Beyond the Black River (4 page)

The frankness of that statement swayed McGrath more than anything else the octoroon could have said. It was a desperate gamble — but after all, Constance would be no worse off with John De Albor alive than she was already. She would be dead before midnight unless something was done swiftly.

“Where is the place of sacrifice?” asked McGrath.

“Three miles away, in an open glade,” answered De Albor. “South on the trail that runs past my cabin. All the blacks are gathered there except my guard and some others who are watching the trail below the cabin. They are scattered out along it, the nearest out of sight of my cabin, but within sound of the loud, shrill whistle with which these people signal one another.

“This is my plan. You wait here in my cabin, or in the woods, as you choose. I’ll avoid the watchers on the trail, and appear suddenly before the blacks at the House of Zemba. A sudden appearance will impress them deeply, as I said. I know I can not persuade them to abandon their plan, but I will make them postpone the sacrifice until just before dawn. And before that time I will manage to steal the girl and flee with her. I’ll return to your hiding-place, and we’ll fight our way out together.”

McGrath laughed. “Do you think I’m an utter fool? You’d send your blacks to murder me, while you carried Constance away as you planned. I’m going with you. I’ll hide at the edge of the clearing, to help you if you need help. And if you make a false move, I’ll get you, if I don’t get anybody else.”

The octoroon’s murky eyes glittered, but he nodded acquiescence.

“Help me bring your guard into the cabin,” said McGrath. “He’ll be coming to soon. We’ll tie and gag him and leave him here.”

* * * *

The sun was setting and twilight was stealing over the pinelands as McGrath and his strange companion stole through the shadowy woods. They had circled to the west to avoid the watchers on the trail, and were now following on the many narrow footpaths which traced their way through the forest. Silence reigned ahead of them, and McGrath mentioned this.

“Zemba is a god of silence,” muttered De Albor. “From sunset to sunrise on the night of the full moon, no drum is beaten. If a dog barks, it must be slain; if a baby cries, it must be killed. Silence locks the jaws of the people until Zemba roars. Only
his
voice is lifted on the night of the Moon of Zemba.”

McGrath shuddered. The foul deity was an intangible spirit, of course, embodied only in legend; but De Albor spoke of it as a living thing.

A few stars were blinking out, and shadows crept through the thick woods, blurring the trunks of the trees that melted together in darkness. McGrath knew they could not be far from the House of Zemba. He sensed the close presence of a throng of people, though he heard nothing.

De Albor, ahead of him, halted suddenly, crouching. McGrath stopped, trying to pierce the surrounding mask of interlacing branches.

“What is it?” muttered the white man, reaching for his pistol.

De Albor shook his head, straightening. McGrath could not see the stone in his hand, caught up from the earth as he stooped.

“Do you hear something?” demanded McGrath.

De Albor motioned him to lean forward, as if to whisper in his ear. Caught off his guard, McGrath bent toward him — even so he divined the treacherous African’s intention, but it was too late. The stone in De Albor’s hand crashed sickeningly against the white man’s temple. McGrath went down like a slaughtered ox, and De Albor sped away down the path to vanish like a ghost in the gloom.

5. The Voice of Zemba

In the darkness of the woodland path McGrath stirred at last, and staggered groggily to his feet. That desperate blow might have crushed the skull of a man whose physique and vitality were not that of a bull. His head throbbed and there was dried blood on his temple; but his strongest sensation was burning scorn at himself for having again fallen victim to John De Albor. And yet, who would have suspected that move? He knew De Albor would kill him if he could, but he had not expected an attack
before
the rescue of Constance. The fellow was dangerous and unpredictable as a cobra. Had his pleas to be allowed to attempt Constance’s rescue been but a ruse to escape death at the hands of McGrath?

McGrath stared dizzily at the stars that gleamed through the ebon branches, and sighed with relief to see that the moon had not yet risen. The pinewoods were black as only pinelands can be, with a darkness that was almost tangible, like a substance that could be cut with a knife.

McGrath had reason to be grateful for his rugged constitution. Twice that day had John De Albor outwitted him, and twice the white man’s iron frame had survived the attack. His gun was in his scabbard, his knife in its sheath. De Albor had not paused to search, had not paused for a second stroke to make sure. Perhaps there had been a tinge of panic in the African’s actions.

Well, this did not change matters a great deal. He believed that De Albor would make an effort to save the girl. And McGrath intended to be on hand, whether to play a lone hand, or to aid the octoroon. This was no time to hold grudges, with the girl’s life at stake. He groped down the path, spurred by a rising glow in the east.

He came upon the glade almost before he knew it. The moon hung in the low branches, blood-red, high enough to illumine it and the throng of black people who squatted in a vast semicircle about it, facing the moon. Their rolling eyes gleamed milkily in the shadows, their features were grotesque masks. None spoke. No head turned toward the bushes behind which he crouched.

He had vaguely expected blazing fires, a bloodstained altar, drums and the chant of maddened worshippers; that would be voodoo. But this was not voodoo, and there was a vast gulf between the two cults. There were no fires, no altars. But the breath hissed through his locked teeth. In a far land he had sought in vain for the rituals of Zambebwei; now he looked upon them within forty miles of the spot where he was born.

In the center of the glade the ground rose slightly to a flat level. On this stood a heavy iron-bound stake that was indeed but the sharpened trunk of a good-sized pine driven deep into the ground. And there was something living chained to that stake — something which caused McGrath to catch his breath in horrified unbelief.

He was looking upon a god of Zambebwei. Stories had told of such creatures, wild tales drifting down from the borders of the forbidden country, repeated by shivering natives about jungle fires, passed along until they reached the ears of skeptical white traders. McGrath had never really believed the stories, though he had gone searching for the being they described. For they spoke of a beast that was a blasphemy against nature — a beast that sought food strange to its natural species.

The thing chained to the stake was an ape, but such an ape as the world at large never dreamed of, even in nightmares. Its shaggy gray hair was shot with silver that shone in the rising moon; it looked gigantic as it squatted ghoulishly on its haunches. Upright, on its bent, gnarled legs, it would be as tall as a man, and much broader and thicker. But its prehensile fingers were armed with talons like those of a tiger — not the heavy blunt nails of the natural anthropoid, but the cruel scimitar-curved claws of the great carnivora. Its face was like that of a gorilla, low browed, flaring-nostriled, chinless; but when it snarled, its wide flat nose wrinkled like that of a great cat, and the cavernous mouth disclosed saber-like fangs, the fangs of a beast of prey. This was Zemba, the creature sacred to the people of the land of Zambebwei — a monstrosity, a violation of an accepted law of nature — a carnivorous ape. Men had laughed at the story, hunters and zoologists and traders.

But now McGrath knew that such creatures dwelt in black Zambebwei and were worshipped, as primitive man is prone to worship an obscenity or perversion of nature. Or a survival of past eons: that was what the flesh-eating apes of Zambebwei were — survivors of a forgotten epoch, remnants of a vanished prehistoric age, when nature was experimenting with matter, and life took many monstrous forms.

The sight of the monstrosity filled McGrath with revulsion; it was abysmal, a reminder of that brutish and horror-shadowed past out of which mankind crawled so painfully, eons ago. This thing was an affront to sanity; it belonged in the dust of oblivion with the dinosaur, the mastodon, and the saber-toothed tiger.

It looked massive beyond the stature of modern beasts — shaped on the plan of another age, when all things were cast in a mightier mold. He wondered if the revolver at his hip would have any effect on it; wondered by what dark and subtle means John De Albor had brought the monster from Zambebwei to the pinelands.

But something was happening in the glade, heralded by the shaking of the brute’s chain as it thrust forward its nightmare-head.

From the shadows of the trees came a file of black men and women, young, naked except for a mantle of monkey-skins and parrot-feathers thrown over the shoulders of each. More regalia brought by John De Albor, undoubtedly. They formed a semicircle at a safe distance from the chained brute, and sank to their knees, bending their heads to the ground before him. Thrice this motion was repeated. Then, rising, they formed two lines, men and women facing one another, and began to dance; at least it might by courtesy be called a dance. They hardly moved their feet at all, but all other parts of their bodies were in constant motion, twisting, rotating, writhing. The measured, rhythmical movements had no connection at all with the voodoo dances McGrath had witnessed. This dance was disquietingly archaic in its suggestion, though even more depraved and bestial — naked primitive passions framed in a cynical debauchery of motion.

No sound came from the dancers, or from the votaries squatting about the ring of trees. But the ape, apparently infuriated by the continued movements, lifted his head and sent into the night the frightful shriek McGrath had heard once before that day — he had heard it in the hills that border black Zambebwei. The brute plunged to the end of his heavy chain, foaming and gnashing his fangs, and the dancers fled like spume blown before a gust of wind. They scattered in all directions — and then McGrath started up in his covert, barely stifling a cry.

From the deep shadows had come a figure, gleaming tawnily in contrast to the black forms about it. It was John De Albor, naked except for a mantle of bright feathers, and on his head a circlet of gold that might have been forged in Atlantis. In his hand he bore a gold wand that was the scepter of the high priests of Zambebwei.

Behind him came a pitiful figure, at the sight of which the moon-lit forest reeled to McGrath’s sight.

Constance had been drugged. Her face was that of a sleepwalker; she seemed not aware of her peril, or the fact that she was naked. She walked like a robot, mechanically responding to the urge of the cord tied about her white neck. The other end of that cord was in John De Albor’s hand, and he half-led, half-dragged her toward the horror that squatted in the center of the glade. De Albor’s face was ashy in the moonlight that now flooded the glade with molten silver. Sweat beaded his skin. His eyes gleamed with fear and ruthless determination. And in a staggering instant McGrath knew that the man had failed, that he had been unable to save Constance, and that now, to save his own life from his suspicious followers, he himself was dragging the girl to the gory sacrifice.

No vocal sound came from the votaries, but hissing intake of breath sucked through thick lips, and the rows of black bodies swayed like reeds in the wind. The great ape leaped up, his face a slavering devil’s mask; he howled with frightful eagerness, gnashing his great fangs that yearned to sink into that soft white flesh, and the hot blood beneath. He surged against his chain, and the stout post quivered. McGrath, in the bushes, stood frozen, paralyzed by the imminence of horror. And then John De Albor stepped behind the unresisting girl and gave her a powerful push that sent her reeling forward to pitch headlong on the ground under the monster’s talons.

And simultaneously McGrath moved. His move was instinctive rather than conscious. His .44 jumped into his hand and spoke, and the great ape screamed like a man death-stricken and reeled, clapping misshapen hands to its head.

An instant the throng crouched frozen, white eyes bulging, jaws hanging slack. Then before any could move, the ape, blood gushing from his head, wheeled, seized the chain in both hands and snapped it with a wrench that twisted the heavy links apart as if they had been paper.

John De Albor stood directly before the mad brute, paralyzed in his tracks. Zemba roared and leaped, and the African went down under him, disemboweled by the razor-like talons, his head crushed to a crimson pulp by a sweep of the great paw.

Ravening, the monster charged among the votaries, clawing and ripping and smiting, screaming intolerably. Zambebwei spoke, and death was in his bellowing. Screaming, howling, fighting, the black people scrambled over one another in their mad flight. Men and women went down under those shearing talons, were dismembered by those gnashing fangs. It was a red drama of the primitive — destruction amuck and ariot, the primordial embodied in fangs and talons, gone mad and plunging in slaughter. Blood and brains deluged the earth, black bodies and limbs and fragments of bodies littered the moonlighted glade in ghastly heaps before the last of the howling wretches found refuge among the trees. The sounds of their blundering, panic-stricken flight drifted back.