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Authors: Judith Ivory

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She made a sweep of her raised arm. “Oh, Graham. This was all a huge mistake. Really—” She started to get up from the bed, but he wouldn’t lift his leg.

“Good heavens.” He laughed. “This is no mistake.” He drew her snugly into him, her buttocks against his unaroused genitals. He felt so fragile and unprotected, so human. She let him put his arms around her.

“Look,” she said. She made a feeble gesture to indicate where they lay. “It’s Henry’s bed.”

“Mm, yes. I noticed that.”

“It’s awful. I have just made love—all night, in ways I am horrified even to consider—”

“It was
wonderful
,” he contradicted and nudged her neck.

“Stop it. To a man who drove Henry positively wild. And I have done it in Henry’s very own bed.” Her lips began to quiver. Lord, she was going to cry. The prospect was humiliating.

Graham’s tone grew more serious. He spoke gently in her ear. “Submit,” he said, “don’t pretend you can know Henry. Henry might, wherever he is now, be jumping for joy. Two people he loved very much are both terribly happy with each other.” The idea cheered her a little, though not so much as it seemed to cheer Graham. He continued enthusiastically. “Whether he wanted to or not, Henry left you to me. And I want you. I want you to marry me.”

She twisted partway around to look at him. He was smiling, relaxed, oddly wise, though it was hard to credit such a thing to a man so handsome. It occurred to her that Henry might not have exactly “left” her to him, but that Henry had left a myriad of ambiguities behind that simply couldn’t be worked out. One thing wasn’t the least bit ambiguous, however. With or without Henry’s imprimatur,
she
approved of Graham Wessit. Indisputably. Very much.

“Say it,” he told her.

“Say what?”

He only rolled his eyes, while lower against her hip what had seemed vulnerable and human a moment ago was nudging its way into a distinctly more manly presence. “You haven’t said it. Tell me you love me.” His expression took on a wicked glint. “Tell me you love me wildly, beyond control, that you simply can’t fight it any longer.” He said the last on the breath of a knowing laugh, no doubt at his own exces
sive demands—and perhaps at the excesses of his seemingly insatiable body.

Submit blinked, pressed her mouth. “I, ah—” She frowned. “I, um—” Why did he need her to say it? When she loved him and he knew it? He’d already said as much himself. “Oh, Graham,” she
tsk
ed and gave up. “I can’t right now. Don’t be so insecure.”

He rolled her shoulder and then her buttocks till he turned her to him. “I’m not being insecure. I’m torturing you. You can’t say it. You can’t let your feelings out, let them show. But I want you to.”

She pressed her eyes closed again. Of course, she could let her feelings show. She took a breath, then muttered, “I, um, love you.”

“Wildly,” he corrected.

She opened her mouth—to protest—then a laugh escaped instead. “Um—” She felt her own smile pulling up at the corners of her mouth. “W-wildly.” There. She’d done it.

“Beyond control. You simply can’t fight it. Say it.”

She thumped him once in the chest.

“I’m not letting you go till you tell me. Tell me what you feel.”

This made another laugh erupt from her. Oh, she could say what she felt between them fairly accurately: a long, ever harder erection. She wiggled her eyebrows and smiled seductively, to say as much.

He smiled, but shook his head: not good enough.

“Oh, all right, I love you,” she said quickly. It came out with ease, all but startling her, in fact. “Wildly. Beyond limit, beyond control or the first bit of common sense, quite beyond reason.” What a surprise. It felt so wonderful to say it, she said it again. “I love you wildly.” The truth, as she heard her own voice utter it, seemed to sing up into the canopy and spread out into the silence of the room.
She loved him.
Wildly
. It was true! Her heart sought his as passionately and relentlessly as her body reached for him as her mate. She couldn’t resist adding, “So there, you arrogant, insane man. You have completely undone me. Are you satisfied?”

“Yes.” He hugged her to him. “Enormously.” He added in a murmur against her ear, “And, yes, I am quite proud of myself, since you asked.” After a moment, “So are you going to be my wife?”

“Yes! Oh, yes. I want to marry you.” She leaned back enough to find his mouth, then kissed him quickly, liking this new prerogative. “I want to marry you and leave Motmarche for good. It’s never been the best thing for me perhaps—I think I have loved its old stones too much—”

“Oh, dear.” Graham interrupted, pushing her back. “You’d better read something first then, if you’re marrying me to leave it.”

Over the edge of the bed, he found his coat, rummaging through its pockets. “Here.” He handed her a paper with an embossed seal.

Submit unfolded it and read:

 

We have the honor of informing you, Your Lordship, that, upon the death of Henry Channing-Downes, the eleventh Marquess of Motmarche, and as the only son of Lucille Wessit née Lucille Channing-Downes, the only other grandchild to Archibald Channing-Downes, the ninth Marquess of Motmarche, the tenth Marquess being already in demise and his only child, the eleventh Marquess, having no legitimate issue, you are the immediate and full heir to the title, privileges, and properties associated with the English Marquessate, the lands, castle, and moneys entailed in the name of Motmarche, yourself being its twelfth Marquess.

 

She looked up at him in disbelief. “How can this be?”

He shrugged. “It seems the title has come through my
mother, which I would never have dreamed. So far as I know, Motmarche has always gone through a male line. But then, I’m not familiar with the title too far back. And certain titles do pass down through the men and women of the family alike—we do, after all, have a woman on the throne.”

Submit looked at the letter, with its signature of the Home Secretary. “You,” she said in utter wonder. “You inherit Motmarche?”

He shrugged. “Henry must have known. Though I don’t know how far back. Even as he took me for his ward, perhaps. Even,” he teased her, “as he tried desperately to conceive a son.” He was amused, not upset. “Surely”—he cocked a wry eyebrow—“as he sent his wife to straighten me out.”

“That’s not what he did.”

“As I said, who knows? In any event, you are currently in bed, naked, with the marquess of Motmarche.”

Submit was dismayed. “Oh, dear.” She smiled slightly, feeling the beginning of untold delight. “You know what people are going to say? That I schemed to get the same marquessate twice.”

“Which we both know you didn’t.”

“No, I didn’t.” She looked at him, her eyes widening, a huge smile coming. “I want to marry you. But, oh, Graham, it gives me goose bumps just thinking I don’t have to give up Motmarche.” Her smile became vocal, a deep, true laugh from her belly through her chest. Then this became wickedly teasing. “The real question is, Can you stand that I will enjoy marrying you a little because you are the marquess of Motmarche?”

“Absolutely.” He rolled himself on top of her, then the smart aleck grinned. “The real question is, Can you stand that I always wanted to do depraved things to the marquess of Motmarche’s wife?” Which made the new marquess of Motmarche laugh out loud—till her mouth on his stopped him.

 

Graham thought he was joking when he said he loved making love to her partly because she was Henry’s wife. Submit
suspected he was joking less than he knew. To a degree, she would always be Henry’s wife—his rib—in ways that had nothing to do with sex or loving. She was Henry’s creature, his creation, the product of cohabitation with a forceful and appealing personality. She didn’t mind if Graham liked her for that. It was part of her.

Here was Graham’s happy ending, she mused, the one he’d wanted so many weeks ago. Two people in love. The only problem she saw was that these two people were so different they might well drive each other crazy, if they didn’t kill each other first. The only saving grace of such a match was that they were both probably mean and contrary enough to survive whatever the other threw at them. She wasn’t sure their future looked very rosy.

In the interests of peace and happiness, she made a few private vows. She would not buy Graham a proper suit of conservative clothes. She would not put pressure on him to do so. She would not praise him effusively for running his finances at a profit nor tell him how nice he looked reading a book. She would not make him stop drinking champagne nor stop rowing in rowboats. She would not point out that a man who plays with explosives might one day blow up. She would try to enjoy Graham for himself without attempting to “fix” him. Poor, silly Henry hadn’t been able to do this. But she could. Then Submit laughed at herself. No, she couldn’t. Not perfectly. She would always be a little snobbish, a little smug, a little instructive. She understood suddenly why she was marrying someone so different from herself.

Graham, with his strong ability to maintain and voice his differences, was the bravest bid she could make to stay tolerant, open to life’s diversity, and honest with herself.

For those interested in historical accuracy, I must mention a few stretches of fact I felt at liberty to take in the course of creating this fiction. The largest liberty in which I knowingly indulged is the fact that the pillory was abolished as a form of punishment in England in 1837. Thus, two years must be ignored to allow that young Graham actually served a sentence in such a contraption. The whole notion of being pilloried, however, seemed so central to Graham’s problems and resentments, I blithely locked him in, hand and foot.

The cure for this, of course, would have been to set the book earlier, but from the beginning the ideas of this book were already straining at the other end of the time line. Discovery-inventions, such as photography and aniline dyestuffs, pulled at Graham’s “flashy” character in his early stages of creation. Ideas, such as those of Marx and Darwin and Freud, tugged on Submit, pulling her firmly into the second half of the century. Rosalyn and Gerald of course needed the liberalized divorce laws of 1857. (My apologies for using the color magenta a year ahead of when it would actually be called so, but magenta simply seemed better than any other color for introducing Rosalyn as she made her way through the crowds.) The year 1858 was a compromise, a year intended to represent a fictional time frame in which nascent twentieth-century sensibilities, the likes of Submit’s and Graham’s, might truly have existed.

Thus, errors a few years in one direction or the other are hereby acknowledged, though with very little remorse. It was pure fun making up this world from the facts, the
above-mentioned having been bent a little to suit. It is my sincerest wish that it should be pure entertainment in reading the end result.

Judy Cuevas
February 1990

About the Author

JUDITH IVORY’s
work has won numerous awards, including Romance Writers of America’s RITA, Top Ten Books of the Year, and
Romantic Times
Reviewer’s Choice. Judith holds two degrees in mathematics. The Romance Reader and All About Romance websites list her books among the “Top 100 Romances Ever Written.” To contact Ms. Ivory, you may write to: P.O. Box 56-5484, Miami, FL 33256. For more information, visit her website at www.judithivory.com.

Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins author.

Praise
RITA Award
-winning author
JUDITH IVORY

“One of the most talented fiction writers working in historical romance…One of those writers who not only delights readers, but also inspires awe and envy in fellow writers.”

Albany Times-Union

“Ivory’s writing is pure magic.”

Minneapolis Star-Tribune

BLACK SILK


Black Silk
is superb. It has all the elements we’ve come to expect from Judith Ivory—originality, passion, style, exquisite sensuality. She writes like a dream. Read the book and fall in love.”

Patricia Gaffney

“A wonderful romantic tale full of complex, intriguing characters…A terrific writer who has a great gift for creating a sense of time and place. I savored this rich and many-layered story.”

Amanda Quick

“Refreshingly unique…I was mesmerized.”

Katherine Sutcliffe

“Exquisitely polished…I lapped it up and wished for more.”

LaVyrle Spencer

Other Avon Romances by
Judith Ivory

B
EAST

T
HE
I
NDISCRETION

T
HE
P
ROPOSITION

S
LEEPING
B
EAUTY

Coming Soon

U
NTIE
M
Y
H
EART

This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.

BLACK SILK
. Copyright © 1991, 2002 by Judith Ivory, Inc. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

EPub Edition © JUNE 2007 ISBN: 9780061834202

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