Authors: Margaret Atwood
Tags: #Fiction, #General, #Literary, #Fiction - General, #Psychological fiction, #Domestic fiction, #Psychological, #Romance, #Sisters, #Reading Group Guide, #Widows, #Older women, #Aged women, #Sisters - Death, #Fiction - Authorship, #Women novelists
She’d have reached the end of her message, then put it into an envelope and sealed it, and then hidden it, the way she’d hidden her bundle of bits and scraps at Avilion. But where could she have put this envelope? Not at Avilion: she hadn’t been anywhere near there, not just before she was taken away.
No, it must be in the house in Toronto. Somewhere no one else would look—not Richard, not Winifred, not any of the Murgatroyds. I searched in various places—the bottoms of drawers, the backs of cupboards, the pockets of my winter coats, my supply of handbags, my winter mittens even—but found nothing.
Then I remembered coming upon her once, in Grandfather’s study, when she was ten or eleven. She’d had the family Bible spread out in front of her, a great leathery brute of a thing, and was snipping sections out of it with Mother’s old sewing scissors.
“Laura, what are you doing?” I said. “That’s the Bible!”
“I’m cutting out the parts I don’t like.”
I uncrumpled the pages she’d tossed into the wastebasket: swathes ofChronicles, pages and pages ofLeviticus, the little snippet from St. Matthew in which Jesus curses the barren fig tree. I remembered now that Laura had been indignant about that fig tree, in her Sunday-school days. She’d been furious that Jesus had been so spiteful towards a tree.We all have our bad days, Reenie had commented, briskly whipping up egg whites in a yellow bowl.
“You shouldn’t be doing this,” I said.
“It’s only paper,” said Laura, continuing to snip. “Paper isn’t important. It’s the words on them that are important.”
“You’ll get in big trouble.”
“No, I won’t,” she said. “No one ever opens it. They only look in the front, for the births, the marriages and the deaths.”
She was right, too. She was never found out.
That memory was what led me to pull out my wedding album, where the photographs of that event were stored. Certainly this volume was of scant interest to Winifred, nor had Richard ever been found leafing fondly through it. Laura must have known that, she must have known it would be safe. But what—she must have thought—would lead me ever to look into it myself?
If I’d been searching for Laura, I would have. She’d know that. There were a lot of pictures of her in there, stuck to the brown pages with black triangles at the corners; pictures of her scowling and gazing at her feet, dressed in her bridesmaid’s outfit.
I found the message, although it was not in words. Laura had gone to town on my wedding with the hand-tinting materials, the little tubes of paint she’d nicked from Elwood Murray’s newspaper office back in Port Ticonderoga. She must have had them squirrelled away all this time. For a person who claimed such disdain for the material world, she was very bad at throwing things out.
She’d altered only two of the photographs. The first was a group shot of the wedding party. In this, the bridesmaids and groomsmen had been covered over with a thick coat of indigo—eliminated from the picture altogether. I had been left, and Richard, and Laura herself, and Winifred, who had been a matron of honour. Winifred had been coloured a lurid green, as had Richard. I had been given a wash of aqua blue. Laura herself was a brilliant yellow, not only her dress, but her face and hands as well. What did it mean, this radiance? For radiance it was, as if Laura was glowing from within, like a glass lamp or a girl made of phosphorus. She wasn’t looking straight ahead, but sideways, as if the focus of her attention was not in the picture at all.
The second was the formal shot of bride and groom, taken in front of the church. Richard’s face had been painted grey, such a dark grey that the features were all but obliterated. The hands were red, as were the flames that shot up from around and somehow from inside the head, as if the skull itself were burning. My wedding gown, the gloves, the veil, the flowers—these trappings Laura had not bothered with. She’d dealt with my face, however—bleached it so that the eyes and the nose and mouth looked fogged over, like a window on a cold, wet day. The background and even the church steps beneath our feet had been entirely blacked out, leaving our two figures floating as if in mid-air, in the deepest and darkest of nights.
Twelve | |
The Globe and Mail, October 7, 1938 |
Griffen Lauds Munich Accord
SPECIAL TO THE GLOBE AND MAIL
In a vigorous and hard-hitting speech entitled “Minding Our Own Business,” delivered at the Wednesday meeting of the Empire Club in Toronto, Mr. Richard E. Griffen, President and Chairman of Griffen-Chase-Royal Consolidated Industries Ltd., praised the outstanding efforts of the British Prime Minister, Mr. Neville Chamberlain, which have resulted in last week’s Munich Accord. It was significant, said Mr. Griffen, that all parties in the British House of Commons cheered the news, and he hoped that all parties in Canada would also cheer, as this accord would put paid to the Depression and would usher in a new “golden era” of peace and prosperity. It also went to show the value of statesmanship and diplomacy as well as positive thinking and plain old hard-headed business sense. “If everyone gives a little,” he said, “then everyone stands to gain a lot.”
In reply to questions about the status of Czecho-Slovakia under the Accord, he stated that in his opinion the citizens of that country had been guaranteed sufficient safe-guards. A strong, healthy Germany, he claimed, was in the interests of the West, and of business in particular, and would serve to “keep Bolshevism at bay, and away from Bay Street.” The next thing to be desired was a bilateral trade treaty, and he was assured that this was in progress. Attention could now be turned away from sabre-rattling to the provision of goods for the consumer, thus creating jobs and prosperity where they are most needed—“in our own backyard.” The seven lean years, he stated, would now be followed by seven fat ones, and golden vistas could be seen stretching all the way through the ’40’s.
Mr. Griffen is rumoured to be in consultation with leading members of the Conservative Party, and to be eyeing the position of helmsman. His speech was roundly applauded.
Mayfair, June 1939 |
Royal Style at Royal Garden Party
BY CYNTHIA FERVIS
Five thousand honoured guests of Their Excellencies, Lord and Lady Tweedsmuir, stood spellbound along the garden walks at His Majesty’s birthday party at Government House in Ottawa, as Their Majesties made their gracious rounds.
At half-past four they emerged from Government House by the Chinese Gallery. The King was in morning dress; the Queen chose beige, with soft fur and pearls and a large slightly uptilted hat, her face delicately flushed, her warm blue eyes smiling. All were charmed by her entrancing manner.
Walking behind Their Majesties were the Governor General and Lady Tweedsmuir, His Excellency a gracious and genial host, Her Excellency poised and beautiful. Her all-white ensemble, enhanced by fox furs from Canada’s Arctic, was set off by a splash of turquoise in her hat. Presented to Their Majesties were Colonel and Mrs. F. Phelan, of Montreal; she wore a printed silk, on which bloomed small vivid flowers, and her smart hat had a large clear brim of Cellophane. Brigadier General and Mrs. W. H. L. Elkins and Miss Joan Elkins, and Mr. and Mrs. Gladstone Murray were similarly honoured.
Mr. and Mrs. Richard Griffen were singled out; her cape was of silver fox, the furs placed on black chiffon in the form of rays, worn over an orchid costume. Mrs. Douglas Watts wore chartreuse chiffon with a brown velvet jacket, Mrs. F. Reid was trim and lovely in an organdie and Valenciennes lace gown.
No whisper of tea was heard until the King and Queen had waved farewell, and the cameras had clicked and flashed, and all voices had been raised inGod Save the King. After that the birthday cakes held centre stage…enormous white cakes, with snowy icing. The cake served to the King indoors was ornamented not only with roses, shamrocks and thistles, but also with flocks of miniature sugar doves with white pennants in their beaks, the fitting symbols of peace and hope.
The Blind Assassin: The Be rage Room |
It’s mid-afternoon, cloudy and humid, everything sticky: her white cotton gloves are already smudged just from holding the railing. The world heavy, a solid weight; her heart pushes against it as if pushing against stone. The sultry air holds out against her. Nothing budges.
But then the train comes in, and she waits at the gate as is required of her, and like a promise fulfilled he comes through it. He sees her, comes towards her, they touch each other quickly, then shake hands as if distantly related. She kisses him briefly on the cheek, because it’s a public place and you never know, and they walk up the slanted ramp into the marble station. She feels new with him, nervous; she’s barely had a chance to look at him. Certainly he’s thinner. What else?
I had the hell of a time getting back. I didn’t have much money. It was tramp steamers all the way.
I would have sent you some money, she says.
I know. But I had no address.
He leaves his duffel at the baggage check, carries only the small suitcase. He’ll pick up the bag later, he says, but right now he doesn’t want to be hampered. People come and go around them, footsteps and voices; they stand irresolute; they don’t know where to go. She should have thought, she should have arranged something, because of course he has no room, not yet. At least she’s got a flask of scotch, tucked into her handbag. She did remember that.
They have to go somewhere so they go to a hotel, a cheap one he remembers. It’s the first time they’ve done this and it’s a risk, but as soon as she sees the hotel she knows that no one in it would expect them to be anything but unmarried; or if married, not to each other. She’s worn her summer-weight raincoat from two seasons before, pulled a scarf over her head. The scarf is silk but it was the worst she could do. Maybe they’ll think he’s paying her. She hopes so. That way she’s unremarkable.
On the stretch of sidewalk outside it there’s broken glass, vomit, what looks like drying blood. Don’t step in it, he says.