Billy Bob and Hackberry Holland Ebook Boxed Set (80 page)

 

“A
GUY JUST
came out of a tent,” Pam said, leaning forward on the steering wheel, taking her foot off the gas. “Dammit, I can't see him now. The trash pile is in the way. Wait a second. Two other guys are talking to him.”

The visual angle from the passenger seat was bad. Hackberry handed her the binoculars. She fitted them to her eyes and adjusted the focus, breathing audibly, her chest rising and falling irregularly. “They look Hispanic,” she said. “Maybe they're construction workers, Hack.”

“Where's the other guy?”

“I don't know. He's gone. He must have gone back in one of the tents. We need to dial it down.”

“No, it's Collins.”

She removed the binoculars from her eyes and looked hard and long at him. “You thought you heard a bugle. I think you're seeing and hearing things that aren't there. We can't be wrong on this.”

He dropped open the glove box and removed a Beretta nine-millimeter. He pulled back the slide and chambered a round and set the butterfly safety. “I'm not wrong. Pull to the back of the trash pile. We get out simultaneously on each side of the vehicle and stay spread apart. If you see Collins, you kill him.”

“Listen to me, Hack—”

“No, Collins doesn't get a chance to use his Thompson. You've never seen anyone shot with a weapon that has that kind of firepower. We kill him on sight and worry about legalities later.”

“I can't accept an order like that.”

“Yes, you can.”

“I know you, Hack. I know the thoughts you have before you think them. You want me to protect myself at all costs, but you've got your own agenda with this guy.”

“We left Dr. Freud back there on the road,” he said. He stepped out on the hardpan just as the sun broke over the hill, splintering like gold needles, the bottom of the hill still deep in shadow.

He and Pam Tibbs walked toward the pile of house debris, dividing around it, their eyes fixed on the four tents, their eyes watering in the wind and the smoke blowing from a fire that smelled of burning food or garbage.

But because of the angle, they had lost sight of the two Hispanic men, who had gone back in their tent or were behind the vehicles. As Hackberry walked deeper into the shadows, the sunlight that had fractured on the ridgeline disappeared, and he could see the tents and the pickup truck and the SUV and the mountainside in detail, and he realized the mistake he had made: You never allow your enemy to become what is known as a barricaded suspect. Even more important, you never allow your enemy to become a barricaded suspect with a hostage.

Pam Tibbs was to his left, the stock of her cut-down pump Remington twelve-gauge snugged against her shoulder, her eyes sweeping from right to left, left to right, never blinking, her face dilated as though she were staring into an ice storm. He heard her footsteps pause and knew she had just seen Collins at the same moment he had, pushing a woman ahead of him up a footpath that led to the opening in the mountainside.

Collins had knotted his left fist in the fabric of the woman's dress and was holding the Thompson by the pistol grip with his right hand, the barrel at a downward angle. He looked back once at Pam and Hackberry, his face white and small and tight under his hat, then he shoved the woman ahead of him into the cave and disappeared behind her.

“He's got the high ground. We've got to get one of the vehicles between us and him,” Hackberry said.

The tent that the two Hispanic men had been using was the largest of the four. The SUV was parked not far from the tent flap; the pickup truck was parked between two other tents. The only sounds were the ruffling of the wind on the polyethylene surfaces of the tents and a rock toppling from the ridgeline and the engine of the maroon SUV coming up the dirt track from the bluffs.

Hackberry turned around and raised one fist in the air, hoping that Pete Flores would recognize the universal military signal to stop. But
either Flores did not see him, or the driver, who was undoubtedly Nick Dolan, chose to keep coming.

Hackberry shifted his direction, crossing behind Pam Tibbs, his .45 revolver on full cock, the Beretta stuffed through the back of his gun belt. “I'm going to clear the first tent. Cover me,” he said.

He opened his Queen pocketknife with his teeth and walked quickly to the back of the tent, taking long strides, watching the other tents and the two parked vehicles, both of which had tinted windows. The blade of his knife could shave hair off his arm. He sliced the cords that were tied to the tent's support poles and steel ground pins and watched the shape go out of the tent as it collapsed in a pile.

Nothing moved under its folds. He crossed behind Pam Tibbs, lifting his eyes to the cave entrance on the mountainside. The pile of building debris was behind them now, the bulldozed stucco powdering, the broken asbestos feathering in the wind. If Collins opened up on them, the only cover available would be the pickup truck or the SUV, and he could not be sure either of them was unoccupied.

He felt naked in the way a person feels naked in a dream, in a public place, before a large audience. But the sense of nakedness in his and Pam's circumstances went beyond that. It was the kind of sensation a forward artillery observer experiences when the first round he has called in for effect strikes home and his position is exposed. It was the kind of nakedness a navy corpsman feels when he runs through automatic-weapons fire to reach a wounded marine. The sensation was akin to having one's skin pulled off in strips with a pair of pliers.

Then he realized that regardless of the criminal background of his antagonists, at least one of them had made the mistake of all amateurs: His vanity or his libido or whatever megalomaniacal passion defined him was more important to him than the utilitarian simplicity of a stone killer and survivor like Jack Collins.

One man was wearing lizard-skin cowboy boots, chrome-plated on the heels and toes. They flashed with a dull silvery light beneath the running board on the far side of the pickup truck.

“Three o'clock, Pam!” Hackberry said.

At the same moment the man behind the truck fired an Uzi or a MAC-10 across the hood, then moved back quickly behind the cab. But
his one-handed aim was sloppy, and the bullets hit the trash pile and stitched the water drum and cut a line across the hardpan, flicking dirt into the air and ricocheting off rocks and whining into the distance with the diminished sound of a broken bedspring.

Hackberry aimed his .45 with both hands and fired through the tinted window on the driver's side, cascading glass onto the seats and blowing out the opposite window. He fired two more rounds, one through the window on the extended cab, one through the back door, leaving a clean-edged, polished indentation and hole the size of a quarter. But the three rounds he had let off did no good. The man with the automatic weapon moved behind the back of the cab and sprayed the whole area blindly, probably as masking fire for either the other Hispanic man, who was nowhere in sight, or Jack Collins up in the cave.

The shooting stopped. Hackberry had pulled back to the edge of the trash pile, and Pam was somewhere off to his left, in the shadows or behind the concrete foundation of the destroyed house. In all probability, the shooter was changing magazines. Hackberry got down on his hands and knees, then on his stomach. He heard a metallic click, like a latching steel mechanism being inserted into a socket. He extended his .45, gripping it with both hands, his elbows propped in the dirt, the pain along his spine flaring into his ribs.

Hackberry saw the chrome-sheathed lizard-skin boots of the shooter move from behind the back tire. He sighted down the long barrel of his .45 at the place where the blue-jean cuff of the shooter's right pants leg met the top of his foot. He pulled the trigger.

The shooter screamed when the 230-grain round tore through his boot. He fell to the ground and yelled out again, holding his destroyed foot and ankle, blood welling through his fingers, his other hand still gripping his weapon.

Pam Tibbs ran toward the truck, her pump shotgun held in front of her, the safety off, lifting the barrel, stepping sideways in an arc around the hood of the truck, almost like an erratic dancer, coming into position so that she stood in full view of the shooter. All the time she was yelling, as though to a man with neither sight nor hearing, “Give it up! Give it up! Give it up! Do it now! Do it now! Throw it away! Hands straight out
on the ground! You must do it now! No, you do not do that! Both hands in the dirt! Did you hear me?”

Then she squeezed the trigger. Five feet away, the man who would not release his weapon ate a pattern of buckshot as wide as his hand and watched his brains splatter across the side panel of his truck.

When Hackberry got to her, she had already jacked the spent shell from the chamber and was shoving another one into the magazine with her thumb, her hands still trembling.

“Did you see the other guy?” he said.

“No, where is he?” she said. Her eyes were as round as marbles, jittering in their sockets.

“I didn't see him. We're exposed. Get behind the truck.”

“Where's Collins?”

“In the cave. Get behind the truck. Did you hear me?”

“What's that sound?”

“What sound?” he said. But the .45 rounds he had fired had left his ears ringing, and he couldn't make out her words.

“It's that idiot Dolan,” she said.

They couldn't believe what they saw next. Nick Dolan's SUV had veered off the dirt track, swinging wide of the concrete slab on which the stucco house had once stood, and was now coming full-bore across the hardpan, rocks and mud flying up into the undercarriage, the frame jolting on the springs.

“Has he lost his mind?” Pam said.

Nick Dolan plowed through the tent closest to the mountain, ripping it loose from its steel pins, wrapping the polyethylene material and destroyed aluminum poles across the grille and hood. But inside the sounds of the tent tearing and the tie ropes breaking and the steel pins whipping back against the SUV, Hackberry had heard a solid weight impact sickeningly against the SUV's hood.

Nick slammed on his brakes, and the tangle of material and tent poles and a broken cot rolled off his vehicle into the dirt, with the body of the second Hispanic man inside.

“I saw him go into the tent. He had a gun,” Nick said from the window. A pair of binoculars hung from his neck.

“Your wife could have been in there,” Pam said.

“No, we saw Collins take her into the hole in the mountain. Let's get up there,” Nick said.

Vikki Gaddis sat in the passenger seat, and Pete Flores sat in back, leaning forward against the front seat.

“Y'all stay where you are,” Hackberry said.

“I'm going up there with you,” Nick said.

“No, you're not,” Hackberry said.

“That's my wife,” Nick said, opening the door.

“You're about to find yourself in handcuffs, Mr. Dolan,” Pam said.

Hackberry dumped the spent shells from the cylinder of his revolver into his palm and reloaded the empty chambers. He motioned to Pam Tibbs and began walking with her toward the mountain, ignoring the three new arrivals, hoping his last words to them had stuck.

“You don't want to wait for the locals?” she said.

“Wrong move. I'm going straight up the path. I want you to come in from the side and stay just outside the cave.”

“Why?”

“Collins won't shoot if he thinks I'm alone.”

“Why not?”

“He has too much pride. With Collins, it's not about money or sex. He thinks it's the twilight of the gods and he's at center stage.”

Nick Dolan and Vikki Gaddis and Pete Flores were all getting out of the SUV.

“You three get right back in your vehicle and drive back toward the road and stay there,” Hackberry said.

“To hell with that,” Nick said.

“Sheriff, give me a weapon and let me go up there with you,” Pete said.

“Can't do it, partner. End of discussion,” Hackberry said. “Ms. Gaddis, you keep these two guys here. If you want to see Mrs. Dolan come out of that cave alive, don't mess in what's about to happen.”

Hackberry began walking up the path alone, while Pam Tibbs cut across the green and orange and gray tailings that were strung down the incline, carrying her shotgun at port arms.

Hackberry paused at the cave's entrance, his .45 holstered, the Beretta still tucked inside the back of his gun belt. He smelled a dank
odor like mouse droppings or bat guano and water pooled in stone. He felt the wind coursing over his skin, flowing into the cave. “Can you hear me, Collins?” he said.

There was no answer. Hackberry stepped inside the darkness of the cave as though slipping from the world of light into one of perpetual shade.

The body of a man lay behind a boulder. The wounds in his chest and stomach and legs were egregious. The amount of blood that had pooled around him and soaked into his sheep-lined leather coat and bradded orange work pants seemed more than his body could have contained.

“You can do a good deed here, Jack,” Hackberry called out.

After the echo died, he thought he heard a rattling sound in the dark, farther back in the cave.

“Did you hear me, Jack?”

“You're backlit, Sheriff,” a voice said from deep in the cave's interior.

“That's right. You can pop me any time you want.” Hackberry paused. “You're not above doing a good deed, are you?”

“What might that be?”

“Mrs. Dolan has children. They want her back. How about it?”

“I'll take it under advisement.”

“I don't think you're a man who hides behind a woman.”

“I don't have to hide behind anyone. You hear that sound? Why don't you come toward me a little more and check out your environment?”

“Rattlers are holed up in here?”

“Probably not more than a couple of dozen. Just flatten yourself out against the wall.”