Bride Quartet Collection (2 page)

CHAPTER ONE

O
N JANUARY FIRST, MAC ROLLED OVER TO SMACK HER ALARM clock, and ended up facedown on the floor of her studio.

“Shit. Happy New Year.”

She lay, groggy and baffled, until she remembered she’d never made it upstairs into bed—and the alarm was from her computer, set to wake her at noon.

She pushed herself up to stagger to the kitchen and the coffeemaker.

Why did people want to get married on New Year’s Eve? Why would they make a formal ritual out of a holiday designed for marathon drinking and probably inappropriate sex? And they just had to drag family and friends into it, not to mention wedding photographers.

Of course, when the reception had finally ended at two A.M., she could’ve gone to bed like a sane person instead of uploading the shots, reviewing them—spending nearly three more hours on the Hines-Myers wedding photos.

But, boy, she’d gotten some good ones. A few great ones.

Or they were all crap and she’d judged them in a euphoric blur.

No, they were good shots.

She added three spoons of sugar to the black coffee and drank it while standing at the window, looking out at the snow blanketing the gardens and lawns of the Brown Estate.

They’d done a good job on the wedding, she thought. And maybe Bob Hines and Vicky Myers would take a clue from that and do a good job on the marriage.

Either way, the memories of the day wouldn’t fade. The moments, big and small, were captured. She’d refine them, finesse them, print them. Bob and Vicky could revisit the day through those images next week or sixty years from next week.

That, she thought, was as potent as sweet, black coffee on a cold winter day.

Opening a cupboard, she pulled out a box of Pop-Tarts and, eating one where she stood, went over her schedule for the day.

Clay-McFearson (Rod and Alison) wedding at six. Which meant the bride and her party would arrive by three, groom and his by four. That gave her until two for the pre-event summit meeting at the main house.

Time enough to shower, dress, go over her notes, check and recheck her equipment. Her last check of the day’s weather called for sunny skies, high of thirty-two. She should be able to get some nice preparation shots using natural light and maybe talk Alison—if she was game—into a bridal portrait on the balcony with the snow in the background.

Mother of the bride, Mac remembered—Dorothy (call me Dottie)—was on the pushy and demanding side, but she’d be dealt with. If Mac couldn’t handle her personally, God knew Parker would. Parker could and did handle anyone and anything.

Parker’s drive and determination had turned Vows into one of the top wedding and event planning companies in the state in a five-year period. It had turned the tragedy of her parents’ deaths into hope, and the gorgeous Victorian home and the stunning grounds of the Brown Estate into a thriving and unique business.

And, Mac thought as she swallowed the last of the Pop-Tart, she herself was one of the reasons.

She moved through the studio toward the stairs to her upstairs bed and bath, stopped at one of her favorite photos. The glowing, ecstatic bride with her face lifted, her arms stretched, palms up, caught in a shower of pink rose petals.

Cover of
Today’s Bride
, Mac thought. Because I’m just that good.

In her thick socks, flannel pants, and sweatshirt she climbed the stairs to transform herself from tired, pj-clad, Pop-Tart addict into sophisticated wedding photojournalist.

She ignored her unmade bed—why make it when you were just going to mess it up again?—and the bedroom clutter. The hot shower worked with the sugar and caffeine to clear out any remaining cobwebs so she could put her mind seriously to today’s job.

She had a bride who was interested in trying the creative, a passive-aggressive MOB who thought she knew best, a groom so dazzling in love he’d do anything to make his bride happy. And both her B and G were seriously photogenic.

The last fact made the job both pleasure and challenge. Just how could she give her clients a photo journey of their day that was spectacular, and uniquely theirs?

Bride’s colors, she thought, flipping through her mental files as she washed her short, shaggy crop of red hair. Silver and gold. Elegant, glamorous.

She’d had a look at the flowers and the cake—both getting their finishing touches today—the favors and linens, attendants’ wardrobes, headdresses. She had a copy of the playlist from the band with the first dance, mother-son, father-daughter dances highlighted.

So, she thought, for the next several hours, her world would revolve around Rod and Alison.

She chose her suit, her jewelry, her makeup with nearly the same care as she chose her equipment. Loaded, she went out to make the short trek from the pool house that held her studio and little apartment to the main house.

The snow sparkled, crushed diamonds over ermine, and the air was cold and clean as mountain ice. She definitely had to get some outside shots, daylight and evening. Winter wedding, white wedding, snow on the ground, ice glistening on the trees, just dripping from the denuded willows over the pond. And there the fanciful old Victorian with its myriad rooflines, the arched and porthole windows, rising and spreading, soft blue against the hard shell of sky. Its terraces and generous portico heralded the season with their festoons of lights and greenery.

She studied it as she often did as she walked the shoveled paths. She loved the lines of it, the angles of it, with its subtle touches of pale yellow, creamy white picked out in that soft, subtle blue.

It had been as much home to her as her own growing up. Often more so, she admitted, as her own had run on her mother’s capricious whims. Parker’s parents had been warm, welcoming, loving and—Mac thought now—steady. They’d given her a calm port in the storm of her own childhood.

She’d grieved as much as her friend at their loss nearly seven years before.

Now the Brown Estate was her home. Her business. Her life. And a good one on every level. What could be better than doing something you loved, and doing it with the best friends you’d ever had?

She went in through the mudroom to hang up her outdoor gear, then circled around to peek into Laurel’s domain.

Her friend and partner stood on a step stool, meticulously adding silver calla lilies to the five tiers of a wedding cake. Each flower bloomed at the base of a gold acanthus leaf to glimmering, elegant effect.

“That’s a winner, McBane.”

Laurel’s hand was steady as a surgeon’s as she added the next lily. Her sunny hair was twisted at the back of her head into a messy knot that somehow suited the angular triangle of her face. As she worked, her eyes, bright as bluebells, held narrowed concentration.

“I’m so glad she went for the lily centerpiece instead of the bride and groom topper. It makes this design. Wait until we get to the ballroom and add it.”

Mac pulled out a camera. “It’s a good shot for the website. Okay?”

“Sure. Get any sleep?”

“Didn’t hit until about five, but I stayed down till noon. You?”

“Down by two thirty. Up at seven to finish the groom’s cake, the desserts—and this. I’m so damn glad we have two weeks before the next wedding.” She glanced over. “Don’t tell Parker I said that.”

“She’s up, I assume.”

“She’s been in here twice. She’s probably been everywhere twice. I think I heard Emma come in. They may be up in the office by now.”

“I’m heading up. Are you coming?”

“Ten minutes. I’ll be on time.”

“On time is late in Parker’s world.” Mac grinned. “I’ll try to distract her.”

“Just tell her some things can’t be rushed. And that the MOB’s going to get so many compliments on this cake she’ll stay off our backs.”

“That one could work.”

Mac started out, winding through to check the entrance foyer and the massive drawing room where the ceremony itself would take place. Emmaline and her elves had already been at work, she noted, undressing from the last wedding, redressing for the new. Every bride had her own vision, and this one wanted lots of gold and silver ribbon and swag as opposed to the lavender and cream voile of New Year’s Eve.

The fire was set in the drawing room and would be lit before the guests began to arrive. White-draped chairs sparkling with silver bows formed row after row. Emma had already dressed the mantel with gold candles in silver holders, and the bride’s favorite white calla lilies massed in tall, thin glass vases.

Mac circled the room, considered angles, lighting, composition—and made more notes as she walked out and took the stairs to the third floor.

As she expected, she found Parker in the conference room of their office, surrounded by her laptop, BlackBerry, folders, cell phone, and headset. Her dense brown hair hung in a long tail—sleek and simple. It worked with the suit—a quiet dove gray—that would blend in and complement the bride’s colors.

Parker missed no tricks.

She didn’t look up but circled a finger in the air as she continued to work on the laptop. Knowing the signal, Mac crossed to the coffee counter and filled mugs for both of them. She sat, laid down her own file, opened her own notebook.

Parker sat back, smiled, and picked up her mug. “It’s going to be a good one.”

“No doubt.”

“Roads are clear, weather’s good. The bride’s up, had breakfast and a massage. The groom’s had a workout and a swim. Caterers are on schedule. All attendants are accounted for.” She checked her watch. “Where are Emma and Laurel?”

“Laurel’s putting the finishing touches on the cake, which is stupendous. I haven’t seen Emma, but she’s started dressing the event areas. Pretty. I want some outdoor shots. Before and after.”

“Don’t keep the bride outside for too long before. We don’t want her red-nosed and sniffling.”

“You may have to keep the MOB off my back.”

“Already noted.”

Emma rushed in, a Diet Coke in one hand, a file in the other. “Tink’s hungover and a no-show, so I’m one short. Let’s keep this brief, okay?” She dropped down at the table. Her curling black hair bounced over the shoulders of her sweatshirt. “The Bride’s Suite and the Drawing Room are dressed. Foyer and stairway, nearly finished. The bouquets, corsages, and boutonnieres checked. We’ve started on the Grand Hall and the Ballroom. I need to get back to that.”

“Flower girl?”

“White rose pomander, silver and gold ribbon. I have her halo—roses and baby’s breath—ready for the hairdresser. It’s adorable. Mac, I need some pictures of the arrangements if you can fit it in. If not, I’ll get them.”

“I’ll take care of it.”

“Thanks. The MOB—”

“I’m on it,” Parker said.

“I need to—” Emma broke off as Laurel walked in.

“I’m not late,” Laurel announced.

“Tink’s a no-show,” Parker told her. “Emma’s short.”

“I can fill in. I’ll need to set the centerpiece of the cake and arrange the desserts, but I’ve got time now.”

“Let’s go over the timetable.”

“Wait.” Emma lifted her can of Diet Coke. “Toast first. Happy New Year to us, to four amazing, stupendous, and very hot women. Best pals ever.”

“Also smart and kick-ass.” Laurel raised her bottle of water. “To pals and partners.”

“To us. Friendship and brains in four parts,” Mac added, “and the sheer coolness of the whole we’ve made with Vows.”

“And to 2009.” Parker lifted her coffee mug. “The amazing, stupendous, hot, smart, kick-ass best pals are going to have their best year ever.”

“Damn right.” Mac clinked her mug to the rest. “To Wedding Day, then, now, and always.”

“Then, now, and always,” Parker repeated. “And now. Timetable?”

“I’m on the bride,” Mac began, “from her arrival, switch to groom at his. Candids during dressing event, posed as applies. Formal portraits in and out. I’ll get the shots of the cake, the arrangements now, do my setup. All family and wedding party shots separate prior to the ceremony. Post-ceremony I should only need forty-five minutes for the family shots, full wedding party, and the bride and groom.”

“Floral dressing in bride and groom suites complete by three. Floral dressing in foyer, Parlor, staircase, Grand Hall, and Ballroom by five.” Parker glanced at Emma.

“We’ll be done.”

“Videographer arrives at five thirty. Guest arrivals from five thirty to six. Wedding musicians—string quartet—to begin at five forty. The band will be set up in the Ballroom by six thirty. MOG, attended by son, escorted at five fifty, MOB, escorted by son-in-law, directly after. Groom and groomsmen in place at six.” Parker read off the schedule. “FOB, bride, and party in place at six. Descent and procession. Ceremony duration twenty-three minutes, recession, family moments. Guests escorted to Grand Hall at six twenty-five.”

“Bar opens,” Laurel said, “music, passed food.”

“Six twenty-five to seven ten, photographs. Announcement of family, wedding party, and the new Mr. and Mrs. seven fifteen.”

“Dinner, toasts,” Emma continued. “We’ve got it, Parks.”

“I want to make sure we move to the Ballroom and have the first dance by eight fifteen,” Parker continued. “The bride especially wants her grandmother there for the first dance, and after the father-daughter, mother-son dance, for her father and his mother to dance. She’s ninety, and may fade early. If we can have the cake cutting at nine thirty, the grandmother should make that, too.”