Born Under a Million Shadows (39 page)

What do you hope your readers take away from your novel?

U
ltimately, that Afghans are deserving of our continued support—and as the last page turns that they discover a little piece of Afghanistan in their hearts.

1.
Born Under a Million Shadows
is narrated by Fawad, a young boy, rather than by an adult. What is the purpose in having the novel narrated from a child’s point of view? Are events in the novel clarified or obstructed by the use of this perspective? Can you think of any examples?

2.
How is the Taliban depicted in this novel? Did the novel change your perceptions of the Taliban? Of the Afghan people?

3.
Fawad, Jamilla, and Spandi are very close friends. Does their friendship help to protect them from some of the dangers of Kabul? How does poverty affect their bond?

4.
What are some of the major differences between Afghan and Western societies shown in the novel? Are there certain aspects of Afghan society (its famous hospitality or deference to elders, for example) that you’d like to see more of in Western society? What about vice versa?

5.
Ismerai tells Fawad, “Education is the key to Afghanistan’s successful future.” The importance of education is one of the novel’s main themes—how is this shown? What does Georgie do that makes this clear? What about Pir Hederi, Haji Khan, or Shir Ahmad?

6.
The “foreigners” in the novel form a close friendship—a family, really—despite being from different backgrounds and having differing opinions. Do you think their bond is stronger than it might have been otherwise because of their expatriate status? Have you ever made friends with someone you might not have usually
because you found yourself in the same position as that person?

7.
Fawad notes that “Afghanistan is famous for two things: fighting and growing poppies.” Jahid declares, “Th is ‘stop growing poppy’ shit is the West’s problem, not ours.” Do you think that’s true? Would Afghanistan be better off without poppy farming, or is it merely the West’s “war on drugs” that has made poppy farming so contentious? How is drug use portrayed in the novel?

8.
What role does Fawad’s stabbing of Philippe play in the novel? Is it just comic relief or is it more than that?

9.
Haji Khan and Georgie’s love affair is one of the central points of the novel. Do you think they’re meant to be together? Did your opinion of their love change as the novel progressed? Can two people from totally different worlds really put their differences aside and live happily ever after? Do you think you would be able to make the sacrifices Georgie makes for Haji Khan or the sacrifices he makes for her?

10.
What role does religion play in the novel? Georgie calls herself a “Godless
kafir
” at one point, but by the novel’s end she has professed her belief and converted to Islam. Do you think that she truly believes?

11.
How does Spandi’s death affect Fawad? Fawad says, “Although more than half of my family had gone the same way, it had never seemed real.” Can you remember the first time death seemed real to you?

12.
How does the ending reinforce some of the novel’s major themes? Is it an ending worthy of Laila and Majnun, the couple in Jamilla’s mother’s story? Do you think it’s a hopeful ending—not just for the characters of the novel but also for Afghanistan?

An Unexpected Light: Travels in Afghanistan
by Jason Elliot

Th is is a remarkable and beautifully written account of Elliot’s travels in Afghanistan, first in the midst of the Soviet occupation and then during the emergence of the Taliban. It is one of the few books I have read twice and it’s like falling into a vat of chocolate—luxurious, lyrical, and deeply satisfying. There are also some laugh-out-loud moments such as Elliot’s wonderful examination of Afghanistan’s relationship with her neighbors.

Emergency Sex (and Other Desperate Measures)
by Kenneth Cain, Heidi Postlewait, and Andrew Thomson

I started reading this shortly after moving to Kabul and almost regretted not having gone to university—a largely insurmountable barrier to joining the United Nations. The book is the work of three civilians who worked for the UN and the Red Cross and who first met in Cambodia. It is a wonderful, fast-paced, and oft en humorous account of their growing friendship against a backdrop of some of the world’s worst war zones. At times funny, shocking, and tragic, it is a very personal story that left me inspired.

Kestrel for a Knave
by Barry Hines

Th is is the first book that broke my heart. It’s the tale of a disillusioned teenager growing up in a small Yorkshire mining town who finds a kestrel hawk he names Kes. It’s a slim novel that grabs you instantly and leaves you battered.
I read it in one sitting and twenty years later just thinking about it raises the hairs on my neck.

Birds Without Wings
by Louis de Bernières

If I am writing, about to start writing, or even thinking about writing, I absolutely do not, under any circumstances, pick up a Louis de Bernières novel. Quite simply, I think the man’s a genius and I suspect a part of me actually wants to be him, albeit with more hair and less manly.
Birds Without Wings
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The Curious Incident of the Dog in the Night-time
by Mark Haddon

I fell in love with this book on a beach in Tunisia. A quick read packing a massive punch, it’s the tale of a teenager with autism who is determined to uncover a crime (the title should give a clue as to what crime has been committed). Engaging and human, it is one of the few books I’ve read that deserves to be described as hysterically funny. It is a joy from start to finish and in my mind an absolute masterpiece because there’s a fine line between laughing at someone and laughing with them, and in
Th e Curious Incident of the Dog in the Night-time
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