Button, Button: Uncanny Stories (12 page)

BOOK: Button, Button: Uncanny Stories
4.47Mb size Format: txt, pdf, ePub

"Ten years ago, in Heidelberg, four married couples-the Elkenbergs, the Kalders, the Nielsens, and my wife and I-decided to try an experiment on our children-some not yet born. An experiment of the mind.

"We had accepted, you see, the proposition that ancient man, deprived of the dubious benefit of language, had been telepathic."

Cora started in her chair.

"Further," Werner went on, not noticing, "that the basic organic source of this ability is still functioning though no longer made use of-a sort of ethereal tonsil, a higher appendix-not used but neither useless.

"So we began our work, each searching for physiological facts while, at the same time, developing the ability in our children. Monthly correspondence was exchanged, a systematic methodology of training was arrived at slowly. Eventually, we planned to establish a colony with the grown children, a colony to be gradually consolidated until these abilities would become second nature to its members.

"Paal is one of these children."

Wheeler looked almost dazed.

"This is a fact?" he asked.

"A fact," said Werner.

Cora sat numbly in her chair staring at the tall German. She was thinking about the way Paal seemed to understand her without words. Thinking of his fear of the school and Miss Frank. Thinking of how many times she had woken up and gone to him even though he didn't make a sound.

"What?" she asked, looking up as Werner spoke.

"I say-may I see the boy now?"

"He's in school," she said. "He'll be home in-"

She stopped as a look of almost revulsion crossed Werner's face.

"School?" he asked.

Paal Nielsen, stand."

The young boy slid from his seat and stood beside the desk. Miss Frank gestured to him once and, more like an old man than a boy, he trudged up to the platform and stood beside her as he always did.

"Straighten up," Miss Frank demanded. "Shoulders back."

The shoulders moved, the back grew flat.

"What's your name?" asked Miss Frank.

The boy pressed his lips together slightly. His swallowing made a dry, rattling noise. "What is your name?"

Silence in the classroom except for the restive stirring of the young. Erratic currents of their thought deflected off him like random winds.

"Your name," she said.

He made no reply.

The virgin teacher looked at him and, in the moment that she did, through her mind ran memories of her childhood. Of her gaunt, mania-driven mother keeping her for hours at a time in the darkened front parlor, sitting at the great round table, her fingers arched over the smoothly worn ouija board-making her try to communicate with her dead father.

Memories of those terrible years were still with her-always with her. Her minor sensitivity being abused and twisted into knots until she hated every single thing about perception. Perception was an evil, full of suffering and anguish.

The boy must be freed of it.

"Class," she said, "I want you all to think of Paal's name." (This was his name no matter what Mrs. Wheeler chose to call him.) "Just think of it. Don't say it. Just think: Paal, Paal, Paal. When I count three. Do you understand?"

They stared at her, some nodding. "Yes, Miss Frank," piped up her only faithful.

"All right," she said, "One-two-three."

It flung into his mind like the blast of a hurricane, pounding and tearing at his hold on wordless sensitivity. He trembled on the platform, his mouth fallen ajar.

The blast grew stronger, all the power of the young directed into a single, irresistible force. Paal, Paal, PAAL!! It screamed into the tissues of his brain.

Until, at the very peak of it, when he thought his head would explode, it was all cut away by the voice of Miss Frank scalpelling into his mind.

"Say it! Paal!"

Here he comes," said Cora. She turned from the window. "Before he gets here, I want to apologize for my rudeness."

"Not at all," said Werner, distractedly, "I understand perfectly. Naturally, you would think that I had come to take the boy away. As I have said, however, I have no legal powers over him-being no relation. I simply want to see him as the child of my two colleagues-whose shocking death I have only now learned of."

He saw the woman's throat move and picked out the leap of guilty panic in her mind. She had destroyed the letters her husband wrote. Werner knew it instantly but said nothing. He sensed that the husband also knew it; she would have enough trouble as it was.

They heard Paal's footsteps on the bottom step of the front porch.

"I will take him out of school," Cora said.

"Perhaps not," said Werner, looking towards the door. In spite of everything he felt his

heartbeat quicken, felt the fingers of his left hand twitch in his lap. Without a word, he sent out the message. It was a greeting the four couples had decided on; a sort of password.

Telepathy, he thought, is the communication of impressions of any kind from one mind to another independently of the recognized channels of sense.

Werner sent it twice before the front door opened.

Paal stood there, motionless.

Werner saw recognition in his eyes, but, in the boy's mind, was only confused uncertainty. The misted vision of Werner's face crossed it. In his mind, all the people had existed-Werner, Elkenberg, Kalder, all their children. But now it was locked up and hard to capture. The face disappeared.

"Paul, this is Mister Werner," Cora said.

Werner did not speak. He sent the message out again-with such force that Paal could not possibly miss it. He saw a look of uncomprehending dismay creep across the boy's features, as if Paal suspected that something was happening yet could not imagine what.

The boy's face grew more confused. Cora's eyes moved concernedly from him to Werner and back again. Why didn't Werner speak? She started to say something, then remembered what the German had said.

"Say, what-?" Wheeler began until Cora waved her hand and stopped him.

Paal, think!-Werner thought desperately-Where is your mind?

Suddenly, there was a great, wracking sob in the boy's throat and chest. Werner shuddered.

"My name is Paal," the boy said.

The voice made Werner's flesh crawl. It was unfinished, like a puppet voice, thin, wavering, and brittle.

"My name is Paal."

He couldn't stop saying it. It was as if he were whipping himself on, knowing what had happened and trying to suffer as much as possible with the knowledge.

"My name is Paal. My name is Paal." An endless, frightening babble; in it, a panic-stricken boy seeking out an unknown power which had been torn from him.

"My name is Paal." Even held tightly in Cora's arms, he said it. "My name is Paal." Angrily, pitiably, endlessly. "My name is Paal. My name is Paal."

Werner closed his eyes.

Lost.

Wheeler offered to take him back to the bus station, but Werner told him he'd rather walk. He said good-bye to the sheriff and asked him to relay his regrets to Mrs. Wheeler, who had taken the sobbing boy up to his room.

Now, in the beginning fall of a fine, mistlike rain, Werner walked away from the house, from Paal.

It was not something easily judged, he was thinking. There was no right and wrong of it. Definitely, it was not a case of evil versus good. Mrs. Wheeler, the sheriff, the boy's teacher, the people of German Corners-they had, probably, all meant well. Understandably, they had been outraged at the idea of a seven-year-old boy not having been taught to speak by his parents. Their actions were, in light of that, justifiable and good.

It was simply that, so often, evil could come of misguided good.

No, it was better left as it was. To take Paal back to Europe-back to the others-would be a mistake. He could if he wanted to; all the couples had exchanged papers giving each other the right to take over rearing of the children should anything happen to the parents. But it would only confuse Paal further. He had been a trained sensitive, not a born one. Although, by the principle they all worked on, all children were born with the atavistic ability to telepath, it was so easy to lose, so difficult to recapture.

Werner shook his head. It was a pity. The boy was without his parents, without his talent, even without his name.

He had lost everything.

Well, perhaps, not everything.

As he walked, Werner sent his mind back to the house to discover them standing at the window of Paal's room, watching sunset cast its fiery light on German Corners. Paal was clinging to the sheriff’s wife, his cheek pressed to her side. The final terror of losing his awareness had not faded but there was something else counterbalancing it. Something Cora Wheeler sensed yet did not fully realize.

Paal's parents had not loved him. Werner knew this. Caught up in the fascination of their work they had not had the time to love him as a child. Kind, yes, affectionate, always; still, they had regarded Paal as their experiment in flesh.

Which was why Cora Wheeler's love was, in part, as strange a thing to Paal as all the crushing horrors of speech. It would not remain so. For, in that moment when the last of his gift had fled, leaving his mind a naked rawness, she had been there with her love, to soothe away the pain. And always would be there.

"Did you find who you were looking for?" the gray-haired woman at the counter asked Werner as she served him coffee.

"Yes. Thank you," he said.

"Where was he?" asked the woman.

Werner s
mi
led.

"At home," he said.

The Creeping Terror

THESIS SUBMITTED AS PARTIAL REQUIREMENT FOR MASTER OF ARTS DEGREE

The phenomenon known in scientific circles as the Los Angeles Movement came to light in the year 1982 when Doctor Albert Grimsby, A.B., B.S., A.M., Ph.D., professor of physics at the California Institute of Technology, made an unusual discovery.

I have made an unusual discovery," said Doctor Grimsby.

"What is that?" asked Doctor Maxwell.

"Los Angeles is alive."

Doctor Maxwell blinked.

"I beg your pardon," he said.

"I can understand your incredulity," said Doctor Grimsby. "Nevertheless . . ."

He drew Doctor Maxwell to the laboratory bench.

"Look into this microscope," he said, "under which I have isolated a piece of Los Angeles."

Doctor Maxwell looked. He raised his head, a look of astonishment on his face. "It moves," he said.

Having made this strange discovery, Doctor Grimsby, oddly enough, saw fit to promulgate it only in the smallest degree. It appeared as a one-paragraph item in the Science News Letter of June 2, 1982, under the heading: CALTECH PHYSICIST FINDS SIGNS OF LIFE IN L.A.

Perhaps due to unfortunate phrasing, perhaps to normal lack of interest, the item aroused neither attention nor comment. This unfortunate negligence proved ever after a plague to the man originally responsible for it. In later years it became known as "Grimsby's Blunder."

Thus was introduced to a then unresponsive nation a phenomenon which was to become in the following years a most shocking threat to that nation's very existence.

Of late, researchers have discovered that knowledge concerning the Los Angeles Movement predates Doctor Grimsby's find by years. Indeed, hints of this frightening crisis are to be found in works published as much as fifteen years prior to the ill-fated "Caltech Disclosure."

Concerning Los Angeles, the distinguished journalist, John Gunther, wrote: "What distinguishes it is . . . its octopus-like growth."1

Yet another reference to Los Angeles mentions that: "In its amoeba-like growth it has spread in all directions. . . ."2

Thus can be seen primitive approaches to the phenomenon which are as perceptive as they are unaware. Although there is no present evidence to indicate that any person during that early period actually knew of the fantastic process, there can hardly be any doubt that many sensed it, if only imperfectly.

Active speculation regarding freakish nature behavior began in July and August of 1982. During a period of approximately forty-seven days the states of Arizona and Utah in their entirety and great portions of New Mexico and lower Colorado were inundated by rains that frequently bettered the ten-inch mark.

Such waterfall in previously arid sections aroused great agitation and discussion. First theories placed responsibility for this uncommon rainfall on previous southwestern atomic tests.3 Government disclaiming of this possibility seemed to increase rather than eliminate mass credulity to this later disproved supposition.

Other "precipitation postulations" as they were then known in investigative parlance can be safely relegated to the category of "crackpotia."4 These include theories that excess commercial airflights were upsetting the natural balance of the clouds, that deranged Indian rainmakers had unwittingly come upon some lethal condensation factor and were applying it beyond all sanity, that strange frost from outer space was seeding Earth's overhead and causing this inordinate precipitation.

And, as seems an inevitable concomitant to all alien deportment in nature, hypotheses were propounded that this heavy rainfall presaged Deluge II. It is clearly recorded that several minor religious groups began hasty construction of "Salvation Arks." One of these arks can still be seen on the outskirts of the small town of Dry Rot, New Mexico, built on a small hill, "still waiting for the flood."5

Then came that memorable day when the name of farmer Cyrus Mills became a household word.

Tarnation!" said farmer Mills.

He gaped in rustic amazement at the object he had come across in his cornfield. He approached it cautiously. He prodded it with a sausage finger.

"Tarnation," he repeated, less volubly.

Jason Gullwhistle of the United States Experimental Farm Station No. 3, Nebraska, drove his station wagon out to farmer Mills's farm in answer to an urgent phone call. Farmer Mills took Mr. Gull-whistle out to the object.

"That's odd," said Jason Gullwhistle. "It looks like an orange tree."

Close investigation revealed the truth of this remark. It was, indeed, an orange tree.

Other books

Heart of Glass by Dale, Lindy
Terror of Constantinople by Blake, Richard
Darkest Before Dawn by Gwen Kirkwood
The Bohemians by Sean Michael
Faith by John Love
The Story of My Teeth by Valeria Luiselli
L. Frank Baum_Aunt Jane 01 by Aunt Jane's Nieces
Poser by Alison Hughes