Birds of America (12 page)

Read Birds of America Online

Authors: Lorrie Moore

BOOK: Birds of America
11.9Mb size Format: txt, pdf, ePub

“Good night” sang out Christa when she left.

“Good night, Christa,” said Agnes, brushing the crumbs into the wastebasket.

Now she stood with Beyerbach in the empty classroom. “Thank you so much,” she said in a hushed way. “I’m sure they all got quite a lot out of that. I’m very sure they did.”

He said nothing, but smiled at her gently.

She shifted her weight from one leg to the other. “Would you like to go somewhere and get a drink?” she asked. She was standing close to him, looking up into his face. He was tall, she saw now. His shoulders weren’t broad, but he had a youthful straightness to his carriage. She briefly touched his sleeve. His suitcoat was corduroy and bore the faint odor of clove. This was the first time in her life that she had ever asked a man out for a drink.

He made no move to step away from her, but actually seemed to lean toward her a bit. She could feel his dry breath, see up close the variously hued spokes of his irises, the grays and yellows in the blue. There was a sprinkling of small freckles near his hairline. He smiled, then looked at the clock on the
wall. “I would love to, really, but I have to get back to the hotel to make a phone call at ten-fifteen.” He looked a little disappointed—not a lot, thought Agnes, but certainly a little.

“Oh, well,” she said. She flicked off the lights and in the dark he carefully helped her on with her jacket. They stepped out of the room and walked together in silence, back down the corridor to the front entrance of the hall. Outside on the steps, the night was balmy and scented with rain. “Will you be all right walking back to your hotel?” she asked. “Or—”

“Oh, yes, thank you. It’s just around the corner.”

“Right. That’s right. Well, my car’s parked way over there. So I guess I’ll see you tomorrow afternoon at your reading.”

“Yes,” he said. “I shall look forward to that.”

“Yes,” she said. “So shall I.”

The reading was in the large meeting room at the Arts Hall and was from the sonnet book she had already read, but it was nice to hear the poems again, in his hushed, pained tenor. She sat in the back row, her green raincoat sprawled beneath her on the seat like a leaf. She leaned forward, onto the seat ahead of her, her back an angled stem, her chin on double fists, and she listened like that for some time. At one point, she closed her eyes, but the image of him before her, standing straight as a compass needle, remained caught there beneath her lids, like a burn or a speck or a message from the mind.

Afterward, moving away from the lectern, Beyerbach spotted her and waved, but Stauffbacher, like a tugboat with a task, took his arm and steered him elsewhere, over toward the side table with the little plastic cups of warm Pepsi. We are both men, the gesture seemed to say. We both have
bach
in our names. Agnes put on her green coat. She went over toward the Pepsi table and stood. She drank a warm Pepsi, then placed the empty cup back on the table. Beyerbach finally turned toward her and smiled familiarly. She thrust out her hand. “It was a
wonderful reading,” she said. “I’m very glad I got the chance to meet you.” She gripped his long, slender palm and locked thumbs. She could feel the bones in him.

“Thank you,” he said. He looked at her coat in a worried way. “You’re leaving?”

She looked down at her coat. “I’m afraid I have to get going home.” She wasn’t sure whether she really had to or not. But she’d put on the coat, and it now seemed an awkward thing to take off.

“Oh,” he murmured, gazing at her intently. “Well, all best wishes to you, Onyez.”

“Excuse me?” There was some clattering near the lectern.

“All best to you,” he said, something retreating in his expression.

Stauffbacher suddenly appeared at her side, scowling at her green coat, as if it were incomprehensible.

“Yes,” said Agnes, stepping backward, then forward again to shake Beyerbach’s hand once more; it was a beautiful hand, like an old and expensive piece of wood. “Same to you,” she said. Then she turned and fled.

For several nights, she did not sleep well. She placed her face directly into her pillow, then turned it some for air, then flipped over to her back and opened her eyes, staring at the far end of the room through the stark angle of the door frame toward the tiny light from the bathroom which illumined the hallway, faintly, as if someone had just been there.

For several days, she thought perhaps he might have left her a note with the secretary, or that he might send her one from an airport somewhere. She thought that the inadequacy of their good-bye would haunt him, too, and that he might send her a postcard as elaboration.

But he did not. Briefly, she thought about writing him a letter, on Arts Hall stationery, which for money reasons was no
longer the stationery, but photocopies of the stationery. She knew he had flown to the West Coast, then off to Tokyo, then Sydney, then back to Johannesburg, and if she posted it now, perhaps he would receive it when he arrived. She could tell him once more how interesting it had been to meet him. She could enclose her poem from
The Gizzard Review
. She had read in the newspaper an article about bereavement—and if she were her own mother, she could send him that, too.

Thank God, thank God, she was not her mother.

Spring settled firmly in Cassell with a spate of thundershowers. The perennials—the myrtle and grape hyacinths—blossomed around town in a kind of civic blue, and the warming air brought forth an occasional mosquito or fly. The Transportation Commission meetings were dreary and long, too often held over the dinner hour, and when Agnes got home, she would replay them for Joe, sometimes bursting into tears over the parts about the photoradar or the widening interstate.

When her mother called, Agnes got off the phone fast. When her sister called about her mother, Agnes got off the phone even faster. Joe rubbed her shoulders and spoke to her of carports, of curb appeal, of asbestos-wrapped pipes.

At the Arts Hall, she taught and fretted and continued to receive the usual memos from the secretary, written on the usual scrap paper—except that the scrap paper this time, for a while, consisted of the extra posters for the Beyerbach reading. She would get a long disquisition on policies and procedures concerning summer registration, and she would turn it over and there would be his face—sad and pompous in the photograph. She would get a simple phone message—“Your husband called. Please phone him at the office”—and on the back would be the ripped center of Beyerbach’s nose, one minty eye, an
elbowish chin. Eventually, there were no more, and the scrap paper moved on to old contest announcements, grant deadlines, Easter concert notices.

At night, she and Joe did yoga to a yoga show on TV. It was part of their effort not to become their parents, though marriage, they knew, held that hazard. The functional disenchantment, the sweet habit of each other had begun to put lines around her mouth, lines that looked like quotation marks—as if everything she said had already been said before. Sometimes their old cat, Madeline, a fat and pampered calico reaping the benefits of life with a childless couple during their childbearing years, came and plopped herself down with them, between them. She was accustomed to much nestling and appreciation and drips from the faucet, though sometimes she would vanish outside, and they would not see her for days, only to spy her later, in the yard, dirty and matted, chomping a vole or eating old snow.

For Memorial Day weekend, Agnes flew with Joe to New York, to show him the city for the first time. “A place,” she said, “where if you’re not white and not born there, you’re not automatically a story.” She had grown annoyed with Iowa, the pathetic thirdhand manner in which the large issues and conversations of the world were encountered, the oblique and tired way history situated itself there—if ever. She longed to be a citizen of the globe!

They roller-skated in Central Park. They looked in the Lord & Taylor windows. They went to the Joffrey. They went to a hair salon on Fifty-seventh Street and there she had her hair dyed red. They sat in the window booths of coffee shops and got coffee refills and ate pie.

“So much seems the same,” she said to Joe. “When I lived
here, everyone was hustling for money. The rich were. The poor were. But everyone tried hard to be funny. Everywhere you went—a store, a manicure place—someone was telling a joke. A
good
one.” She remembered it had made any given day seem bearable, that impulse toward a joke. It had been a determined sort of humor, an intensity mirroring the intensity of the city, and it seemed to embrace and alleviate the hard sadness of people having used one another and marred the earth the way they had. “It was like brains having sex. It was like every brain was a sex maniac.” She looked down at her pie. “People really worked at it, the laughing,” she said. “People need to laugh.”

“They do,” said Joe. He took a swig of coffee, his lips out over the cup in a fleshy flower. He was afraid she might cry—she was getting that look again—and if she did, he would feel guilty and lost and sorry for her that her life was not here anymore, but in a far and boring place now with him. He set the cup down and tried to smile. “They sure do,” he said. And he looked out the window at the rickety taxis, the oystery garbage and tubercular air, seven pounds of chicken giblets dumped on the curb in front of the restaurant where they were. He turned back to her and made the face of a clown.

“What are you doing?” she asked.

“It’s a clown face.”

“What do you mean, ‘a clown face’?” Someone behind her was singing “I Love New York,” and for the first time she noticed the strange irresolution of the tune.

“A regular clown face is what I mean.”

“It didn’t look like that.”

“No? What did it look like?”

“You want me to do the face?”

“Yeah, do the face.”

She looked at Joe. Every arrangement in life carried with it the sadness, the sentimental shadow, of its not being something else, but only itself: she attempted the face—a look of such monstrous emptiness and stupidity that Joe burst out in a
howling sort of laughter, like a dog, and then so did she, air exploding through her nose in a snort, her head thrown forward, then back, then forward again, setting loose a fit of coughing.

“Are you okay?” asked Joe, and she nodded. Out of politeness, he looked away, outside, where it had suddenly started to rain. Across the street, two people had planted themselves under the window ledge of a Gap store, trying to stay dry, waiting out the downpour, their figures dark and scarecrowish against the lit window display. When he turned back to his wife—his sad young wife—to point this out to her, to show her what was funny to a man firmly in the grip of middle age, she was still bent sideways in her seat, so that her face fell below the line of the table, and he could only see the curve of her heaving back, the fuzzy penumbra of her thin spring sweater, and the garish top of her bright, new, and terrible hair.

CHARADES

It’s fitting that Christmas should degenerate to this, its barest bones. The family has begun to seem to Therese like a pack of thespians anyway; everyone arrives, performs for one another, catches early flights out, to Logan or O’Hare. Probably it’s appropriate that a party game should literally appear and insert itself in the guise of a holiday tradition (which it isn’t). Usually, no one in Therese’s family expresses much genuine feeling anyway; everyone aims instead—though gamely!—for enactments.

Each year now, the stage is a new one—their aging parents, in their restless old age, buying and selling town houses, moving steadily southward from Maine. The real estate is Therese’s mother’s idea. Since he’s retired, Therese’s father has focused more on bird feeders; he is learning how to build them. “Who knows what he’ll do next?” Her mother sighs. “He’ll probably start carving designs into the side of the house.”

This year, they are in Bethesda, Maryland, near where Andrew, Therese’s brother, lives. Andrew works as an electrical engineer and is married to a sweet, pretty, part-time private
detective named Pam. Pam is pixie-haired and smiley. Who would ever suspect her of discreetly gathering confidences and facts for one’s adversaries? She freezes hams. She makes Jell-O salad days in advance. She and Andrew are the parents of a one-and-a-half-year-old named Winnie, who already reads.

Reads the reading videos on TV, but reads.

Everyone has divided into teams, four and four, and written the names of famous people, songs, films, plays, books on scraps of wrapping paper torn off the gifts hours earlier. It is another few hours until Therese and her husband Ray’s flight, at 4:30, from National Airport. “Yes,” says Therese, “I guess we’ll have to forgo the ‘Averell Harriman: Statesman for All Seasons’ exhibit.”

“I don’t know why you couldn’t catch a later flight,” says Therese’s sister, Ann. She is scowling. Ann is the youngest, and ten years younger than Therese, who is the oldest, but lately Ann’s voice has taken up a prissy and matronly scolding that startles Therese. “Four-thirty,” says Ann, pursing her lips and propping her feet up on the chair next to her. “That’s a little ridiculous. You’re missing dinner.” Her shoes are pointy and Victorian-looking. They are green suede—a cross between a courtesan’s and Peter Pan’s.

The teams are divided in such a way that Therese and Ray and her parents are on one team, Andrew and Pam, Ann and Tad, Ann’s fiancé, on the other. Tad is slender and red-haired, a marketing rep for Neutrogena. He and Ann have just become engaged. After nearly a decade of casting about in love and work, Ann is now going to law school and planning her summer wedding. Since Therese worked for years as a public defender and is currently, through a fluky political appointment, a county circuit court judge, she has assumed that Ann’s decision to be a lawyer is a kind of sororal affirmation, that it will somehow mean the two of them will have new things in common, that Ann will have questions for her, observations, forensic things to say. But this seems not to be so. Ann appears instead
to be preoccupied with trying to hire bands and caterers, and to rent a large room in a restaurant. “Ugh,” said Therese sympathetically. “Doesn’t it make you want to elope?” Therese and Ray were married at the courthouse, with the file clerks as witnesses.

Other books

Zod Wallop by William Browning Spencer
The Widow by Nicolas Freeling
A Man Melting by Craig Cliff
Out of Character by Diana Miller
Now We Are Six by A. A. Milne
Meat by Opal Carew