Another Thing to Fall (31 page)

Selene burst into tears.
Damn, she’s good,
Tess thought.

“Oh, stop it, Selene. It’s clear that you and Johnny were in on this together, but once you got a security detail, more of the dirty work fell to Johnny. We know why you want out of
Mann of Steel,
but what’s Johnny’s angle? This is supposed to be his big comeback.”

Selene, realizing her tears were having no effect, not even on Flip — who still seemed stuck on the reference to Ben — slouched her way over to one of the overstuffed chairs. “Derek wanted Johnny for the other lead in that movie he’s developing, the one about the gay chaplains in World War I. They share a manager, and he asked Flip and Ben to work around Johnny’s schedule if he got a movie, and they said no, they had to have him in first position. It was unfair, if you think about it. They wanted it both ways — they were cutting Johnny’s part to build up mine, but they still insisted he was the lead. The linchpin.”

A part of Tess’s mind registered the correct use of
linchpin
. The Selene she knew — or thought she knew — would have said clothespin. Oh, what a fine actress she was.
Actor
.

“What about Greer’s murder? Do you know anything about that?”

“No,” Selene said. “It was just that Johnny couldn’t make waves. He’s been out of work too long to risk a reputation as difficult. Whereas for me — the crazier I am, the higher my quote goes, the more in demand I am. So we agreed that I would be the difficult one, make life hell for everybody.”

“What was in it for you?”

“Derek’s company has the rights to a biopic of Sigrid Undset, the Nobel Prize winner. That and the biopic of Debbie Harry of Blondie, but I heard she didn’t think I could play her. Which pisses me off, given how hard I’ve been practicing.”

Well, that cleared up one mystery — the presence of
Kristin Lavransdatter
beneath Selene’s bed. And, having heard Selene’s version of “Call Me,” Tess could understand Deborah Harry’s reluctance.

“So the little fires, the disgruntled steelworkers, the angry community activist — that was all you?”

“Only the first two,” Selene said. “The production managed to piss off the neighborhood lady on its own. That was pure lagniappe.”

This from a girl who had pretended not to know the difference between crawfish and mussels.

“But how did you—” Flip began.

“After you fired Alicia, Johnny went to her, asked for her help. She was happy to do it. She was pissed at being fired. She had an in with the local steelworkers, her dad being one and all. Plus, we paid her, and Alicia liked money.”

Alicia
. Everyone had been focused on the suicide as the seminal incident, but Alicia had been fired subsequent to Wilbur Grace’s suicide. Tess had a sudden memory of the decking material stacked in Alicia’s backyard, the shelter magazines in the bathroom.
When I have time, I don’t have money; when I have money, I don’t have time.
Tess had assumed Alicia had run out of funds. But, no, she was just too busy with her two full-time jobs, video store clerk and set gremlin, to work on her house.

“Did she arrange the abduction of Johnny Tampa?”

“We set that up with some friends of Derek. After the smoke bomb Friday — not one that we planned, by the way, and Alicia said it wasn’t her — and the fight at the funeral, we thought it could tip the balance. Who could blame Johnny if he didn’t want to come back to Baltimore for season two? He’d be traumatized.”

“Selene,” Tess said, still using the slow, patient voice that she had always used with the girl, although she realized now it was far from necessary. “The things you’ve done — they’re not practical jokes. You’re in felony territory. Arson, making a false report.”

“I didn’t report anything,” she pointed out. “Johnny’s driver did, and he was utterly sincere. He saw two guys grab Johnny. It’s not our fault if he inferred something was going on.”

Tess sighed, even as part of her mind registered Selene’s correct usage of
inferred
. “Look, you’re a smart girl, smarter than any of us knew. Maybe I can make this go away, but only if everything ends now. Where’s Johnny?”

Selene gave Flip one last through-the-lashes look, one last trembling pout, but he wouldn’t even meet her gaze. “He’s up in Philadelphia, playing cards and hanging out,” she said. “The plan is for him to take the train home tonight and be found wandering in East Baltimore.”

“You were right,” Tess said to Flip, who looked absolutely stricken. “It was Selene and Johnny all along, with the help of one disgruntled employee.”

“Who cares?” Flip said. “It was one thing for Selene to be such a bitch—”

“Hey!” Selene objected. She probably wasn’t used to being called that, at least not to her face.

Flip didn’t care. “But Johnny fucking Tampa. No one wanted to hire him when we picked him up. He only has heat because of this project. That guy is a fuckin’ backstabber.” He looked as if he wanted to shake Selene. “Do you two morons realize this wasn’t just about you? That Ben and Lottie and I have careers, too? Not to mention the crew, which worked sixteen-, eighteen-hour days? Or the money — Jesus fuckin’ Christ, the money. We’re spending twenty-five million dollars, just to make eight episodes. Didn’t any of that matter?”

Selene shrugged, lifting her tiny shoulders ever so slightly, making her shoulder blades stand out like bony, immature wings — not that anyone in this room would mistake her for an angel.

“You know what?” Whitney said. “I liked you better when I thought you were stupid.”

It took much of the afternoon and pretty much all Tess’s accumulated credits with various local law enforcement agencies to clean up Selene and Johnny’s mess. The U.S. attorney’s office, mindful of the fact that one of its own had once ruthlessly hounded Tess not so long ago, decided to ignore the whole thing. After all, the FBI hadn’t been brought into it officially. The police and firefighters also calmed down, especially after Flip promised generous donations to their fraternal organizations. Tull got on the phone, too, largely to be assured that Selene and Johnny’s reign of terror hadn’t extended to Greer’s murder.

“No,” Tess told him. “One thing that they were clear on was that they had nothing to do with the incidents at the production office, not even Friday’s smoke bomb. Didn’t fit their strategy, which was to make the production look like a public nuisance. Hey — did you find Greer’s engagement ring?”

“No,” Tull said.

“Have you closed the case?”

“Getting there.”

She wanted to argue, although today’s events made it more likely that JJ Meyerhoff had killed Greer. Selene had been genuinely mystified when Tess asked if Greer might have information that could harm
Mann of Steel
. “By the way, there was a local girl tangled up in this mess, but I’d like to give her a bye. You see a problem there?”

“No, but then — none of this is my problem, thank God. Look, if there’s no charges, there’s no story. The problems go away, the production finishes up, and everyone goes back to fuckin’ California. Looks like you actually managed to do what they wanted all along, protect them from the local media — and themselves.”

Tess hung up the phone. It was going on 3 P.M. and she hadn’t found time to talk to Flip about his broken Emmy. It seemed almost too much. Maybe she should track down Ben, arrange to meet with him, confront him with the information she had about
Zervitz
.

Only — where was Ben? He had never shown up at the office, and no one had heard from him.

“He doesn’t always come in or call,” Lloyd said when Tess asked if he knew where Ben was. “He likes to write at Starbucks. But we have a deal — he always answers my messages, because I call only if it’s important, shit-hit-the-fan time.”

“Call him now.”

“But, Tess—”

“Lloyd, the shit has hit.”

He did as he was told, sighing and shrugging. Somehow, it was more appealing on Lloyd than it had been on Selene. But then, Selene had been playing a part. Lloyd really was a peevish adolescent, sure that all the adults around him were idiots.

“He ain’t answering,” he said, puzzled. “But the phone’s not off. If it was off, it wouldn’t ring at all, just send me straight to voice mail. Let me try a text.”

The text, too, went unanswered.

“He should be calling back,” Lloyd said. “He knows I only call if he’s in trouble.”

“Work was called off,” Tess said.

“Ben might not know,” Lloyd pointed out. “He don’t check e-mail either.”

But maybe Ben did know the secret of the Emmy and what it held. Maybe Ben had the mystery letter all along. Tess was suddenly very tired of Hollywood people and their machinations. She decided to call Alicia Farmer, tell her that the jig was up, that Tess had protected her out of homegirl loyalty, misplaced as it might have been. Johnny and Selene reminded her of Tom and Daisy Buchanan, although she would never have described them as careless. They had been meticulous in the way they had tried to smash up things. True, local girl Alicia might have been a little money hungry, but she hadn’t stood a chance with those slicksters.

Tess tried the video store first, only to be told that Alicia hadn’t come in today.

“Didn’t come in, or wasn’t scheduled to come in?”

“Didn’t show for her shift, which started at noon. Boss is pissed.”

“Is this typical? Alicia not showing up?”

Impossible to know over the phone, but Tess sensed she had just been shunted off with a shrug for the third time that day.

“Not my problem. Although, I guess it is, because now I have to work to close and—”

Tess was not unsympathetic to the Charm City Video employee’s plight, but she didn’t have time for the rest of the story. She hung up, grabbed her keys and her purse, and raced out.

When she reached Alicia’s house twenty-five long minutes later, she was relieved to hear footsteps heading to the door promptly upon her knock.

And surprised to be greeted by a very pale, drawn-looking man, circles under his eyes and a tremor in his limbs.

“Hey,” Ben Marcus said, his voice thin and flat. “There’s a guy just behind me, with a gun in my back, and he would like you to come inside, too, or he’s going to kill me.”

Ben must have seen in Tess’s face that she was quickly running through the possible options, wondering what would happen if she simply ran or began to scream. Or produced the gun from her own purse.

“He’s already killed Alicia,” Ben said. “He really doesn’t have a lot to lose.”

Alicia’s body was on the floor of her den, facedown. Tess didn’t know from forensics — she had never even seen an episode of
CSI
— but she was reliably sure that Alicia had been there for several hours, possibly overnight. She had been shot from behind, in the base of the head, presumably after turning her back on the man who now sat in one of the club chairs, a gun pointed at Ben.

Thoughts zinged through Tess’s head like so many errant pinballs, and she managed to keep one ball in play longer than usual, banging it against various pockets of memory:
whap, whap, whap. Who, who, who
.

“You can’t be Wilbur R. Grace,” she said at last to the man. “But I think you must be connected to him.”

“He was my brother-in-law for thirty years and my best friend since I could remember,” said the man. How old? Fifties was the best Tess could do. Thin brown hair. Two eyes, yes, although you’d be hard-pressed to put a color to them. It was a face made to be forgotten. A local man, judging by his accent, the kind of man her Uncle Donald knew from his work in various state bureaucracies.

“And he killed himself, and you blame…?”

Ben, who usually thrummed with excess energy, looked catatonic. How long had he been here? Since last morning? Since last night? Lloyd said he had been at the office with him until eleven. The older man, by contrast, looked fresh, composed.

“He hung himself in despair,” the man said, “after Greer Sadowski reversed herself and claimed she had no memory of finding his treatment for our movie,
The Duchess of Windsor Hills
.”

“Ah,” Tess said, smiling more broadly than this weak bit of local wordplay deserved. Windsor Hills was a neighborhood in Northwest Baltimore; the woman who had persuaded the Prince of Wales to forsake the British crown was a Baltimore girl, Wallis Warfield Simpson. “Very clever.”

“
We
thought so,” the man said defensively, unsure if he was being mocked. Perhaps he had been ridiculed a lot, or felt that way. “You see, the Duke of Windsor was something of a Nazi sympathizer. If he hadn’t married Simpson, he would have become king, and who knows what kind of world we would be living in now?”

“You have something there,” Tess said, falling back on one of her generically truthful phrases.
You have something there. That’s an idea
.

“It was my concept, although Bob was the one who fleshed it out. He was the writer. Also the cinematographer. But the ideas often started with me, some offhand observation I might make. That’s how we worked.”

“Sure,” said Tess, trying not to look at the body on the floor.
One shot, two shots, three shots, a dollar. Once you’re in for capital murder, stand up and holler.
“I bet.”

“
Don’t
patronize me,” the man said, now pointing his gun at Tess. It was a small thing, not at all formidable, but at this range, it didn’t have to be.

“I’m not,” Tess said. “I’m piecing together what I know. You had an idea, one similar to
Mann of Steel,
and you believe that someone from the production saw that idea—”

“I
know,
” the man said. “I did it. I walked right up to this gentleman on the set of
The Last Pagoda
and handed him our idea, in a sealed envelope. I have a photo in my scrapbook, of me on set, and you can see this Ben Marcus right there in the background. That’s a much more definitive link than anything that Zervitz put up, and he won a million dollars.”

He slapped a fabric-covered album on the coffee table with his left hand, holding fast to his gun with the right. So that was the scrapbook, the repository of his dreams.