B0041VYHGW EBOK (214 page)

in
Jezebel,
192
,
192
–193

offscreen/onscreen sound,
285
,
288
–291

in
Jackie Brown,
287

in
The Prestige,
304

O’Gara, Sean Morijiro Sunada,
Eiga-zuke,
366

Ohayu,
257
,
257

film style in,
315

The Old Dark Horse,
471
,
471

Olivier, Laurence,
Hamlet,
290

Olmi, Ermanno,
474

Olympia,
353
–354,
354

omniscient narration,
96

On the Waterfront,
119
,
442

Once Upon a Time in America,
27

Ondrícek, Miroslav,
249

One Froggy Evening,
152
,
152

180° system,
236

in Breathless,
412

cheat cuts in,
243
–244

in
The Maltese Falcon,
238
–242,
239
–242

screen direction in,
237
–238

in
Tokyo Story,
415
–416

violating,
258

The One-Armed Swordsman,
482

The Only Son,
long takes in,
212
,
212

Ophelia,
477

Ophuls, Max,
Lola Montès,
206
–207

optical effects,
183

optical printer,
173

optical sound tracks,
11

order,
84
–85

Ordet,
199

originality,
66

Ossessione,
474

The Others,
340
,
341

Ottinger, Ulrike,
Freak Orlando,
125
,
127

Our Hospitality,
159
–163,
160
–163,
312
,
313

acting in,
161

costumes in,
160

deep-space composition in,
162

film style in,
316

framing in,
198

journey patterns in,
162

lighting in,
160
–161

mise-en-scene in,
159
–163

motifs in,
161
–162

narration in,
160

narrative form in,
460

plot of,
159
–160

setting of,
160

staging in,
161

Our Town,
472

Out of Sight,
333

narrative time in,
87

Out One,
477

outtakes,
24

overlapping editing,
234

overlaps,
152

color creating,
152

in mise-en-scene,
147

Ozu, Yasujiro,
205
.
see also Tokyo Story

An Autumn Afternoon,
155
,
155
,
256
–257,
257

Early Summer,
258
,
258

editing of,
256
–258

framing of,
194

narrative form of,
413

Ohayu,
257
,
257

The Only Son,
212
,
212

Record of a Tenement Gentleman,
151
,
151

Tokyo Story,
396

Pacino, Al,
130

Paisan,
473
–474

Pajama Game,
344

Palindromes,
82

Panavision,
189

Panavision Genesis,
14
,
14

Panic Room,
332
,
332

panning,
199

parallelism,
68

in
Citizen Kane,
111
,
323
–324

in
Hoop Dreams,
79

in
Raging Bull,
442

Paranoid Park,
290

Parenthood,
242

Paris Belongs to Us,
475
–477

Park, Nick

Chicken Run,
384
,
384

Wallace & Grommit
movies,
32
,
384

Paronnaud, Vincent,
Persepolis,
153

Parsifal,
181
,
181

PAs.
see
production assistants

Passion,
133
,
477

La Passion de Jeanne d’Arc,
128
,
129
,
152
,
195
,
195
,
197
,
232
,
476
,
476

framing in,
198
,
198

Pastorale d’été,
205

Pathé Frères,
457

patterns.
see also
journey patterns; mystery pattern

in associational form film,
376

Citizen Kane
and plot development,
111
–112

in film form,
69
–70

of film style,
314
–315

in
A Movie,
381

of plot development,
90
–92

in
The Shining,
69
–70,
70

Paul, Robert William,
457

Pauline at the Beach,
477

Payne, Alexander,
Election,
123
–124

Peggy Sue Got Married,
334

Peking Opera Blues,
483
,
483

Penn, Sean,
313

Pennebaker, Don,
Keep on Rocking,
201

Pennies from Heaven,
344

performances.
see
acting

Perry, Harry,
31

Persepolis,
153

“persistence of vision,”8–9

personal taste,
65

perspective

in cinematography,
173
–183,
186

flattening depth in,
175

lenses affecting,
173
–178

Peter Pan,
202

Phantom of the Opera,
340

Phone Booth,
293

photography unit,
20

Pickford, Mary,
460

Pickpocket,
131
,
197
,
197

Picture Snatcher,
104

Pierrot le fou,
261
,
261

Pines of Rome
(Respighi),
279

A Movie
influenced by,
376
–377,
379
–380

piracy,
42

Pirates of the Caribbean: Dead Man’s Chest,
139
,
139

pitch,
273

Pitch Black,
335

Pitt, Brad,
26

Pixar Animation,
385

pixels,
14

pixillation,
384

platforming,
36

platter projector,
9
,
10

Play Time,
123
,
156
,
156

framing in,
198
,
199

sound in,
283

The Player,
17
,
335

Pleasantville,
334

plot

of
Breathless,
409
–410

of
Chungking Express,
418

in
Citizen Kane,
105

classical Hollywood cinema and,
103

of
Do The Right Thing,
404
–405

goal-oriented,
91

of
Groundhog Day,
87
–88

in
Meet Me in St. Louis,
432

in musical films,
343

in narrative form,
80
–82

of
North by Northwest,
80
–81,
92
–93,
400
–401

of
Our Hospitality,
159
–160

patterns of development,
90
–92

in
Raging Bull,
440

story effects withheld from,
84

story v.,
81
–82

web-of-life,
417

“what if,”88

plot segmentation

for
Citizen Kane,
105
–106

critical analysis, using,
443
–444

in
The Thin Blue Line,
426

of
The Wizard of Oz,
72
–73

Pluto,
383

Poe, Amos,
Empire II,
31
,
31

point-of-view cutting,
244
,
245

point-of-view shots.
see
POV shots

Police Story,
235

Polish, Mark,
Twin Falls Idaho,
27

Polish, Michael,
Twin Falls Idaho,
27

Poltergeist,
342

Pommer, Erich,
462

Popeye,
383

Porky’s,
334

Porter, Edwin S.

The Great Train Robbery,
459
,
459

The Life of an American Fireman,
458
–459

portrait documentary,
351

Portrait of a Lady,
315

positive prints,
9

post-production,
22
–27

Potemkin,
102
,
170
,
223
,
468

POV shots (point-of-view shots)

mobile framing as,
200

narration and,
95

in
North by Northwest,
401
–404

in
Raging Bull,
441
,
441

Powaqqatsi,
423

The Power and the Glory,
104

The Power of Nightmares,
32

A Prairie Home Companion,
479

Preminger, Otto,
475

Advise and Consent,
46

Exodus,
90
,
90

Laura,
204

pre-production,
18

The Prestige,
79
,
302
,
306
–307,
313
,
446

dialogue hook in,
301

flashbacks in,
302
–303

misleading dialogue in,
301

musical score in,
300
–301

narration in,
300
,
304
–306

offscreen/onscreen sound in,
304

sound effects in,
300

sound in opening of,
304
–307

sound motifs in,
301
–302

story of,
298
–300