Authors: Otto Friedrich
473Â Â Â Â
Back at the:
Schwartz,
Hollywood Writers' Wars,
pp. 312, 301, 314, 272. Kahn,
Hollywood on Trial,
pp. 87, 90, 94, 98, 100.
475Â Â Â Â
Edward Dmytryk:
Bentley,
Thirty Years,
pp. 187, 207.
476Â Â Â Â
“My name is”:
Lyon,
Brecht in America,
pp. 329, 207. Bentley,
Thirty Years,
pp. 207â8.
476Â Â Â Â
Perhaps he had:
Martin Esslin,
Brecht,
p. 79.
477Â Â Â Â
Stripling: “Have you”:
Bentley,
Thirty Years,
pp. 214, 211â12, 217â18, 209, 220. Cole,
Hollywood Red,
p. 285.
480Â Â Â Â
Brecht's main concern:
Lyon,
Brecht in America,
p. 337. Cook,
Brecht in Exile,
p. 201.
480Â Â Â Â
When J. Parnell Thomas:
Kahn,
Hollywood on Trial,
p. 132. Goodman,
The Committee,
p. 220.
480Â Â Â Â
The leftist witnesses:
Ceplair and Englund,
The Inquisition,
pp. 288, 295. Schwartz,
Hollywood Writers' Wars,
pp. 263, 265.
481Â Â Â Â
On the day:
Ceplair and Englund,
The Inquisition,
p. 326. Goodman,
The Committee,
pp. 218, 222. Schwartz,
Hollywood Writers' Wars,
pp. 278, 167.
481Â Â Â Â
The problem, said:
Ceplair and Englund,
The Inquisition,
p. 329. Trumbo,
The Time of the Toad,
p. 21.
482Â Â Â Â
Mayer and a few:
Dore Schary,
Heyday,
pp. 167â8.
482n   Â
Goldwyn and Mayer:
Gary Carey,
All the Stars in Heaven,
p. 276.
483Â Â Â Â
“No vote was”:
Schary,
Heyday,
p. 169. Ceplair and Englund,
The Inquisition,
p. 329.
483Â Â Â Â
Craziness was hardly:
Schary,
Heyday,
p. 365.
484Â Â Â Â
So it was done:
Cole,
Hollywood Red,
pp. 265, 301â3. Dalton Trumbo,
Additional Dialogue, Letters of Dalton Trumbo, 1942â1962,
p. 85. Lardner,
The Lardners,
pp. 325â6. Axel Madsen,
Billy Wilder,
p. 285.
484Â Â Â Â
When the RKO:
Schary,
Heyday,
p. 170. Dmytryk,
Hell of a Life,
p. 103.
485Â Â Â Â
Not only were:
Kanfer,
Journal of the Plague Years,
p. 77. Schwartz,
Hollywood Writers' Wars,
p. 285. Philip Dunne,
Take Two,
p. 212.
485Â Â Â Â
Scarcely a week:
Cole,
Hollywood Red,
p. 292. Bessie,
Inquisition in Eden,
p. 226. Kanfer,
Journal of the Plague Years,
p. 81.
486Â Â Â Â
Once Bert Brecht:
Lyon,
Brecht in America,
p. 335.
486Â Â Â Â
Everything called him:
Cook,
Brecht in Exile,
pp. 202â7.
487Â Â Â Â
I sit by the
:
Bertolt Brecht,
Poems,
p. 439 (quoted in Cook,
Brecht in Exile,
p. 207).
Â
10 Prejudice (1948).
489Â Â Â Â
The first time:
Dore Schary,
Heyday,
p. 118. “Picture” included in Lillian Ross,
Reporting,
p. 240.
490Â Â Â Â
There was just:
Budd Schulberg,
Moving Pictures,
pp. 149, 2â6. Schary,
Heyday,
pp. 80, 123, 126â8, 131â4.
492Â Â Â Â
So Schary walked out:
Bosley Crowther,
Hollywood Rajah,
p. 278. Schary,
Heyday,
pp. 139, 153.
493Â Â Â Â
One of the first:
Schary,
Heyday,
p. 158. Edward Dmytryk,
It's a Hell of a Life but Not a Bad Living,
p. 89. Patricia Erens,
The Jew in American Cinema,
p. 175.
494Â Â Â Â
Schary had a:
Schary,
Heyday,
pp. 269, 160, 173. John Keats,
Howard Hughes,
pp. 228â30.
494n   Â
One surprising critic:
Alvah Bessie,
Inquisition in Eden,
p. 241.
495Â Â Â Â
So Schary, who:
Schary,
Heyday,
p. 173. Keats,
Howard Hughes,
p. 230.
495Â Â Â Â
Schary almost immediately:
Crowther,
Hollywood Rajah,
pp. 273â5. Garth Jowett,
Film: The Democratic Art,
pp. 347â8. Michael Conant,
Antitrust in the Motion Picture Industry,
pp. 4, 13. Martin Mayer,
About Television,
p. 26. Schary,
Heyday,
p. 237.
497Â Â Â Â
One thing Schenck:
Garson Kanin,
Hollywood,
pp. 282â3.
498Â Â Â Â
Mayer invited Schary:
Schary,
Heyday,
pp. 177â203.
499Â Â Â Â
Well, Schary was:
Crowther,
Hollywood Rajah,
pp. 270â2.
499Â Â Â Â
“This is a”:
Gerold Frank,
Judy,
pp. 251, 224, 227â8, 230â1, 244â52.
502Â Â Â Â
What protected Dore Schary:
Schary,
Heyday,
pp. 208, 230. Crowther,
Hollywood Rajah,
p. 285.
503Â Â Â Â
The controversy dated:
Jowett,
Film,
pp. 201, 276â8.
504Â Â Â Â
In 1940, the:
New York Times,
Feb. 8, 10, 1948.
505Â Â Â Â
One of the first:
Frank Capra,
The Name Above the Title,
pp. 412â13, 422, 424, 443.
506Â Â Â Â
In the midst:
New York Times,
May 3, 1948; Oct. 2, 1948; Nov. 2, 9, 10, 1948.
507Â Â Â Â
Having recently finished:
Robert Craft, “The Poet and the Rake,” in
W. H. Auden, A Tribute,
ed. Stephen Spender, pp. 149â55.
507Â Â Â Â
Auden worried about:
Nancy Caldwell Sorel, “First Encounters,”
Atlantic Monthly,
January 1985.
508Â Â Â Â
The two unlikely:
Vera Stravinsky and Robert Craft,
Stravinsky,
p. 397. Igor Stravinsky,
Themes and Conclusions,
p. 77.
508Â Â Â Â
Back in New York:
Libretto and notes for CBS recording of
The Rake's Progress,
p. 11. Stravinsky,
Themes and Conclusions,
p. 54.
508Â Â Â Â
Stravinsky worked methodically:
Stravinsky and Craft,
Stravinsky,
pp. 361, 398.
509Â Â Â Â
“Kike.” Now that:
Carey McWilliams,
A Mask for Privilege: Anti-Semitism in America,
p. 3. McWilliams's evaluation is primarily economic. For a contemporary psychiatric analysis of the subject, see
Anti-Semitism: A Social Disease,
ed. Ernst Simmel, which includes contributions by Simmel, Otto Fenichel, Max Horkheimer, T. W. Adorno, and others.
509Â Â Â Â
There had always:
McWilliams,
A Mask,
pp. 18â19.
511Â Â Â Â
Harper's:
Article by Johan Smertenko, quoted in McWilliams,
A Mask,
pp. 40â1.
511Â Â Â Â
Emmanuel Goldenberg:
Edward G. Robinson,
All My Yesterdays,
pp. 1â2.
512Â Â Â Â
Julius Garfinkle:
Larry Swindell,
Body and Soul,
p. 111.
512Â Â Â Â
Sam Goldwyn:
Stephen Birmingham,
“The Rest of Us,”
p. 259. Hedda Hopper,
The Whole Truth and Nothing But,
p. 96.
513Â Â Â Â
The studio bosses:
Arthur Marx,
Goldwyn,
p. 338. Bessie,
Inquisition in Eden,
p. 64. Stephen Farber and Marc Green,
Hollywood Dynasties,
p. 25.
513Â Â Â Â
Harry Cohn, as:
Norman Zierold,
The Moguls,
p. 190. Farber and Green,
Hollywood Dynasties,
p. 24. Michael Freedland,
The Warner Brothers,
p. 200. Nora Sayre,
Running Time,
p. 43. Schary,
Heyday,
pp. 210, 224. Ross,
Reporting,
p. 385.
513n   Â
Others felt a:
Bob Thomas,
King Cohn,
p. 295.
514Â Â Â Â
In all this crudity:
Hopper,
The Whole Truth,
p. 93.
514Â Â Â Â
Mayer was certainly:
Farber and Green,
Hollywood Dynasties,
p. 26.
515Â Â Â Â
The suave Rabbi:
Schulberg,
Moving Pictures,
pp. 191â2.
516Â Â Â Â
One of those:
Ben Hecht,
A Child of the Century,
p. 460. Richard Meryman,
Mank,
p. 133.
516Â Â Â Â
It was true:
Hecht,
A Child,
pp. 476, 485, 488.
516Â Â Â Â
While Hecht was:
Ibid., pp. 516, 519â21.
517Â Â Â Â
This last column:
David S. Wyman,
The Abandonment of the Jews,
p. 85. An excellent and revealing study of this painful subject.
517Â Â Â Â
The Irgun was:
Birmingham,
“The Rest of Us,”
pp. 247, 243.
518Â Â Â Â
“I don't want”:
Hecht,
A Child,
pp. 539â40.
519Â Â Â Â
Be it said:
Birmingham,
“The Rest of Us,”
pp. 249â51.
519Â Â Â Â
Hecht would not:
Hecht,
A Child,
p. 443. Wyman,
Abandonment,
pp. 90â2.
519Â Â Â Â
There were more:
Wyman,
Abandonment,
pp. 82, 86. Hecht,
A Child,
p. 587.
520Â Â Â Â
Returning to the:
Wyman,
Abandonment,
p. 154.
521Â Â Â Â
“Kike.” Representative John:
Laura Z. Hobson,
Laura Z.,
pp. 322, 324, 331, 345â9, 351, 363, 365.
523Â Â Â Â
There were interruptions:
Laura Z. Hobson,
Gentleman's Agreement,
pp. 1, 9, 52â3, 55, 63, 109, 138, 96, 154, 188.
524Â Â Â Â
It is a little:
Simmel,
Anti-Semitism,
p. xvii. McWilliams,
A Mask,
pp. 110â11, 134, 136, 144, 254.
526Â Â Â Â
It still seems:
Hobson,
Laura Z.,
pp. 340, 382, 393, 396, 398, 400.
526Â Â Â Â
Zanuck announced:
Mel Gussow,
Darryl F. Zanuck,
p. 149. Sayre,
Running Time,
p. 40.
527Â Â Â Â
Zanuck naturally wanted:
Schary,
Heyday,
p. 159.
527Â Â Â Â
Having failed:
Gussow,
Zanuck,
p. 150. Victor S. Navasky,
Naming Names,
p. 203.
528Â Â Â Â
But what was:
Jowett,
Film,
p. 371. Sayre,
Running Time,
pp. 39â40.
529Â Â Â Â
“I cannot remember”:
CBS recording of
The Music of Arnold Schoenberg,
vol. 1, recorded by Robert Craft.
529Â Â Â Â
It is a complete:
Craft notes to CBS recording of
The Music of Arnold Schoenberg.
H. H. Stuckenschmidt,
Arnold Schoenberg,
p. 141.
530Â Â Â Â
A far more interesting:
Arthur Knight,
The Liveliest Art,
p. 238.
530Â Â Â Â
The lords of Hollywood:
Ingrid Bergman and Alan Burgess,
My Story,
pp. 13â15 (1981). This is, of course, the basic source.
530Â Â Â Â
A few months later:
Bergman and Burgess,
My Story,
pp. 16â17, 18â20, 180â1, 186, 190, 206, 108, 200, 202, 207, 213, 215, 226, 20â1, 236. John Russell Taylor,
Ingrid Bergman,
p. 80. Laurence Leamer,
As Time Goes By,
pp. 73, 79, 88, 103, 124.
535Â Â Â Â
Just as the Holocaust:
Time,
May 24, 1948.
536Â Â Â Â
Out in southern:
Ezra Goodman,
The Fifty-Year Decline and Fall of Hollywood,
p. 186. (Goodman says “civil service,” which is presumably a typographical error.) Gary Carey,
All the Stars in Heaven,
p. 287.
536Â Â Â Â
“You must write”:
Willi Frischauer,
Behind the Scenes of Otto Preminger,
pp. 179â80.
537Â Â Â Â
Ten years after:
Otto Preminger,
Preminger,
pp. 196â9.
Â
11 Expulsions (1949).
539Â Â Â Â
The Naked and the Dead:
Hilary Mills,
Mailer,
p. 117.