City on Fire (3 page)

It took him a second to realize that William was talking to the football game, where some unpleasantness announced the start of the third quarter.

“Do you know what I think? I think you already know what’s in it.” As Mercer did himself, actually. Or at least he had his suspicions.

He went to pick up the envelope and held it toward the TV; a shadow nested tantalizingly within, like the secret at the heart of an X-ray. “I think it’s from your family,” he said.

“What I want to know is, how did it get here without a postmark?”

“What I want to know is, why is that such a threat?”

“I can’t talk to you when you get like this, Mercer.”

“Why am I not allowed to want things?”

“You know damn well that’s not what I said.”

Now it was Mercer’s turn to wonder how much he meant the words coming out of his mouth, and how much he just wanted to win. He could see in the margins the cookware, the shelf of alphabetized books, the tree, all physical accommodations William had made to him, it was true. But what about emotionally? Anyway, he’d said too much now to back down. “Here is what you want: your life stays just the same, while I twist myself around you like a vine.”

Pale points appeared on William’s cheeks, as they always did when the border between his inner and outer lives was breached. There was a second when he might have come flying across the coffeetable. And there was a second when Mercer might have welcomed it. It might have proven he was more important to William than his self-possession, and from grappling in anger, how easy it would have been to fall into that other, sweeter grappling. Instead, William reached for the new coat. “I’m going out.”

“It’s Christmas.”

“This is another thing we’re allowed to do, Mercer. We’re allowed to have time alone.”

But Solitas radix malorum est, Mercer would think later, looking back. The door closed, leaving him alone with the barely touched food. His appetite, too, had deserted him. There was something eschatological about the weak afternoon light, made weaker by the tree and the layer of soot that coated the window, and about the chill blown in through the crack he’d left open. Every time a truck passed, the frayed ends of the wine’s wicker sleeve trembled like the needles of some exquisite seismometer. Yes, everything, personally, world-historically, was breaking down. He pretended for a while to distract himself with the flux of jerseys onscreen. Really, though, he’d snuck back into his skull with tiny wrenches to make the kinds of adjustments that would allow him to continue living this way, with a boyfriend who would walk out on you on Christmas Day.

2

LATELY CHARLIE WEISBARGER, age seventeen, had been spending a lot of time on appearances. He wasn’t vain, he didn’t think, nor did he particularly dig his own, but the prospect of seeing Sam again kept sucking him back toward the mirror. Which was funny: love was supposed to carry you out beyond your own borders, but somehow his love for her—like the music he’d discovered that summer, or the purposeful derangement of his senses—had only ended up casting him back on the shores of himself. It was as if the universe was trying to teach him some lesson. The challenge, he guessed, was to refuse to learn.

He took an album from the stack by the stereo and put a penny on the stylus to keep it from skipping. The first Ex Post Facto LP, from ’74. Bonus trivia: released only months before the band’s breakup, it had also been the last. As power chords ripped through the speakers, he fetched a round black box from the closet shelf to which he’d banished the getups of his childhood. Dust clung to the lid, like skin on cold soup. Instead of clearing off when he blew on it, it swirled up and got all in his mouth, so he wiped the rest off with the nearest thing to hand, an old batting glove scrunched scrotally against the base of his nightstand.

Though he knew what was inside the box, the sight of Grandpa’s black fur hat never failed to send a jolt of lonesomeness right through him, like stumbling on a nest from which birds have flown. The Old Country Hat, Mom had called it—as in, David, does he have to wear the Old Country Hat again? But for Charlie, it would always be the Manhattan Hat, the one Grandpa had worn a couple Decembers ago when they’d ridden into the City, just the two of them. Their cover story was a Rangers game, but what he’d made Charlie swear to keep his trap shut about was that they were going to the Radio City Christmas Spectacular instead. Brusque as hell, the old Bialystoker had been, shoving through the crowds. Honestly, Charlie didn’t see why all the cloak-and-dagger: no one was going to believe his grandpa would pay to see those shiksa hoofers anyway. Afterward, for an hour, maybe, they’d stood above the rink at Rockefeller Center, watching people skate. Charlie was underdressed for the cold but knew better than to complain. Finally, Grandpa reached over and opened his knobbly fist. Inside, embalmed in wax paper, was a butterscotch candy Charlie had no idea how he’d come by, like the last heirloom smuggled out of a war zone, more precious for having been hidden.

The truth was, Grandpa was feeling sorry for him. Since the miraculous birth of Charlie’s twin brothers, no one was supposed to acknowledge the fact that the older son was being shunted aside, but Grandpa meant to atone—a frankness Charlie appreciated. He’d asked to go to Montreal for Hanukkah this year, but Mom and Grandpa still blamed each other for Dad’s dying. So it was like two deaths, almost. All Charlie was left with was the hat.

He was surprised to find now that Grandpa’s huge head had been no bigger than his own. He posed in his closet-door mirror, three-quarters, right profile. It was hard to tell how he’d look to Sam, because other than the hat, he was wearing only briefs and a tee-shirt, and also because shifting fogs of allure and disgust seemed to interpose themselves between Charlie and the glass. His long white limbs and the goyish down on his cheeks sparked a hormonal flicker, but then these days so could the rumble of a schoolbus seat, the scent of baby oil, certain provocatively shaped items of produce. And his asthma was a problem. His Clamato-red hair was a problem. He tugged the hat down, filled his birdy chest with air. He shifted his stance to conceal the zit sprouting from his right thigh. (Was it even possible to get a zit on your thigh?) He checked himself against the photo on the LP sleeve: three artless men, skinny like himself, and one scary-looking transvestite. He wasn’t sure he could picture the hat on any of them, but no matter; he found it beautiful.

Besides, he had picked it specifically for its violation of the canons of taste. In the broad and average middle of broad and average Long Island, 1976 had been the year of après-ski. The idea was to look like you’d tackled a slalom course on the way to school: acrylic sweaters and knit caps and quilted down jackets with lift-passes clipped to the zippers. These passes, gone a poignant off-season yellow, were the only way Charlie knew the names of the resorts; his tribe, as a rule, did not ski. And Grandpa’s hat … well, he might as well have gone around in a powdered wig. But that was the point of punk, Sam had taught him. To rebel. To overturn. Memories of their illicit summer, those dozen-plus trips to the City before Mom had ruined the whole thing, stirred deliciously inside him, as they had last week when he’d picked up the phone to find Sam on the other end. But how quickly pleasure sank back into the customary slurry of feelings: the mix of nerviness and regret, like something he both was and wasn’t ready to let go of was about to be taken from him.

He flipped to side two, in case there was a riff he’d somehow missed or some nuance of phrasing he’d failed to memorize. Brass Tactics, the record was called. It was Sam’s favorite; she’d been gaga over the singer, the small guy in the leather jacket and Mohawk flashing the middle finger from the sleeve. Now it was Charlie’s favorite, too. This fall he’d listened to it over and over again, assenting to it as he’d assented to nothing since Ziggy Stardust. Yes, he too was lonely. Yes, he too had known pain. Yes, he had lain on his side on the attic floor the afternoon of Dad’s funeral and listened to the hot wind in the trees outside and Yes, he had heard the leaves turning brown and had wondered, really, if there was any point to anything at all. Yes, he had sat that year with one leg out the attic window and watched his skull burst like a waterballoon on the cracked concrete of the drive, but, Yes, he’d held himself back for a reason, and maybe this was the reason. He’d discovered Ex Post Facto too late to see them play live, but now the band had reconstituted itself for a New Year’s show, with some guy Sam knew replacing Billy Three-Sticks on vocals, she’d said, and some kind of pyrotechnics planned for the finale. This “some guy” rankled, but hadn’t she just admitted to needing him—meaning Charlie?

Snow was collecting on the windowsill as he made a last pass through his dresser. Shivering was unmanly, and he was determined not to be cold. On the other hand, his long johns made him look sexless, and when Sam unzipped his pants tonight—when they found themselves alone in the moonlit room of his imaginings (the same eventuality for which he’d pocketed an aging Trojan, sized magnum)—he didn’t want to blow it. He decided, as a compromise, to wear pajama bottoms under his jeans. They’d make the jeans look tighter, like he was the fifth Ramone. He took a long pull on his inhaler, turned off the stereo, and shouldered the bag.

Upstairs, his mother was scrubbing dishes. The twins sat on the curling linoleum near her feet, shuttling a toy back and forth. A Matchbox car, Charlie saw, with an action figure rubber-banded like luggage to the roof. “He sick,” Izzy volunteered. Abe made a “Woo, woo” ambulance sound. Charlie scowled. Mom had now been alerted to his presence, and he couldn’t imagine deceit wouldn’t be written all over him when she turned around. Then he noticed the coil of wire stretching from her head to the wall-mounted phone. “Is that you, honey?” she said. And, into the phone: “He’s just come in.” He would have asked who she was talking to, except he already knew.

“Yeah, I’m off,” he said carefully.

She had pinned the receiver between shoulder and chin. Her arms kept up their ablutions over the sink’s steaming water. “Did you need a ride?”

“It’s just Mickey’s house. It’s walkable.”

“This snow’s supposed to get worse before it gets better.”

“Mom, I’m fine.”

“Guess we’ll see you next year, then.”

The joke baffled him for a moment, as it did annually, like the first girl to pinch him on St. Patrick’s Day. Even after he got it, a bitter liquid seemed to have flooded his throat. What he really wanted was precisely for her to turn and look and try to stop him. But why? He was just sneaking off for the night, and would be back by dawn, and nothing was going to change, because nothing ever changed.

Outside, free from the complex binding charms of the house, his movements came easier. He retrieved his bike from the side of the garage and hid the overnight bag behind the heating unit. It held a decoy wad of dirty laundry harvested from his bedroom floor. The snow was coming thicker now and had begun to stick to the pavement, a textureless sheet of waxed paper. His tires slicked great black arcs behind him. When he passed under a streetlamp, a monster swelled on the earth ahead: spindly at the bottom, huge of shoulder and mane (his lumpy jacket, his furry hat). He rode on, narrowing his eyes against the daggers of snow.

Downtown Flower Hill, despite the Village Council’s best efforts, couldn’t quite outrun what it was. By day, it counterfeited a down-at-heel urbanity—there was a florist, a bridal parlor, a not-very-good record shop—but at night, the lit-up storefronts blazed the coordinates of the town’s real urgencies. Massage. Tattoos. Gun and Pawn. Outside an empty deli, an animatronic Santa pivoted stiffly in time with “Jingle Bells,” its legs chained to a fence. Charlie, unable to feel his hands anymore, stopped and went in to bolt some coffee. It was just hitting him ten minutes later, when he stowed his bike under some bushes at the station. He would really have to remember to get a lock.

He found Sam waiting in a cone of light at the far end of the platform. It had been half a year since he’d seen her, but he could tell from the way she gnawed the thumbnail of her cigarette hand that something was eating her. (Or anyway, he should’ve been able to tell, via their telepathic connection. How many nights since his grounding had he stayed awake talking with her in his head? But when you got right down to it, telepathy, gnosis, and all the other superpowers he’d at various times imagined himself to have did not exist. No one in real life could see through walls. No one (he would think later, after what happened happened) would be able to reverse time’s arrow.) Amazingly, she didn’t see him slip on the snow as he hurried over. Even when he was practically on top of her, she continued to stare up at the lunar face of the station clock and the white flakes vanishing there. He wanted to put an arm around her, but the angle of their bodies being off, he settled for punching her shoulder—which came out weak, not at all the sign of affection it would have been from hands more practiced than his own, so he turned it into a little dance, punching the air, pretending to have only accidentally hit her. ’Ey! ’O! Let’s go! And finally, she turned to him the face that had been withheld for so long: the burning dark eyes, the upturned nose with its hoop of silver, and the mouth made for the movies, slightly too wide, from which her smoke-coarsened voice—her best thing—now came. “Long time no see.”

“Yeah, well. I’ve been keeping busy.”

“I thought you were grounded, Charlie.”

“That, too.”

She reached for the fur hat. Charlie’s cheeks burned as she inspected the self-inflicted hair trauma that had led indirectly to his exile. You look like a mental patient, his mother had said. It had grown back, mostly. Meantime, Sam had done a thing to her own hair, chopping it boyishly short and dyeing it from amber to black. She was almost as tall as Charlie, and with a dark blazer hiding her curves, she looked like Patti Smith on the cover of Horses—their second-favorite album. Though who knew what she listened to now that she’d gone off to college in the City. Asked about dorm life, she said it was a drag. He offered the hat. “You wanna wear it? It’s warm.”