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Authors: Theodore Sturgeon

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“And it—she—I mean, you get peyotl out of it,” I floundered. “That’s no symbol. That’s cash money.”

“It is? What do I do with the money? Well,
what?

“Grubstake,” I mumbled, frightened by his intensity.

“I sell it for just what I need, no more,” he said. “And with it I stay out here and”—he chuckled—“study my references.”

At the saloon Grantham wrote his resignation, and I was glad to see that it was written exactly as the old Grantham would have done it. I tucked it away safely. We dined heartily and slept in the same room back of the bar, and in the morning he helped me buy a horse. It was, therefore, not until I was out on the hot sand again that I had a chance to study my specimen.

I felt very good that morning. I was, of course, sorry for poor mad Grantham. On the other hand—what was the little white moth that clustered over peyotl at night? Not the yucca moth, surely. Surely not.

I wondered what had happened to that strange, pathetic little girl. Wandered out in her blue polka-dot dress to die among the yuccas, no doubt.

I studied the wilted flower as I rode. Poor Grantham! This was enough to tip any trained botanist over the edge—this freak, sport, mutant yucca. Who ever heard of a white yucca flower with a large blue patch on each petal?

I closed my eyes and smiled, seeing through the red heat-haze of my lids the cool shadowed library, turning the clop-clop of my horse into the delicate music of teacups on saucers.

The Golden Helix

T
OD AWOKE FIRST
, probably because he was so curious, so deeply alive; perhaps because he was (or had been) seventeen. He fought back, but the manipulators would not be denied. They bent and flexed his arms and legs, squeezed his chest, patted and rasped and abraded him. His joints creaked, his sluggish blood clung sleepily to the walls of his veins, reluctant to move after so long.

He gasped and shouted as needles of cold played over his body, gasped again and screamed when his skin sensitized and the tingling intensified to a scald. Then he fainted, and probably slept, for he easily reawoke when someone else started screaming.

He felt weak and ravenous, but extraordinarily well rested. His first conscious realization was that the manipulators had withdrawn from his body, as had the needles from the back of his neck. He put a shaky hand back there and felt the traces of spot-tape, already half-fused with his healing flesh.

He listened comfortably to this new screaming, satisfied that it was not his own. He let his eyes open, and a great wonder came over him when he saw that the lid of his Coffin stood open.

He clawed upward, sat a moment to fight a vicious swirl of vertigo, vanquished it, and hung his chin on the edge of the Coffin.

The screaming came from April’s Coffin. It was open too. Since the two massive boxes touched and their hinges were on opposite sides, he could look down at her. The manipulators were at work on the girl’s body, working with competent violence. She seemed to be caught up in some frightful nightmare, lying on her back, dreaming of riding a runaway bicycle with an off-center pedal sprocket and epicyclic hubs. And all the while her arms seemed to be flailing at a cloud of dream-hornets round her tossing head. The needle-cluster rode with her head, fanning out behind the nape like the mechanical
extrapolation of an Elizabethan collar.

Tod crawled to the end of his Coffin, stood up shakily, and grasped the horizontal bar set at chest level. He got an arm over it and snugged it close under his armpit. Half-suspended, he could then manage one of his feet over the edge, then the other, to the top step. He lowered himself until he sat on it, outside the Coffin at last, and slumped back to rest. When his furious lungs and battering heart calmed themselves, he went down the four steps one at a time, like an infant, on his buttocks.

April’s screams stopped.

Tod sat on the bottom step, jackknifed by fatigue, his feet on the metal floor, his knees in the hollows between his pectorals and his shoulders. Before him, on a low pedestal, was a cube with a round switch-disc on it. When he could, he inched a hand forward and let it fall on the disc. There was an explosive tinkle and the front panel of the cube disappeared, drifting slowly away as a fine glittering dust. He lifted his heavy hand and reached inside. He got one capsule, two, carried them to his lips. He rested, then took a beaker from the cube. It was three-quarters full of purple crystals. He bumped it on the steel floor. The beaker’s cover powdered and fell in, and the crystals were suddenly a liquid, effervescing violently. When it subsided, he drank it down. He belched explosively, and then his head cleared, his personal horizons expanded to include the other Coffins, the compartment walls, the ship itself and its mission.

Out there somewhere—somewhere close, now—was Sirius and its captive planet, Terra Prime. Earth’s first major colony, Prime would one day flourish as Earth never had, for it would be a planned and tailored planet. Eight and a half light-years from Earth, Prime’s population was composed chiefly of Earth immigrants, living in pressure domes and slaving to alter the atmosphere of the planet to Earth normal. Periodically there must be an infusion of Earth blood to keep the strain as close as possible on both planets, for unless a faster-than-light drive could be developed, there could be no frequent interchange between the worlds. What took light eight years took humans half a lifetime. The solution was the Coffins—the marvelous machine
in which a man could slip into a sleep which was more than sleep while still on Earth, and awaken years later in space, near his destination, subjectively only a month or so older. Without the Coffins there could be only divergence, possibly mutation. Humanity wanted to populate the stars—but with humanity.

Tod and his five shipmates were hand-picked. They had superiorities—mechanical, mathematical, and artistic aptitudes. But they were not all completely superior. One does not populate a colony with leaders alone and expect it to live. They, like the rest of their cargo (machine designs, microfilms of music and art, technical and medical writings, novels and entertainment) were neither advanced nor extraordinary. Except for Teague, they were the tested median, the competent; they were basic blood for a mass, rather than an elite.

Tod glanced around the blank walls and into the corner where a thin line delineated the sealed door. He ached to fling it open and skid across the corridor, punch the control which would slide away the armor which masked the port, and soak himself in his first glimpse of outer space. He had heard so much about it, but he had never seen it—they had all been deep in their timeless sleep before the ship had blasted off.

But he sighed and went instead to the Coffins.

Alma’s was still closed, but there was sound and motion, in varying degrees, from all the others.

He glanced first into April’s Coffin. She seemed to be asleep now. The needle-cluster and manipulators had withdrawn. Her skin glowed; it was alive and as unlike its former monochrome waxiness as it could be. He smiled briefly and went to look at Teague.

Teague, too, was in real slumber. The fierce vertical line between his brows was shallow now, and the hard, deft hands lax and uncharacteristically purposeless. Tod had never seen him before without a focus for those narrow, blazing green eyes, without decisive spring and balance in his pose. It was good, somehow, to feel that for all his responsibilities, Teague could be as helpless as anyone.

Tod smiled as he passed Alma’s closed Coffin. He always smiled at Alma when he saw her, when he heard her voice, when she crossed his thoughts. It was possible to be very brave around Alma, for gentleness
and comfort were so ready that it was almost not necessary to call upon them. One could bear anything, knowing she was there.

Tod crossed the chamber and looked at the last pair. Carl was a furious blur of motion, his needle-cluster swinging free, his manipulators in the final phase. He grunted instead of screaming, a series of implosive, startled gasps. His eyes were open but only the whites showed.

Moira was quite relaxed, turned on her side, poured out on the floor of the Coffin like a long golden cat. She seemed in a contented abandonment of untroubled sleep.

He heard a new sound and went back to April. She was sitting up, cross-legged, her head bowed apparently in deep concentration. Tod understood; he knew that sense of achievement and the dedication of an entire psyche to the proposition that these weak and trembling arms which hold one up shall
not
bend.

He reached in and gently lifted the soft white hair away from her face. She raised the albino’s fathomless ruby eyes to him and whimpered.

“Come on,” he said quietly. “We’re here.” When she did not move, he balanced on his stomach on the edge of the Coffin and put one hand between her shoulder blades. “Come on.”

She pitched forward but he caught her so that she stayed kneeling. He drew her up and forward and put her hands on the bar. “Hold tight, Ape,” he said. She did, while he lifted her thin body out of the Coffin and stood her on the top step. “Let go now. Lean on me.”

Mechanically, she obeyed, and he brought her down until she sat, as he had, on the bottom step. He punched the switch at her feet and put the capsules in her mouth while she looked up at him numbly, as if hypnotized. He got her beaker, thumped it, held it until its foaming subsided, and then put an arm around her shoulders while she drank. She closed her eyes and slumped against him, breathing deeply at first, and later, for a moment that frightened him, not at all. Then she sighed, “Tod …”

“I’m here, Ape.”

She straightened up, turned and looked at him. She seemed to be trying to smile, but she shivered instead. “I’m cold.”

He rose, keeping one hand on her shoulder until he was sure she could sit up unassisted, and then brought her a cloak from the clips outside the Coffin. He helped her with it, knelt and put on her slippers for her. She sat quite still, hugging the garment tight to her. At last she looked around and back; up, around, and back again. “We’re—there!” she breathed.

“We’re
here
,” he corrected.

“Yes, here. Here. How long do you suppose we …”

“We won’t know exactly until we can take some readings. Twenty-five, twenty-seven years—maybe more.”

She said, “I could be old, old—” She touched her face, brought her fingertips down to the sides of her neck. “I could be forty, even!”

He laughed at her, and then a movement caught the corner of his eye. “Carl!”

Carl was sitting sidewise on the edge of his Coffin, his feet still inside. Weak or no, bemused as could be expected, Carl should have grinned at Tod, should have made some healthy, swaggering gesture. Instead he sat still, staring about him in utter puzzlement. Tod went to him. “Carl! Carl, we’re here!”

Carl looked at him dully. Tod was unaccountably disturbed. Carl always shouted, always bounced; Carl had always seemed to be just a bit larger inside than he was outside, ready to burst through, always thinking faster, laughing more quickly than anyone else.

He allowed Tod to help him down the steps, and sat heavily while Tod got his capsules and beaker for him. Waiting for the liquid to subside, he looked around numbly. Then drank, and almost toppled. April and Tod held him up. When he straightened again, it was abruptly. “Hey!” he roared. “We’re here!” He looked up at them. “April! Tod-o! Well what do you know—how are you, kids?”

“Carl?” The voice was the voice of a flute, if a flute could whisper. They looked up. There was a small golden surf of hair tumbled on and over the edge of Moira’s Coffin.

Weakly, eagerly, they clambered up to Moira and helped her out. Carl breathed such a sigh of relief that Tod and April stopped to
smile at him, at each other.

Carl shrugged out of his weakness as if it were an uncomfortable garment and went to be close to Moira, to care about Moira and nothing else.

A deep labored voice called, “Who’s up?”

“Teague! It’s Teague … all of us, Teague,” called Tod. “Carl and Moira and April and me. All except Alma.”

Slowly Teague’s great head rose out of the Coffin. He looked around with the controlled motion of a radar sweep. When his head stopped its one turning, the motion seemed relayed to his body, which began to move steadily upward. The four who watched him knew intimately what this cost him in sheer willpower, yet no one made any effort to help. Unasked, one did not help Teague.

One leg over, the second. He ignored the bar and stepped down to seat himself on the bottom step as if it were a throne. His hands moved very slowly but without faltering as he helped himself to the capsules, then the beaker. He permitted himself a moment of stillness, eyes closed, nostrils pinched; then life coursed strongly into him. It was as if his muscles visibly filled out a little. He seemed heavier and taller, and when he opened his eyes, they were the deeply vital, commanding light-sources which had drawn them, linked them, led them all during their training.

He looked toward the door in the corner. “Has anyone—”

“We were waiting for you,” said Tod. “Shall we … can we go look now? I want to see the stars.”

“We’ll see to Alma first.” Teague rose, ignoring the lip of his Coffin and the handhold it offered. He went to Alma’s. With his height, he was the only one among them who could see through the top plate without mounting the steps.

Then, without turning, he said, “Wait.”

The others, half across the room from him, stopped. Teague turned to them. There was no expression on his face at all. He stood quite motionless for perhaps ten seconds, and then quietly released a breath. He mounted the steps of Alma’s Coffin, reached, and the side nearest his own machine sank silently into the floor. He stepped down, and spent a long moment bent over the body inside. From where
they stood, tense and frightened, the others could not see inside. They made no effort to move closer.

“Tod,” said Teague, “get the kit. Surgery
Lambda
. Moira, I’ll need you.”

The shock of it went to Tod’s bones, regenerated, struck him again; yet so conditioned was he to Teague’s commands that he was on his feet and moving before Teague had stopped speaking. He went to the after bulkhead and swung open a panel, pressed a stud. There was a metallic whisper, and the heavy case slid out at his feet. He lugged it over to Teague, and helped him rack it on the side of the Coffin. Teague immediately plunged his hands through the membrane at one end of the kit, nodding to Moira to do likewise at the other. Tod stepped back, studiously avoiding a glance in at Alma, and returned to April. She put both her hands tight around his left biceps and leaned close. “
Lambda
.…” she whispered.

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