Budapest Noir
Authors: Vilmos Kondor
Budapest Noir
Vilmos Kondor
Translated from the Hungarian by Paul Olchváry
Contents
E
ver since the Balaton Coffeehouse reopened after a lengthy renovation, they’d started adding sugar to the coffee as a matter of course—unless you asked them not to. Zsigmond Gordon invariably forgot to ask. One such evening, he gulped down his cup of surprisingly sweet black coffee and waved a hand in resignation. Folding his copy of the
Budapest Journal
, he stood to pay the waiter and turned up his collar before stepping out onto Rákóczi Street. He glanced toward Blaha Lujza Square and noticed the neon lights of the newspaper building in the distance. He pulled a cigarette from his pocket and lit it.
A few yards away, a newsboy was frantically hawking his wares. Passersby in the evening crowd tore papers from his hand, and his apron sank farther and farther down his waist, weighted from their change.
Gordon started off toward the Erzsébet Bridge. Along the way he cast only superficial glances at the store displays and paid little attention to the automobiles jostling out on the road. Dubious characters took their turns sidling up to him, trying to palm off a pair of silk stockings or some broad’s no doubt unforgettable services. Without stopping, Gordon chucked aside his cigarette butt and checked his watch. If he hurried, he might reach Franz Joseph Square on time. He could always catch a bus, but he enjoyed the hustle and bustle too much to consider public transportation.
At the head of Károly Boulevard yet another newsboy was shouting at the top of his lungs.
“Gömbös has died! The prime minister is dead! His body is being brought back from Germany by train! Gömbös has died! The government has called an emergency meeting!” The boy’s cap had slipped to the side, exposing a beet-red face. “Read all about it in the
Evening
! Gömbös has died!” the boy kept shrieking as he waved a paper at Gordon. “The latest news, in the
Evening
! The prime minister is dead! Buy a paper, kind sir!”
Gordon only shook his head. “I don’t need a paper, son. I know the prime minister is dead.”
I write the news
, he thought,
if, that is, the news lets itself be written.
After getting to Apponyi Square, Gordon took a sudden right onto City Hall Street, and the relative peace and quiet afforded by this narrower thoroughfare felt good. But he couldn’t shake the thought of the Róna case. For days now his mind had been on nothing else; he found it impossible to believe that Erno Róna, a detective who had helped Gordon on his crime beat, was guilty. It was all he could talk about—or tried to talk about—with anyone connected with Róna, but he kept coming up against brick walls.
Gordon cut through deserted, rain-drenched Erzsébet Square, and as he turned out onto Tisza István Street, the icy wind coming off the Danube nearly tore his hat off. He shuddered in the unusually cold October air.
The officer standing in front of police headquarters tipped his hat to Gordon, who’d already gotten used to entering the building through this new entrance—4 Zrínyi Street—normally reserved for detectives. All the on-duty officers knew him, practically letting him come and go as he pleased. This particular evening the on-duty officer was a young guy who, for reasons beyond Gordon’s comprehension, always greeted him with overflowing respect: “Good evening, Mr. Editor!”
Gordon nodded and was already heading for the stairs when the officer called after him, “If you’re looking for Inspector Gellért, he asked me to tell you he’s not in just now. He’s been called to an urgent meeting.”
“No problem, son,” said Gordon, placing his hand on the railing, “I’ll wait for him in his office.”
But the boy wouldn’t let him go just yet: “Prime Minister Gömbös died today, and the . . . ” Here he caught himself. “But of course you know this, sir.”
“I know,” replied Gordon, hurrying up the stairs to the second floor. In the hallway he turned right, heading toward the last door on the left. He knocked, but there was no response from Vladimir Gellért, chief inspector and section head. He let himself into the empty office, lit by a single lamp atop the desk. Gordon pulled the door shut behind him and stepped to the window. Gellért was particularly blessed: his office was among the few to command a view of the Danube. Gordon lit a cigarette and stared out at the river and beyond—at the Chain Bridge, which was aglow; at Castle Hill; and at the ships, some passing by, some anchored, as well as the tugboats trudging along. He crushed the cigarette into a marble ashtray and sat down in one of the chairs opposite the inspector’s desk.
Gordon took out his notebook to review precisely what he planned to find out from Gellért. He’d spoken to the detective by telephone on Monday to arrange this meeting about Róna. There wasn’t much Gordon could do, since the first hearing in Róna’s case had been that morning. And yet he felt it his duty to keep digging for the truth.
The city had lately seen an explosion of currency smugglers, who, exploiting the monetary crisis, were vying to get their hands on serious profits—often with serious success. István Szörtsey’s gang had an easy method indeed: his men, posing as detectives, simply confiscated money from other currency smugglers. One fine day a stock exchange agent named Arnold Bondi paid Róna a visit at his office to complain that he’d been cheated out of five thousand pengős. The detective, who specialized in common swindlers and cardsharpers, took out a photograph of Gyula Grósz, a man he and his colleagues had been watching for a while, precisely on account of the fake-detective scam. But Bondi didn’t recognize the face. Róna advised him to file a formal complaint. Bondi did so, then regularly pestered the detective for the status of his case. When, on one such occasion, Róna informed Bondi that they were still working on it, Bondi left fuming. A couple of days later, Bondi filed a complaint through his lawyer alleging that the detective had accepted one hundred fifty pengős from him in exchange for pressing the fake detectives to return Bondi’s five thousand. An investigation was ordered, and the first hearing was that morning.
Was Róna such an idiot? Would he have put his career—his pension—at risk for a measly one hundred fifty pengős? The case was murky. Although Vladimir Gellért was one of the section heads at Unit V, which oversaw homicide, while Róna worked at Unit IV, tasked with confidence crimes such as theft and fraud, they knew each other well and could always count on each other even if they weren’t necessarily friends. And so Gordon felt sure Gellért would help him out. If nothing else, he would point him in the right direction. And if he didn’t, why, that, too, would mean something, and perhaps even more so.
Gordon rose from the armchair. The wall clock read 9
P.M.
The desk was in pristine order, as always. Gordon knew file folders containing active cases were in a pile on the left; the detective’s thoroughly marked-up calendar was in the middle; and on the right was his typewriter, pushed to the side. In front of the calendar was an Art Nouveau bronze inkwell, and in front of that was the barrel of a pen and a little box full of nibs. Gellért often remarked that he finally just about got the hang of the typewriter, but he simply couldn’t befriend the fountain pen.
For his part, Gordon had no problem with it, even if he did regard the quill as a backward and antiquated tool. He pulled his notebook from his pocket and placed it on the corner of the desk, bending to jot down a couple of questions, but paused. He figured he’d might as well sit down at the desk to write, as he’d done more than once while waiting for Gellért. He stepped around the desk and tried to pull out Gellért’s chair, but it wouldn’t budge. Gordon looked to the right and saw that the chair was stuck against an open drawer. This was a first. Over the past five years, Gordon had cultivated a truly exceptional relationship with Gellért, but not once had the immaculate detective left his desk drawer open. Indeed, he always took care to lock it shut, hiding the key in his vest pocket. Having freed the chair, Gordon took a seat and examined the open drawer. A file folder lay at the bottom—a standard official file folder, with an empty space where the title would have been written on the front. The corner of a photograph stuck out from the bottom.
Gordon sat there for a while in silence, motionless. He stared at the folder and at the corner of that photograph. He lit another cigarette. He threw the match into the marble ashtray, exhaled, and locked his eyes again on the photo. He balanced his cigarette on the edge of the ashtray and reached for the drawer, pulling it open a bit more, just enough to lift the cover of the file.
He took up the cigarette. Inhaling deeply, he lifted the file from the drawer and placed it open on the desk. It contained nothing but two photographs. The first depicted a young woman standing beside a covered table, a thick drapery curtain in the background. Her expression was at once forlorn and flirtatious.
You like me, right?
the girl’s look suggested.
I know you like me; everyone likes me.
Except for her smile and a pair of slender shoes, the girl was naked. She stood there lasciviously, her bright eyes awash with salaciousness and sadness. Long thighs; unusually full, round breasts; and dark, slightly curly hair that flowed over her shoulders. Gordon scrutinized her eyes. He realized it wasn’t dalliance but defiance that he saw in them. Her body was faultless, lithesome, young. Or maybe not so faultless, after all. He held the photograph under the lamp and looked more closely at her left arm. An inch or so under her elbow was a brownish birthmark about the size of a two-pengő coin, hardly any bigger.
Gordon put the picture aside and picked up the other one. It, too, had been taken in a studio, but under entirely different circumstances. It was the same girl staring into the lens, her hair pinned up, her expression stern. Not even a trace of the defiance or, perhaps, the sadness could be seen. Regular features, vigorous eyebrows, bright eyes.
Gordon placed the two photographs back in the folder, then returned it to the drawer. He stood, adjusted the chair, and stepped to the window. He looked out at the city and then at his watch.
He was about to leave when the door opened. Gellért stepped in vigorously, but with an expression even glummer than usual. His blazer was wrinkled, and his glasses just barely concealed the rings under his eyes. Every motion of his lanky frame now bespoke exhaustion. Gordon turned to greet him, but the detective raised his hand.
