Authors: Roger Moorhouse
death, and I will give thee a crown of life’.
In time, new graves would be added. On 22 November 1941, the
funeral was held of the charismatic Luftwaffe general Ernst Udet. As a
member of Richthofen’s ‘flying circus’, Udet had been the highest
scoring surviving air ace from the First World War. He had gone
on to work as a stunt flyer and test pilot before joining the Luftwaffe,
where he had been instrumental in developing the tactics of dive-
bombing. Disillusioned by the progress of the war, however, and
scapegoated by Göring for the shortcomings of the Luftwaffe, Udet
committed suicide in his Berlin apartment.
Despite this rather ignominious end, a state funeral was ordered and
the fiction was proclaimed that Udet had been killed testing a new
weapon. On the very morning of Udet’s funeral, however, another
prominent life was lost. General Werner Mölders was one of the most
successful airmen of the Second World War: the first fighter pilot to be
credited with a hundred ‘kills’ and the first German serviceman to
be awarded the prestigious Diamonds to the Knight’s Cross. On the
morning of 22 November, Mölders was a passenger in a Heinkel
He-111 flying to Berlin for Udet’s funeral when the plane crashed in
bad weather near Breslau in Silesia. A few days later, Mölders too was
buried in the Invaliden cemetery alongside his friend and superior.
All such state funerals followed a similar formula, but the event
reached its apogee with the death of SS-
Obergruppenführer
Reinhard
Heydrich, the Reich protector of Bohemia and Moravia and the most
prominent Nazi to fall victim to assassination during the Second World
War. Heydrich’s funeral, in June 1942, was a protracted affair. His coffin
was laid in state, first in the Hradcˇany castle in Prague and then in the
Mosaic Room of the Reich Chancellery in Berlin, flanked by flaming
torches and an SS flag. An elaborate funeral ceremony was held, with
Hitler himself inspecting Heydrich’s orders and decorations, before
paying tribute to him as ‘one of the best National Socialists, one of the
strongest defenders of the German Reich’ and – most famously – as
‘the man with the iron heart’.6
Broadcast live over
Grossdeutscher Rundfunk
, the service featured the
German state orchestra playing the
‘Horst Wessel Lied’
, the funeral march from Wagner’s
Götterdämmerung
, and the soldier’s hymn ‘
Ich hatt’ einen
250
berlin at war
Kameraden
’. The latter, originally penned during the Napoleonic Wars,
was a staple at countless military funerals, and was the only song –
apart from the national anthem – for which soldiers were required to
salute. It was a moving soldier’s tribute to a fallen comrade:
Ich hatt’ einen Kameraden,
I had a comrade,
Einen bessern findst du nit.
you won’t find a better one.
Die Trommel schlug zum Streite,
The drum was rolling for battle,
Er ging an meiner Seite
he marched at my side
In gleichem Schritt und Tritt.
in the same step and stride.
Eine Kugel kam geflogen:
A bullet flew towards us
Gilt’s mir oder gilt es dir?
is it meant for me or meant for you?
Ihn hat es weggerissen,
It tore him away,
Er liegt vor meinen Füssen
he lies beneath my feet
Als wär’s ein Stück von mir
like a piece of myself.
Will mir die Hand noch reichen,
He wants to give me his hand,
Derweil ich eben lad’.
while I reload.
‘Kann dir die Hand nicht geben,
‘I can’t give you my hand,
bleib du im ew’gen Leben
rest in eternal life
Mein guter Kamerad!’
my good comrade!’7
As Heydrich’s coffin was finally borne from the Reich Chancellery
to be taken to the Invaliden cemetery, Beethoven’s
Eroica
was played
in tribute, and a long line of mourners filed out in silence to follow
the honour guard. Then, to the accompaniment of muffled drums,
the procession – with the coffin mounted on a gun carriage and draped
with the swastika flag – filed through the streets of the capital, past
a silent crowd of Berliners.
On arrival at the Invaliden cemetery, the solemn commemorations
continued. Among a sea of pressed uniforms and elaborate wreaths,
Heydrich’s coffin was buried alongside that of General Tauentzien, a
Prussian hero of the Napoleonic Wars, its position indicated by a
simple wooden grave marker, noting Heydrich’s name and dates
beneath an outline of the Iron Cross. It was intended that the spot
should be the site of another impressive sarcophagus, designed by two
Nazi favourites, the architect Wilhelm Kreis and the sculptor Arno
Breker. It has also been suggested that Heydrich’s remains were only
to stay in the Invaliden cemetery for a short time, as they were
the persistent shadow
251
apparently to be removed to a dedicated cemetery for SS personnel
– a
Totenhain,
or ‘death grove’.8
For all the elaborate ceremonial, in one respect Heydrich was
ultimately to share the fate of the humblest infantryman. As the pres-
sures of war mounted, neither his sarcophagus nor the bespoke SS
‘death grove’ was ever built. Finally, in the chaos of the German collapse
in 1945, his wooden grave marker disappeared as well.
Death was ever present in wartime Berlin. There was scarcely a family
in the capital – just as elsewhere in Germany – that did not lose a loved
one during the war years, yet ordinary Berliners were rarely accorded
even a fraction of the ceremonial, the fanfares or the solemn pantomime
of a state funeral. Of the five million or so German servicemen killed
during the Second World War, few were ever brought back to their
homeland for burial. Most of them were never formally buried at all.
As was usual in many armies, only senior officers could expect to
be repatriated after death in the field; ordinary soldiers and lower ranks
would generally remain more or less where they fell. In some cases, a
casualty would be buried, temporarily, by his fellows, with a simple
wooden cross bearing his name, unit and date of death, topped perhaps
with his ‘coal-scuttle’ helmet. Those same comrades would also register
the death, by snapping off half of the victim’s
Erkennungsmarke
, or dog tag – a tin disc worn around the neck, bearing the holder’s serial number,
unit and blood group – and handing it in to headquarters. In due course,
and if the military situation allowed, the body would later be disin-
terred and reburied nearby in a formal war cemetery.
Word of a soldier’s death would in time be passed to the bereaved at
home. In some cases, news of the death would be brought personally
by troops on leave or by letter from a fellow soldier. Ursula von Kardorff
recalled receiving the news of the death of her brother Jürgen in a letter
from his comrade in the spring of 1943. ‘I sit on night watch in our regi-
mental command post’, it began, ‘and don’t know how to tell you . . .’9
In the majority of cases, however, the victim’s next of kin would
receive notification of the death from the relevant authorities – the
Wehrmachtsauskunftstelle
, or ‘Army Information Centre’, in Berlin, known
colloquially as the ‘WASt’ – usually in the form of a letter forwarded
from a superior officer or regimental chaplain.10 Such letters, though they
could incorporate a personal note, were nonetheless rather formulaic,
252
berlin at war
bearing many of the same phrases: ‘painful duty to inform’, ‘died in our
nation’s struggle for freedom’, ‘the ultimate sacrifice for Greater
Germany’. Details would also be given, where possible, of the location
of the soldier’s grave. Such notifications became so common that they
were known simply as ‘the letter’. One Berliner recalled her neighbour
getting ‘the letter’ in the summer of 1942:
I saw Frau Müller who lived in the building next door. Her black-clad
figure was shrouded to her waist in the sombre sad veil of mourning. I
curtsied in homage to her grief and hurried home. Death in our midst,
my heart pounded. ‘Who died?’ ‘Tsk, tsk,’ Mutti and Oma clucked their
tongues in unison. ‘Such handsome boys, both of them. So young.’ . . .
‘The mail carrier brought the second letter only a few days ago.’
I had heard about letters like that. ‘She got a letter’ women would say,
meaning the one that they all dreaded. ‘The one with the black border on
the envelope and the military markings.’ . . . The mail carrier had tossed
the letter into the mailbox in the door and raced down the steps so she
would not hear Frau Müller’s screams. She was not fast enough though . . .
The list was getting longer. On the streets I saw too many people
with black crepe bands on their sleeves, black robed women who got
‘the letter’ and not a body to lay to rest.11
Some families would also receive the personal effects of the deceased
– a diary, watch or wedding ring and perhaps a medal. Ursula von
Kardorff recalled the arrival of her brother’s belongings, after his death:
Yesterday, the remainder of Jürgen’s things arrived. ‘Fallen for Greater
Germany’ was written on the package. The sight of it brought it all back.
His books: Luther, Rilke, Kant, Spengler, Tolstoy’s ‘War and Peace’, a
frivolous French novel and the Bible. Typical of him. In addition, both
Iron Crosses. His signet ring wasn’t there . . .12
In a few instances, the bereaved would also receive an official scroll
to commemorate the death. Under a gilt German eagle and swastika,
the text read that the deceased had fallen, ‘True to his Oath in the
struggle for the Freedom of Greater Germany’. Beneath his name,
rank and unit was appended the sentence: ‘A Hero’s Death for Führer,
People and Fatherland.’13 Such mementoes would often find pride of
the persistent shadow
253
place on a mantelpiece or in a quiet corner, carefully sited alongside
a black-edged photograph of the deceased.
In most cases, however, no personal effects were passed back to the
family. One Berlin woman, who lost all three of her brothers in the
war – one in the Battle of Britain, one in the Battle of the Atlantic and
one in Stalingrad – recalled that her family received no personal effects
whatsoever.14 This lack not only of a body, but also of any mementoes
and possessions of the deceased, can only have compounded her family’s
mourning.
Some soldiers took extraordinary measures to assuage the anguish
of a loved one left in a simple grave close to the front line. Wehrmacht
officer Philipp von Boeselager went to remarkable lengths in an attempt
to bring the body of his friend Wendt back to Germany. As he explained
after the war:
I had seen during my previous leave, how much it affected my mother
that my brother’s grave was [at the front]. Then, the following year,
my comrade Wendt died and I [. . .] had a wooden crate made with a
zinc lining. Then I dug him up, which was complicated as it was freezing
and one had to light a fire to thaw the earth, and people came along
and wanted to put it out. [Finally] we got him in the crate and I took
him with me . . . I thought, ‘one day we will go home.’ He was with
me for a year and a half . . . No one was bothered by it.15
Despite his efforts, Boeselager was unable to return his friend’s remains
to his family. Transferred to the High Command, he was eventually
forced to entrust the crate to a friend, with the instruction that the body
should be buried and a sketch of the site made, so that it might be
found after the war. It seems unlikely that the body was ever retrieved.
Most were much more modest in their endeavours. From the very
first days of the Polish campaign, grieving families posted sombre black-
lined death notices, mourning those lost in the conflict, in German
newspapers. The notices spanned the confessional divide, and in some
instances were even placed by the deceased’s employers as well as his
family. Most of them carried similar wording. Beneath a facsimile of
the Iron Cross, the heavy gothic text would tell of a ‘Hero’s death’ ‘for
Führer and Fatherland’ on the ‘Field of Honour’. A typical example is
this notice from the autumn of 1939: