Cause Celeb (72 page)

“The director of the show. Pleased to meet you, André. What's happening?”

“Don't you want some breakfast before we start?” I said to Oliver, pointing to the coffee shop.

“Have you found the crew?”

“No. Er. No.”

“Have they checked in?”

“No.”

“What? Where the fuck are they, then?”

“OK. This is another problem,” said André.

“Give it to me straight,” I said nervously.

“Your crew and personnel officer are in the cage at the airport.”

“A cage? Jesus Christ,” said Oliver. “What kind of place is this?”

“It's not a cage,” I said, trying to calm him. “It's a cell.”

“A cell? Oh, well, that's all right, then. As long as it's only a
cell
, that's fine. If my crew are locked in a cell at the airport, that's perfectly all right. Lovely. A cell, no problem.”

*

We were driving through El Daman to the Security office, heading along a dust road with crumbling colonial buildings on either side and a mass of tangled wires overhead. Everything was peeling, cracked and covered in dirt. Horns blared, donkey carts and camels dodged the crazed zooms of trucks and taxis.

“OK. At nine o'clock on Saturday night, Patterson calls me,” André was saying. Oliver was sitting in the back, staring out of the window and releasing periodic blasphemous expletives.

“Patterson tells me there are three Charitable Acts representatives and a SUSTAIN official held at the airport,” André continued. “OK, fine.‘Patterson,' I say,‘why are you calling me? What does this have to do with me?' It turns out Malcolm is in Port Nambula and Patterson can't leave the house because his wife is drunk. OK, fine. I go to the airport. I locate your camera crew and Edwina Roper, who are in the cage. By this time it is eleven
P
.
M
. I wake up Security. There is no problem with the visas. OK, fine. So why are they in the cage? The government do not want any more non-Moslem aid workers in Nambula, they say.”

At one side of the road a group of children were sitting in a sewer, screaming with laughter as they ducked underwater, splashed and swam.

“Jesus Christ,” said Oliver.

A man was sitting cross-legged beside a pyramid of Benson and Hedges packets. The man's djellaba was hitched up to air a pair of grotesquely swollen testicles, each one the size of a small football.

“Oh, my God. Jesus, that is disgusting.”

Ahead a new poster showed a grinning President Rashid, Nambula's military ruler, embracing Saddam Hussein.

“And presumably all this is pissing off the donor governments?” I said, nodding at the poster.

“Too right. This is a love affair, OK? This is the real thing. Saddam and Rashid are expected to marry and have each other's children any moment. Rashid's latest obsession is that there are too many whites in Nambula. He wants the aid and the money, but not them.”

“So the donors are saying no deal?”

“You've got it. Particularly the Americans. They haven't officially frozen all further shipments. But they ain't leaving the States.”

“I see.”

“Rashid's anti the Western press now, he doesn't want the media here. Which is why your lot are still at the airport.”

“Oh, my God. What is that child eating?” said Oliver.

“So how come the rest of us were allowed in?” I said.

“Good question. OK, it could be because they think you're fund-raising rather than press, or maybe it's because your camera crew said the wrong thing. But, whatever, it's all pretty dodgy. I'd watch out for Gunter too. He doesn't want you lot here either. Not until he's got his ship in. You've got a satellite dish waiting for you, did you know that?”

“Oh, shit. I'd forgotten that. When did it arrive?”

“This morning. It's in the SUSTAIN compound. I think the boys are having breakfast there, then heading for the Hilton. I'd keep an eye on it if I were you, OK? Rashid would just love to have a satellite dish, to force everyone to watch his dreary military parades.”

We were turning into the road which ringed the souk. The earth sank down into a pit in the center of the square, crammed with rows of wooden stalls with filthy awnings. Flies buzzed round the
pieces of dark meat suspended from the counters. As we passed, an ax banged down and severed the head of a live chicken.

“Oh, no. Oh, please,” said Oliver.

A dirty hand took hold of the neck, blood spurting between the fingers, while the body twitched and the claws scampered angrily.

“Oh, sweet Jesus.”

“Have they started unloading the plane?” I said.

“They hadn't at seven-thirty this morning,” said André.

“But Malcolm got the trucks there as we arranged?”

“The trucks are there. I don't know how much Malcolm had to do with it.”

“But the crew are still in the cage?”

“They are still in the cage.”

“Just pull up for a sec, will you? I just want to grab a pair of sunglasses.”

Oliver had spotted a stand selling mirrored Michael Jackson–style models. André pulled up sharply by the edge of the square.

“Oliver, we haven't got time—”

“Shan't be a sec.” He was already halfway out of the door.

“We are in a real hurry—”

“Look, I just need a pair of sunglasses, OK?” The thunder look had survived the journey. I watched, anxious, as Oliver set out through the blinding heat towards the throng. He was dressed in a Panama hat, a pair of cream linen trousers and a pale green silk shirt. For some reason best known to himself, he had a gentleman's clutch bag tucked under his arm.

“I'd better go after him.”

“Leave him, he'll be fine,” said André, adding, with a sly look, “He's the director.”

Every child within a two-hundred-yard radius was now running towards Oliver shouting, “Hawadga!” He was staring down, horrified, at a beggar with no legs who was propelling himself forward on vast muscular arms. People were closing in aggressively from all directions, holding out snakeskins, creosote, sheep's bladders.

“Oliver, watch the ba—” I started to yell out of the window, just
as a tiny boy whipped it from under his arm and ran. I saw Oliver turning to us, looking as if he'd just been asked to decapitate a chicken, as the crowd surrounded him.

“Come on, André, don't muck about.”

“OK,” he said sulkily, and started up the engine, driving slowly through the crowd, honking the horn. They parted to let us through, but Oliver had completely disappeared.

“Stop the car,” I said, and jumped out.

There was a hard knot of people at the center of the throng. Where was he? A Nambulan boy grabbed my arm, and pointed at the ground. A brown Gucci loafer was visible through the djellabas.

“Get out of the way!” I yelled.

He was lying in a pile of rubbish. The people were pressing forward leaning over him, concerned. I bent down. His eyelids flickered.

“What happened?” I whispered. “Are you all right? Are you hurt?”

He opened his eyes.

“I think I, er, fainted,” he said foolishly. Then a look of horror passed over his face. “Oh,
Christ
!” he said, looking down, appalled, at the cream linen trousers. “Is there a loo around here?”

We dispatched Oliver to the Hilton in a taxi, but by the time we reached the Security office at nine-thirty we had missed General Farouk. He had gone to the airport to receive an important state visitor. After two hours of shuttling to and fro between five different ministries, we emerged, sweating, with a bumper haul of rubber-stamped papers. We had permission to start unloading the plane, permission to release the crew from the cage, permission to travel, permission to take photographs, permission to change money, and a rather uncertainly worded permission for all members of the group to emit satellite waves.

At twelve o'clock, with all this accomplished, we roared up to the airport and hurried to the Security office, only to discover that Edwina Roper had already been sent back to London and our permission to release the crew was invalid because it had not been signed by General Farouk. It took several hours to sort that one
out, and by the time the disgruntled crew had departed for the Hilton, muttering about overtime payments, the heat had gone out of the day, the drivers for the trucks had disappeared and there was no one around to open up the plane.

It was 10:00 P.M. when André dropped me back at the hotel. As I turned to wave him off a convoy of white government limousines was sweeping into the driveway, little flags fluttering on the hoods. Before the cars had stopped moving, the doors opened and two soldiers jumped from each one, jogging in formation to form a guard of honor outside the revolving door, rifles cocked. Next, the tall, uniformed figure of General Farouk emerged from the second car. He turned graciously and handed out a tall, slender woman in brightly colored Kenyan robes, with an enormous headdress. A small fat man scrambled after them, clad in a tight, rumpled white suit. He looked like Mike de Sykes. He looked back for a moment and I caught a glimpse of his face. It was Mike de Sykes. Mike de Sykes and Nadia Simpson. So these were the honored guests of the state whom General Farouk was meeting at the airport.

The concierge looked at me oddly as I entered the lobby.

“Can I help you?” he said with some alarm.

I realized I must look a bit of a mess. I cleaned myself up briefly in the ladies', then headed for the bar where Vernon, Corinna and Julian were sitting around looking bored. Four giant golden balls were suspended above the bar area where huddles of neatly dressed aid officials talked in hushed, urgent tones, and the light-aircraft pilots and engineers, recognizable by their burnt faces and dry blond mustaches, looked around, bored. Dotted between them, sipping at tall fruit punches, were men with guns in dark-green uniforms.

I glanced at Vernon and choked on my mouthful. There was a half bottle of Scotch between his leg and the chair.

“Ahm, Vernon. You do know all these men in uniform are the Security forces?” My voice came out unexpectedly high.

“Don't you worry, my darling. I've got plenty of dollars in my back pocket.”

“
Please
, Vernon, hide the Scotch?” Please, please, don't let's get
done for alcohol, I was praying. Please let's not have any more Security dramas.

“Naah.” Vernon was reaching for the bottle, unscrewing the top.

“Vernon, get rid of the Scotch.”

He looked up sharply at my tone. “You'll get a slap in a minute, my girl.”

“Oh, puh-lease,” snapped Corinna.

“Where have you been, anyway?” said Julian plaintively. “Oliver's in bed with his stomach. And Kate is very upset about what they've done to her hair. I told her it looked fine but . . .”

I explained.

“You'd better get your act together, my girl,” said Vernon. “Any more messing about like this and we won't get this show on the road.”

“The trucks will be loaded in an hour,” I said. “They're going to stop by here, to confirm it's all gone OK, then head off down to Safila. They should be there by dawn.”

“Yer what?” said Vernon.

I repeated the sentence.

“Listen, luvvie. Those trucks are going nowhere tonight.”

“What do you mean?”

“Call me old-fashioned. But I thought we were here to make a television program about a famine. Now when those trucks set off to that camp, we are going to film them setting off to that camp. And when that food arrives at that camp, we are going to film it arriving at that camp.
Comprende?
This is what we in television mean by making a television program.”

“Oh, puh-lease,” said Corinna.

I took more deep breaths. Then went over the situation again.

“The trucks must leave tonight.”

“No, no. The longer we leave it the better. Can you see those pictures when we roar into that camp, six bloody lorries in a convoy, CDT breaks through with the food to end the famine?”

He was just drunk. He wasn't thinking straight.

“The lorries are going tonight,” I said, dangerously.

“The lorries, my love, are going nowhere without us.”

“Then we'd better all start packing. We leave in an hour.”

“Blast. Right,” said Julian. “Right. Absolutely right.”

“Sit down, lad,” said Vernon. “We can't film nothing in the dark.”

We were getting nowhere. He wouldn't budge. It was Corinna who saved the day.

“Vernon,” she said, leaning towards him. “Have you thought about the children?” She put her hand on his knee. “The kiddies? Little kiddies, hungry and dying because you're drunk?”