Bruce Chatwin (85 page)

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Authors: Nicholas Shakespeare

Tags: #Biography & Autobiography, #Literary, #Literary Collections, #Letters, #Literary Criticism, #General, #Diaries & Journals, #Personal Memoirs

BOOK: Bruce Chatwin
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Needing to feel he suffered from something special and unwilling to address the fact he had contracted a “homosexual” disease, Bruce had to understand his illness as this bone fungus. There was enough absence of information at the time to allow him to do this. The truth was he had both. He would not have attracted the fungus had he not first contracted HIV.
Juel-Jensen put Bruce on a prophylactic anti-fungal drug, Ketoconazole. “He made a remarkable recovery for a while. For all of us it was a question of suck it and see. There is always a possibility that the patient will survive. There is a world of difference between a possibility and a probability . . . but none of us had any experience and little literature.”
The discovery of “an extremely rare (i.e. no white man has it) fungus of the bone marrow” cheered Bruce. “For Bruce it was wonderful: he could make a story,” says Elizabeth. The fungus reinforced his sense of uniqueness: “an A1 medical curiosity,” he wrote to Bail. “It was like collecting a very great object,” says Robert Erskine. It was also treatable. “It must have been a colossal relief to pin his symptoms on an innocent curable disease,” says David Warrell. “He didn’t want to accept that the underlying HIV was the problem. It was a sort of secret. There was a great deal of denial, or at least of unwarranted optimism that he could conquer it.”
Bruce quickly metabolised his illness into something rich and strange. “He didn’t want to be defined as homosexual; what he wanted to be was extraordinary, the odd one out,” says Jonathan Hope. “The fungus fitted into his pursuit for eclectic esoteric knowledge.” He told Matthew Spender: “My dear, it’s a very rare mushroom in the bone marrow which I got from eating a slice of raw Cantonese whale.” He told Loulou de la Falaise he had eaten a rotten thousand-year-old Chinese egg. “He told me his disease came from bat’s faeces,” says George Ortiz. By describing and redescribing the
Penicillium marneffei
, he constructed an illness, particular to himself, that he could live with. “None of us was allowed to say AIDS,” says Salman Rushdie. “For all those years we had to talk about funguses. He was trying to make things go away by not saying them.”
On 13 October he wrote a letter to Gertrude, “the first one I have written since the ‘collapse’. Trust me to pick up a disease never recorded among Europeans. The fungus that has attacked my bone marrow has been recorded among ten Chinese peasants (China is presumably where I got it), a few Thais and a killer whale cast up on the shores of Arabia. The great test comes when we find out whether I can go on producing red blood cells on my own.
“That is the worst of the news! Otherwise things are very cheery. Your eldest daughter has become a
real
nurse.”
Elizabeth prepared his food at Homer End and took it to the Churchill. By the end of October he was eating well and walking unaided around the garden. He had responded well to a series of blood transfusions and the course of Ketoconazole. He was not coughing, had no headache. On 21 October, after six weeks in hospital, he was discharged.
Charles and Margharita waited to greet him at Homer End. According to his instructions, Elizabeth had told them nothing of his HIV status. “The tensions were horrendous because we couldn’t tell them anything. It was terribly hard keeping it from them because you knew there wasn’t any hope, but you could not say that to them.” They helped Elizabeth to look after him and drove Bruce to Oxford for a weekly check-up. “Charles continues to make a good recovery,” Bull reported to Juel-Jensen on 3 December. “Weight risen to 74 kg from 62 kg and apart from
Mullusculum contagiosum
on his face there are no abnormal stigmata. He is keen to go to the south of France for the English winter.”
Jasper Conran’s mother, Shirley, had offered him her house in Seillans above Cannes. Anxious to escape Homer End, the winter, his parents, Bruce accepted.
“In the summer, obviously a prey to my malady, I turned arsonist and destroyed heaps of old notebooks, card indexes, correspondence.”
In mid-December, on the eve of his departure with Elizabeth on the train to Nice, Bruce wrote a long letter to Cary Welch. Among the correspondence he had nearly chucked on to the fire was a bundle of letters from Welch, dating back to 1966. Rereading them, Bruce was reminded of how much the two friends had fallen out of touch. The lack of contact with someone with whom he had once been close gave Bruce the distance to simplify the harrowing past six months into a polished account of his illness, diagnosis and hopes for recovery. As long as he could tell stories about it, his illness might go away. Bruce’s letter also alerted Welch to his next project, which would take as its subject a collector very much like Welch.
My illness was a dramatic episode. I have always known – from a fortune-teller or from my own instinctive promptings? – that I would be terribly ill in middle-age, and would recover. All summer, while I was putting the final touches to the book, I was obviously sickening, but preferred to put it out of my mind – even though, on a sweltering summer day, I’d be wrapped in shawls beside the Aga scribbling onto a yellow pad. I imagined I’d recover if only I could reach some mountain pastures, and so gaily set off for Switzerland: only to find, next morning, that I couldn’t drag myself a hundred yards down the sidewalk. Obviously, something was seriously wrong. Thinking I was prey to some Indian amoeba, I consulted a specialist in tropical medicine, who took one look at my blood count, and, next day, said amiably: ‘I cannot understand why you’re alive. You have no red blood corpuscles left.’ He failed to make a diagnosis, having run through a complete set of tests; and Elizabeth came to fetch me home in a definitely dying condition. I have a vague recollection of being wheeled to the plane; another, of the ambulance at London airport and then a blank. By the time I got to Oxford I was not expected to last the night. I did incidentally have the ‘dark night experience’, followed by the Pearly Gates. In my delirium I had visions of being in a colourful and vaguely medieval court where women offered me grapes on
tazzas.
At one point I called to Elizabeth, ‘Where’s King Arthur? He was here a minute ago.’
Anyway, although I was on life support, they still couldn’t find the cause until, on the fourth day, the young immunologist rushed into my room and said ‘Have you, in the past five years, been in a bats’ cave? We think you’ve got a fungus of the bone marrow, which starts off growing on bat shit.’ Yes. I had been in bat caves, in Java and in Australia. But when they grew the fungus, as one grows a culture for yoghurt, it was not mine after all. The most expert mycologists were consulted: samples were flown to the US, and the answer, which finally emerged, was that I had, indeed, a fungus of the marrow, but one which was known
only
from the corpse of a killer-whale cast up on the shores of Arabia and from ten healthy Chinese peasants, all of whom had died. Had I been consorting with killer-whales? Or with Chinese peasants? ‘Peasants,’ I said decisively. Indeed, we had. Last December we were in Western Yunnan, following the traces of the Austro-American botanist, Joseph Rock, whose book
The Kingdom of the Na-Khi
was admired by Ezra Pound. We went to peasant feasts, slept in peasant houses, inhaled the dust of peasant winnowing; and it must be in Yunnan that I inhaled the particles of fungal dust, which set the malady in motion. I lost half my weight; came out in lumps and scabs, and looked entirely like the miniature of Akbar’s courtier in the Bodleian whose name I’ve forgotten. I had a fearsome drug administered on the drip constantly for six weeks. I had blood transfusions, and in the end I made a rather startling recovery: at least, one which my doctors did not expect. It’ll mean a change in one’s life, though. Apparently, one can’t ever quite get rid of a fungus like this, so I shall be on pills indefinitely; will have to report from time to time, and
not
alas go travelling into dangerously exotic places. The last stipulation I fully intend to ignore. In the meantime, rather than face the sodden gloom of an English winter, we are setting out for Grasse where we have borrowed a flat and where I hope to bash out my tale of the Czechoslovakian porcelain collector.
XXXVII
 
The Harlequin
Michael Ignatieff:
Where in your work is the division between fiction and non-fiction?
BC:
I don’t think there is one.

WHY DON’T YOU WRITE A SHORT STORY ABOUT THAT MAN IN
Prague?” As Bruce lay miserable in his sickbed, Elizabeth produced a letter he had sent her from Czechoslovakia in the summer of 1967, when Bruce was still an archaeology student. The letter resurrected his journey through the museums of Central Europe as he made his way to the excavation site near Prague, but most of the letter was devoted to his friend on the Zavist dig, the “self-styled great lover” Maurizio Tosi.
Every evening for a week the two young archaeologists would take the tram into Prague. It was a year before the Russian invasion. “Prague is one of the most curious places in the world,” Bruce wrote. “The whole place is utterly bourgeois and obviously always was. Communism sits on it in a most uneasy way, and I would have said cannot last long. It is virtually impossible to meet a single Communist. Even in the trains and buses they joke about it. Some of the younger generation might be communist but would not dream of owning up to the fact. It must be one of the few places in the world where one can hear the American position in Vietnam actually defended . . . I had a long lecture from a man on the excavation who could only be described as a peasant on the merits of Eton and how England was an education to the world.”
In love Maurizio Tosi behaved with the theatrical detachment that Bruce would later grant Utz. “A succession of Merry Widows and Countess Mitzis passed though his bed . . . The secret of his attraction to the divas was his technique – you could call it a trick – of applying the stiff bristles of the moustache to the lady’s throat . . .” What begins as a funeral in
Utz
is taken from one of Tosi’s finest performances: as the best man to his Moravian girlfriend.
On their second afternoon at the site, Tosi was telephoned by Lea, a former lover. She was in Prague. Tosi made an excuse to his girlfriend at the camp and that evening climbed aboard the tram with Bruce.
The Moravian bird [Bruce wrote] had come to Prague to get married. The bridegroom was an ineffectual young German from Magdeburg with a fall-away chin and pointed shoes. She had known him for three years. ‘And to think,’ exclaimed the outraged Maurizio, ‘that when she was making love to me on the Linear Pottery site at Bylany, she knew him all the time. It confirms my opinion of the faithlessness of women. How could she give herself to the dirty German?’ Anyway for the time being she apparently could and would and the reason for her contacting Maurizio was that he should be best man at the wedding. He at once changed tack and agreed with alacrity, and also insisted that I come too as a witness. The time of the wedding was eight-thirty in the morning on the next day at the church of St Ignatz. ‘Don’t you understand?’ he said, ‘she is only marrying him because she is pregnant. I shall play the part of the faithful and wronged friend and in two years I shall have her.’ I think that Maurizio may have miscalculated again because the two seemed absolutely devoted and stood in the foyer of the hotel kissing and fondling each other to the fury of the headwaiter, who finally told them to desist.
So the next morning quarter past eight found Maurizio and I in archaeological clothes, carnations in our buttonholes, on the steps of the baroque church of St Ignatz in Charles Square. One old woman was desultorily cleaning the aisle and another prayed loudly and devotedly in the chapel of the Holy Sepulchre, a real rock-cut tomb with a plastic Christ looming over the boulders which were rather unsuitably planted with gladioli and gloxinias. An untidy man appeared and was under the impression that I was the organist. When I protested, he shrugged and said he would play himself. This he did on two chords only and to this cacophony the bride arrived in a large Tatra saloon accompanied by her parents and the bridegroom’s mother, a solid German hausfrau in a crinkled pale blue suit. The bride’s mother was a good-looking woman evidently in a savage temper, and her father a mild-mannered little Czech who squinted through his spectacles. Maurizio bent double and kissed the ladies’ hands to their evident surprise. The bride must have been wearing her grandmother’s wedding dress, and the bridegroom’s shoes were more pointed than ever. And so this comic little procession made its way up the aisle to the thump-thump of the organ, and came to rest inside the pink marble altar rails where the priest was waiting. St Ignatz is a vast building, about the same size as Bath Abbey with astonishing pink and white plaster decoration and angels and saints dripping from every cornice. The grey marble pillars rippled like the waters of an oil-covered sea, and the organist thump-thumped while the ceremony proceeded in an undertone. I winked at the mother who winked back and began to look more cheerful. And finally the organ stopped while the priest gave a short address. On either side of the altar-piece St Peter exhorted and St Paul comforted while St Ignatius was wafted up to heaven in a rosy sunset and above supercilious cherubs pouted on plaster clouds, and for a moment there was peace. Then the organ thump-thumped again, and never was an aisle so long. By nine-ten the seven of us were in the Hotel Miramar in a corner of the cocktail lounge drinking the happy couple’s health with a Hungarian wine that tore to my liver. In the corner by the deserted bandstand was a stuffed bear which a cleaning woman dusted as she cleared up the squalid mess of the night before. And that was the most curious wedding I have ever been to.

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