Arc D'X (8 page)

She found him in an Indian village high on a mesa that overlooked the world as far as she could see it. She stumbled onto the village by chance, meeting some Indians at the foot of the mesa and allowing them to lead her up the path along the mesa's side.

Ihey offered her a place to sleep and took her to an adobe house that waited on the other side of a narrow stone bridge that crossed the main mesa to a smaller one. The bridge was so narrow and high that, as she crossed, she didn't dare look anywhere but A R C D'X • 52

straight ahead. The house was empty and cool. Some water was in a bowl. Some blankets were in the corner where she could sleep.

As she was falling to sleep, she had a dream. She dreamed she was back in the Hotel Langeac on the rue d'X, back in the bedroom where she'd slept with Thomas. She dreamed it was once again that night when he'd told her they were going home and she'd been devastated by the realization of how she'd miss him, as possessor and master and father, if she stayed behind in Paris. In this dream she once again reached behind the headrest of the bed and took the knife from the red Parisian glove and, as she had that night, raised the knife above her head and brought it down into him.

Except this time no moths flew from the bed. This time she could hear the wet sound of the rip of the knife and she knew she'd killed him. When she dreamed this, the word that had been caught in the ventricles of her heart loosened itself and floated up to her throat; she could feel it on the back of her tongue. The knife slipped from her fingers.

She heard it fall to the floor. Which was odd, because she was sleeping on the floor, and there was nowhere for the knife to fall.

She heard a strange sound in the room, and it took her some time to identify it as music, playing very low. At some point, in the low clouds of her sleep, there was also the shriek of a siren, like the alarm of an air raid.

The word was between her teeth. She wanted to bite it in two and taste its blood.

In her sleep she raised her fingers to her mouth and tasted blood after all. Dimly she looked at her fingertips as though pieces of the word would be there.

"America," she said. She woke and there was blood on her pillow. There was blood on the sheets of the bed beneath her. Someone was lying in the bed with her and his head was flowing with blood; and she was startled to have found him again, and wanted to ask what had happened to him and where he'd gone, except that she knew he couldn't answer. Then in the next moment she forgot her dream entirely, only the flotsam of it washing in and out with the tide of her consciousness; and though the tall man in the bed next to her looked familiar, she could no longer remember his name. The music suddenly stopped and she heard the click of the radio. She sat up in the hotel room to look at the two men in suits STEVE E R I C K S O N • 53

at the foot of her bed. One was a very large black man and the other was a small white man with red hair. The black man bent over to pick up the knife from the floor and stood there for some time, holding it in a handkerchief and turning its bloody blade over and over.

She looked again at the dead man next to her. She was now awake enough to cry out, and she rose from the bed too fast, becoming dizzy. "Take it easy, Mrs. Hemings," the large black man said. He put the knife in the handkerchief over on a table in the corner of the room and took Sally by the arm to steady her.

"Married name is Hurley," said the small, wiry white man. He was reading from a note pad that he pulled from his coat pocket.

"Hemings is her own name."

The black man pulled a chair from the table and sat Sally down.

The room was stark. No pictures hung on the dirty white walls and there was no furniture besides the bed and the table and the chairs. On the table were the knife, now forming a small pool of blood, and the radio that had been playing. Besides the door that led out into the hotel hallway there were two other doors, one of them to the toilet'where there were a sink and faucet but no bath or shower. The other door was next to the bed.

"Mallory, is that guy still out in the hall?" the black man said to the other one, who turned and opened the door and signaled to the hotel concierge in the hall. The concierge was a fat man with a handlebar mustache; he was pale and breathing heavily. He tried not to look at the bed where the body was. "Where's this go?" the black man said to the concierge, pointing to the door by the bed.

"That's been shut up as long as I've been here," the concierge said. Bringing himself to look at the body, he blurted, "I don't like this in my hotel."

The black man went over to the door by the bed and opened it.

The concierge made a sound of surprise: behind the door was nothing but a wall of dirt. Some of the dirt fell into the room. The black man touched the dirt wall and looked at his fingers; he gnawed on the inside of his cheek, which he tended to do when he was confused. "This has been opened recently," he said. He looked at the dirt trickling into the room through the door. "Someone tried to get out through here," he said. Then he walked back over to the table where Sally was sitting in a daze. She stared at her A ft C D'X • 54

hands in her lap. The black man sat down in the other chair and looked at her. "Now then, Mrs.—" he started. "Damn," he muttered, and turned to Mallory.

"Hurley," Mallory said.

"Mrs. Hurley," the black man said, "what's your name?"

Sally didn't answer. "Sally," Mallory said, reading from his note pad.

"Thank you, Mallory," the black man said with annoyance, "I know you know what her name is. I want to see if she knows what her name is." The concierge was still whimpering at the sight of the body in the bed. "Mallory," the black man said, "please take away our friend here and let me talk to Mrs. Hurley?" Mallory took the concierge out and closed the door, and now it was just the one man and the woman. Sally still hadn't said anything and stared at her hands in her lap. "Hey," the man said, snapping his fingers.

Slowly she looked up at him. "Mrs. Hurley," he said, "my name is Wade. I'm a policeman. I have to ask you some things and you're going to have to try and tell me the answers to what I ask you."

Sally looked around the room, at the walls and the bed.

"Can you tell me what happened here?" Wade said. She looked vacantly ahead of her and then at the dead man. "Can you tell me who he is?" Wade asked, and she looked at the bloody knife in the handkerchief on the table. "Is that yours?" She reached to touch it. "Just leave it, Mrs. Hurley. Sally. We're going to have to check that out and if it's not yours then you don't want to touch—"

"It's mine," she said.

Wade gnawed on his cheek again. His brow furrowed and he looked around him to see that the door was closed. "Now you should be careful what you say," he said to her in a low voice. "In this city you can be locked up for nothing other than the fact that someone in my position just doesn't happen to like you, which I've done in the past but don't want to do now." Wade was trying to figure out if she was black. It was a tricky situation for him. It wasn't beyond Mallory to be spying for either Wade's superiors at headquarters or some low-level priest up at Church Central; everything was fucking intrigue in this city and here was Wade, a black man in a room with a very beautiful woman who might be black and might have just murdered a white man. So he couldn't cut her much more slack than he'd be able to justify later on.

STEVE ERICKSON • 55

"It's mine," she repeated with determination. She was determined about it because it was the only thing she remembered now, or thought she remembered, though as the moments passed since she woke she became less and less certain. It seemed important to be able to lay claim to this singular memory. The legal ramifications of the knife's being hers either hadn't occurred to her or weren't as important as the sanity of being able to remember this single thing.

"I've got to take you in then, Mrs. Hurley," Wade said. He got up and went to the door of the hallway, where Mallory was waiting.

"You make the call?" he said to Mallory.

"They're coming in now," Mallory said. He looked into the room at Sally and then at the bed. "Should we check out the body?"

"Let the coroner do it," Wade answered, "that's his job." He nodded at Sally. "I'm taking her in. I want to hold off a little while before notifying the husband." Sally turned slightly in her chair.

Talking to Mallory, Wade lowered his voice. "You said there's a child?"

"A daughter," Mallory answered. Sally turned back in her chair.

"This is the way I like these babies," said Mallory, "open and shut."

"That's because you've got an open and shut brain," said Wade.

"When the others get here I want you to go over this place top to bottom. The whole hotel and the streets outside. Go around back and see if you can figure where that door used to go."

"You're going to have to take my altar shift this afternoon,"

Mallory told him, with no small satisfaction.

"Shit," Wade fumed. "Where?"

"Humiliation."

Wade heard sirens outside from down the street and then the sound of them pulling in front of the hotel. Doors slammed. "That was actually damned punctual," he said. Two other police came up the stairs and into the room. One looked at the body casually and the other, who was new on the detail, turned a little white. More cops were on the stairs and Mallory started giving directions. Another older cop came in and started on the body. "Either of you got a rosary?" Wade asked the first two cops who had just arrived.

Rosary was the name they used for the irons and the new cop pulled some out. Wade nodded at Sally and the new cop clamped A R C D'X • 56

the rosary around Sally's wrists. Sally looked at the chains on her hands as if she had known all along it would come to this. Wade took her down the stairs. The sound of the chains clanking between her arms and the way she looked at them as she got into the car released in Wade so deep a sense of betrayal he felt sick.

Headquarters was over on the other side of Sorrow, which was the next zone over from Ambivalence where the hotel was, so they had a good twenty-minute ride, maybe longer depending on the foot traffic. Wade took the long way to avoid the Market and part of Downtown. Sally sat next to him in the front seat. He told himself he put her in the front seat so he could question her, though he wound up not saying anything to her; then he told himself he didn't say anything because the more he pressed her the less forth-coming she was going to be, and he knew he didn't believe that either. He just wanted her in the seat next to him and now that he had her there he couldn't bring himself to talk to her. She was so beautiful he just held his breath and felt mean about it.

When he placed her in the cell she gazed around her and then at Wade so mournfully that all he could do was hurry away.

Wade thought about the woman for the rest of the afternoon.

The file on her was one of the thinnest he'd ever seen. Sally Hurley aka Hemings, twenty-five years old, married to Gann Hurley, twenty-seven, whose occupation was listed as "artist," whatever the fuck that meant, with one child, two years old. Actual date of birth on Sally Hemings: blank. Place of birth: blank. Parents: blank. Race: blank. How did this ever get past Primacy? The husband's listing as an artist and the Hurleys' address on the edge of the outlaw Redemption zone were little red flags waving in Central's face. Wade wished Sally could have told him more than she did and he wished she hadn't told him the one thing she had, about the knife's being hers, because if she hadn't identified the knife and it somehow came back from the lab clean, there was always the chance she might have slipped through this somehow, though if Primacy wanted to burn her they didn't need a reason anymore than he needed one to lock her up. He was still thinking about this when the alert siren went on across the city and he remembered he was supposed to take Mallory's altar shift.

Wade went through the motions on the shift, his mind still on the Hemings woman. Randomly he narrowed his search choices to STEVE E R I C K S O N • 57

Circles Seventeen and Thirty, both on the far side of Humiliation.

Seventeen was on the list of neighborhoods that hadn't been hit in a while; Mallory had gone through Thirty only yesterday, which meant if Wade went back today he might catch someone off guard.

Wade wasn't up for catching anyone off guard, so he decided on Seventeen. Even under the perpetually dark sky the white of the circle shone blindingly in his eyes as he drove into the middle and parked in the shadow of the blue obelisk. As with all the residen-tial circles of the city, nine individual units dotted the circumfer-ence of Seventeen and faced the obelisk at the center. The units were identical in size and all built of gray brick. The obelisks were so tall that from Downtown the suburban skyline of the city was a range of blue spires against the black clouds and the ash of the volcano to the east.

Wade chose three units in Seventeen as randomly as he'd chosen the circle itself. It wasn't possible for anyone ever to be certain their unit would be inspected during an altar-room search; sometimes, if the cop was surreptitious enough, it wasn't possible to be sure even after the search was over. He found nothing to confiscate in the first; in the second he took a small wooden carving of a woman's head. There wasn't anything particularly subversive about the woman's head, but something faintly enigmatic about the woman's expression made him decide he better bring it in, since there was no telling these days what Primacy considered subversive and what it didn't.

In the third unit he was dissatisfied with the sealing on the altar-room door. He inspected it for a few minutes to see that there wasn't some kind of peephole through which those in the small room on the other side of the door could look out. That was a heavy-duty felony and it would be pretty damned stupid of whoever lived here, but some people were just pretty damned stupid. He clicked on the intercom next to the door. "This sealing's a violation of city ordinance," he said to those inside the room.