An Expert in Murder (17 page)

‘You don’t think so?’ Fleming gestured towards the queue which was building steadily behind him. It was just a slight move of the hand but proved enough to break Terry’s resolve.

‘All right, but come back inside. I don’t want to discuss this here.’

The bile rose once more in Fleming’s throat as he followed his victim through the backstage area, where McCracken was checking that the dice were in their box ready for the opening scene, and downstairs to the dressing rooms. He thought of his wife again, this time in that narrow bed, fighting silently, and he drew on her strength as an antidote for the conscience which made him so weak. It would be all right, he told himself, she would understand why he was doing this and she would forgive him. Then, when she was well, they would think of a way to make reparation, to Terry at least; God, on the other hand, was a different matter altogether.

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As they reached his dressing-room door, Terry played for time by feigning difficulty with the lock. He really had no idea what to do, and the meeting that afternoon had left him without any hope of an immediate solution to his problems, without any easy way to make the sort of money he needed to get Fleming off his back.

He cursed Aubrey for his intransigence, but only because it was easier than blaming himself. His private life had always been a discreet matter – it would have been dangerous to allow it to be anything else and, anyway, it was of secondary importance – but he had believed himself to be safe in theatre circles, to be among if not like-minded people, at least tolerant ones. How foolish that now seemed! If Fleming did as he threatened to do, all he had worked for would be lost. He would have let everyone down – his family, his friends, the stage itself. Gossip and chatter would follow him everywhere until the worst was suspected of his most innocent friendships, until even he began to believe his behaviour to be wrong. He held Fleming in precious little esteem but he would be lying to himself if he said he was unaffected by the man’s evident loathing of all he was, so how would he feel when those he cared for turned away in disgust? When the police were brought in and he faced an exposure so public, so humiliating?

Since Fleming had made that first crude and unforeseen threat, his life had been a continuum of sleepless nights and days full of fear.

How was he expected to go on smiling and frisking about the stage as if everything were fine when he really felt wretched and despairing of the years ahead? He had to bring an end to it one way or another: violence he could cope with, but shame was more than he could bear.

Once inside the room, Terry took his crown from the chair and threw it on the floor, sitting to face Fleming with more nonchalance than he felt. ‘You’ve got no proof.’

The other man laughed. ‘I’ve got all I need. And you’d be surprised who’ll crawl out of the woodwork once the idea’s out in the open. Let’s face it – there’s no shortage of candidates.’

He was right, of course. Terry knew that no matter how careful he had been, he could not rely on everyone to protect him forever 117

and it would only take one loose mouth to ruin him completely.

‘How much do you want this time?’ he asked, defeated.

‘Oh, I don’t know. Another five hundred should do for now.

When you’ve got your new projects underway, we can renegotiate.

But hurry up: I haven’t got all the time in the world.’

‘Then you’d better learn some patience, because there aren’t going to be any new projects. At least, not immediately.’

‘What? Has Aubrey started to tire of his golden boy at last?’

Fleming sneered, his professional jealousy for a moment overcom-ing his other concerns. ‘Dear, dear. Well, you’ll just have to find another way because believe me – that little fall from grace will be nothing compared to the one you’re heading for if I don’t get what I need.’

‘Need?’ Terry retorted, suddenly raising his voice. ‘Are you seriously trying to grace that pathetic habit of yours with some sort of necessity? Look at you! You drink your nights away and turn up here to this stage – my stage – to sleepwalk through another performance, and then you expect me to fund your next . . .’

‘What?’ Fleming was shouting now, and his fury drowned out any level that Terry could manage. ‘You think I’d dirty my soul with your money just for a drink? Christ, you’ve got no idea what normal people have to live with, have you? Locked up here in your own little world, with nothing to care for but your own ego, nothing to lose but another role, another bit of make-believe.’ He picked up the discarded crown and threw it across the room, where it crashed against the dressing-room mirror and shattered Terry’s startled reflection. ‘It’s not just kings, you know. Real people suffer, too, and it would do you good to find out just for once how that feels.’ His voice dropped again, but the change in volume brought no respite for Terry. ‘So yes,’ he continued, ‘I do
need
that money, and I do
need
it quickly. And for something much more important than a bottle, which makes things rather more dangerous for you.’

‘I can’t give you five hundred. Fifty’s all I’ve got – take it or leave it.’ He held the money up. ‘Anyway, it’s Aubrey you should be playing your dirty little games with. You’re going to need more than my money when you’re out of work.’

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‘What?’

‘Hasn’t he told you yet? He’s going to sack you at the end of this run. Says he can’t rely on you any more, that you’ve lost whatever it was you had. I could never see it myself, but at least he’s come to his senses about something. So that’s you out of the running for the next show. You’ll have to think again.’

It was a cheap trick to buy himself some space and he knew it was only a matter of time before the lie was revealed. Fleming recovered quickly, but not quickly enough to prevent Terry from realising he had scored a small victory. ‘Then we’d better think of a way to make Aubrey change his mind about me, hadn’t we?’ he snarled, snatching the money and leaning close enough for Terry to feel the spittle on his cheek. ‘After all, two murders this weekend would look like recklessness.’ He stood up and went over to the door. ‘And in the meantime,’ he said mockingly, ‘we must stop meeting like this. You know how people talk.’

It was always at this time of the evening that Esme McCracken felt most at home in her life. Rather than take a break after the matinee like most of her colleagues, she preferred to stay behind and get the preparations for the evening performance out of the way immediately. Impatiently, she ran through costume and property plots which were automatic to her after more than a year, and made sure that all was in place by seven o’clock at the latest. It was then that she most needed time to herself.

Her one good coat – wool, in a daring blue, cast off by a woman her sister worked for and hardly ever worn – hung on the hook where it was always kept for these occasions. She took it down and put it on as quickly as possible, fastening the buttons firmly to cover a faded black jumper and skirt which felt as worn out and as undistinguished as she did, then slipped out of the stage door and round to the front of the New Theatre, eager to be where she belonged. From where she stood at the top of the steps, just outside those polished timber doors, she could watch the audience arrive without being seen from inside, offering a few words of welcome to any theatregoers who caught her eye and practising an air 119

of gracious humility for the future. As the foyer began to fill with expectation, she wondered what her own audiences would be like when Aubrey finally gave in and put her play into production; more discerning than this, certainly, she thought, looking dis-paragingly at a man in a drenched-through mackintosh and trilby, although she supposed she would have to settle for smaller numbers, at least in the early days. Never mind: what mattered was that those who did come would value her ideas, and of that she had no doubt.

On the dot of seven-thirty, Bernard Aubrey came down from his office into the foyer as he did every night, clad immaculately in evening dress which he wore with a casual elegance. He took up his usual position by the white marble chimneypiece and, ever the genial host, nodded to his Saturday night regulars, many of whom he knew well after several years of faithful attendance. He was still a handsome man, McCracken thought grudgingly, and the attractive coupling of compassion and determination in his eyes had not been dulled by age.

As she watched, Aubrey’s general smile of greeting took on a more personal warmth and she felt a sharp stab of jealousy when she recognised its recipient; in the crush, she had not noticed Josephine Tey arrive, but that was hardly surprising – her looks were as bland as her work. She returned Aubrey’s kiss on the cheek, and he lowered his head to allow her to speak privately into his ear, then the two moved slightly to one side, away from the main crowd. McCracken tutted impatiently as her view of the pair was blocked, and risked moving slightly forward; by the time she had them once again in her view, Aubrey’s expression had completely changed and Tey had laid a consoling hand on his arm.

What was that all about? Perhaps she had told him she was giving up the stage? If so, this could be the moment she’d been waiting for. Her heart lifted briefly, until she saw one of the Motley women

– the overweight one – dragging a young couple through the crowd to where Tey and Aubrey were still in solemn conversation.

The designer, overdressed as usual and apparently oblivious to their mood, pointed to the engagement ring on the girl’s finger and 120

Tey smiled her congratulations, while Aubrey turned and went back upstairs. McCracken watched as the author signed the programme which was tentatively held out to her. All that cringing self-effacement made her sick – it was so affected – and she knew then that whatever had darkened Aubrey’s mood, it wasn’t the prospect of having to replace a successful author: this one loved her glory far too much to relinquish it. Trust the smug bitch to spoil even this ritual for her. Already late for the half, McCracken turned round and headed bitterly for the dark anonymity of backstage, pushing the last few stragglers roughly aside as she went.

Josephine was about to take her seat in the royal circle when she felt a tap on the shoulder. She turned round, the practised smile already in place, but took an involuntary step back when she found Frank Simmons looking intently back at her. He was soaked to the skin and, as he removed his hat, the water fell in a steady drip from its brim, creating a patch of deeper crimson in the foyer’s carpet.

‘Mr Simmons – Frank – what are you doing here?’ she asked, torn between sympathy for his grief and unease at seeing him so unexpectedly. ‘Are you all right?’

‘Yes, miss, I’m fine but I had to get out for a bit. The flat felt so empty with Betty gone up north, and all I could think about was my Elspeth lying alone somewhere, so I came here. I know it sounds strange, but this is where I feel closest to her.’

He looked at the floor, tears threatening to join forces with the rain. Josephine struggled to find something to say which would bring this excruciating scene to an end without sounding too callous or too encouraging, but nothing came to her and she remained locked in an uncomfortable silence with him, conscious that everyone left in the foyer was beginning to stare. When Archie appeared at her side, seemingly out of nowhere, she had never been more pleased to see him.

‘It’s a terrible night, Sir, can we give you a lift anywhere?’ he asked, his natural courtesy tinged with a firmness that was not lost on Simmons, who released Josephine’s hand and appeared to get a 121

grip on himself. ‘That’s very kind of you, Inspector, but a walk does me good and I can’t get much wetter than I am already. I just wanted to see Miss Tey again and to thank her for this afternoon,’

he said, turning to her, although his voice was so low and uncertain that she could barely make out the words. ‘I’ll let you go in now – you don’t want to miss the start.’

‘Oh I think I know how it goes by now,’ said Josephine with a nervous laugh, and bid him goodnight. Gratefully, she allowed Archie to lead her away and Simmons watched them go, continuing to stare long after they had disappeared into the auditorium.

122

Nine

Penrose had not intended to use his ticket for the performance but, with his cousins seated in another part of the theatre and Josephine visibly shaken by her encounter in the foyer, he was reluctant to leave her on her own immediately. Their seats at the side of the royal circle afforded a splendid view of the stage, but neither of them seemed particularly inclined to look in that direction. More often than not, Josephine’s gaze was fixed on the relief figures of Music and Peace which hovered optimistically above the proscenium arch, and he doubted that the world in which she was absorbed belonged to the fourteenth century. His own attention, meanwhile, was focused on the auditorium. His eyes followed the line of the three balconies, sinuously curved and decorated with painted panels, lamps and sconces, but nowhere could he see the two empty seats which he had expected to stand out as a poignant reminder of yesterday’s events. He would have to check in the rear stalls and balcony, which were currently hidden from his view, but every row seemed full; certainly the coveted top-price seats – of which Hedley White was supposed to have had two – were all taken. So what had happened to those tickets? Had he got rid of them, or asked someone else to do it for him? Is that why Frank Simmons had appeared so unexpectedly downstairs? Or had White never actually bought the tickets, knowing that Elspeth would be dead by the time the performance began?

Impatiently, Penrose glanced at his watch and was frustrated to see that the interval was still half an hour away. Almost as restless as he was, Josephine touched his arm and nodded to the exit, urg-ing him to leave her and get on with what he needed to do, but he 123

shook his head – he hoped reassuringly – and tried to settle back in his seat. It was irrational, this feeling he had that she was in danger, but it carried the force of conviction and he was not prepared to take a chance for the sake of thirty minutes, not when someone had already been killed just yards away from a crowd. Trying not to fidget, he was relieved to note that no one else was likely to be disturbed by his irreverent disregard for the play. Every other head was turned towards the stage and held there as if by force, and the silence in the auditorium was of a quality rarely found in London outside of its sacred spaces. In the last year John Terry had acquired the authority and presence of a truly great actor but tonight there was a nervous brilliance about his performance which surpassed everything he had achieved up to now. The audience, many of whom were regulars and had several performances to compare it to, realised they were watching something special.