Bring Up the Bodies (53 page)

The circumstances surrounding the fall of Anne Boleyn have been controversial for centuries. The evidence is complex and sometimes contradictory; the sources are often dubious, tainted and after-the-fact. There is no official transcript of her trial, and we can reconstruct her last days only in fragments, with the help of contemporaries who may be inaccurate, biased, forgetful, elsewhere at the time, or hiding under a pseudonym. Eloquent and lengthy speeches, put into Anne's mouth at her trial and on the scaffold, should be read with scepticism, and so should the document often called her ‘last letter', which is almost certainly a forgery or (to put it more kindly) a fiction. A mercurial woman, elusive in her lifetime, Anne is still changing centuries after her death, carrying the projections of those who read and write about her.

In this book I try to show how a few crucial weeks might have looked from Thomas Cromwell's point of view. I am not claiming authority for my version; I am making the reader a proposal, an offer. Some familiar aspects of the story are not to be found in this novel. To limit the multiplication of characters, it omits mention of a deceased lady called Bridget Wingfield, who may (from beyond the grave) have had something to do with the rumours that began to circulate against Anne before her fall. The effect of omitting any source of rumour may be to throw more blame on Jane, Lady Rochford, than perhaps she deserves; we tend to read Lady Rochford backwards, as we know the destructive role she played in the affairs of Katherine Howard, Henry's fifth wife. Julia Fox has given a more positive reading of Jane's character in her book
Jane Boleyn
(2007).

Connoisseurs of Anne's last days will notice other omissions, including that of Richard Page, a courtier who was arrested at about the same time as Thomas Wyatt, and who was never charged or tried. As he plays no part in this story otherwise, and as no one has an idea why he was arrested, it seemed best not to burden the reader with one more name.

I am indebted to the work of Eric Ives, David Loades, Alison Weir, G.W. Bernard, Retha M. Warnicke and many other historians of the Boleyns and their downfall.

This book is of course not about Anne Boleyn or about Henry VIII, but about the career of Thomas Cromwell, who is still in need of attention from biographers. Meanwhile, Mr Secretary remains sleek, plump and densely inaccessible, like a choice plum in a Christmas pie; but I hope to continue my efforts to dig him out.

I am truly grateful to the open-minded historians who took the time to read
Wolf Hall
, to comment on it and encourage this project, and to the many readers who have contacted me with family trees and snippets of family legend, with piquant information about lost places and almost forgotten names. Thank you to Sir Bob Worcester for showing me Allington Castle, once owned by the Wyatt family, and to Rupert Thistlethwayte, descendant of William Paulet, for inviting me to Cadhay, his beautiful house in Devon. And thank you to all those people who have issued kind invitations I hope to take up in the course of writing my next novel.

I owe special gratitude to my husband Gerald McEwen, who has to share a house with so many invisible people, and who never fails in his support and practical kindness.

Also by
Hilary Mantel

The Bestselling Author of
Wolf Hall
,
Winner of the Man Booker Prize

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Wolf Hall

www.picadorusa.com/wolfhall

In the ruthless arena of King Henry VIII's court, only one man dares to gamble his life to win the king's favor and ascend to the heights of political power.

 

England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years, and marry Anne Boleyn. The pope and most of Europe opposes him. The quest for the king's freedom destroys his adviser, the brilliant Cardinal Wolsey, and leaves a power vacuum.

 

Into this impasse steps Thomas Cromwell. Cromwell is a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people and a demon of energy: he is also a consummate politician, hardened by his personal losses, implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?

 

In inimitable style, Hilary Mantel presents a picture of a half-made society on the cusp of change, where individuals fight or embrace their fate with passion and courage. With a vast array of characters, overflowing with incident, the novel re-creates an era when the personal and political are separated by a hairbreadth, where success brings unlimited power but a single failure means death.