Bandbox (24 page)

“I don’t follow you,” said Harris. “Sell what? More subscriptions? Believe me, we’re trying.”

“No, Joe. Sell
Bandbox
. To Nast. Let Jimmy absorb it into
Cutaway
while the subscription list and masthead are still worth charging him real money for.”

Harris’s face turned as gray as the rain falling past the window. “And what do you expect me to do? Go to work for Jimmy?”

“I don’t expect anything, Joe. I’m just saying that we need to be realistic if present trends continue.”

“
Trends?
It’s one set of numbers!”

“Joe,” said Oldcastle, not a decibel higher than he’d said anything else. “When I hired you, how long did it take you to turn
Bandbox
around?”

“One business quarter.”

“That’s right, Joe. And it can head back in the other direction just as quickly.”

“You let the
old
version languish for twenty years!”

“That was a sentimental gesture, Joe. Something for the family.” Oldcastle was now old enough that people sometimes forgot he’d inherited
the first of his several millions, as well as the company, from his childless uncle, who had started
Bandbox
.

“Now, Joe,” the publisher continued, “no long faces. During this wait-and-see period I’d like to talk about some things we really can’t have going on. Let’s start with your employment of this fellow Lindstrom.…”

From Waldo, it was on to Gianni, and then Newman, and then Mr. Palmer. Fifteen minutes passed before Harris, having done little more than nod, could get up from his chair and, with Oldcastle’s permission, leave the office.

Right now Paul Montgomery, hidden behind two potted palms at the elevator bank, felt confident that with a little scrutiny of Harris’s facial expression, he’d be able to infer just what had happened behind Oldcastle’s door. Paulie had been up here on the sixteenth floor four times today, ever since noticing the summons to the boss on Hazel’s desk. And now, at last, after getting a good look at Harris watching the elevator arrow, he had the information he’d come for.

It was time for him to quit.

“This is the first year I haven’t had a Valentine from Daisy,” said David Fine, sitting across from Spilkes at Malocchio. They were close to finishing the main course.

“She must be serious about this judge.”

“Yeah, but I didn’t figure she’d cut me off. She never did during the polo player. Or the wrestler.”

Harris finally entered the restaurant, an hour late, so ashen and
unsteady that a waiter helped him toward the table. Spilkes and Fine could scarcely conceal their shock.

“Thanks,” said Harris, relinquishing the waiter’s arm. “It’d be something if the one time I actually fell on the floor in this place I turned out to be sober.” He managed to unfold his napkin. “Where’s Paulie?”

“He telephoned,” said Spilkes. “He’s not feeling well.”

“I hope he doesn’t catch what I’ve got.”

Spilkes wondered whether this dinner, which he’d proposed during his call to Betty’s office this morning, was still such a good idea. “You sure you’re strong enough for a war council, Joe?”

“I’m not even strong enough to eat,” said Harris, who signaled the waiter back. “Just a small plate of calamari. And bring the special olive oil. The golden-brown kind.”

“Yes, sir,” said the waiter, who recognized the code for scotch, which he’d now bring to the table in a glass cruet.

“Is Gianni around?” Harris asked, nervously.

Fine pointed to the kitchen door. “He hasn’t come out the whole time we’ve been here.”

Spilkes added: “It may be just as well, Joe.” He wanted to review the whole series of disasters, one at a time, in his orderly way. “I’ve found out a little more about Wanamaker’s—”

Harris, who’d never made it to his own office today, cut him off with a laugh. “Let me restore your sense of proportion, Norman.” He then told all that had happened in Oldcastle’s office, from which he’d gone straight to the Warwick to lie down with a hot towel across his forehead, waiting for Betty.

Spilkes, badly shaken by this new information, noticed that Harris was already refilling a coffee cup with “olive oil.” “Joe,” he warned, “you need to be on your toes.”

“Norman, I’m not training for the Golden Gloves.”

“Start simply,” Spilkes urged, remembering a day when the whole
AT&T grid, from Greenwich to Norwalk, had gone down. “First off, you need to repair things with Rosemary LaRoche, even if we have to sober Newman up and send him to California. You’ve
got
to tend to that first thing in the morning. Jimmy’s clearly up to something there. Hellinger’s running an item that says
Cutaway
’s preparing a portfolio called ‘Ladies We Worship.’ Jimmy promises Rosemary will be at the top of their list.”

“Who’s feeding Jimmy all of our troubles?” cried Harris.

Spilkes, who now knew that the Newman-LaRoche story was all over the fourteenth floor and could have traveled up to
Cutaway
as simple gossip, just moved to the next matter. “You’re going to get a heavy pitch from Max first thing tomorrow morning.” He explained the disappearance of John Shepard, of whom Harris had no memory at all. “In some ways this is a very good idea,” Spilkes said, arguing how the story of a search might cement the bond between
Bandbox
and its readers.

Harris was baffled. “Why don’t we just start rescuing cats from trees? No, Norman.”

“I have a few doubts myself,” said Spilkes, “but it’s worth considering.”

“Norman, I’m worn out. Don’t even ask about the half-hour I had to spend with this sanctimonious mick, Boylan.” Harris took a breath. “The only thing I’ve got to deal with tonight is Gianni.”

“You’ve got to keep him friendly, Joe. We can’t have him saying anything about those payoffs on the witness stand. In the meantime, I should tell you that the money in your ‘Special Projects’ strongbox has been put into a passbook savings account. You know, I always had my suspicions …”

Fine had explained the payoffs to Spilkes this morning. “You know, Joe,” the columnist now said, “things aren’t going to be smooth between you and Gianni. I called him this afternoon. He didn’t even want to talk to
me
.”

“Why not?” asked Harris.

“Because, he says, five years ago I introduced him to
you
.”

Harris reached for the olive-oil cruet. Pursing his lips, Spilkes rose to his feet and signaled Fine that it was a good time for them to go. The editor-in-chief, deciding he didn’t need their disapproval, waved them off. He was happy to keep sitting for a time, while a rainstorm blew outside the restaurant, in something close to solitude. Not noted for romantic atmosphere, Malocchio was always empty on Valentine’s Day.

A waiter approached with a piece of paper.

“What’s that?” asked Harris.

“The bill.”

It was the first time he’d ever been presented with one here. Sighing, Harris reached for his money clip. After putting nearly all the cash he had onto the table, he got up and walked to the kitchen.

Gianni was seated alone at a wooden table near one of the sinks. Harris came and stood over him, unable for a moment to do more than stare at the tiny coffee cup in front of his former friend. He’d never understood it: however strong the brew might be, these thimble-sized Ginny cups were such an affectation.

At last, pointing to a rain-lashed window, he said: “Every time I’m in here lately it feels like the end of the world.”

“So,” said Gianni. “You go off to England, fiddling while Roma burns.” He’d stolen the line from a subhead in the
Mirror
. “Siddown,” he continued, snapping his fingers for the grappa bottle. “You letta me down.” His accent had returned since his release on bail.

Harris said nothing.

“You
forgot
?” asked Gianni. “You
forgot
to make the payments to that fat paddy bastard O’Flynn? Do I
forget
to go to fish market every morning? Do I
forget
my mamma’s birthday?”

“Okay,” said Harris, sitting down and pouring himself a grappa. “I
forgot. But how was I supposed to know the cops’ going after Waldo would lead them to you?” He paused. “Did you sell him stuff?” This was easier to ask than whether Gianni had actually slept with Lindstrom.

“I no sell! I
give
! Like I
always
give!” He jumped up and went to a sideboard. “Here! Take a free
boconnotto
!” he cried, slapping down the pastry. “Here! Take some more grappa!” he shouted, pouring from the bottle until Harris’s glass overflowed onto the table. “I give and I give! And now I probably lose my restaurant. Thanks to you! Well, now you and your friends won’t have no place to go when you finished with your workday.”

Harris mopped up the grappa before it could reach his lap.

“
Goombah
, we soon may not have any place to go
during
the workday.”

Harris was too keyed up to return to the Warwick, so when he’d finished with Gianni, he took a cab to the Graybar and paid the driver with what cash he had left. The Negro watchman let him into the building and brought him up in the elevator to fourteen. Lights were on all over the deserted floor. All right, he thought: he would start
very
simply, with a memo to the staff about all this midnight oil being burnt for nothing.

He kept an ancient Remington in his office, using it when he thought its distinctive typeface would add a note of personal authority to his communications. Unfortunately, his two-fingered hunting and pecking was so hit-and-miss that Nan had once compared it to man’s discovery of fire. Tonight, on top of all else, his hands were too shaky to get the mimeograph paper into the roller. He’d have to dictate to Hazel in the morning.

Sinking into the cracked leather of his desk chair, he tried to feel
at home again. But glaring up from the blotter was a letter from Rosemary LaRoche, messengered over by the Paramount Building after a three-day air trip from Hollywood.

What kind of magazine are you running?
This was her opening, in a penmanship so unadorned it might have belonged to an engineer instead of a movie actress. The letter proceeded to indict the magazine’s “phony made-up stories” (presumably a reference to Mr. Palmer), the “drug crowd” its people ran with, and the “gross indecencies” that Stuart Newman, “a public dipso,” had tried inflicting on her person. She would hate having to tell
Cutaway
the details of these offenses. “But listen, ’Phat,” the letter went on—and Harris
was
somewhat thrilled by her use of his familiar—“I’m willing to let Mr. Newman come out here and redeem himself, so long as a third party stays in the room at all times, alongside the two of us, so as to keep an eye on things. You need to get in touch with me about such new arrangements, which I hope will save the reputation and face of everybody involved. In the meantime, on account of the embarrassment and suffering your magazine has caused me, I’ll be getting seven cents, not five, on every copy of my issue that you sell.”

Harris did a rough mathematical calculation while, through the frosted glass, he watched the bright, bankrupting glow of electric light. Forget her endearments and diminutives! He would put Max Stanwick on this vulture’s tail; he’d have him find out who this dame really was and what skeletons she’d buried on her trek from the wheat fields to Grauman’s Egyptian.

He made a note to telephone Max in the morning, and then picked up the next item on the blotter: that tear-jerking letter from the mother in Indiana. He read it and frowned: aside from all else, how was the magazine supposed to scour the country for this milk-fed kid? It’d be like looking for hay in a haystack.

He put the letter on the bottom of the pile and took a break to commune with his familiar surroundings: the pictures of Yvette and
Claudine, who looked so much more at ease here than in Captain Boylan’s office; his quiver of pens and their massive crystal inkwells; his
EDITOR OF THE YEAR
cigarette case; and all the photographs of himself—with Dempsey, Valentino, Walker, Mae West (when they did the piece on her, Oldcastle had approved the title “Vitamin Mae,” but vetoed a picture of her sucking some healthful concoction off a spoon). Another wall photo, from his regime’s earliest days, showed Harris inside Malocchio with Fine and Houlihan and Gianni. A last one, from the old offices, had him and Jimmy Gordon with that lawyer Oldcastle always assigned to the closing of Jimmy’s more audacious pieces.

This was his world, and he was not leaving it.

He looked again at the clock. Betty would soon be worrying, so he got up and went in search of some money he could use on a cab back to the Warwick. Rummaging beneath Hazel’s desk, he remembered that, thanks to Norman, the Special Projects fund was now locked up at the Irving Trust earning three percent. Where else might he find—

Suddenly, from behind Houlihan’s door, he heard a noise. Oh, Christ, thought Harris: don’t tell me Cuddles has been evicted and is bunking on his office couch. With surprising daintiness, he tiptoed toward the door, which was open a crack, and listened to the particular sort of raised voice that signified long-distance telephone conversation.

“Yes, ma’am,” he heard Cuddles say between pauses. “Yes, Mrs. Shepard, we’re very concerned.… We’ll be sure to cooperate with the police in every way.… No, we don’t know anything about the trunk.… That’s why we’re going to try something special.… No, I’m sure John would never do anything like that.” He listened and spoke with great patience before the line was relinquished back to an operator in Indianapolis.

“It’s not enough everybody’s running up the light bill,” said Harris. “We’ve got to squander the long-distance budget, too.”

“Official business,” said Cuddles, not the least bit startled, as he turned around in his chair.

“Unauthorized business is more like it. Listen, I know about this let’s-find-Fido idea, and it’s a stinker. Besides, I want Max for something else right now. I’m going to get him to dig up three bushelfuls of dirt on our gal LaRoche. We’re going to climb through every hole in her negligee.”