Being a Beast (24 page)

✴ ✴

I mustn't make it sound easy. You have to put in the miles.

Not long ago I sat in a hot tepee as a very pretty shaman in a vest top told us how we could meet our spirit animals.

‘Relax', she told us. ‘Close your eyes. Then picture a hole. It could be a rabbit hole or a fox hole. Anything, really, but ideally going directly into the earth. Then imagine that you're going down into it. Picture it as clearly as you can. See the tree roots. Squirm round them. Smell the leaf mould. Keep going down; always down. You'll meet an animal. Greet it. It'll be glad to see you. It's there to help. This is its domain, so be polite: you're the guest. It'll lead you on; lead you down. Keep following. You'll have adventures. And if you have trouble visualising a hole, just go down the plughole in your kitchen. It'll take you to the same place.'

She began to beat a drum very fast, like a hamster's pulse. Outside, people were being doused in gong showers, their chi was being lovingly realigned, and my children were hitting one another with tent mallets. We all dived into our holes. I got six inches, and my head stuck. It stayed there, sweatily, while the others, it turned out, were having a fine old time soaring, galloping and trotting through other worlds.

‘I met a wolf', one of them breathily told us when we'd returned to the land of holistic massage and fratricide. ‘A big grey wolf with white flecks on his neck, and huge blue eyes with a golden core. I didn't want to go with him, but he nudged me on with his nose, and his nose was so warm that I felt comfortable. He let me ride on his back. I sank into it and then began to feel pine cones underfoot – under
his
feet!'

We obligingly gasped and smiled.

‘We – I – went steeply uphill. I could smell deer off to my right, but I wasn't hungry. I'd seen a cave through the trees, with some strange bones buried in the floor. I began to scuffle them out with my forefeet. And then I heard the drum calling me back.'

It was, he agreed, a much more intense experience than it had been last year.

Well, I'm sorry, but I don't believe it. I don't say he didn't experience what he described. He was plainly honest and earnest. But this wasn't shamanism, as experienced after arduous and painful apprenticeship; after exhaustion, fasting and huge doses of fly agaric mushrooms. It wasn't this that they crawled for a mile in the dark along a crack in the rock to find. This wasn't a world on the other side of a veil, but one inside a dreadlocked head. It's just not so easy: you have to acquire the habit; you have to do the legwork or the wingwork. It's not just about rightly directed imagination or good intention.

The Jewish prayer that's said on first awaking declares that ‘all who fulfil His commandments gain good understanding'. You don't start by understanding: you don't start with an idea. In the beginning was the deed. In a material world – a world of earth, air, fire and water, with which magical alchemy can be done – you can't grasp abstractions or ghosts direct, as they were trying to do in the tepee. They're too slippery; too insubstantial; too contingent on glorious concreteness. You've got to get dirty in the earth, cold and fearful in the air, singed in the fire and seasick in the water. You've got to scratch, scratch, scratch the world with the same paw or wing movements as the creatures you long to know.

Swifts have the habit of flying. You've got to get the habit of the swift in order to fly.

Endnote

*
Estimated from data on swifts that breed in Sweden, whose migration figures are: for autumn, a mean duration of 69 days (30–99 days) – 30 days of travelling and 39 days of stopover; for spring, a mean duration of 29 days (18–34 days) – 21 days of travelling and 8 days of stopover.

Epilogue

‘So: what's this book about, then?'

I was sitting on an island with a well-known Greek poet who harrumphed dismissively into his moustache between glasses of Peloponnesian red.

I told him what I thought it was about.

‘Impossible.' He meant absurd, but was too gracious to say so. ‘It's like trying to live in a fifth dimension. You can describe it mathematically, but you can't give any account of what it would be like to live in it.'

‘No', I said, ‘it's not like that. Or if it is, then it makes me doubt whether I have any real human relationships. I'm in the same three spatial dimensions as a fox, and the fourth dimension, time, flows just as mysteriously and erratically for other humans as it does for foxes. True, foxes might get several years' worth of information in a momentary sniff – so telescoping time. But that's not unimaginably different in kind from me flicking quickly through a family photo album.'

The poet raised his eyebrows and looked pityingly sophisticated.

I went on, but I didn't know why: ‘You've got a nose. It's so much more fastidious than the average – and certainly than mine – that you've brought your own bottle of wine with you to this perfectly nice taverna. Yet I can have some idea of what you mean by “wine”, and even by “good wine”, and even by some of the adjectives you'd use to describe good wine. And even if I can't now, I could learn. I could awaken my nose.'

‘But', said he, ‘I can't have the first idea what it's like to live in the world of a Southern Baptist from Alabama. You can't reeducate your psyche to know anything at all about that.'

I agreed with him. That is indeed the world of the fifth or sixth or seventh dimension. But the comparison gave me hope.

‘Quite right', I said. ‘I share much more with a fox than with a fundamentalist. I've lived and I live with the fox in an embodied, sensual world of wood and earth and bone and semen and cold. We met and we meet in a real place, and there I've started to use the words “I and thou”. The “I” has grown in the encounters, I can tell you. If the “I” has grown, why not the “thou”? If we grow in the same soil, and in the light beaming from the other, isn't that a sort of knowledge of the other?'

He rolled his eyes, took another swig of the unapproachably, incomprehensibly good wine and moved on to the accents of Cretans and Thracians.

The taverna looked out on to an olive grove where, in happier, wiser times, cloven-footed Pan had serenaded and impregnated the maidens of Kýthira. Like any decent or indecent maenad I drank the wine made from the grapes just down the road, and eventually the premise of the book didn't seem so ludicrous. I thought it was fair, if not encouraging, to judge it by its fruits.

✴ ✴

I grew up on the edge. On the edge of a community (we never really belonged anywhere) and on the seam of a city and the wilderness. At night I'd walk up a few polite streets, and then the neon would give up and I'd be looking down at the city: one foot on the heather, another on the tarmac; one foot in the light, another in the dark.

Those night walks defined me. I was made by the edges. Take them away, and I'd dissolve. I couldn't survive on either the heather or the tarmac.

I wondered if other people were the same. I still wonder. Selfishly I hope so. I'd like to meet them.

I grew up, therefore, both suspicious of frontiers and totally dependent on them. Then, after a bit of wandering and reading, I wondered if humans could cross the frontiers that separate them from other species. Those frontiers seemed pretty artificial – defined by the taxonomical conventions of the day. And by all accounts they had been routinely violated (as the Judaeo-Christian tradition, with its love of separation, would put it) or rapturously and enrichingly penetrated (as shaggy people who played the pipes and seemed to have more fun would put it) in most cultures other than our own.

I could have gone down the stern, merry, green path of the shaman. But I was too scared. Instead I took up birdwatching and philosophical abstraction.

So far as the abstraction goes, I'm interested in three questions. Although it might not have been obvious, I've been exploring them in this book.

The first flows directly from heather, tarmac and shamanism: are there any limits to our ability to choose?

The fact that we have at least some autonomy is awesome and intimidating. We're used to thinking that autonomy is most critically on trial in dramatic, occasional situations – such as when we're considering the right to assisted suicide. But surely it's the day-to-day choices that are the most terrifying and repercussive. Listen: You can choose whether to get up early, run round a field, have a cold bath and then read
Middlemarch
. Or stay in bed and watch shopping TV. That's astonishing. I can never get over it. That's a choice between Life and Death. Therefore choose Life.

We're used to saying, at least to ourselves, ‘There's nothing I can't do or be if I put my mind to it.' But is it true?

There's a good test for this. If I can become a badger, then there are good reasons to be confident more generally about our autonomy.

The second question is to do with identity and authenticity.

I've often worried that there's nothing to me. Or at least that, if there is something to me, it's highly labile. I would like to be reassured that there's an indestructible core of Charles Fosterishness.

One way of testing this is by becoming a fox and seeing if the fox still smells distinctively of me.

The third question relates to otherness.

I worry that I'm entirely alone in the world: that otherness is wholly inaccessible. That when I think I'm in a relationship, I'm not. That all conversations are ultimately at cross purposes. That I neither understand nor am understood by any other.

There's an exercise that might be able to help. If I can establish a real relationship with a non-human animal, there are grounds for optimism in relation to relationships with humans. If I can bond with a swift, I may well be able to bond with my children. True, I won't be able to prove in a Euclidean sort of way that I'm really relating to the swift. But the human-animal relationship will be simpler than the human-human one and won't be obscured by so much tangled emotion. That means it might be easier to be reassured that a human-animal relationship is real. If it is, and it tastes like the same sort of thing as a human-human relationship, I'll be able to love my children less doubtfully.

These are what I was working on in the mountains, moors, rivers, seas and skies.

I made, I think, a bit of progress.

Our anatomy and physiology impose some limits on us. And if (as seems highly unlikely) we're mortal, so does our mortality. I can't fly. Nor is there time to learn all the words necessary to compensate poetically for my absence of wings. But our capacity for vicariousness is infinite. Empathise enough with a swift and you'll either become one or (which may be the same thing) you'll be able to rejoice so much with the screeching race round the church tower that you'll not mind not being one yourself.

For better or for worse, Charles Foster continued to smell of himself when he crawled, slashed and dived. Indeed, he smelt
more
of himself. That wasn't, I think, because the whole exercise of transformation was a failure, but rather an illustration of the general principle that the more you give away, the more you get back. In any event, it was reassuring. There's
something
in me that's distinctive and worth working on.

I've seen and known some animal others. The woods are full of slinking ‘thous'! I've been held in a yard in the East End of London by the commanding vertical pupil of an insolent fox. I've had enough beckoning and threatening looks across crowded bars to know reciprocity and its absence when I see them.

This is immensely exciting. There's a chance that I can know and be known!

✴ ✴

There was a fourth, less abstract question. Do my animals live in the same world as I do? Do they swim in the same water, forage in the same dustbins, dig in the same earth, look across the same misty Channel to Wales and smell the same rising tide of decay from the Gulf of Guinea?

I've left it until last because my thoughts about it change about every half an hour, and I hoped for a while that they would start to crystallise.

They haven't, and I'm so glad.

✴ ✴

I can't always be in the wild. Sometimes I have to be in places that smell of fear, fumes and ambition. When I'm there, it helps very much to know that badgers are asleep inside a Welsh hill, that an otter is turning over stones in one of the Rockford pools, that a fox is blinking in the same sun that makes me sweat in my tweed coat, that a red stag is cudding among ghost trees by a stone circle near Hoar Oak, and that there's a swift, hatched above my Oxford study, hunting, almost beyond human sight, in the high, hot blue over the Congo River.

That these things should be a comfort is strange. They should taunt, not comfort. They should say: ‘You're not there. Ha, ha, ha.'

Why does that not happen?

Well, I note that I get a similar sense of comfort only from being assured of the continued existence of things – and notably people – that (whatever love is) I love.

Perhaps, then (whatever love means), I
love
these creatures. I cringe at the thought. For the past 200 pages I've been terrified of anthropomorphism, and here I am, apparently guilty of the very worst kind.

It gets worse. Because the sort of love I'm talking about (whatever it is) is necessarily reciprocal. I can't really love X unless X loves me.

Now there's a thought.

Acknowledgements

Bibliographies and acknowledgements are usually separate. I think that's strange. There's no clear distinction between a person and the books they've read. If I ask someone for an opinion or for information, their answer will draw on a mass of literature. Here, then, people and paper are in the same place.

This is not a full list of everyone who's helped. A full list would be everyone I've ever met, seen and heard, and everyone who has met, seen and heard them, and so on in an infinite regression.

I have changed some names.

The bibliography is very selective. It contains just the basic texts which might be useful for anyone who wants to read more. I read hundreds of scientific papers when researching this book. Only five of them are cited here (about badger predation by wolves, because lots of people didn't believe the account in the chapter; about empathy in animals, because the subject is particularly controversial and the paper surveys all the crucial studies; about ranging behaviour in red deer, from which I borrowed many facts; about the physiological responses of red deer to being hunted, because the issue is discussed and the cited article supplements the Bateson Report and the Joint Universities Study, both of which are separately cited here; and about swift migration, because I have used much of the data from it in the swift chapter).

General – People

My wonderful friends Jay Griffiths and Iain McGilchrist, who believed in this book when there was no reason at all to do so. I wrote the first words sitting in Iain's house on Skye, looking out at a storm mounting over the Uists as Iain shucked oysters for supper. And I drafted the final words in my head as I walked with Jay over Brendon Common on Exmoor, having just been hunted by bloodhounds.

My amazing agent, Jessica Woollard; my superb editors, Mike Jones and Rebecca Gray at Profile and Riva Hocherman at Metropolitan; Juliana Froggatt for scarily acute copy-editing; and kind, wise George Lucas at Inkwell Management.

Colin Roberts, for all that happy, formative anarchy in the Peak District, and Derek Whiteley and Andy Powell for infecting me with a passion for natural history from which I'll never recover.

Mark and Sue West of Indicknowle Farm, Combe Martin, for affirming my identity as Badger Man.

Nigel and Janet Phillips, the best two things I've ever picked up on a beach.

For all sorts of things: Paul Kingsnorth, Andy Letcher, Hugh Warwick, James Crowden, Arita Baaijens, David Bostock, Geoff and Mandy Johnson, Katherine Stathatos, Gus Greenlees, Annabel Foulger, Magnus Boyd, Marnie Buchanan and Karl Segnoe, the
Dark Mountain
lot and the editors of the
Shooting Times.

My long-suffering wife, Mary.

And of course the cubs/calves/nestlings: Lizzie, Sally, Tom, Jamie, Rachel and Jonny, who are far and away my most important teachers.