in a spacecraft under the pond and was manifesting itself in the mill. It revealed itself to Jim as a soft light that glowed within the mill walls. Communication between Jim and the alien was achieved with the use of two lined, yellow tablets—one for Jim’s questions, and one for the alien’s answers, which appeared as if by magic. According to the extraterrestrial, it was a being of pure energy and was on earth “TO OBSERVE, TO STUDY, TO HELP MANKIND.” It referred to itself as THE FRIEND.

Marking her place with a finger, Holly flipped through the rest of the book to see if The Friend continued to use the awkward tablets for communication all the way to the end. It did. In the story on which Jim Ironheart had based his fantasy, the alien never vocalized.

“Which is why you doubted that your alien could vocalize and why you resisted my suggestion that we refuse to play along with the tablet system.”

Jim was beyond denial now. He stared at the book with wonder.

His response gave Holly hope for him. In the cemetery, he had been in such distress, his eyes so cold and bleak, that she had begun to doubt if, indeed, he could turn his phenomenal power inward to heal himself. And in the park, for one terrible moment, she had thought that his fragile shell of sanity would crack and spill the yolk of madness. But he had held together, and now his curiosity seemed to be overcoming his fear.

Mrs. Glynn had gone off to work in the stacks. No other patrons had come in to browse.

Holly returned to the story, skim-reading. At the midpoint of the tale, just after Jim Jamison and the alien had their second encounter, the ET explained that it was an entity that lived “IN ALL ASPECTS OF TIME,” could perceive the future, and wanted to save the life of a man who was fated to die.

“I’ll be damned,” Jim said softly.

Without warning, a vision burst in Holly’s mind with such force and brilliance that the library vanished for a moment and her inner world became the only reality: she saw herself naked and nailed to a wall in an obscene parody of a crucifix, blood streaming from her hands and feet (a voice whispering:
die, die, die),
and she opened her mouth to scream but, instead of sound, swarms of cockroaches poured out between her lips, and she realized she was already dead
(die, die, die),
her putrid innards crawling with pests and vermin—

The hateful phantasm flickered off the screen of her mind as suddenly as it had appeared, and she snapped back into the library with a jolt.

“Holly?” Jim was looking at her worriedly.

A part of him had sent the vision to her, no question about that. But the Jim she was looking at now was not the Jim who had done it. The dark child within him, The Enemy, hate-filled and murderous, was striking at her with a new weapon.

She said, “It’s okay. It’s all right.”

But she didn’t feel all right. The vision had left her nauseous and somewhat disoriented.

She had to struggle to refocus on
The Black Windmill:

The man Jim Jamison had to save, The Friend explained, was a candidate. for the United States Presidency, soon to pass through Jim’s hometown, where he was going to be assassinated. The alien wanted him to live, instead, because “HE IS GOING TO BE A GREAT STATESMAN AND PEACEMAKER WHO WILL SAVE THE WORLD FROM A GREAT WAR.” Because it had to keep its presence on earth a secret, The Friend wanted to work through Jim Jamison to thwart the assassins: “YOU WILL THROW HIM A LIFE LINE, JIM.”

The novel did not include an evil alien. The Enemy had been entirely Jim Ironheart’s embellishment, an embodiment of his own rage and self-hatred, which he had needed to separate from himself and control.

With a crackle of inner static, another vision burst across her mind-screen, so intense that it blotted out the real world: she was in a coffin, dead but somehow still in possession of all her senses; she could feel worms churning in her
(die, die, die, die),
could smell the vile stench of her own decaying body, could see her rotted face reflected on the inside of the coffin lid as if it was lit and mirrored. She raised skeletal fists and beat on the lid, heard the blows reverberating into the yards of compacted earth above her—

The library again.

“Holly, for God’s sake, what’s happening?”

“Nothing.”

“Holly?”

“Nothing,” she said, sensing that it would be a mistake to admit that The Enemy was rattling her.

She finished skimming
The Black Windmill:

At the end of the novel, when Jim Jamison had saved the future president, The Friend had subsided into quiescence under the pond, instructing Jim to forget that their encounter had ever taken place, and to remember only that he had saved the politician on his own initiative. If a repressed memory of the alien ever surfaced in Jim’s mind, he was told that he would “REMEMBER ME ONLY AS A DREAM, AN ENTITY IN A DREAM YOU ONCE HAD.” When the alien light faded out of the wall for the last time, the messages on the tablet vanished, leaving no trace of the contact.

Holly closed the book.

She and Jim sat for a while, staring at the dustjacket.

Around her, thousands of times and places, people and worlds, from Mars to Egypt to Yoknapatawpha County, were closed up in the bindings of books like the shine trapped under the tarnished veneer of a brass lamp. She could almost feel them waiting to dazzle with the first turn of a page, come alive with brilliant colors and pungent odors and delicious aromas, with laughter and sobbing and cries and whispers. Books were packaged dreams.