Brick Lane (32 page)

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Authors: Monica Ali

BOOK: Brick Lane
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Nazneen went to the showcase and opened the door. From beneath the wooden elephant she pulled out a yellow envelope, and counted for the third time that day the five ten–pound notes. Chanu was determined she should have no more. For a couple of weeks he had said, 'That crook, I'll give her nothing. All money goes to the Home Fund.' But after a persuasive visit from her sons, he had settled on fifty pounds per week.

'How much money do you have, child?' Mrs Islam began to press along the length of one hand with the other, still with her eyes closed.

'Fifty pounds. As agreed.'

Mrs Islam opened her eyes. Those eyes could not miss anything. They were small and dangerous. 'Arthritis. The hands of a cripple. But do not worry. I am too old, anyway.' She fished in the pocket of her cardigan and held something up. 'Take them, take them.' Her voice faded away, and her head fell back as if she had fainted.

She recovered. 'When I was a girl, my mother massaged my hands every day. I had the smallest and most supple hands in all of Tangail. But now' – she sighed – 'I can't get these bracelets on. Take them, child. Take them.'

The bangles were of dark green glass, motes of gold suspended inside.

Mrs Islam took a handkerchief and wiped her brow. She smelled of mints and cough syrup; a layered smell, such as of perfume over sweat, the sweet smell of decay.

'Very pretty,' said Nazneen.

'Yes, yes. Take what you want.' She allowed her eyelids to droop. Her voice was barely louder than the rustle of her lilac chiffon sari.

Nazneen held the envelope. She held her tongue.

Mrs Islam began to massage her temples with her crippled hands.

Before her elder, Nazneen waited without comment or patience. The old woman, the better to relax her face, let her mouth hang open. Nazneen imagined cramming the money inside that black hole.

'So you are going back.' The geriatric voice had vanished.

Overhead, a vacuum cleaner was switched on. The bed next door had stopped moving against the wall. 'I don't know.' Nazneen counted the money a fourth time.

'You don't know. Of course you don't. Why should you know? If you are planning to rob an old woman of her money, then you should know nothing. Better keep your mouth closed.'

'I have your money here.'

'You have it all?' snapped Mrs Islam. Her black eyes glittered. 'Give it to me. How much is here? A thousand pounds still owing, and you are going to run away? Give me the rest.'

'That's all I have.' A taste of bile came in her mouth.

'No, child. Are you going to swim back home with your pots on your head? You have money for the plane ticket.'

She could have spat, right there and then, on the lilac chiffon. She swallowed. 'Not here. I don't have any money here.'

A change came over her guest. Mrs Islam began to breathe heavily. She held her chest and she shrank inside her sari, as if she were being eaten alive from the inside. She gasped and waved her hand. Nazneen rushed to the bag to find Benylin or some other, more extreme form of unction. But Mrs Islam waved the bag away. 'Come close to me,' she croaked. Nazneen kneeled down by the sofa and Mrs Islam grabbed her hand. Her skin was hot and dry as sun-baked leaves, and her knuckles were sharp. From this close range it was possible to see all the thousand tiny veins on her cheeks and nose. They showed through, so it seemed, where the skin had worn away. 'I have been a widow many years.' Nazneen breathed in the complex smell of the sickroom, of smells hiding smells. 'God knows how I have suffered. Without a husband all these years. Listen to me. Get close. God has tested me, a widow's life is no joke. I think I will take a little Benylin.

'Good girl. Put it back now. No, give me your hand again. I was telling you about my husband. He left me alone. But even before he died – God bears me witness – he was no use at all. I do not know what substance filled his head, but it was not brain. He was Dulal, the son of Alal. Do you understand me? He was like a spoilt child. Without me, he was nothing.'

She paused a while. She inspected Nazneen's face as she would inspect a mango at market, squeezing it gently with thumb and forefinger.

'You have too much tension in your face. You should press at the temples, and the tension will disappear. If you don't do this, lines will come.'

'I already have lines.'

'Nonsense, you are just a child. You are barely older than my sons.' She sighed and then sucked on her teeth. 'They are no better than the father. God gave them only half a brain each. Worse than that, they do not know it. To know that you are not clever, you must reach some minimum standard of intelligence. Do you see? All they give to their mother is trouble. I thank God for giving me sons, but why such sons as these?' There was a wet look to her eyes and she blinked hard a few times. Nazneen pressed her hand.

Mrs Islam's voice grew harsher. 'What they lack in brain, they make up in muscle. We must look to the positive. We must make the most of the opportunities God gives. I always find a way to manage. Don't make any mistake about that.'

'Can I get something for you? A glass of water?'

'When I am gone, my sons will be all right. See how weak my pulse comes? But I have provided for them. Not too little, and not too much either because why should they squander what I have built? I would rather give it to the mosque. I would rather give it to the school and let those who have brains make use of them.

'Yes, I do all these things for my community, and I expect no thanks.' She raised her hand as if to ward off gratitude. 'If someone is sick, they come to me. If someone's husband runs off, they come to me. If a child needs a roof, they come to me. If someone has no penny for rice, they come to me. And I give. All the time, giving.' Her head lolled to one side. She had given everything, her last ounce of strength.

Nazneen looked down at the parched, translucent hand of her elder and her better. She bent her head and kissed it.

'From the goodness of my heart, I give. And when those who have received don't want to pay what they owe, they run off to foreign countries, and they say, "Why should we pay her? She's just an old woman." And so it is. So it is.'

Nazneen went into the kitchen and opened the cupboard under the sink. She moved aside the rice pan and the frying pan, the colander and the grater. From behind the plumbing she retrieved a Tupperware box and took out three blue notes and five pale gold ridged coins. She took the twenty pounds to Mrs Islam and put it in the zipped compartment of the portable black pharmacy. Mrs Islam took her bag and struggled to her feet. 'Don't look so sad. When you leave for Bangladesh, I will make a big party for you. All my own expense. Just finish paying the debt, and then leave it all to me.' She walked across the room with a surprisingly light step.

Razia wanted to buy cloth and Nazneen accompanied her to Wentworth Street. Market stalls lined the road selling leather goods, coats of every kind of synthetic, bright handbags on cheap chains, shoes that looked disposable, Jamaican patties, tinned food at 40 per cent off. They ignored the stalls and stuck to the pavement. Past Regency Textiles and Excelsior Textiles Ltd, cloth draped on wire hangers in windows, Balinese prints, wax-block African prints (with certificate of authenticity), beyond the 'exclusive' luggage of Regal Stores, past the untitled window where cellophane-wrapped blocks of fabric were suspended on end in a pattern of diamonds. They crossed the street and looked inside Narwoz Fashions. Yellow Rose Universal Fashions caught their attention briefly, and Nazneen was pulled into Padma's Children's Paradise (East End) by a keen assistant who offered 'special prices' on all the stock. Nazneen fingered a little baby dress, all plum velour and silver netting.

'Something you're not telling me?' said Razia, patting her stomach.

Nazneen let go of the dress. 'Of course not.'

Razia perused the stock of Galaxy Textiles Ltd: Retail, Wholesale and Export at 70% Clearance Permanent. She found nothing suitable, and they moved on to Starman Fabrics.

'How is Shefali?'

'We are waiting for the exam results. If she gets good marks, she has been accepted at Guildhall University.'

'Such a clever girl.' Nazneen examined a roll of raw silk, the colour of marigolds. She thought it would look well on Shefali. 'And Tariq?'

Razia was bending over a cotton print, fine wavy lines of pink on a lemon background. 'Tariq is getting out more and more. Some weeks I hardly see him.' She laughed and tucked her hair behind her ears. The cut of her hair had grown blunter and blunter over the years, as if the scissors had become worn out with use. 'Now I have to start complaining that he is never at home. This is our role as mothers. Whatever the child does, we must complain.'

The shop assistant, a girl of around twenty with a heavily powdered face and patches of mauve above the eyes, regarded Razia with suspicion. Razia was dressed in stretchy brown trousers that accidentally finished before her socks began, and a collarless man's shirt. The assistant hastily checked over her own clothes, smoothing down her outfit as if it might become infected with a nasty anti-fashion virus.

Nazneen gave the girl a stare which the girl unblink-ingly returned.

'Where does he go?' said Nazneen. She had thought and thought of telling her suspicion to Razia. But how could she say such a thing to her friend? And what evidence did she have?

She had no evidence but she had a certainty that would have been overwhelming were it not for the fact that only a grain of doubt was needed to tip the scales. Karim talked about drugs on the estate. He knew a great deal about it.

'See those kids down there.' He stood at the window but Nazneen would not go and stand with him. She did not want to stand in view with him. 'Those kids, they're all users.'

She did not understand.

'They're users, addicts. They're all scaggies.'

'What it is? Users?'

'They're all on heroin. All of that lot.'

'Drugs.'

'This estate is
full
of it. You got no idea.' He came away from the window. He passed close to her but they did not touch. They touched only in the bedroom. 'Some of them, right, twelve years old. Know how it got this way? Ten years ago, this place was clean, yeah? There was just Tippex, or gas – you know, lighter fuel. A bit of weed. Ganja. All right. Nothing bad. But then, what happened, this area started going up. And the City started coming out towards Brick Lane. You got grant money coming in, regeneration money. Property prices going up, new people moving in, businesses and that. And we started to do well, man.'

He sat down at her sewing machine. 'That's the problem.
That
is the start of it. No coincidence. S'like what happened in America when the blacks got organized. Black Panthers, all that. You've got to keep them down, keep them quiet.'

His phone was on the table. He spun it around. Nazneen traced the cords of his forearms in her mind.

'The FBI – the Government – they got together with the Mafia, and flooded the blacks with drugs, set them up with all the guns and stuff, so they can just get high and shoot each other. Long as it stays in the ghettoes, man, they're not
bothered.'

Nazneen wondered if her English had failed her, misled her. She said, 'The Government gave the drugs?'

'Know what I'm saying?' said Karim. 'You got to ask the questions.'

For a while he looked inside his magazine. He rubbed his beard, cupped his chin in his hand and tested the bristles.

'Not like they
couldn't
stop it, if they wanted to. Everyone
knows
the dealers.' He gave a short, bitter laugh. 'It's not hard. The dealers are the ones the kids look up to. With the flash cars and all the gold. But, know what I'm thinking? I'm thinking—' He shook his head as if it could not be true. 'I'm thinking as long as they're on the scag, they stay away from religion. And the Government – it's more scared of Islam than heroin.'

'Where does Tariq go?' Razia shrugged. She pulled on her long nose. 'Who can say? Certainly not him.'

'Looking for something special?' The assistant's face powder was several shades too pale. It made her neck look unwashed.

'For my daughter.' Razia removed her glasses and pressed her eyes. Nazneen saw that the seat of her trousers hung low and unfilled, her bosom had strayed down towards her stomach, and her arms strained against her shirt. It was as if she had been tipped in such a way that her flesh had run into all the wrong places.

'What about this one?' said Nazneen.

Razia studied the orange silk. 'I'm not sure.' She turned to the girl. 'We will look around.'

'Right,' said the girl, as if she had thought as much.

'These young ones,' Razia hissed in Nazneen's ear, 'they don't know about respect.'

'That's what Ka—'

'What?'

That's what Karim says. He says that the young ones would do anything. If they lit a cigarette in the street and they saw an elder coming, they did not bother to hide it. They walked with their girlfriends. They even kissed, in the street, in front of an elder. There was no reason not to say it. 'The man who brings the sewing for me, he says the same thing.'

'The middleman? The boy who comes?'

Nazneen pulled out a roll of cherry-red cotton jersey. She took a keen interest in it. 'Oh, yes. Everyone says it.' She was aware of Razia watching her.

'He has been keeping you busy.'

Nazneen pulled the material. The stretchiness of the fabric was of great importance to her. Razia was making small talk, and Nazneen listened with only half an ear. 'Huh? Oh, plenty of work.'

Eventually, she had to look up. Razia, expectant. Her lashes, enlarged by the spectacles, seemed like thick spider's legs. In the depths of her irises, gold lights played at an infinitesimal remove. It should have been possible to tell her anything.

'Well, which one do you like?' It should have been possible for her to ask anything. But Razia decided not to ask. Instead, they discussed material. They spoke of weight and colour, texture and sturdiness, loveliness and ease of care. They pulled out roll after roll and failed to return the stock to its rightful position and the assistant clacked around them on her heels.

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