Read Caught in the Middle Online
Authors: Gayle Roper
“I’m sure we’ll be talking again, Miss Kramer.” Sergeant Poole pulled on his still-dripping slicker. “Maybe tomorrow when you stop in to sign your statement.”
“Whenever you want, Sergeant Poole.”
He stopped and turned at the door. “By the way, we’re going to have to impound your car for at least a few days.”
I stared in consternation. “My car?” How could I investigate a murder without a car?
Don spoke for the first time. “I’ll pick you up tomorrow morning, Merry, and take you to one of the local car dealers who leases as well as sells. We’ll charge it to
The News.
”
I nodded as I almost pushed Sergeant Poole out the door. What other unforeseen complications hunkered down just out of sight, eager to pounce?
But who cared about complications? I had a
story!
“Don,” I began.
“Yes?” His voice was full of suppressed emotion. If I didn’t know better, I’d have thought he was laughing at me.
I glared at him. “You don’t even know what I’m going to say.”
“Of course I do,” he said. “I sat on your sofa and watched you go from scared victim to professional reporter. You want to cover this story.”
“You bet I do! It’s the story of a lifetime, and I’m the perfect one for it! Who better?’
“Do you think you can handle it?”
“Can I handle it? Of course I can!” I was too excited to be mad at the suggestion that I couldn’t.
Don grinned at me as he patted his carefully barbered graying hair. Everything about him was neat and precise, even the tidily folded scarf resting on the chair back. He shook it out and draped it about his neck, making sure the ends were even.
“To be honest, as soon as I heard the call on the police scanner at the office, I knew we had a winner. If you have any trouble as the story develops—” He held up his hand at my indignant look. “
If
you have any trouble, Mac can help you.”
Don took his mug to the kitchen, and I heard him rinse it out. I stood in the middle of the living room and grinned like an idiot. I had a
story!
I made myself act professionally as I walked Don to the door. I even made a pretty speech. “Thanks for being here when I talked to Sergeant Poole, Don. Something about a policeman always makes me feel guilty even when I’m innocent, which is all the time—except for the time I got a speeding ticket for going forty-five in a twenty-five mile zone.”
Don laughed. “You’ve got nothing to worry about, Merry. I’ll vouch for your character if they ever begin to suspect you.”
“And my whereabouts,” I said, suddenly remembering Don eating spaghetti at Ferretti’s, talking intently with some unknown man. I hadn’t approached him because the two of them looked so involved. In fact, I deliberately sat with my back to him. “That is, if you saw me like I saw you.”
Don hesitated, then shook his head. “No, I don’t think so.”
I shrugged. “Oh, well, I doubt it matters. Thanks again for being here.”
I watched him drive up the alley, then locked my door carefully. I washed my mug and Sergeant Poole’s and decided there was no way I was going to take the trash out. I didn’t care that the police were still in the parking area. I was in for the night!
I checked and rechecked the doors and the windows, the tall, breakable windows that suddenly seemed less wonderful than usual. It was when I tested them for the fourth time that I noticed the moon peeking through the running clouds. The storm was over.
I got into bed with Whiskers and plumped the pillows carefully against the headboard. When I leaned back with my lined pad on my lap, Whiskers promptly climbed onto the pad.
“Not now, baby,” I said, lifting the heavy creature and setting him down beside me. “I’ve got to write everything down before I forget it. Who knows?” I grinned at him. “Maybe I’ll even write a true-crime book about this someday.”
Whiskers yawned hugely, and I tickled him beneath the chin. I had selected him at the pound because he kept coming to me to be petted, purring whenever my hand even reached toward him. Now he lay close against me, a comforting presence after an unbelievable night.
I turned to my pad, feeling ghoulish as all my journalistic juices flowed and excitement coursed through me—now that I didn’t have to look at the body again. Admittedly, what had happened was a great tragedy, especially for Patrick Marten.
But a great story is a great story and deserves to be written about,
I told myself hard-heartedly. In all great stories people suffer. If I could just get the information together, find the motive, the means, and the murderer, certainly I would reduce the suffering for Patrick Marten’s family and friends. If Don was hugely impressed with my work, that was just a small extra.
Satisfied that I had manipulated my motives well, I wrote:
A huge yawn interrupted my note taking. I didn’t bother to smother it even when Whiskers looked at me askance.
I glanced at my clock—1:45 a.m. I groaned. Morning would be here all too soon. I turned out my light and lay down. Whiskers came to sleep in the depression between my shoulder and the pillow.
I closed my eyes and saw a man in a green jacket lying on cases of soda. Instantly I was wide-awake, afraid to close my eyes again. I stared unhappily at the ceiling and jumped every time Whiskers moved.
“Stay still, baby,” I said, scratching his ears. He purred happily and began grooming himself. The bed shook with each slurp.
I put my hand between his tongue and body. “Not now, Whiskers.”
He purred again and began licking my hand. I pulled away from the rasping wetness, and the cat continued on his paw without missing a beat.
I sighed. The sensible thing would be to kick the animal out of bed, but much to my surprise I felt a strong need for his warm presence.
I reached out and turned on my light. In the brightness, my shoulders relaxed, and the world righted itself.
I looked around carefully, finding exactly what I knew was there: nothing. I lay back and flicked off the light again. I turned it back on immediately.
“Don’t tell anyone,” I told Whiskers as he blinked at the brightness, “but we’re sleeping with the light on.”
THREE
L
ast night’s storm had indeed blown itself out to sea, leaving behind a thin coating of ice that caused a one-hour delay in school openings and a massive slowdown for morning commuters.
True to his word, Don picked me up and took me to arrange for a rental car. He solidified his place in my heart when he said, “Charge it to
The News.”
“I need your piece on the murder by nine,” Don said as we left the car dealer. “Make it personal, real human interest. Mac will write a parallel news piece. You’ll both be front page.”
I nodded.
The News
was a twelve-to sixteen-page afternoon paper, which meant we scheduled news deadlines at nine, editing deadlines at ten, and it was printed and ready for delivery by noon. Don took personally any news that broke between ten and three because it couldn’t make the paper, yet readers expected to see it there.
“The Board of Education stuff?” I asked.
“Anything scandalous?”
“Just fighting over where to spend the money.”
He nodded. “So what else is new? Write it up for tomorrow. And don’t miss that interview with that artist.”
I groaned inwardly. A personality puff piece was the last thing I wanted to do now.
“Hey, his upcoming exhibit is going to be a big civic occasion.” Don apparently detected my mood. “Mayor McGilpin would be very unhappy if we overlooked it. Got to show Amhearst in a good light, you know.”
I nodded, grinning. “Especially after a murder.”
Don grunted. “And give me another human-interest piece for Friday about the murder. Interview the family. Find a wife or parents or brothers or sisters. Find out what a wonderful guy he was or what a louse he was. Is he local? If so, find teachers and old friends. If not, find out how he came to be here in Amhearst.”
I nodded again. Three angles or points of view, an old reporter had told me when I first started working back in Pittsburgh. For any human-interest story or information piece, find three perspectives on the story to give it enough depth. Parents, teachers, friends? Wife, employer, brother? His past, present and lack of future?
Of course, those interviews would have an emotional cost, both for those who had cared about Patrick Marten and for me, but I put that thought out of my mind as soon as it appeared.
I drove my rental to the office, thankful for a heater that worked quickly, because the sun, though shining brightly, had little warmth. I scanned the clear blue sky when the radio weatherman announced that another storm was due tomorrow. Chicago was already snowed under, he reported in the cheery voice of a committed skier, and the formidable flow of frigid Canadian air showed no signs of weakening before it reached the East Coast. I could practically hear him rubbing his hands together in anticipation of driving to the Poconos over treacherous roads for the thrill of throwing himself down mountains on strips of wood or whatever composites skis were made of these days.
I should live in Florida or Arizona so I need never be cold again. Even if I stayed in Pennsylvania, I had promised myself I would be intelligent about it and never, ever, ski.
Finally I settled down at my desk.
Murder,
I typed,
is a distant crime that involves other people. Last night, to my utter surprise and distress, it involved me.
I looked at my CRT and reread my opening. Don was a stickler for a hard lead on news pieces, the traditional, journalistic inverted pyramid of who, what, where, when and why. But he seemed at ease with soft leads on special pieces like mine was to be. One thing was certain: he’d tell me if he was unhappy.
I had my copy on his desk before nine, and then I gave my mom a quick call. It was only a matter of time before she and Dad heard about last night, and I thought they should hear the story from me.
“Merry! Oh, Merry!” Mom was predictably distressed.
“I’m fine, Mom. I’m absolutely fine. And safe. Believe me.”
There was a small silence, and I could hear her skepticism zip clearly across the miles from Pittsburgh to Amhearst.
“Well, I’ve got to go,” I said quickly. “I’ve got an important interview.” And I hung up.
Sighing, I forced myself to begin planning my interview with artist Curtis Carlyle. I could hardly resist smiling every time I said his name. It was too perfect to belong to anyone other than an artist or a movie star or some other arty, public person. Had his mother been prescient, or did she just like alliteration? Was he named after a rich uncle, or had he made up the name to create a persona?