Cat Under Fire (22 page)

“Saturday night he uses his parking ticket to take out Janet's van—he knew she was out to dinner with friends, probably had a good idea she'd make an early evening of it. He drives down to the village, gets the fake paintings, switches them for Janet's, rigs Janet's oxygen tank, and drops some aspirin in her coffeemaker. Stashes her paintings in the locker and hightails it back to the city before daylight.

“He puts Janet's van back in the parking garage, uses that entry ticket later to retrieve his own car. He'd have had to put the van back in the same slot. Probably he pulled his own car into her slot, to reserve it while he was gone. Counted on Janet's not coming down at some late hour; he knew she didn't like to party.

“Who knows when he missed his watch? We're guessing he didn't miss it until he was back in the city, and then it was too late to turn around and go back. He had to be seen at the St. Francis for breakfast, be seen around town that weekend, and, of course, at the opening Sunday night.

“But when he gets back to Molena Point after the opening late Sunday night he takes Rob's Suburban while Rob's asleep, goes to get his watch.”

“But he's too late,” Clyde said. “Janet's already up in the studio. And no one saw him switch the paintings, no one saw him around the locker?”

“Caretaker says there were two men nosing around outside the fence a couple of nights earlier. He didn't see them clearly, didn't see their car.” Harper opened his menu, looked it over. “There were some pieces of sculpture in the locker with the paintings, probably he'd put them in some time before. Early work that, Sicily said, Janet hadn't liked much, that she'd left behind when she split from Mahl and moved out. Maybe Mahl thought they'd be worth something now.”

He closed the menu. “Think I'll have the filet and fries.”

Clyde grinned. This was Max's standard order, filet medium rare, fries crisp, no salad. “It's a weird story, Max. Don't know what to make of it.”

Max shaped the wet label more carefully, its front paws tucked under, its long tail curved. “Informant sees a watch where it's impossible to see it. Night watchman hears voices, but no one there. Call comes over a unit radio, and no trace of the caller.

“But we've got a positive ID of the handwriting on
the locker file card and lifted a nice set of Mahl's prints from it.”

“Then you've wrapped up the case,” Clyde said. “Mahl's in jail. You have solid evidence. And you told me Marritt is off the case and in a bad light with the mayor.”

“You bet he is.”

“And a new trial pending. Sounds like you're in good shape.”

“That watchman can't have heard voices.”

“So if no one was there, was the old man lying?”

“One theory is, he was nosing around the lockers for his own purposes, maybe stealing. That when he looked over the wall into K20—or maybe picked the lock to K20—he realized the paintings were Janet's and knew he'd better report it to avoid trouble, so he dreamed up the voices routine.

“Good theory.”

“But I don't buy it. I've known old Mr. Lent for years. That old man wouldn't steal if he was starving. And he was really upset by what he thought was a break-in.

“And there's the vent,” Harper said. “Vent screen above those lockers was torn.”

“A vent screen?”

“Vent about four inches by eight inches.”

“So what does that mean? He hears voices through the vent and thinks they're in a locker?” Clyde thought he was getting good at this, at playing dumb—it was little different than lying. Though he didn't much like that skill in himself.

“First thing the watchman heard was a thud, when he was making his rounds. Said it sounded as if something heavy fell. He'd gone around to where he heard it, was standing beneath the vent listening, when he heard the voices, couldn't quite make out what they were saying. A man and a woman, he said, talking real soft.”

Harper frowned. “That vent—Lent says the screen
wasn't torn when he inspected the buildings earlier that day. Said he always looks along the roofline under the eaves, checking for any signs of leaks.”

He settled back sipping a fresh O'Doul's, watching Clyde. “There were hairs clinging to the torn screen. Dark gray hairs, very short. And some white hairs and some pale orange.”

“Whose hair was it?”

“It was cat hair.”

“Cat hair? I thought you were going to say you had a make on someone besides Mahl. Why would a cat go into a storage locker? Mice? Remind me not to store anything up there. And how could a cat—how high was the vent?”

The waiter brought their napkins and silverware, and the condiments, and a complimentary bowl of french friend onions, and took their order. When he had gone, the two men sat quietly, looking at each other.

Max said, “Millie told me once, a couple of years before she died, ‘Don't fool around with the far-out stuff, Max. It can put you right around the bend.'”

Max's wife Millie had been a special investigator. She had spent much of her time checking out odd reports, saucer sightings, nutcases, relatives returned from the dead. Once in a while she'd get one that wouldn't add up, that didn't seem to be a nutcase, and that upset her.

“That stuff she worked on, it always did give me the creeps.”

A police officer's training made it hard to deal with the unexplainable. Cops were trained to remember every fact, see and remember every small detail, trained to smell a scam a mile away. A cop was totally fact-oriented, a good officer didn't go for the crazy stuff. So when the facts added up to the impossible, that could really be upsetting.

Harper wiped beer rings from the table with a paper napkin, wiped away the misshapen O'Doul's label from the oak surface. “Now I know how she felt. How easy it
could be, given certain circumstances, to wander right over the edge.”

“I don't know anything that would put you over the edge,” Clyde said. “Hell, Max, be happy with what you have, a case wrapped up, solid evidence—take it and enjoy.”

Harper wadded the O'Doul's label into a little ball and dropped it in the ashtray, watched the waiter approaching with their steaks.

The county animal pound stunk of dog doo and cat urine and strong disinfectant. Dulcie could smell it long before Wilma carried her inside. The barking and high-keyed yapping, the cacophony which had been triggered by the sound of their car pulling up in front on the gravel drive, deafened her.

The cement block building was located five miles south of Molena Point, isolated among the hills near a water treatment plant. A small patch of lawn surrounded it, neatly clipped. Beyond the lawn rose a tangle of weeds. Dulcie had never been inside an animal pound; it wasn't an experience she had anticipated with any great joy. But now, riding over Wilma's shoulder, she let herself be carried inside.

The office was small, the cement block walls painted a nauseating shade of pale green. Once the door was closed, the frenzied barking began to subside. Behind the counter a young, heavy, pear-shaped woman shook back her dark hair, looked at Wilma expectantly, and held out her hands to relieve Wilma of the cat.

Wilma drew back, held Dulcie against her. “I'm not bringing her to you. I'm not giving her to you. We—I want to look at your kittens. I brought her along to see if any of the kittens appeal to her.” Wilma smiled winningly. “If she's going to have a companion, I want to be sure they're compatible.”

The young clerk looked amused, as if she were used
to patronizing the addle-brained elderly. As she led them back into the feline portion of the facility, the barking exploded again beyond the block wall.

She left them in the cat room among the rows of wire cages, abandoning Wilma to her own devices, but cautioning her that though she could wander at her leisure, she mustn't open any of the cage doors, and she gave Wilma a stern, proprietary look to make sure she would comply.

The abandoned kittens and cats crouched on cold metal floors, some looking unwell, some dirty, some very thin. But their cages and boxes were clean, and they had food and clean water. Dulcie supposed the sick ones, which were isolated at one end, were being treated. But she didn't like peering in at the hopeless, mute beasts. She had never been in a cage, she had never had any of the experiences that these strays had encountered, and though she wasn't particularly proud of the fact, she was grateful. Once, when Joe told her she was a hothouse flower, she had belted him so hard she drew blood.

She knew that the caged kittens were better off here, where they could be fed and cared for, than starving and alone, but it hurt her to see any cat confined. And the only stray cats she was familiar with were those few who lived beneath the beachside boardwalk and wharf, surviving on fish offal from the pier above, and fed by one or two villagers. Those cats were given shots by the local vet, her own Dr. Firreti; the cats were captured, treated, and turned loose again.

As she and Wilma moved along among the cages, she saw no cat like herself and Joe, no cat who brightened unnaturally at her appraising look. Just dear, homeless cats and kittens, mute and frightened.

And though she and Wilma spent an hour at the pound, Wilma talking to the kittens and making a fuss over them, Dulcie found none that suited her. None seemed bold enough, healthy enough, pushy and strong enough for her purpose.

She felt a twisting guilt at leaving the homeless kits, and she knew Wilma would bring one or several home if she wanted, but it was a big job raising kittens, and Wilma did not seem eager to be responsible for another cat. And Dulcie herself hardly knew yet what her own life was about. As they turned away, she prayed the youngsters would find someone to love them. It was not until they had driven back to the village and gone to see Dr. Firreti, that they found the right kitten.

The black-and-white kitten was from a litter of seven that had been left on the clinic doorstep. Too often unwanted animals were dumped on Dr. Firreti. He found homes for a surprising number of orphans.

He had already given this kitten his shots, and the little male was wildly healthy, a big, strong youngster with a black mustache beneath his nose, big floppy paws, a broad head. This was a kitten who would grow into a big, powerful cat, a cat who could hold his own against Varnie Blankenship. By the time Varnie got out of prison, the kitten would be maybe two years old and quite able to stand up for himself.

But the youngster was cuddly and sweet-tempered, too, and when Dulcie licked and snuggled him, he was delightfully huggable. She played with the kit for a long time, teasing him, testing him, learning about him. Her antics amused Dr. Firreti, but he was a tolerant man. He said animals never ceased to amaze him.

When she slapped at the kitten and prodded him, he came right up at her, spitting and snarling, sank in his teeth, showing more than enough spunk to take care of himself in the Blankenship household. She just hoped that when he got older he would remain a lap sitter and not go rampaging off on his own, leaving the old lady lonely. She was surprised at how much she had grown to care for old Mrs. Blankenship.

Leaving Dr. Firreti's, they drove straight up into the hills toward the Blankenship house. The kitten sat on the seat beside Dulcie, erect and observant, looking up
through the windows at the treetops and sky with a wide, delighted gaze, lifting a paw now and then as branches whizzed past.

Wilma parked a block from the brown house and waited in the car while Dulcie directed her charge down the sidewalk beside her. He seemed thrilled with the warm wind and the fresh smells, with the blowing leaves and the tender grass, but he stayed close. Though six months was a silly, defiant age, he minded her very well. He gamboled and pranced, but he didn't bolt away on his own. She led him up to the shabby brown house, straight to the old woman's window.

Leaping to the sill she found the window open as if, all this long time, day after day, Mama had continued to wait for her. Inside, Mama sat dozing in her chair.

Dulcie looked down at the kitten, and mewled.

He tried to jump up to her, made a tremendous leap, and fell back. Tried again, then tried to scramble up the wall. After his third fall she jumped down and took him by the nape of his neck.

The kitten was heavy, she hardly made it herself carrying the big youngster. She landed clumsily on the sill to find Mama awake.

Mama's face registered joy, surprise, confusion. She stared at the kitten with a strange uncertainty.

Dulcie nosed the kitten toward her, urging him on over the sill. He looked up at Dulcie, puzzled, then stepped right on in, waded across the cluttered table, placing his big paws with care among the bottles and china beasties, stood at the edge of the table looking intently into Mama's face.

Mama scooped him up and cuddled him against her flowered bosom—but she was watching Dulcie. “I missed you, sweet kitty.” She frowned, her pale old eyes looked sad. Holding the kitten, she reached to the table, began absently to rearrange the little china animals. When she looked back at Dulcie, she said, “He wasn't as strong a son as I'd hoped, my son Varnie.” She shook
her head. “He won't like it in jail. He was real mad when I went to the police, when I did what Frances wanted, what that attorney wanted. Varnie was real mad. And then,” she said sadly, “this other thing happened, and he got arrested.” Mama sighed. “I guess, kitty, that I didn't do a very good job with Varnie.

“But that young man in jail, he's free now. That Rob Lake. And he didn't do anything wrong. Strange how things turn out.” She cuddled and stroked the purring kitten, and looked hard at Dulcie.

“You're not going to stay, are you, kitty?

“But you've brought me a kitten who will—maybe a kitten who needs me?” She looked carefully at Dulcie, then looked into the youngster's pansy face. “A little black-and-white kitten. Black mustache and blue eyes.” Unceremoniously she turned the kit over on his back and looked between his hind legs.

“Little male cat. Well, that's fine. He should be a match for Varnie—when Varnie gets out.” Righting the kit, she cuddled him again, looking deep into his eyes. “I'll call you Chappie. I had a cat once named Chappie—for Charlie Chaplin. Chappie stayed with me for fifteen years. Funny,” she said, looking at Dulcie, “I never did give you a name, did I, kitty?

“Maybe I knew,” she said, and her old voice trembled. “Maybe I knew, all the time, that it was just a visit.

“But Chappie,” she said, stroking him, “Chappie's come to stay, hasn't he?” She cocked her head, watching Dulcie. “Strange thing for a little cat to do, to bring me another kitty, someone to take your place.

“But then,” she said, “cats are strange little folk. Aren't they, sweet kitty?” Reaching across the table, she stroked Dulcie gently.

Dulcie nudged her head beneath Mrs. Blankenship's hand, and gave her a long, happy purr. She let the old woman pet her for a while, but at last she turned away. Crouched on the windowsill, she gave the old woman one last look, then leaped to the lawn.

And she ran, racing down the street to Wilma's car and in through the open door.

She did not take her usual place on the seat. She slipped under the steering wheel into Wilma's lap and stayed there, close, as Wilma drove home.