City of Girls (25 page)

Well, I had a reason now.

Olive and I didn’t talk in the cab. I was too consumed by fear and shame to make conversation, and she was never one for
casual chitchat. I will say that her demeanor toward me was not degrading. She was not giving me a dose of schoolmarm disapproval—although she had cause. No, Olive’s attitude that night was all business. She was a woman on a mission, and her focus was solely upon the task at hand. If I’d had my wits about me, I might have been touched and amazed that it was Olive—not Peg, or even Billy—who was putting
her neck on the line for me. But I was too distraught to register this act of grace. All I could feel was doom.

The only thing Olive said to me as we were getting out of the taxi was, “I don’t want you saying a
word
to Winchell. Not a word. Be pretty and be quiet. That’s your only task. Follow me.”

When we reached the entrance to the Stork, we were stopped by two doormen whom I knew well. James
and Nick. They knew me, too, although they didn’t realize it right away. They knew me as a glamour girl who was always hanging around Celia Ray, and that’s not even close to how I looked this evening. I wasn’t dressed to go dancing at the Stork. I wasn’t wearing an evening gown or furs, or jewels that I’d borrowed from Celia. On the contrary—as per Olive’s directions for
sartorial modesty, which,
thankfully, I’d had the good sense to obey—I was wearing the same simple frock I’d worn on the train to New York City all those many months ago. And I had on my good school coat. My face was scrubbed clean of makeup. I probably looked about fifteen years old.

What’s more, I was keeping a different sort of company that night (to say the least) than what the doormen were used to. Instead of being
on the arm of the luscious showgirl Celia Ray, I was in the company of one Miss Olive Thompson—a dour lady in steel-rimmed spectacles and an old brown overcoat. She looked like a school librarian. She looked like a school librarian’s
mother
. We certainly did not look like the sort of guests who would elevate the tone of a place like the Stork, and so both James and Nick put up their hands to stop
us, just as Olive was marching in.

“We need to see Mr. Winchell, please,” she announced, briskly. “It’s rather an emergency.”

“I’m sorry, madam, but the nightclub is full, and we are not accepting any more guests for the evening.”

He was lying, of course. If Celia and I had been trying to get in—dressed in all our glory—those doors would have flung open so fast they might have lost their hinges.

“Is Mr. Sherman Billingsley here this evening?” Olive asked, undeterred.

The doormen exchanged glances. What did this homely librarian know of Sherman Billingsley, the club’s owner?

Taking advantage of their hesitation, Olive pressed on.

“Please tell Mr. Billingsley that the manager of the Lily Playhouse has come to speak with Mr. Winchell, and that it’s a grave emergency. Tell him that I come
on behalf of his good friend Peg Buell. We haven’t much time. It’s regarding the potential publication of these photographs.”

Olive reached into her unassuming plaid satchel and pulled out the ruination of my life—that manila folder. She handed it to the doormen. This was a bold tactic, but desperate times call for desperate measures. Nick took the folder, opened it, looked at the photos, and
let out a low whistle. Then he looked from the photos to me, and back to the photos. Something changed in his face.
Now
he knew me.

He gave me a raised eyebrow and a lewd grin. He said, “We haven’t seen you around here in a while, Vivian. But now I see why. I guess you’ve been busy, huh?”

I seared in shame—while at the same time understanding:
This is just the beginning of it
.

“I will ask you
to take care with how you speak to my niece, sir,” said Olive, in a voice so steely it could have drilled a hole through a bank safe.

My niece?

Since when did Olive call me her niece?

Nick apologized, cowed. But Olive wasn’t done. She said, “Young man, you can either bring us to see Mr. Billingsley—who will not appreciate your rude treatment of two people he essentially considers to be family
members—or you can bring us directly to Mr. Winchell’s table. You will do one, or you will do the other, but I will not be leaving. My suggestion is that you bring us directly to Mr. Winchell’s table because that’s where I’ll be ending up this evening—regardless of what it takes me to get there, or who has to lose their job along the way for trying to stop me.”

It’s amazing how frightened young
men will always be of dowdy, middle-aged women with stern voices—but it’s true: they are
terrified
of them. (Too much like their own mothers, or nuns, or Sunday-school teachers, I suppose. The trauma from those old scoldings and beatings must run very deep.)

James and Nick exchanged a glance, looked at Olive one more time, and then decided as one:
Give the old bird whatever she wants.

We were
delivered straight to Mr. Winchell’s table.

Olive sat down with the great man, but gestured at me to remain standing behind her. It was as though she were using her squatty little body as a shield between me and the world’s most dangerous newspaperman. Or maybe she just wanted to put me at a far enough remove from the conversation that I wouldn’t speak and ruin her strategy.

She pushed Winchell’s
ashtray aside and placed the folder in front of him. “I’ve come to discuss
these
.”

Winchell opened the folder and fanned out the photos in front of him. For the first time, I could see the photos—though I wasn’t close enough to make out the details. But there it was. Two girls and a man, all entwined in each other. You didn’t need the details to understand what was going on.

He shrugged. “I’ve
seen these. Already bought them. Can’t help you.”

“I know,” said Olive. “I understand you’ll be publishing them tomorrow in the afternoon edition.”

“Say, lady, who the hell are you, anyhow?”

“My name is Olive Thompson. I’m the manager of the Lily Playhouse.”

You could see the abacus of his mind doing a quick calculation, and then he landed on it. “That dump where
City of Girls
is playing,”
he said, lighting a new cigarette off the still-burning ember of his last one.

“That’s correct,” confirmed Olive. (She took no issue with the word “dump” as applied to our theater—though, honestly, who could have debated it?)

“It’s a good show,” Winchell said. “I gave it a rave.”

He seemed to want credit for this, but Olive wasn’t the sort of woman to hand out free credit—not even in this situation,
when she was essentially coming before Winchell on bended knee.

“Who’s the little rabbit hiding behind you?” he asked.

“She’s my niece.”

So I guess we were sticking to
that
story.

“A bit past her bedtime, ain’t it?” said Winchell, giving me the once-over.

I’d never been this close to him before, and I didn’t like it one bit. He was a tall and hawkish man in his midforties, with baby-smooth
pink skin and a twitchy jaw. He was wearing a navy blue suit (pressed to lacerating creases), with a sky blue Oxford shirt, brown wingtips, and a snappy gray felt fedora. He was wealthy and powerful, and he looked wealthy and powerful. His hands never stopped fidgeting, but his eyes were disconcertingly still as he took me in. His was a predator’s stare. You might have said he was good-looking,
if you could release your concerns about when he was going to eviscerate you.

A moment later, though, he had dropped his gaze from me. I’d failed to keep his interest. He’d quickly browsed me and analyzed me—
female, young, unconnected, inconsequential—
and then dismissed me as useless to his needs.

Olive tapped one of the photos in front of her. “The gentleman in these photographs is married
to our star.”

“I know exactly who that guy is, lady. Arthur Watson. Talentless sop. Dumb as a bag of hair. Better at chasing girls than he is at acting, by the looks of this evidence. And he’s gonna take one hell of a pasting from his wife when she sees these photos.”

“She’s seen them already,” said Olive.

Now Winchell was openly irritated. “How’d
you
see them, is what I want to know. These
pictures are my property. And what are you
doing, showing them all over town? What are you—selling tickets to these pictures?”

Olive didn’t answer this, but just fixed Winchell with her firmest stare.

A waiter approached and asked if the ladies would like a drink.

“No thank you,” said Olive. “We’re temperates.” (A claim that would have been soundly refuted, had anyone been close enough to smell
my breath.)

“If you’re asking me to kill the story, you can forget about it,” said Winchell. “It’s news, and I’m a newsman. If it’s true or interesting, I got no choice but to publish it. And this item here is both true
and
interesting. Edna Parker Watson’s husband, running around like that, with two loose women? What do you want me to do, lady? Look down at my shoes demurely while famous people
make whoopee with showgirls right there in the middle of the Street? As everyone knows, I don’t like to publish items on married couples, but if people are gonna be this indiscreet about their indiscretions, whaddaya want me to do about it?”

Olive continued to level him with her iceberg stare. “I expect you to have some decency.”

“You know, you’re really something, lady. You don’t scare easy,
do you? I’m beginning to piece you together. You work for Billy and Peg Buell.”

“That’s correct.”

“It’s a miracle that junky theater of yours is still operating. How do you keep your audience, year after year? Do you pay them to come? Bribe them?”

“We coerce them,” said Olive. “We coerce them by providing excellent entertainment, and they, in return, reward us by buying tickets.”

Winchell
laughed, drummed his fingers on the table, and cocked his head. “I like you. Despite the fact that you work for that arrogant
louse Billy Buell, I like you. You got some nerve. You could be a good secretary for me.”

“You already have an excellent secretary, sir, in the figure of Miss Rose Bigman—a woman whom I consider a friend. I doubt she’d appreciate you hiring me.”

Winchell laughed again.
“You know more about everybody than I do!” Then his laughter vanished—never having reached his eyes. “Look, I got nothing for you, lady. Sorry about your star and her feelings, but I’m not killing the story.”

“I’m not asking you to kill the story.”

“Then whaddaya want from me? I already offered you a job. I already offered you a drink.”

“It is important that you do not print the name of
this
girl
in your newspaper.” Olive pointed at one of the photographs again. And there I was—in a picture taken just a few hours (and a few centuries) earlier—with my head thrown back in rapture.

“Why shouldn’t I name that girl?”

“Because she’s an innocent.”

“Got a funny way of showing it.” There was that cold, wet laugh again.

“Nothing about this story is further served by putting this poor girl’s
name in your newspaper,” said Olive. “The other people involved in this kerfuffle are public figures—an actor and a showgirl. They are known by name already to the general public. To be exposed to public scrutiny was the risk they took when they entered a life of show business. They will be hurt by your story, to be sure, but they’ll survive the wound. It all comes with the territory of fame.
But this youngster here”—again, she tapped the photo of my ecstatic face—“is naught but a college girl, from a good family. She will be laid low by this. If you publish her name, you doom her future.”

“Wait a minute, is she
this
kid?” Winchell was pointing at me now.
To have his finger aimed at me felt something like being singled out of a crowd by an executioner.

“That’s correct,” said Olive.
“She’s my niece. She’s a nice young girl. She’s attending Vassar.”

(Here, Olive was reaching: I had
been to
Vassar, yes, but I don’t think anyone could accuse me of ever having
attended
Vassar.)

He was still staring at me. “Then why the hell ain’t you in
school,
kid?”

Right about then, I wished I were. My legs and my lungs felt about to collapse. I was never happier to keep my mouth shut. I
tried to look as much as possible like a nice girl who was studying literature at a respectable college, and who was not drunk—a role for which I was uniquely ill-equipped that night.

“She’s just a visitor to the city,” said Olive. “She’s from a small town, from a nice family. She took up with some dubious company recently. It’s the sort of thing that happens all the time to nice young girls.
She made a mistake, that’s all.”

“And you don’t want me sending her to the glue factory for it.”

“That’s correct. That’s what I’m asking you to consider. Print the story if you must—even print the photos. But leave an innocent young girl’s name out of the papers.”

Winchell riffled through the photos again. He pointed to a picture of me with my mouth devouring Celia’s face, and my arm wrapped—serpentlike—aroun
d Arthur Watson’s neck.

“Real innocent,” he pronounced.

“She was seduced,” said Olive. “She made a mistake. It could happen to any girl.”

“And how do you propose that I keep my wife and daughter in mink coats if I stop publishing gossip, just because innocent people make mistakes?”

“I like your daughter’s name,” I blurted out right then, without thinking.

The sound of my voice shocked me.
I truly hadn’t planned to speak. It just came flying out of my mouth. My voice startled Winchell and Olive, too. Olive spun around and stared daggers at me while Winchell drew back a bit in puzzlement.

“How’s that?” he said.

“We don’t need to hear from you now, Vivian,” said Olive.

“Zip it,” Winchell said to Olive. “What’d you say, girl?”

“I like your daughter’s name,” I repeated, unable to
break his stare. “Walda.”

“What do you know about my Walda?” he demanded.