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Authors: Robert Holdstock

Celtika (13 page)

BOOK: Celtika
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The Dacian called to his horse, which turned for the shore.

Jason stared at the fallen tree, then nodded to the other man.

‘We’ll make room for the horse.’

‘Good. He’s called Ruvio. My name’s Rubobostes. I’m pretty useful too.’

*   *   *

Blush, Spark and Gleam were in the past; with Tree Fire the lake had cracked and begun its melt. Now the Opening Eye watched us mistily, the sun rising, half visible, semi-cyclopean and seemingly sleepy, for a prolonged period of every day.

‘Kainohooki has kicked away the door of his winter tomb,’ the mothers told their children. ‘He has slept for so long, digesting his last meal, now he’s lighting his farts to brighten the day. He has bear to hunt, reindeer to tame, fish to catch, and
enniki voytazi
to spear, hang up and dry out for the witches to use. Kainohooki is a friend.’

I’d heard it all before. True, the shores of the lake, and the melting ponds, began to smell rank, the first outsurge of trapped stink from the long winter.

I’d seen such marsh odour catch fire and burn with shocking, tragic results—boats burned to cinders as they were being constructed on muddy slipways, heron-hunters roasted alive as they lurked in the rushes, waiting for their prey, though this tended to occur more during the high summer on the river plains—so I felt a slight relief that only Kainohooki, and not the Pohjoli themselves, indulged in sparking their winter emissions.

*   *   *

Life came back to Argo suddenly and unexpectedly, when the spark of the new sun was at its brightest.

Lemanku and two others were working inside the hull. The new keel had been laid, a fine piece of Pohjolan birch, beautifully carved and trimmed, part of it hollowed to contain the stub of the old Dodonian oak whose strength had taken Jason on his earlier voyage. Lemanku had gone to the spirit grove of Mielikki herself, the Lady of the Forest, and after a long ceremony, and the involvement of much drumming and singing, had cut down one of the tall ancestor birches. Mielikki would be our new protectress.

Jason was somewhere at a distance, still recruiting, and I was helping the Dacian shape an oar. Fire burned around us, four dogs were playing noisy chase with each other, and the ringing of metal being forged was a steady, ruthless aggravation to the ears.

Everything stopped, all movement, all sound, when Lemanku’s howl of pain and fear split the cold air. Startled, I stared at the half-hull of the ship. Lemanku came tumbling over the side, still howling. His eyes were raw, bloody pits. He crawled down the ramp, then stumbled towards the lake.

Behind him, one of the Pohjolan workmen shouted, ‘He was in the prow. Something ripped him!’

Lemanku, in his eagerness to finish fitting the keel, had disobeyed Jason’s strict instruction: that only he would work in this old and dangerous part of the vessel.

I ran towards the wounded man. Lemanku fell into the lake, splashing his face with his hands. The water around him
boiled!
Still crying out in terror, he forced himself to kneel. A pattern radiated out from him, like snakes arrowing across the lake surface into the distance, streams of movement that vanished from him, flowing towards the far woods.

Something else made the water bubble, the rising of the broad flat head of a
voytazi.
I ran quickly to Lemanku, just as the cold fish mouth was opening to strike. I was ready to sacrifice a little age to protect the shipwright, but the demon withdrew, perhaps remembering me from my dive, many days in the past.

As best I could I helped the heavy man to his feet. He was sick as he stood, but was quiet, now, water and blood streaming from his punctured eyes. Lemanku’s days of seeing were over.

‘Come to the fire,’ I urged him, and he let me lead him back to warmth and relative safety.

‘The spark has gone,’ he whispered, shuddering, as he sipped a bowl of broth. ‘She was so fast. She came out of nowhere. Such shimmering, brilliant woods. She came out of nowhere and took the spark away. Only night. Only dark. She’ll kill me if I go back aboard…’

She? Did he mean Argo? Gentle, protecting Argo had done this terrible thing? I couldn’t believe it, but Lemanku added, ‘I must go to her grove. I must beg for my life…’

‘Whose grove?’

‘Mielikki. Mielikki is in the ship, now. Jason wanted such good wood, and birch from that grove is the finest. I thought she would spare just the one tree. Such good birch. I thought I’d done everything right. I’ll pay for that mistake with my life as well as the dark. You all will. You’ll need gentle gods to help you if you sail in that ship now.’

Lemanku’s wife and two daughters arrived, the youngest weeping uncontrollably as she saw her father’s ruined face. His wife attended with quick and methodical efficiency to the wounds, but her eyes, on me, were cold. ‘You should have known. You could have stopped him, your friend, that
ghost.’

She meant Jason.

‘Stopped him?’

‘He wanted the tree too badly. He tricked this man with charming words. But you … you see further than the rest of us. I can smell it in you. You could have stopped him. That ship will kill you all, now.’

How quickly she had intuited the situation. Perhaps, unknown to Jason or me, there had been argument after argument in the lodge of this unhappy ship-builder, desperate attempts to persuade him not to take wood from the sacred grove of Mielikki, Lemanku answering that the Lady of the Forest
always
offered her boughs and trunks for boats. It was the way it was done.

Boats, yes. Boats for her people. Boats for those who hunted her forests and sailed the lakes and rivers of her own kind. But not ships that had sailed from beyond the Watching Eye. Ships of strangers, with alien spirits in her keel.

Mielikki was capricious. And she was in Argo, now, and she was not happy.

I had expected that Jason would respond in a typically Jason manner on hearing what had happened, which is to say with blistering fury and angry recrimination; in fact, he responded in another typically Jason way: with great concern for Lemanku, tempered with the practical observation that: ‘He still knows what he’s doing when it comes to ships, doesn’t he? He can feel his way around the hull, can’t he? If he tells me where to hammer a nail, I’ll hammer the damned nail! Get him better and get him back to work.’

And he was typically dismissive when it came to the danger posed by the new guardian of Argo. ‘Capricious? They’re all capricious! Tell me something I don’t know. Do you think we couldn’t have sailed to Colchis, stolen the fleece and returned to Iolkos in less than a season
and
without loss? We could have done it easily if the
goddess
had been so inclined to let us. She wanted her fun. She was playing an elaborate game with other gods, other spectres, other shadows on the mountain! I learned about such games before I even had my beard. It’s a risk we take on any voyage, and the reason why so few among us are born suited to the challenge. How old did you say you were, Antiokus?’

‘Very old.’

‘So don’t pretend you don’t know what I’m talking about.’

I knew very well what he was talking about. I murmured, ‘Odysseus shared your view.’

‘Odysseus was arrogant,’ he said quickly, a hard look in his eyes as he took the jibe and turned it back. ‘Odysseus challenged Poseidon’s power and was punished. I’m not challenging … I just say that I know. I know and I accept. I challenged nothing in my life but Medea’s right to my sons. And Medea was a witch, not a goddess. And she’s dead, now, rotten: food for gorse and thistle! I don’t pretend to be better than the gods, Antiokus. You can’t compare me to that fool Odysseus.’

‘He was no fool.’

‘He was cunning, I accept. But he shouted his mouth off. That makes him … foolish. He deserved his fate.’

‘He invited his fate.’

‘Deserved, invited, what’s the difference? His strategy—that upturned ship, with its hollow hull, dragged by horses along the beach—yes, it was a trick, and a good one, and it broke the walls of Troy when it was captured and taken inside. He was a clever man. I have no doubt that he worked it out on his own—how to hide men in a ruined ship—in that bright world inside his
clever
head. I give him his due. But instead of sacrificing to the gods, instead of giving them their
undue
due, he ignored them. And that is
not
the behaviour of a clever man … I will never make that same mistake. Are you listening, Mielikki? Help us in our voyage and I’ll cut any throat you want over a fire in a brazen dish! My life on it.’

Reckless man. I watched him watching me, his face full of strength and determination and challenge. He had been young, when he had quested for the fleece; and Odysseus had been older and wiser and more arrogant. Now Jason was older still, and angry. He had aged, but like wine in a wreck on the sea bed, without sampling life, or being sampled by it. He was a man in two parts: still young for the fight, yet old with thought and cunning. His middle years were hollow, like that broken but cunningly hollowed ship, tethered to horses, which the Trojans had dragged through their walls, only to have it spill out murderous Greeklanders from between its double hull; hollow, perhaps, like Argo herself, with her secret space that so far was denied to us, yet which contained a ghost in a ghostly world of brilliant forest, that could strike and blind any man or woman who came too close.

CHAPTER EIGHT

Departure

The rebuilding of Argo was finished, though she had not yet been dedicated to her new, protecting goddess. And as if aware of this moment of transition from dead wood to new ship, the first flights of swans came, emerging from the glow of the slowly rising sun itself, silent but for the murmur of their wings. They passed over us, wave after wave of them, black-throated, red-billed, circling out over the frost-speckled forest then gliding in formations back towards the lake. Hundreds of them, aerial spirits signalling the coming of spring. They continued to come down on the water for an hour or more, fighting, squabbling, noisy, waiting for fish and spirit-fish to rise, so that they might feed.

I stood on the lakeside with Urtha and Jason, in awe of the spectacle. Niiv darted here and there, a child about to burst with some inner delight. The argonauts staggered unkempt and weary from their beds around the shipyard, peering at the swans as they circled and settled to the lake, discussing the likely taste of these big and angry birds.

The Pohjolis danced and sang; they danced with Niiv’s delight, and the swans’ movements; they sang like the dead arisen, a babbling, ululating celebration, mostly women’s voices, that was so infectious it even had our surly Volkas making tentative and half-humoured dancing motions with each other, a mock in part, but also a signal that they too felt the rising of the new season and the completion of something that ranged beyond the years: our ship! Our Argo.

She was leaner than the old ship, but she still had the same Greekland grace about her, steep-prowed, single-masted, decorated from prow to stern with shield-shaped patterns, in glorious colours, that represented the new argonauts who would take her oars. Her eyes, on each side of the hull, were canny; she would watch both river and sea with care.

Niiv brought her uncle, empty-eyed Lemanku, to complete the ship. His sons dragged the oaken image of Mielikki, Lady of the Forest, to the stern of Argo, to the slot for the carved head. Lemanku had worked feverishly at the figure, his fingers feeling their way across the rough wood. He had insisted that the task should be his and his alone.

The face that regarded us, when the image was raised, was sinister, the eyes narrowed, the nose slender, the mouth half twisted in a smile that might have signified contempt or pity. Hair had been carved, tumbling to the small breasts; bear’s teeth had been fixed around the neck in a protecting band; the skulls of small birds were tied with leather twine, a grim necklace. But feathers and dried flowers ringed the crown, softening the malevolent aspect of the face.

Gutthas of the Germanii and Urtha of Alba lifted the wooden figurehead into position, and Jason hammered home the wooden pegs to hold her firm. Because of his need for ropes, ropes were tied about the statue, knotted firmly, then coated with pitch.

The moment Mielikki was in position, Argo shuddered on the ramp, but unlike at Iolkos, she remained calm, not straining at the hawsers. The Dacian’s horse was harnessed and ready to take the strain if the ship struggled before Jason was ready.

While several of the argonauts hollowed out the bank for a slipway, laying birch rollers to the edge of the lake, Jason and Lemanku prepared an altar for the dedicatory sacrifice, a simple affair of dry wood piled to make a platform at waist height, wide enough to take the offering. Lemanku scratched an image of Enaaki on birch and laid it down; Jason whittled a crude effigy of Apollo and painted it black. He tied swan feathers into a bundle for Athene, last protectress. A bigger offering would be needed for Mielikki.

To get this, Urtha rowed him out on to the lake in a shallow boat, moving cautiously among the swans. Jason used a rope loop to snare and draw a great bird to the boat, then broke its wings with a paddle. Pursued by angry birds, Urtha struck for the bank, the broken swan dragging in the water, dragged alive to the altar, tied, and prepared for the fire.

Lemanku and his niece, Niiv, now clothed in a white fur cloak and colourful cap, came to officiate at the ceremony.

*   *   *

‘Hold on! This won’t do! This won’t do!’

Rubobostes the Dacian had barged through the circle and now laid his sword, compliantly and defencelessly, on the altar. ‘Swans feathers? Bark carvings? Swans? Jason, this won’t do at all. If I’m to sail with my horse, I need to know that Istarta has been propitiated. You must sacrifice to Istarta, otherwise the rivers will run against us, and two-legged wolves will dog our tracks through the forest. We will have no chance at all. Swans feathers? Not good enough.’

Rubobostes’ claim was translated for the rest of the crew.

BOOK: Celtika
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