Bound to You (14 page)

“Better,” Joy said as she glanced around the meticulously organized room. As the makeup department head, Seth claimed the right to privacy. His office-studio was like the calm eye of a storm. “I don’t have pneumonia,” she reported honestly. “What’s the emergency?”

“It’s coming at me from all directions. Our leading lady decided to drink some Coke spiked with vodka without a straw. The latex is lifting around her mouth,” Seth said, referring to the actress’s prosthetic mask. “She’s throwing a fit and holing up in her trailer, refusing to let anyone touch her up but me. Meantime, I’m running behind on the tattoos.”

Joy gave her uncle a humorous glance of sympathy. “There’s a cost to being the best.”

“Anybody on my staff could reglue Ellie, you know that. She’s just throwing her weight around by asking for me personally.”

“She must think you’re the best at a few things.”

“As if I’d ever give that little shrew the chance to find out,” Seth muttered with a disgusted, distracted air. Joy’s heart went out to him. This had to be one of the most hectic days of his life. “Anyway, that only leaves you to do the last tattoo—”

Seth paused when someone rapped and the door opened several inches. Her breath caught at what she saw.

Joy had helped Seth with projects for Hightower Special Effects on several occasions, and she’d assisted him with the illustrations for his initial proposal to win the contract from United Studios and director John Cabot for
Maritime.
As such, she was used to Seth’s fantastical art concept for the film. She wasn’t so immune, however, that she didn’t stare in wonder at the bizarrely beautiful head of the part man, part exotic sea creature that appeared around the edge of the door.

Her uncle was going to have an Academy Award sitting on his mantel for sure, she thought with a mixture of admiration and pride.

“Hey, Tommy told me I should stop by,” the walking piece of art said.

“Perfect timing,” Seth mumbled. He pointed at an illustration and some scribbled notes on the table. “Here’s what I need, Joy. You’re the only one I trust to do it. Go ahead and touch him up after you finish the tattoo. I won’t have time before the photo shoot. Wish me luck,” he said, glancing at both of them.

“Luck. You’ll need it,” the marine man said, his lips twitching subtly.

Seth snorted in agreement and rolled his kit behind him toward the door. The man, who was probably one of dozens of extras, stepped into the room so that Seth could pass. Joy noticed distractedly that her uncle and the aqua-colored male were nearly the same height—an oddity, as her uncle was usually the tallest man in the room. The two men nodded to each other before Seth shut the door behind him. Joy lifted her kit to the table and began to extract her paints, brushes and tattoo pens.

“Give me just a minute, and I’ll be right with you,” she said as she checked Seth’s notes and began to mix her colors.

He didn’t respond, but Joy was too focused on her preparation to mind. Actors and extras reacted to prosthetic and makeup application across a spectrum that ran from stoicism to whining to outright acting out. Hours and hours of sitting or standing motionless were often required while an artist created their magic.
Maritime
was a particular challenge. More than a hundred actors and extras required waterproof prosthetics and full body makeup in order to transform them into exotic sea creatures. Only dozens might be required to be in full makeup and costume during any given day of shooting, but Cabot had decided he wanted the entire cast in full regalia to give the grand scope of the movie for the photo shoot.

Joy was working up a sweat as she mixed her paints. She walked over to the unit air conditioner and turned it on high, the sound of the fan muting the cacophony of voices, music and movement just feet away from Seth’s office-studio.

“So you’re Seth’s niece?”

She paused in the action of removing her hoodie. His deep, resonant voice had taken her by surprise. She met his gaze for the first time and blinked. His eyes were a clear aquamarine. The elaborate foam latex prosthetic he wore on the upper half of his face and the sublime makeup application only added to their brilliance. His gaze struck her as startlingly alert. Compared to this man, other people’s stares were those of sleepwalkers.

She had the strangest sensation seeing his eyes peering through the elaborate costume he wore, as if she’d caught a glimpse of his soul through the beautiful artifice. Seth’s makeup, which subtly alluded to the emerging humanity of the sea creature, only added to the impression. The body paints included brilliant blues and greens, but flesh colors rippled and swirled over chiseled muscle and bone as well, creating a stunning living landscape. He was beyond beautiful, the subtle shadowing wrought by the air- and paintbrushes highlighting every ridge and smooth, hard plane of his long body.

His gaze flickered downward.

She became aware that she was holding both sides of her cotton hoodie wide open in preparation to remove it. Her breasts felt tight suddenly, straining against the fabric of her bra and the thin layer of her cotton tank top. Her nipples beaded, as if he’d reached out and brushed a finger over the sensitive flesh instead of just glancing at her.

She blushed, her reaction surprising her. Joy was an artist, and she’d long grown accustomed to partial and full nudity. She didn’t work full time in the movie industry, but she’d had sufficient experience, thanks to Seth. Gorgeous models and wannabe actors were the norm in Hollywood, as commonly found as a cornstalk on a July day in Indiana.

She whipped off her hoodie and tossed it on the table.

“Yes. I’m Joy.” She nodded to a spot in front of the table and reached for a chair, all brisk business.

“You’re the art teacher.”

She met his stare, and was once again snared.

“Seth told me,” he said quietly, shapely blue-and-white-tinted lips barely moving.

“We better get started or you’ll miss the shoot,” she murmured, discomfited for some reason by the idea of Seth sharing even the smallest details of her life with this stranger.

He walked to the spot she’d indicated. Joy sat and rolled her chair directly in front of him, her face situated in front of his abdomen. Without another word, she picked up a tattoo marker and began to outline the design in Seth’s illustration on her human canvas. Seth had altered the tattoo art somewhat from his original proposal. The brilliant starburst through rippling water was bolder and much more intricate than his original design. Joy liked the change.

She never looked at his face once while she worked, but she was highly aware of him. Her knuckles brushed occasionally against warm, dense flesh. Her nose was just inches from his body. The alcohol base from the body paint filtered into her nose. Beneath it, she smelled the musk of his skin like a subtle, living thread twining through the chemical artifice. The fragrance was potent somehow, sending a loud, clear message of male virility to some ancient part of her brain.

Only a stretchy, seaweed-like boxer-brief costume covered his genitals. Joy couldn’t help but be conscious of the fact that her chin was mere inches from the fullness behind the flimsy material. She worked steadily, but a dull, pleasurable ache began to grow at her core.

A light glaze of perspiration had dampened her brow and upper lip by the time she leaned back. She glanced up at him, a calm—entirely fake—expression plastered on her face.

“You’ll have to lower your briefs enough for me to make the transition look natural,” she said.

The air conditioner made a loud, chugging sound and then resumed its typical hum. She saw his throat convulse. Was he as uncomfortable with this situation as she was? He held her stare with those striking eyes and moved his hands, folding down the seaweed brief and exposing the stretch of skin just above his genitals.

She lifted her tattoo pen and paused.

Seth had used the airbrush below the brief, but not in a thorough manner. Joy could see several patches of naked, golden skin along with a smattering of light brown hair. Pubic hair was usually several shades darker than hair on the head, which meant he must be blond beneath the beautiful headpiece affixed to his head.

Below that strip of skin, the flimsy material barely contained a virile package. The vision was nearly as striking as that of the man’s eyes peering through the elaborate mask. What was it about that stretch of skin below the belly and just above a man’s cock that spoke of sensitivity . . . vulnerability?

His arm muscles clenched tight. He kept his hands on the material of the briefs, as if he wanted to be prepared to jerk the garment back into place at the slightest provocation. Joy didn’t know whether to feel compassion for him or annoyance. He was the six-foot-four-inch tower of brawn here, not her. She was hardly going to attack him. She disliked this intimate aspect of her work, but the human body wasn’t something that could be ignored when it came to art. He was just a backdrop, not any different from the canvases in her studio.

Her expression hardened at the thought. She leaned forward and continued her design, the tip of her marker slipping across firm flesh. She was doing fine for the next minute or so until she noticed the brief was stretching and expanding to contain his erection. His cock rode along his left thigh. The column of it was clearly delineated beneath the insubstantial garment.

Shit.

She glanced up at him anxiously. He was looking down at her. She’d known he would be. She’d sensed his stare on the crown of her head the entire time. He closed his eyes briefly. She sensed his regret even through his half mask.

“I’m sorry,” he said in a gruff voice. “Just . . . just ignore it.”

Heat flooded her cheeks and she looked away.

How mortifying.

It wasn’t uncommon for a model to occasionally experience an unwanted erection during a makeup application, but the evidence had never been so . . .
close
to her before. Nor had it ever been so appealing.

For a few dreadful seconds, she felt like she couldn’t expand her lungs. They finally released, however, and she reached for a pot of paint.

“Do you want to take a quick break?” she asked, striving to keep her voice even.

“No. Go ahead.” His voice sounded so strained, she glanced up at him in concern. She saw the rigidness of his angular jaw. His eyes blazed through the prosthetic mask.

“I’m not sure that’s such a good idea,” she said.

“I can take it if you can.”

She wasn’t quite sure she
could
take it. Things had gotten warm and wet between her thighs. She looked down at her lap and used her forearm to wipe at the thin layer of perspiration on her upper lip. Her heartbeat segued from a throb to a roar in her ears. She swirled her paint—twice right, once left, twice right, once left—the familiar task of moving the brush through the thick liquid striking her as rich for some reason . . . sensual.

She lifted the brush to his skin and began to paint. It was a little like working while a ravenous lion raced toward you in the periphery of your vision. She was acutely aware of the power in him, the incipient energy, like a giant spring that was being held down tight with effort. She worked steadily for the next half hour or so in the area of his lower abdomen, creating the impossible—a flare of fire in water.

The realization hit her as she moved to the lower left quadrant of her design that she should have told him he could release the garment until she began to work in that area again. He’d kept his hands on the sides of the brief the whole time, however, exposing that strip of sensitive skin. Something about his pose excited her for some reason. It was as if he were frozen in the moment of offering himself to her . . .

. . . giving her a taste.

Her cheeks burned at the uncontrollable thought. She leaned away from him, feeling the loss of his subtle, radiant body heat on her cheeks and lips. She exchanged her paints and went back to work.

What was wrong with her? She’d never had this reaction before while she’d been working. Her skin felt flushed and prickly with awareness. There seemed to be some strange, inexplicable connection between where her paintbrush stroked his taut skin and her clit.

Why did she want to hold on to that brilliant flare of lust that the stranger’s fierce eyes and hard cock promised?
Maybe because you were told today that life and a future aren’t a certainty, that both of those things are as ephemeral and as difficult to hold on to as an unexpected lightning strike of desire?

Joy didn’t want to let go. She wanted . . . no, she
needed
to hang on.

The air around them seemed to have taken on weight. She forced her lungs to move as she exchanged brushes and reached for a paint she’d deposited at the far end of the table. When she touched him with the wet tip just below his hip bone, his taut abdominal muscle twitched. She glanced up and saw a small smile on his mouth.

“It’s colder than the other ones,” he said.

“I’m sorry. The paint was sitting right in front of the air conditioner.”

“It’s okay.”

His mouth moved again, but no sound came from his throat. Some instinct inside her told her this man didn’t typically become speechless.

She felt a surge of liquid heat at her sex.

She swallowed with difficulty and resumed painting, the feeling of moving in a dream only amplifying. How long would this surreal sensation last? When would the reality of her diagnosis of cancer really set in? Her grim future seemed impossible to grasp as she sat there, flushed with arousal, painting a brilliant tattoo on a beautiful, virile male she’d never seen before that moment, and would probably never see again.

“It’s finished,” she murmured minutes later as she placed the solvent that set the paint on the table. From the corner of her vision, she saw that he didn’t move his hands, keeping his briefs lowered. The fullness behind the seaweed design hadn’t dissipated during the past forty-five minutes.

“Joy.”

She glanced up slowly, both hesitant and anticipatory at the sound of his hoarse voice.