Arc D'X (36 page)

And memory broke free once and for all, floating above him like the balloon a child lets go. In that moment the writer was neither quick enough for escape nor afraid enough for panic. He shouted out only once and then succumbed to the only hope left him, that the storm of the assault would blow over him and move on.

Five minutes later Georgie said to the others, "All right."

They stopped with the kicking and beating. They shone in the twilight, six eight ten fiery birdwomen glistening in righteous satisfaction. One of them pushed the body over and they stood examining it. Georgie tapped the writer's face with his shoe to see if there was a reaction, and when there was nothing he started going through the dead man's pockets. He found a wallet and a hotel key, but not what he was looking for. "Shit!" he yelled in frustration, slapping the body alongside its head. For a while he sat slumped in the street pouting at the dead American while his troops stood by waiting. Georgie looked at the address on the hotel key. "Know where this is?" he said to one of the others.

"Savignyplatz."

"I'm going," Georgie said.

"Not real smart, man," one of them advised timidly, after a pause. "Someone will see you." He pointed at the body. "If the A R C D'X • 232

cops ask questions they'll wind up at that hotel sooner or later and someone will be able to tell them he saw you."

"If the cops ask questions," repeated Georgie. "What fucking cops? I don't see any cops. Cops don't even pick up all the fucking dead animals," waving his hand at the landscape around him, though at that particular moment there weren't any dead animals to be seen.

"This isn't a dead animal."

"Tell that to him," Georgie said. "Tell that to the cops." He looked at the hotel key and got up off the ground.

"Want us to go with you?"

"No. I'll see you later." He headed back toward the U-Bahn in time to find that his shirt had already been lifted from the bench where he'd left it, and to take the same train the American had planned to catch. He rode the U-Bahn to Friedrichstrasse and changed to the S-Bahn heading in the direction of Wannsee; after several more stops he got off and changed cars because people on the train were looking at the halfbird halfwoman figure of the Pale Flame on his bare chest, before glancing away when he returned their gaze. He disembarked for good at the Savignyplatz station and wandered around the neighborhood looking for the American's hotel. It was dark when he found it.

He was trying to think what he was going to do about the hotel manager. But there was no hotel manager that he could see, only the remains of a dead cat on the stairs, and so Georgie went up the stairs to the room number that was on the key. He opened the door and went inside. While there was something thrilling about the invasion, like a child finding a secret world just beyond the back-yard fence, he wasn't much interested in exploring: he quickly perused the room, ignoring its other contents until he found what he was looking for, after not so much effort, in the second drawer of the table next to the bed.

It hadn't been disguised or hidden, it was just there in the drawer, the little shard of Wall with the impossible inscription on the wrong side. Georgie sat on the American's bed contemplating the stone for a while, and then finally returned his attention to the things he'd overlooked. In the same drawer where the stone had been was the American's passport and traveler's checks, cash including German marks and Dutch guilders and French francs, a STEVE ERICKSON ' 233

vaccine tag on its chain with a key in the lock. Georgie unlocked the chain and put the tag around his neck. He stood in front of the hotel-room mirror looking at himself with the tag on. He took it off after a few minutes because the tag kept dangling across the face of the birdwoman and a tag wasn't all that cool anyway, an insinuation of stigma that was intolerable for a Pale Flame leader.

He went over the rest of the room. He took several of the American's cassettes, Frank Sinatra and a Billie Holiday album, after he threw away the picture of the singer. There was a reggae album Georgie discarded with disgust, and a tape of soul music that the American had apparently compiled personally, the names of the artists written on the label in what must have been the American's hand; the American had titled the cassette / Dreamed That Love Was a Crime, a line he took from a 1960s song in which a jury of eight men and four women find the singer guilty of love. He went through the books that were stacked on the hotel dresser, though Georgie never read books, Faulkner, James M. Cain, a 1909 hard-cover edition of Ozma of Oz, and several that Georgie didn't recognize until he realized from a picture inside that the author of the books was in fact the man he'd just left dead in the street an hour before. On the cover of one of the American writer's books was a picture of a city buried in sand, a black cat in the foreground beside a bridge, a huge white moon rising in the blue night sky. Georgie tore off the cover and threw the rest of the book away. He went back and forth between his new treasures, particularly the stone and the picture of the buried city, and had put the vaccine tag back around his neck and was studying it in the mirror again when the phone rang.

He answered it without hesitation. He said nothing, just listening to whatever was on the other end with the same curiosity he had had while looking through the writer's possessions. He listened as though the sound at the other end of the phone was another thing that had once belonged to the writer but was now his. At first there was silence, in the duration of which the voice on the other end of the line decided to take Georgie's own silence as a confirmation of something: "The Crystal Hotel," she finally said in English with a German accent, "room twenty-eight," and hung up.

Georgie nodded to the dead line as though this made perfect sense. He put back the phone and took from the closet one of the A R C D'X • 234

American's shirts, which he didn't wear but rather used to wrap the cassettes and the piece of the Wall, and then tied it to his belt.

He folded the picture of the buried city and put it in his pockets with the passport and traveler's checks and cash and the wallet he had taken off the writer's body. He left the tag around his neck.

On his way back to the S-Bahn suddenly there was the Crystal Hotel right in front of him. It hadn't even crossed his mind after the phone call to go to the hotel and it couldn't be said now that he made a reasoned decision about it; reason wasn't part of the process. Reason would have said to keep on going to the S-Bahn:

"Even I know that," Georgie said to himself, laughing out loud. But he had the writer's passport and money and music and piece of the Wall and picture of the buried city, and now the hotel of the writer's phone call had presented itself to him. He was sorry to find that, unlike the last hotel, the lobby wasn't empty but that instead there was a night manager, an extremely old man who worked behind the front desk. The old man appeared even sorrier to see in the doorway of his hotel a bald boy with red wings on his back and fire and lightning and a naked woman with an eagle's head and something dripping from its mouth on his chest. "Excuse me," Georgie said to the old man, "I have a friend in room twenty-eight."

"Yes," it took the manager some time to say it, "she said you would be along. Well," he added with great reluctance, "she said to send you right up."

"Thank you," Georgie said. Beyond the lobby was a bar that hadn't been occupied in years; the stairs were to the left. Georgie went up the stairs floor by floor. He went down each shadowy unlit corridor looking for room twenty-eight until he found it near the back of the hotel, where it occurred to him for the first time that he had no idea what he was doing. He knocked so halfheartedly he could barely hear the knock himself. He slowly turned the door knob and found it unlocked.

For several moments he stood in the open doorway staring into a pitch-black room. He searched the wall next to him for a light but the switch wasn't there. At first he thought the room was empty but then he knew it wasn't empty; he knew someone was close by and he felt the dark of the room challenging him, he felt the night STEVE E R I C K S O N • 235

challenging him as though there was one more thing for him to prove. He was inside the room with the door partly but not altogether closed behind him and was surprised how quickly she was suddenly there next to him; all he saw of her was, very dimly, the arm that shot out of the dark to push the door closed. Then he heard her breathing and smelled her hair. He waited for her to say something and wondered what he would answer. He waited for her to turn on the light. He felt her surprise when the tips of her fingers brushed his bare chest; they flinched as though singed by the flames of his tattooed belly. But then her fingers returned to him. He felt them fumble toward his neck to confirm the chain with its tag. She grabbed the chain and pulled him forward into the room until he stumbled against the bed. Though he now understood there wasn't going to be any light, he still waited for her to say something, and then he understood there wasn't going to be anything said. For a moment he was confused, wondering where she was in the dark, until he realized she was on the bed that he stood alongside. Lying at its edge, she unbuttoned his pants and freed him and put him in her mouth. He touched her long hair and her breasts in consternation.

Her breasts felt big to him but he couldn't be sure, since he'd never felt a woman's breasts. Even if he might have been able to construct a mental picture of the woman who lay before him, even if—like a blind man listening to descriptions of colors he's never seen—he wasn't utterly without reference points in the touch of a woman's breast, he would have rejected such a vision anyway.

Since he'd never had a woman before, the sanctuary of the dark was immense; he would have killed anyone who violated it. Later, upon leaving the hotel, when she nearly gave in to curiosity and turned on the light after all, she never knew that she had survived only by virtue of having left the light off. In the total darkness he quickly became hard; his erection was a response to the invisibility of the moment, the blur of the frantically waning millennium nowhere to be seen. Within seconds he was already shuddering toward an orgasm. Sensing this she released him from her mouth, and took him in her hand as she knelt on the bed away from him; with trepidation he ran his hands forward along the downward slope of her back to her hair. She put him inside her. Blood roared AR C D'X • 236

to his head like a drug. Savagely he pulled her to him. When he heard her gasp and whimper into the pillow where her face was buried, he was at first confounded and then appalled by the lurking presence of love.

The Woman in the Dark says, Everything is humming. The night hums, the city. Everything is seconds ahead of itself, I can feel the whirring of the room. Walking to the hotel tonight I heard the growl of animals in the cellars all along the street, they're disturbed by the hum. They perk up to the sound of time. The dark glows with their eyes. The solstice rushes to catch up with the light of the west. Rudi must be home by now. He's wondering where I am and looking over the loft. Maybe he's found the package from Prague, what will I tell him when he asks about it? What will I tell him when he asks where I was tonight? I don't care any longer. Maybe I won't go back. If I stay tonight in this room, will the American lover stay with me, and what then? It wasn't supposed to be a whole night together. I knew sooner or later he'd say, Not on the phone anymore. I knew sooner or later he'd insist on this. I admit I wanted to as well but I might have waited if I hadn't heard the power in his voice. I might have waited until the end of summer or the beginning of autumn. I might have waited until the eve of the New Year to go into the black hole of X-Tag on my hands and knees being fucked from behind rather than with Rudi, I'd rather feel my tits in the hands of a stranger I cannot see than be with Rudi's dead heart. It doesn't matter. Ry the New Year Rudi and I won't be together anyway. Rudi and I won't be together by the end of the week. The American lover hums with the night. I could taste on the end of his cock the drop that anticipated his satisfaction. On the New Year I'll pop him at midnight like a champagne bottle, his splash will precede us into the future.

Perhaps he won't be here on the New Year. Perhaps he won't be in Rerlin anymore. Perhaps the power in his voice on the phone was because he's leaving. But I don't believe he's leaving. I don't believe he has anywhere to go. I believe he's come to Berlin for the STEVE E R 1 C K S O N • 237

New Year, it's the only reason to come to Berlin, for what's to come. Otherwise you get out of Berlin. Otherwise you're me and still in Berlin calling one number after another listening for the voice of what you need. He was shy for a moment when he first arrived, I saw his form hesitate in the doorway. I was surprised that he'd already taken off his shirt, he must have started undressing in the hallway. He must have begun undressing on the stairs, loosening the first buttons in the street. When I cry out, I feel his excitement. He's a beast, of course. I might have known. From the wound in his voice on the phone. From the sound of his orgasm the first time I called, the groan at the end. I've come to learn that nothing can be defiled anymore. I part my legs and open myself at the junction of my soul. It's the ping of freedom in my mind, like the tap of a wine glass that rings through the house, when the first tiny white drop of him falls into the pool of me and ripples out-ward. When the heart is broken and the dream is gone, annihilation is delicious. I find in it my last place of peace on the journey into the whirl. The only bastion left me before the siege of what I remember, a flash of red across the black in the distance, a kind of deliverance or, even, a miracle.

"America," he heard her say, and exploded in confusion. As he slumped to the floor at the side of the bed, his mortification was grateful for the dark. He covered his face with his hands as though even in the dark a bystander might have seen the shame of his satisfaction. Five minutes went by and then ten.