Chronicle in Stone (9 page)

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Authors: Ismail Kadare

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BOOK: Chronicle in Stone
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The incident was the talk of the town for a long time. People were obsessed by those two arms hanging lifelessly around the neck of a boy whom no one seemed to know. The two thin arms of the girl gradually turned into vicious talons that seized people by the throat, choking off their breath, suffocating them.

But just as from the corpse of one alarming event a new one always sprouts, so the talk about Aqif Kashahu’s daughter and her boyfriend was increasingly accompanied by comments about the strange sketches now being made by Dino Çiço, the town inventor.

Dino Çiço had long since given up sleep and was now encroaching on the sleep of others, poring over various calculations and sketches that no one in the region could make head or tail of. The rumour was that these figures had already attracted the interest of some Austrian or Japanese scientists (on this point there were conflicting reports), who had invited him to continue his work in their country, but he had refused. Subsequently Austrian or Portuguese scientists (again their nationality was uncertain) had tried to buy the patent for his invention, but he had declined their offer.

For a long time our townsman Dino Çiço had worked on his invention in complete secrecy. The exacting task had steadily paled his cheeks and reddened his eyes. The city could recall other men who had devoted their lives to calculations and sketches. Still others preferred direct experimentation. The teacher Qani Kekezi had stated more than once that he learned more from dissecting one cat than from reading any number of anatomy books.

Dino Çiço, however, was completely taken up with his own research. When construction of the aerodrome began at the edge of town, he temporarily laid his regular studies aside and threw himself into work on a new invention. He decided to build an aircraft himself. But this would be a special plane, powered not by an ordinary engine, but by a mechanism based on perpetual motion, or
perpetuum mobile
, as some people called it. Different people pronounced these latter words differently, and the question of pronunciation caused a few arguments, and even exchanges of blows and some broken teeth, which of course further altered the pronunciation of these strange words.

During the first bombing raids, discussion of Dino Çiço’s new invention, which would not only assure defence of the city but would also bring honour to its name, became more and more frequent, especially among the old and the very young. Aircraft that run without fuel are the most powerful of all. Fuel-free aircraft are fantastic. They can stay up in the air all day long. My aunt claims they can fly even longer. Can they stay up five days in a row? No, not five days. But why doesn’t he build this plane right away? What is he waiting for? Patience, my boy, these things can’t be done in a hurry . . .

So we waited.

In the meantime, planes of various kinds, their origin generally unknown, often flew over the city. Every time we raised our eyes to their shining bellies swollen with bombs we would look automatically towards the dark house with ramshackle eaves, whose owner never ventured out. He was working. Day and night. Go ahead, fly, fly, fly while you can, you pitiful engine-powered planes!

We tried to imagine the chaos Dino Çiço’s perpetual motion plane would wreak in the sky when it first took flight. Black and terrifying, with its strange shape, it would cleave the sky. All the world’s planes would flee in terror at the sight of it, tearing off in all directions, some south, some north; others, in total panic, would nose-dive and crash.

But for the moment the city was being bombed regularly every day. Planes circled overhead, quite at ease in the sky. The anti-aircraft battery, which was supposed to have been sent the previous week to defend the city, still hadn’t come. After the very first bombing we had all been convinced that besides streets, chimneys and sewers, a city had to have an anti-aircraft battery as well. The old gun, left in the citadel’s western tower since the days of the monarchy, had some defect that the municipal mechanics hadn’t been able to fix.

The city lay completely defenceless under the autumn sky, which everyone thought looked more open than usual. Never had people craned their necks to peer up into the sky as often as they did that autumn. It was as if they were asking in amazement, “What’s the matter with this sky all of a sudden?” For planes were something new in that ancient sky. The thunder, clouds, rain, hail and snow which the sky had always dropped on the city and about which no one was so unreasonable as to complain were nothing compared to this baleful whim of old age. There was something strange and faithless in the heavy masses of cloud and the blue slits that opened suddenly within them like gigantic eyes. The element of treachery was evident even in the monotonous drizzle of rain and the howling wind. More and more I thought that the world might be better off with no sky at all.

One of those autumn days something happened that I had long been waiting for. It was a Sunday. From the way Grandmother put on her black clothes and shawl I knew that something unusual was up. She had become almost miraculously agile. I soon realised that she was about to make an extraordinary visit. Open-mouthed, I watched her movements in silence, for fear that one word from me would break the tranquil harmony of the swishing of clothes and hands.

Quivering with excitement, I asked in a near whisper: “Where are you going?”

She stared at me. Her eyes were calm, just a touch far away. She slowly opened her mouth and said: “To Dino Çiço’s.” I had guessed as much.

“Take me too, please,” I begged. She stroked my hair.

“Get dressed,” she said.

The cobblestones in the street were wet. It was raining softly. An old song ran through my mind:

It’s raining, it’s pouring
Old dames are snoring . . .

I had become an old dame, one of the
katenxhikas
. Walking through the rain in my black dress. Going to have coffee. Going to see, going to hear. I was happy.

“Will we see the plane?” I asked.

“We’ll see it,” she said. “It’s right in the middle of the living room.”

“But can I see it close up?”

“Close up, yes, but behave yourself. Don’t touch anything.”

I looked at my hands. They were more nervous than I was. I put them in my pockets.

We got there. Grandmother banged the front door with the iron knocker. The knocking reverberated through the whole house. It was a somewhat unusual-looking house, with many gable-ends and overhanging eaves. It seemed to me to be dripping with sleep.

Grandmother knocked again. We heard no footsteps inside. But the door opened by itself. Someone, perhaps Dino Çiço himself, had lifted the latch with a string from upstairs. Our house also had a cord like that to open the door without going down. We went up the wooden spiral staircase. The scrubbed boards creaked, but the sound was different from the creaking of our own stairs. They spoke a language I didn’t know.

When we first went into the living room I didn’t see anything, because I was hiding behind Grandmother’s skirt. Then I peeked out and saw with one eye some old women dressed in black like Grandmother sitting on the cushions of the wooden ledges that ran around the room. The plane was in the middle. About the size of a person, all white, its wings spread. White. The wings, tail and body were wooden. Screw heads shone on the finely sanded carpentry.

I stared at it for a long time. The voices of the women came from afar, as if through a whistling wind. Then I looked up and saw the pallid man with his red and dreamy eyes turned to the floor.

“Is that him?” I whispered to Grandmother. She nodded.

The old women were chatting in pairs, sipping coffee. Their conversations sometimes got tangled with each other. They kept shaking their heads, expressing their amazement, gesturing in the direction of the plane, then going back to their talk of the war and the bombing. The pallid man did not speak. He never took his eyes off the wooden plane.

“Study hard, little lad, so that one day you’ll be as wise as Dino and bring honour to us all,” one of the old women said.

I moved further behind Grandmother. I don’t know why, but I felt no joy. It had oozed out of me as if through hundreds of little holes. But that didn’t last long. The empty space left in my body by departing joy was suddenly filled with something that flooded in through those same invisible holes. It was sadness. All at once the white plane in the middle of the room seemed to me the frailest, most pitiful thing in the world. How could it dare challenge the huge metal planes that flew overhead every day, those terrifying grey planes loaded with bombs and shaking with deafening noise? It would take them no more than a second to shatter this little white thing, like wild beasts tearing a lamb to pieces.

The old women went on chatting about all sorts of things. The lady of the house offered them more coffee. The pallid man hadn’t moved. I stood there too, still dazed. Very slowly, my sorrow gave way to complete indifference. I started looking at the old women’s wrinkles and was soon thoroughly absorbed by this new game. I had never examined old people’s wrinkles so carefully. How strange they were. They went on and on along an endless winding path from under the chin, down the neck, back up the nape and all over the face. They looked like the threads of wool that Grandmother spun from her distaff at the beginning of winter. Maybe you could knit socks with them, or even pullovers. I was getting very sleepy.

When we left Dino Çiço’s house, the rain had stopped. The wet cobblestones gleamed sardonically. They knew something. Two women leaning on their window-ledges chatted across the street. Further on three others were doing the same. They were shouting because their windows were far apart, so I heard the news too: an anti-aircraft battery had arrived.

That Sunday afternoon the bells of the two churches rang longer than usual. There were more people in the streets. Harilla Lluka went from door to door shouting: “It’s come, it’s come!”

“Will you shut up?” an old woman yelled. “We heard already!”

“Those planes are done for now,” Bido Sherifi said at the café, where he was having a drink with Avdo Babaramo, who was talking about gunnery. Half the men in the café were listening in awe.

“Gunnery,” sighed Avdo. “You don’t have the head for it, Bido. But where can I find anyone smart enough to understand?”

All afternoon people came to their windows or onto balconies hoping to get a look at the anti-aircraft battery. Most people looked towards the citadel, certain that the new cannon would be installed up there, as the old anti-aircraft gun had been. But evening fell and there was no sign of any gun barrels. Some said that the battery had been hidden on the outskirts of the city. People were disappointed. They had expected to see gigantic guns with long barrels set up right in the middle of the city, as befitted weapons on which the city relied for its defence. But all they had, it seemed, was a battery hidden far away behind hills and bushes.

“Now in my day we had real artillery,” Avdo Babaramo said, raising his last glass in the café.

After this initial disappointment, however, the very secrecy surrounding the anti-aircraft battery seemed to inspire confidence among some people.

Everyone was eager to see its first battle with the bombers. People anxiously awaited the next day, when the bombing would start.

Monday dawned. But strangely enough, the British didn’t come that day.

“The swine must have heard about our battery,” Harilla Lluka shouted round town. “Those cowards, they must have heard . . .”

“Stop braying like an ass, you idiot.”

“. . . the louts.”

But on Tuesday they came. The siren, as usual, wailed at the sky. Forgetting their earlier impatience, people now rushed downstairs into our cellar. Harilla Lluka was as pale as a sheet.

We heard the menacing, monotonous drone of the engines. Harilla felt that the planes were looking for him personally because he had insulted them so viciously the day before. The noise came closer. Everyone listened open-mouthed.

“It’s started, do you hear?” someone said.

“Quiet!”

“Listen! It’s firing!”

“Yes, it’s definitely firing.”

A continuous rumble came from the distance.

“The battery!”

“Why isn’t it louder?”

“It’s stopped.”

“No, there it goes again.”

“Why can’t we hear it properly?”

“Who knows? Modern weaponry!”

“When the old anti-aircraft gun fired, the whole earth trembled.”

“When was that?”

“In the old days.”

“Quiet!”

The rumble of the cannon drowned out the drone of the engines for a moment, but then the roar of the planes came through again, louder, more threatening. They sounded angry. A hush fell over the shelter. The sound of the gun couldn’t be made out any more. The planes howled savagely. Their shrieks shot into the ground like huge, pitiless stakes. The earth shook. Once. Twice. Three times. As usual.

“They’re leaving.”

Our battery, which had in fact never stopped firing, could now be heard again. Then suddenly, in the midst of the sadness caused by the defeat of the battery in its first duel and the thought that nothing had changed, came a wild cry from the street outside:

“It’s on fire, it’s on fire!”

For the first time people ran out into the street before the all-clear had sounded. The streets, windows and courtyards were crammed with heads bobbing madly up and down to see, see, see.

“Look!”

It was white and in its wake a long and fatal plume spread majestically in the wind. It was falling across the sky, and the plane, with its pilot who would be dead in a few seconds, drifted steadily down and disappeared over the horizon. An explosion ripped the air.

The sinister grey plume still hung over the city. As people shouted, howled and cursed, the north breeze, now gathering strength, twisted the smoke in two or three places and finally broke the plume into little pieces. The fragments billowed over the city for a long time.

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