Because the Night (3 page)

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Authors: James Ellroy

BOOK: Because the Night
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FTER thirty-six nonstop hours on the liquor store case, Lloyd Hopkins fell asleep in his cubicle at Parker Center and dreamed of annihilation. Sound waves bombarded him, predator birds attacked the willfully shut-off part of his brain where the man he had killed in the Watts riot and the man he had tried to kill last year resided. The birds tore open jagged sections of sky, letting in crystals the color of blood. When he awakened he bludgeoned the images with quiet still-lifes of Janice and the girls in San Francisco, waiting for time to heal the wounds or reinforce the division. The liquor store/charnel house memory took over from there, pushing family love back into the safety compartment with his nightmares. Lloyd was relieved.

The death scene expanded in his mind, chalked like a forensic technician's marking grid. Off to his left were an open cash register, a counter scattered with tens and twenties, broken liquor bottles all along the lower shelves. Heel marks where the proprietor had been dragged to his execution. The right hand grid revealed an overturned cardboard beer display and heel marks where the two other victims had probably crouched to hide from the killer. Bisecting the grids was the crimson wind tunnel into the store's rear room, three bodies crumpled across a once beige curtain that was torn free from the doorway by the muzzle velocity of three hollow point .41 slugs smashing through three cranial vaults. There were no discernible trajectory or spatter marks; exploded brain and bone debris had rendered the tiny stockroom a slaughterhouse.

Lloyd shook himself further awake, thinking:
Psychopath.
He walks into the store, pulls out a monster hand-cannon and demands the money, then sees or hears something that flips his switch. Enraged, he hops over the counter and drags the proprietor by the hair over to the doorway. The girl and the old man betray their presence. He knocks over the display cutout and makes them walk to the curtain. Then he takes them out with three bull's-eyes from a top-heavy, unvented revolver with monster recoil, leaving the money on the counter. A volcano with ice-water fuel injection.

Lloyd stood up and stretched. Feeling the last residue of sleep dissipate, he walked down the hall to the mens room and stood before the sink, alternately staring at himself in the mirror and running cold water over his face. He ignored the sound of early arriving officers laughing and primping quietly around him, aware for a split second that they were keeping their voices at a low register out of deference to his reputation and well-known hatred of loud noise. Feeling his rage start to peak, he defined his killer with self-righteous cop invective:
psychopathic scumbag. Take him out before his switch flips again.

The first thirty-six hours of his investigation had been spent thinking and chasing computer type. After noticing a “No Parking” zone outside the liquor store and extending all the way down the block, Lloyd theorized that the killer had either walked to the location or had parked in the bushes beside the freeway on-ramp. His latter thesis had been rewarded—under fluorescent arc lights the forensic technicians had found fresh tire tracks in the soft dirt and minute yellow paint scrapings stuck to the tips of sharp branches. Four hours later the L.A.P.D.'s Scientific Investigation Division completed its tests on the paint and announced the results of the technician's plaster of paris moldings of the tire tracks: The car was a Japanese import, late model; the paint the standard brand in every Japanese automotive plant; the tires standard equipment radials—used solely by Japanese manufacturers. R & I and a computer cross-check of recent armed robbery and homicide bulletins revealed that there were no yellow Japanese imports registered to convicted and paroled armed robbers or murderers and that none had been mentioned as figuring in any robberies or homicides dating back over a year. The California Department of Motor Vehicles supplied the most frustrating information: There were 311,819 yellow Japanese automobiles, 1977 to 1984 models, registered in Los Angeles County, making a concerted check for criminal records a clerical impossibility. Even the L.A. County “Hot Sheet” yielded zilch—a total of eight yellow Toyotas, Subarus, and Hondas had been reported stolen over the past six weeks, and all eight had been recovered. The car was a dead end.

Which left the gun.

Lloyd considered the still awaited latent print workup a foregone conclusion: smudges, streaks, partials, and at best a few completes belonging to local juiceheads who patronized the store. Let the three officers he had assigned to run background checks on the victims have carte blanche there—fingerprint mania or the “kill three to get one” angle his superiors at Robbery/Homicide had told him to stress were as dead as the car. Every ounce of Lloyd's instinct told him that, just as every ounce had told him that the trinity of this case was the killer's psychosis, his cool, his
gun.

The Ballistics Report and the Autopsy Protocol were rife with flat-out wonderment. Henry McGuire, Wallace Chamales, and Susan Wischer were killed by a .41 revolver fired from a distance of twelve to fifteen feet, all three slugs hitting them square between the eyes. The killer was a marksman, the gun an anomaly. Forty-one revolvers predated the Wild West days, going out of manufacture before the Civil War. They were too unwieldy, too heavy, and had a marked tendency toward misfiring. Forty-one ammunition was even worse: hardball or hollow point, its unpredictable reports were capable of jerking the shooter's arm seemingly out of its socket or of going off like a soggy popcorn kernel. Whoever had shot the three people at Freeway Liquor had mastered a difficult antique handgun with antique ammo and had exercised his mastery under a state of extreme duress.

Lloyd stared deeper at his own mirror image, wondering what to do now that he had already sent stolen gun queries to every police agency in California and had personally questioned every antique gun dealer in the Central Yellow Pages. Negative answers all the way down the line—no .41s in stock, let alone purchased, and it would probably be another twenty-four hours before the responses to his queries began trickling in. All the paperwork was digested; all the facts were lodged. There was nothing he could do but wait.

And waiting was antithetical to his nature. Lloyd walked back to his cubicle and stared at the walls. Snapshots of his daughters formed a spray around the fed's ten most wanted; a pincushion map of L.A. County showed that homicides were up in Hollywood, South Central, and the East Valley. On the Freeway Liquor case the obvious next step was a call to Hollywood dicks to see what their snitches had come up with. Looking for something to perk his mental juices, he picked up the file that Dutch Peltz had given him just before the start of the frantic thirty-six hours.
Herzog, Jacob Michael, 5/3/49,
was typed on the front of the manila folder and inside were Xerox copies of statistical records forms, fitness reports, commendation certificates and odd memoranda from superior officers. Thinking of Herzog as a dead man and of the folder as his epitaph, Lloyd pulled up a chair and read every word in it five times.

A singular man emerged. Jungle Jack Herzog had a 137 I.Q., barely met the L.A.P.D.'s height and weight requirements and was born in Beirut, Lebanon. He was fluent in three Middle Eastern languages and had protested the Vietnam war in college, before joining the Air National Guard. He had graduated twelfth in his academy class and received scrolls in scholarship, marksmanship, and physical training. His first four years on the job had been spent working Wilshire Patrol and Wilshire Vice, receiving Class A fitness reports, earning praise from all superior officers save one vice squad lieutenant, who shunted him back into uniform for refusing to serve in a public restroom deployment to catch persons engaged in homosexual acts. That same lieutenant had then recanted his criticism—later requesting that Herzog train his men in operating bookmaking and prostitution surveillances, heavily emphasizing the use of disguise. Herzog's “seminars” had been so successful that he gained consultant status, training plainclothes officers city wide, staying in demand while doing four and three year tours of duty at West L.A. and Venice Divisions.

Jungle Jack became known as the “Alchemist,” a reference to his ability to tranform himself and render himself virtually invisible on the street. He was also spectacularly brave—twice resolving hostage situations, the first time by offering himself to the gunman who had taken over a bar he was staking out for liquor violations.

The gunman had grabbed a young prostitute and was holding a knife to her throat while his accomplice tapped the cash register and grabbed the purses and billfolds of the bar's patrons. Herzog, in the guise of a crippled drunk, taunted the knife wielder to release the girl and take him in her stead, screaming obscenities at him, inching closer as the blade drew a trickle of blood at the girl's throat. When he was two feet away, the gunman shoved the prostitute aside and grabbed Herzog, screaming when Jungle Jack's elbow crashed into his windpipe. Herzog disabled the man with a flat-handed karate chop and took off after his accomplice, catching him after a five-block foot pursuit.

The second hostage situation was resolved even more boldly. A man known to local officers as a heavy angel dust user had snatched a little girl and was holding her at gunpoint while a crowd gathered around him. Jack Herzog, in uniform, walked though the crowd and up to the man, who dropped the little girl and fired at him three times. The shots missed, and Herzog blew the man's brains out at point-blank range.

Herzog's reputation grew within the Department; requests from vice squad and plainclothes commanders multiplied. Then Sergeant Martin Bergen, Herzog's best friend, committed an act of cowardice as noteworthy as Herzog's acts of bravery. A trial board followed, and Herzog went to the wall for his friend, calling in favors in hope of saving Bergen's career, testifying as a character witness at his trial, decrying the L.A.P.D.'s hero mentality from his standpoint as one of its greatest heroes. Martin Bergen was banished from the Department in disgrace and Jungle Jack Herzog was banished to a file clerk job—a defeat as ignominious as Bergen's. Even a hero shouldn't fuck with the bosses.

Lloyd put the folder down when he realized that a shadow had fallen across the pages. He looked up to find Officer Artie Cranfield from S.I.D. staring at him.

“Hello, Lloyd. How's tricks?”

“Tricky.”

“You need a shave.”

“I know.”

“Any leads on the liquor store job?”

“No. I'm waiting on queries. Ever hear of a cop named Jungle Jack Herzog?”

“Yeah, who hasn't? A real gunslinger.”

“Ever hear of an ex-cop named Marty Bergen?”

“What is this, a guessing game? Everyone knows Old Yellowstreak and that toilet paper tabloid he writes for. Why?”

“Herzog and Bergen were best buddies. Mr. Guts and Mr. Chickenshit. You like it?”

“Not particularly. You look sardonic, Lloyd.”

“Waiting makes me feel sardonic. Not sleeping makes me look sardonic.”

“Are you going home to sleep?”

“No, I'm going to look for Mr. Guts.”

Artie shook his head. “Before you go, say something macho about the liquor store asshole.”

Lloyd smiled. “How about ‘his ass is grass and I'm the fucking lawnmower'?”

“I like it! I like it!”

“I thought you would.”

Lloyd drove to Jack Herzog's last known address, a twenty-unit apartment house on the valley side of the Hollywood Hills. The pink stucco building was sandwiched between two shopping malls and featured a video game arcade in the front lobby. The directory listed Herzog as living in apartment 423. Lloyd walked up four flights of stairs and checked the hallway in both directions, then jimmied the lock with a credit card and closed the door behind him, almost stumbling over the pile of unopened mail that was spread out on the floor.

He flipped a light switch and let his eyes fall on the first thing that greeted them, a trophy case filled with award scrolls and loving cups. The ink on Herzog's death certificate was the scouring powder wipe marks that covered the wood and glass surfaces. A quick check of the rest of the apartment revealed that wipe marks streaked with abrasive powder were spread over every surface capable of sustaining latent prints. It was the job of a conscientious professional.

Lloyd leafed through the envelopes on the floor. No personal letters or postcards—every piece was either a utility bill or junk mail. Letting his eyes stray over the living room walls, he saw an impersonal habitat come into focus—no artwork of any kind; no masculine disarray; furniture that had probably come with the lease. The award scrolls and loving cups had the look of hand-me-downs, and when he squinted to read the names and dates embossed on them, Lloyd saw that they were track and field awards won by Herzog's father in Lebanon during the late '40s.

The kitchen was even more spare—dishes and silverware stacked neatly by the drainboard, no food of any kind in the refrigerator or on the shelves. Only the bedroom bore signs of personality: a closet stuffed with L.A.P.D. uniforms and a huge supply of civilian clothes, outfits ranging from ragpicker overcoats to skinny-lapel pimp suits to outlaw motorcycle leathers. Beside the bed were tall shelves crammed with books. Lloyd scanned the spines. All the titles were biographies, the lives of generals, conquerors and religious iconoclasts predominating. One whole shelf was devoted to works on Richard the Lion Hearted and Martin Luther; another to books on Peter the Great. Romantic plunderers, despots, and mad visionaries. Lloyd felt a wave of love for Jungle Jack Herzog.

After checking out the bathroom, Lloyd found the phone and called Dutch Peltz at the Hollywood station. When Dutch came on the line, he said, “I'm at Herzog's pad. It's been wiped by a pro. You can scratch Herzog for real, but don't let anyone know, okay?”

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