Babylon Confidential: A Memoir of Love, Sex, and Addiction (12 page)

I returned to Patrick feeling much better. I learned from my friend that he’d given up his mistress, so I decided to put the whole business behind me, for Justine’s sake.

It was bumpy at first, but after a while things settled down, and the three of us started to feel like a real family. Patrick and I traveled to Aspen for Thanksgiving and stayed at the Little Nell hotel. One night while we were making love I saw a huge starburst explosion in my head, a great flash of light.

“I think we just made a baby,” I said.

Patrick turned away from me without saying anything, and that was the end of the discussion. An abyss had suddenly opened up between us. I wanted to keep the baby, I wanted to keep us together as a family, but when your partner isn’t even slightly enthusiastic and you’re twenty years old, it’s hard to know what to say. If I pushed the issue and he demanded an abortion, then I’d be faced with a worse dilemma, so I kept quiet. On the way back to L.A. we carried on pretending nothing had happened, but you can’t fool Mother Nature. She keeps the wheels of biology turning, and eventually things have to come to a head.

The morning I had to go for an audition for the sci-fi film
Arena
, Justine decided to throw the greatest tantrum spectacular of all time. Justine’s nanny was off that day, and Patrick went to work as usual, so I had to take her along with me. She refused to sit in the waiting room, so I went into the audition with her clinging to my leg like a monkey. During the reading I had to get angry and cry and Justine turned her face up to me and said, “Don’t cry Mommy, don’t be sad.” It was adorable but there was no chance I was going to get the part. I bought some pregnancy books on the way home and started taking prenatal vitamins. Then my agent called. The producers thought the scene with Justine was touching and had offered me the part. It meant spending the next two months in Italy.

I went home and sat down with Patrick. It was time to get serious about the pregnancy. I told him about Italy, told him that I wasn’t going to leave America until we worked this out. My doctors were here, and I didn’t want to fly with a baby on the way. He was very nonchalant about the whole thing.

“Don’t worry about it. I have to go to Europe for a film festival anyway, so we’ll both go to Rome. I know a guy there. We’ll find you a doctor and get an abortion.”

So there it was. With one careless comment, he had shattered my illusions about our happy family life. He expected me to fly to Rome and squeeze in an abortion before the film shoot just as if you might say, “Oh, you’re going to the store? Can you take the trash out on your way?” I’d already endured one abortion with Tre’s baby, and I wasn’t interested in repeating the experience, but here I was with a man who clearly did not want a baby or the responsibility that went with one. Given the difference in our ages, I thought that I had to be tough, to put on a brave face, to show Patrick that he couldn’t hurt me, but inside I was cut deeply. We were living together, and I’d proven I was a wonderful mother. He never considered my feelings. There was no discussion about it, no holding me when I was crying. It was a massive rejection.

Before heading to Rome we met up with some of Patrick’s friends in France. Megève is one of the most beautiful ski resorts in the world, the place where Audrey Hepburn meets Cary Grant in
Charade
. I hated being there. I felt totally alienated. All of Patrick’s friends knew his ex-wife Beatrice, and they didn’t take to me at all. They spoke French too fast for me to keep up, and the ones who spoke English didn’t bother to make the effort. I left the dinner party and walked out into the winter night. The air was crisp. A full moon overhead made the surrounding mountains stand out against the sky. The atmosphere was mystical. I was wearing a long fur coat, and I found a private place, out of sight of the house, and lay down in the snow. I looked up at the moon and asked it if I should have the baby. Since I was pumped up on pregnancy hormones and walking alone in the French Alps, it seemed like a perfectly sensible thing to do. I’m sure that Patrick was inside wondering why I was taking so long in the bathroom. I didn’t care; I’d gone outside with another Patrick on my mind—my brother. I still felt his presence, I thought of him all the time, and I knew with absolute certainty that the baby I was carrying was a boy. Not long after I became pregnant it occurred to me that this baby should be called Patrick, after my brother, and that this might help change the other Patrick’s mind. He was an egotist, so a son named after him might stir his interest, but it hadn’t. Another thought had arisen, one that I hadn’t been able to get out of my mind, that the child I was carrying had my brother’s soul. Pat was trying to come back into the world. As I lay there I had a very clear sense of the child’s life. I saw it like a series of snapshots. I could see his face—he had my brother’s soulful, big blue eyes.

In the morning we’d catch a plane to Italy. This was my last chance to change my mind, to keep the baby and tell Patrick to go to hell. I asked for a sign, something clear and incontrovertible that would leave no doubt as to the course of action I had to take. It was a completely clear night and out of nowhere a huge bank of clouds appeared and covered the moon for a full minute. I began to weep. I’d been trying to act as if Patrick’s indifference didn’t matter, as if things would somehow work out in the end. Lying there in the darkness I knew that there would be no fairy-tale ending. I wasn’t ready to raise a child on my own. My chest felt tight, my heart felt like water-laden cloth, clinging and heavy. I’d made my decision. I would be losing a whole person’s existence, I’d be denying my brother the chance to come back into the world, and I cried and cried because I didn’t know if there would ever be another chance after that, if his soul would ever want to come back to me again.

When I ran out of tears and my whole body was numb from the cold, I got up, wiped away the smeared mascara, and went back inside. I put on a smile for Patrick and his friends. He was laughing and drinking. He hadn’t missed me at all.

In the morning we traveled on to Rome. We were shooting
Arena
at the Dino De Laurentiis Cinematografica studio near Rome, and I was staying in the city in a beautiful apartment near the Piazza di Spagna. The movie was about an intergalactic fighting competition between the champions of different planets, and they’d created incredible alien suits that the special effects guys would sit inside and operate. It starred soap actor Paul Satterfield and Armin Shimerman, who would go on to be a regular in the various
Star Trek
TV revivals.

I couldn’t confide in anybody because I didn’t want to appear unprofessional and no one was supposed to know I was pregnant. I was very self-conscious, because all my clothes were tight fighting—think gold lamé jumpsuits—and I was starting to show. It didn’t help that I was sharing wardrobe space with Shari Shattuck, who had a gorgeous figure. Shari and I starred together in the 1990 film
Mad About You
and the TV series
Riptide
. She would also appear in
Babylon 5
, although she’s best known for her long run on
The Young and the Restless
and her successful career as a mystery writer.

Patrick found me a doctor who looked older than the Coliseum. This was Italy in the ’80s, a conservative, Roman Catholic country where abortion was illegal. You had to have connections to find a doctor who would perform the procedure. That day I learned firsthand how important it is to have both a surgeon and an anesthetist. The guy put me under for what was supposed to be eight minutes, and I regained consciousness after eight hours. He’d over-anesthetized me. It was all a big secret, so the next day I had to don my gold lamé jumpsuit and go back to work, having nearly died and minus one child.

That experience changed me. I started building an emotional wall to protect myself. Watching my parents as I grew up, I knew what I wanted, and it wasn’t what they had. I wanted to have a nice house and perfect little children, one boy and one girl, and a relationship with a smart, handsome guy who respected my need for independence. That was my dream. After the abortion, I knew I couldn’t take that for granted, that in opening yourself up to a partner you were just as likely to be run through with a knife as embraced. Patrick made me wary of love, and after being forced to give up my baby I never wanted to go through something like that again.

Unsurprisingly, after we returned to L.A. things started to unravel with Patrick. The abortion wasn’t the death knell of our relationship though, because I wanted to be there for Justine. That little girl needed me. Out of nowhere Patrick told me he was sending her back to Paris to live with her mother. I was hurt and outraged. I’d lost one baby to this relationship already and now I felt as if I was losing another. Of course I had no legal rights, and no real way to protest what he was doing. By that time I had raised Justine for almost two years, and he didn’t even give me the chance to talk things over. It was done, decision made.

He told Justine to say goodbye to me before he took her to the airport. She cried and clung to me and wouldn’t let go.

“I don’t want to go away. What did I do, Mommy? Why are you making me go?”

She kept on asking that again and again until Patrick pulled her away. I’ve been through a lot of shit in my life, a lot of physical and emotional pain, but that moment was truly heartbreaking. I’ve never experienced anything else like it.

Once Justine was gone I couldn’t eat or sleep because I was so worried for her. I wasn’t given her phone number in Paris, so I sent her letters and presents, little reminders of our life together. I never received a reply.

I’m not sure why he did it. Perhaps he was jealous of the bond I was forming with her, perhaps he thought that Justine was coming between us. If he really thought that, he was stupid, because after he sent her away I left him.

I was due to move out while Patrick was away at another festival in Europe. In the meantime I’d been cast in the Adam Rifkin film
Tale of Two Sisters
with Valerie Breiman. It was a very low-budget, experimental, fly-by-the-seat-of-your-pants kind of production. Adam needed a location to shoot the movie and asked if he could use Patrick’s place.

“Absolutely. Mi casa es su casa.”

The crew rolled in. Lawrence Bender of
Pulp Fiction
fame was the producer, and I was co-starring with Jeff Conaway again. We had a comedic sex scene in the back of a taxi.

It turned out that when Adam said “experimental” he really meant it. I can’t remember there being a script at all, and Charlie Sheen was credited as the writer. He narrated parts of the story in a voiceover and contributed some of his own original poetry to the project. Even then he was developing his unique talent for self-expression. Here’s an example of some of his freeform poetry from the movie:

They used to call me Wheezy

Now they call me Moe

Busted liver, three-pronged freebase device

My chin, she is on fire!

The erosion was fast, the lectures were not

He pondered high atop the mountain of fig newtons . . .

This literary gem is another example:

Black and blue skid mark lunchbox drools pasta prima

Frozen bacon pie suffering from the heat cries out in salted pork.

FREEZE FRAME!

Mom and Dad are trying to think, we hope . . .

Since there was no script, Valerie and I improvised our scenes. I would rant about my asshole husband who’d cheated on me, and Adam would cut to a picture of Patrick and me that was still up on the mantelpiece.

It was amusing enough at the time, but the icing on the cake came a year later when I ran into Patrick at Cannes. He’d just seen a screening of the movie and was totally perplexed.