By Bizarre Hands (18 page)

"I'll start lunch," he said flatly, and stalked away.

As he went, Toni noticed how soft the back of his skull looked, so much like an over-ripe melon.

She followed him inside the camper.

Next morning, after the authorities had carried off the bodies, taken the four of them out of the blood-stained, fire-gutted camper, one detective said to another:

"Why does it happen? Why would someone kill a nice
family
like this? And in such horrible ways . . . set fire to it afterwards?"

The other detective sat on the huge rock and looked at his partner, said tonelessly, "Kicks maybe."

That night, when the moon was high and bright, gleaming down like a big spotlight, the big rock, satiated, slowly spread its flippers out, scuttled across the sand, into the waves, and began to swim toward the open sea. The fish that swam near it began to fight.

T
RAINS
N
OT
T
AKEN

For Lee Schultz

Dappled sunlight danced on the Eastern side of the train. The boughs of the great cherry trees reached out along the tracks and almost touched the cars, but not quite; they had purposely been trimmed to fall short of that.

James Butler Hickok wondered how far the rows of cherry trees went. He leaned against the window of the Pullman car and tried to look down the track. The speed of the train, the shadows of the trees and the illness of his eyesight did not make the attempt very successful. But the dark line that filled his vision went on and on and on.

Leaning back, he felt more than just a bit awed. He was actually seeing the famous Japanese cherry trees of the Western Plains; one of the Great Cherry Roads that stretched along the tracks from mid-continent to the Black Hills of the Dakotas.

Turning, he glanced at his wife. She was sleeping, her attractive, sharp-boned face marred by the pout of her mouth and the tight lines around her eyes. That look was a perpetual item she had cultivated in the last few years, and it stayed in place both awake or asleep. Once her face held nothing but laughter, vision and hope, but now it hurt him to look at her.

For a while he turned his attention back to the trees, allowing the rhythmic beat of the tracks, the overhead hiss of the fire line and the shadows of the limbs to pleasantly massage his mind into white oblivion.

After a while, he opened his eyes, noted that his wife had left her seat. Gone back to the sleeping car, most
likely.
He did not hasten to join her. He took out his pocket watch and looked at it. He had been asleep just under an hour. Both he and Mary Jane had had their breakfast early, and had decided to sit in the parlor car and watch the people pass. But they had proved disinterested in their fellow passengers and in each other, and had both fallen asleep.

Well, he did not blame her for going back to bed, though she spent a lot of time there these days. He was, and had been all morning, sorry company.

A big man with a blond goatee and mustache came down the aisle, spotted the empty seat next to Hickok and sat down. He produced a pipe and a leather pouch of tobacco, held it hopefully. "Could I trouble you for a light, sir?"

Hickok found a lucifer and lit the pipe while the man puffed.

"Thank you," the man said. "Name's Cody. Bill Cody."

"Jim Hickok."

They shook hands.

"Your first trip to the Dakotas?" Cody asked.

Hickok nodded.

"Beautiful country, Jim, beautiful. The Japanese may have been a pain in the neck in their time, but they sure know how to make a garden spot of the world. White men couldn't have grown sagebrush or tree moss in the places they've beautified."

"Quite true," Hickok said. He got out the makings and rolled himself a smoke. He did this slowly, with precision, as if the anticipation and preparation were greater than the final event. When he had rolled the cigarette to his satisfaction, he put a lucifer to it and glanced out the window. A small, attractive stone shrine, nestled among the cherry trees, whizzed past his vision.

Glancing back at Cody, Hickok said, "I take it this is not your first trip?"

"Oh no, no. I'm in politics. Something of an ambassador, guess you'd say. Necessary that I make a lot of trips this way. Cementing relationships with the Japanese, you know. To pat myself on the back a bit, friend, I'm respon
sible
for the cherry road being expanded into the area of the U.S. Sort of a diplomatic gesture I arranged with the Japanese."

"Do you believe there will be more war?"

"Uncertain. But with the Sioux and the Cheyenne forming up again, I figure the yellows and the whites are going to be pretty busy with the reds. Especially after last week."

"Last week?"

"You haven't heard?"

Hickok shook his head.

"The Sioux and some Cheyenne under Crazy Horse and Sitting Bull wiped out General Custer and the Japanese General Miyamoto Yoshii."

"The whole command?"

"To the man. U.S. Cavalry and Samurai alike."

"My God!"

"Terrible. But I think it's the last rise for the red man, and not to sound ghoulish, but I believe this will further cement Japanese and American relationships. A good thing, considering a number of miners in Cherrywood, both white and yellow, have found gold. In a case like that, it's good to have a common enemy."

"I didn't know that either."

"Soon the whole continent will know, and there will be a scrambling to Cherrywood the likes you've never seen."

Hickok rubbed his eyes. Blast the things. His sight was good in the dark or in shadowed areas, but direct sunlight stabbed them like needles.

At the moment Hickok uncovered his eyes and glanced toward the shadowed comfort of the aisle, a slightly overweight woman came down it tugging on the ear of a little boy in short pants. "John Luther Jones," she said, "I've told you time and time again to leave the Engineer alone. Not to ask so many questions." She pulled the boy on.

Cody looked at Hickok, said softly: "I've never seen a little boy that loves trains as much as that one. He's always trying to go up front and his mother is on him all the time. She must have whipped his little butt three times yesterday. Actually, I don't think the Engineer minds the boy."

Hickok
started to smile, but his attention was drawn to an attractive young woman who was following not far behind mother and son. In Dime Novels she would have been classified as "a vision." Health lived on her heart-shaped face as surely as ill-content lived on that of his wife. Her hair was wheat-ripe yellow and her eyes were as green as the leaves of a spring-fresh tree. She was sleek in blue and white calico with a thick, black Japanese cloth belt gathered about her slim waist. All the joy of the world was in her motion, and Hickok did not want to look at her and compare her to his wife, but he did not want to lose sight of her either, and it was with near embarrassment that he turned his head and watched her pass until the joyful swing of her hips waved him goodbye, passing out of sight into the next car of the train.

When Hickok settled back into his seat, feeling somewhat warm under the collar, he noticed that Cody was smiling at him.

"Kind of catches the eye, does she not?" Cody said. "My wife, Louisa, noticed me noticing the young thing yesterday, and she has since developed the irritating habit of waving her new Japanese fan in front of my face 'accidentally,' when she passes."

"You've seen her a lot?"

"Believe she has a sleeping car above the next parlor car. I think about that sleeping car a bunch. Every man on this train that's seen her, probably thinks about that sleeping car a bunch."

"Probably so."

"You single?"

"No."

"Ah, something of a pain sometimes, is it not? Well, friend, must get back to the wife, least she think I'm chasing the sweet, young thing. And if the Old Woman were not on this trip, I just might be."

Cody got up, and with a handshake and a politician wave, strode up the aisle and was gone.

Hickok turned to look out the window again, squinting somewhat to comfort his eyes. He actually saw little. His vision was turned inward. He thought about the girl. He
had
been more than a bit infatuated with her looks. For the first time in his life, infidelity crossed his mind.

Not since he had married Mary Jane and become a clerk, had he actually thought of trespassing on their marriage agreement. But as of late the mere sight of her was like a wound with salt in it.

After rolling and smoking another cigarette, Hickok rose and walked back toward his sleeping car, imagining that it was not his pinch-faced wife he was returning to, but the blond woman and her sexual heaven. He imagined that she was on her first solo outing. Going out West to meet the man of her dreams. Probably had a father who worked as a military officer at the fort outside of Cherrywood, and now that Japanese and American relations had solidified considerably, she had been called to join him. Perhaps the woman with the child was her mother and the boy her brother.

He carried on this pretty fantasy until he reached the sleeping car and found his cabin. When he went inside, he found that Mary Jane was still sleeping.

She lay tossed out on the bunk with her arm thrown across her eyes. Her sour, puckering lips had not lost their bitterness. They projected upwards like the mouth of an active volcano about to spew. She had taken off her clothes and laid them neatly over the back of a chair, and her somewhat angular body was visible because the sheet she had pulled over herself had fallen half off and lay draped only over her right leg and the edge of the bunk. Hickok noted that the glass decanter of whiskey on the little table was less than half full. As of this morning only a drink or two had been missing. She had taken more than enough to fall comfortably back to sleep again, another habit of recent vintage.

He let his eyes roam over her, looking for something that would stir old feelings—not sexual but loving. Her dark hair curled around her neck. Her shoulders, sharp as Army sabres, were her next most obvious feature. The light through the windows made the little freckles on her alabaster skin look like some sort of pox. The waist and hips that used to excite him still looked wasp-thin, but the
sensuality
and lividness of her flesh had disappeared. She was just thin from not eating enough. Whiskey was now often her breakfast, lunch and supper.

A tinge of sadness crept into Hickok as he looked at this angry, alcoholic lady with a life and a husband that had not lived up to her romantic and wealthy dreams. In the last two years she had lost her hope and her heart, and the bottle had become her lifeblood. Her faith in him had died, along with the little girl look in her once-bright eyes.

Well, he had had his dreams too. Some of them a bit wild perhaps, but they had dreamed him through the dullness of a Kansas clerkery that had paid the dues of the flesh but not of the mind.

Pouring himself a shot from the decanter, he sat on the wall bench and looked at his wife some more. When he got tired of that, he put his hand on the bench, but found a book instead of wood. He picked it up and looked at it. It was titled:
Down the Whiskey River Blue,
by Edward Zane Carroll Judson.

Hickok placed his drink beside him and thumbed through the book. It did not do much for him. As were all of Judson's novels, it was a sensitive and overly-poetic portrayal of life in our times. It was in a word, boring. Or perhaps he did not like it because his wife liked it so much. Or because she made certain that he knew the Dime Novels he read by Sam Clemens and the verse by Walt Whitman were trash and doggerel. She was the sensitive one, she said. She stuck to Judson and poets like John Wallace Crawford and Cincinnatus Hiner.

Well, she could have them.

Hickok put the book down and glanced at his wife. This trip had not worked out. They had designed it to remold what had been lost, but no effort had been expended on her part that he could see. He tried to feel guilty, conclude that he too had not pushed the matter, but that simply was not true. She had turned him into bad company with her sourness. When they had started out he had mined for their old love like a frantic prospector looking for color in a vein he knew was long worked out.

Finishing his drink, he stretched out on the long bench,
used
the Judson book for a pillow, folded an arm across his eyes. He found the weight of his discontent was more able than Morpheus to bring sleep.

When he awoke, it was because his wife was running a finger along the edge of his cheek, tracing his jawbone with it. He looked into her smiling face, and for a moment he thought he had dreamed all the bad times and that things were fine and as they should be; imagined that time had not put a weight on their marriage and that it was shortly after their wedding when they were very much on fire with each other. But the rumble of the train assured him that this was not the case, and that time had indeed passed. The moment of their marriage was far behind.

Mary Jane smiled at him, and for a moment the smile held all of her lost hopes and dreams. He smiled back at her. At that moment he wished deeply that they had had children. But it had never worked. One of them had a flaw and no children came from their couplings.

She bent to kiss him and it was a warm kiss that tingled him all over. In that moment he wanted nothing but their marriage and for it to be good. He even forgot the young girl he had seen while talking to Cody.

They did not make love, though he hoped they would. But she kissed him deeply several times and said that after bath and dinner they would go to bed. It would be like old times. When they often performed the ceremony of pleasure.

After the Cherokee porter had filled their tub with water and after she had bathed and he had bathed in the dregs of her bath and they had toweled themselves dry, they laughed while they dressed. He kissed her and she kissed him back, their bodies pushed together in familiar ritual, but the ritual was not consummated. Mary Jane would have nothing of that. "After dinner," she said. "Like old times."