An Expert in Murder (10 page)

Her dressing table was reserved for more intimate things: pictures of her father at the height of his musical career before it was 65

ruined by illness and depression; long and loving letters from her mother, with whom she corresponded weekly; and a rare photograph of Marta, taken on a bracing Sunday walk through Regent’s Park not long after they had met. Her normally camera-shy lover looked out from the picture through tears of laughter, much to the astonishment of a young man who stood in the background of the photograph, watching as Marta tried and failed not to be amused by the misfortunes of an elderly couple who had taken boldly to the boating lake. She smiled now at the blurred image, remembering how she, too, had been laughing too helplessly to hold the camera steady.

Idly, Lydia removed another chocolate from the box of Prestat which Marta – along with some innuendo about taking sweets from the lap of the Queen – had playfully arranged under the skirts of the lifelike souvenir doll that stood at the back of the dressing table. It was odd, she thought, that the only thing in the room which did not now carry a comfortable sense of the familiar was the face looking back at her from the mirror. She had not yet grown accustomed to the subtle lines of age that were beginning their inevitable dance around her eyes and mouth, nor to the implications that they carried for her career. At forty-three, as Bernard Aubrey had made abundantly clear to her less than a fortnight ago, she was fast approaching the age dreaded by all actresses, those difficult mid-life years which were played out to the tune of too old for Ophelia, too young for Gertrude. She had been lucky with Anne, and was fortunate to have persuaded Josephine to immortalise for her the tiresome, glamorous Queen of Scots but, after that, she was well aware that there could be some lean years ahead, that the cushion of Aubrey’s approval might not always rest with her.

Lost in her thoughts, Lydia did not notice that the dressing-room door had opened until she caught sight of Marta’s reflection in the glass. Such visits were rare, as Marta preferred to keep out of a theatre circle which she regarded as Lydia’s world, and the actress smiled with pleasure, her fears instantly forgotten. ‘How long have you been there?’ she asked.

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‘Long enough to know you’ve got chocolate on your lips,’ said Marta, laughing as she bent down to kiss the back of Lydia’s neck where it had been authentically shaved to accommodate Anne’s elaborate headwear.

‘I don’t mind if you don’t.’ Lydia turned round in the chair and took Marta’s face in her hands, tasting the coffee on her mouth as she drew her into a long, intense kiss. ‘Do you feel any better?’

‘I think I’ve drunk enough coffee to kill or cure the headache once and for all, but this place is hardly likely to lift a girl’s spirits.

That Lewis chap was in the Corner House looking as miserable as sin, John Terry’s upstairs at the stage door shouting at someone, and that young boy who does all the work while your Chekhovian stage manager scribbles away at her next masterpiece nearly jumped out of his skin when I said hello to him. I can see why I don’t venture down here very often.’

‘Don’t take it personally. Hedley’s in terrible trouble with Bernard over something; he’s been summoned to his office after the matinee for a dressing down. And Lewis has been miserable for weeks now. Rumour has it that his wife’s left him and Johnny says he’s hit the bottle, but he and Lewis have always hated each other so that might just be the bitch in him talking. Who was Johnny shouting at, anyway?’

‘I don’t know – he was on the telephone. Just one of the many unfortunates who are less godlike than him, I suppose. But I didn’t come here to talk about them,’ Marta said, dropping her sarcasm and sliding her hand inside Lydia’s silk robe. ‘How quickly can you get from here to the stage these days?’

Suddenly the door was thrown open and Ronnie appeared, staggering under the weight of an extraordinary horned head-dress.

‘Oh we
are
interrupting something, I hope,’ she said wickedly.

‘We’ve come to let out your seams, although a little more exercise before each show might save us the trouble.’ The twinkle in her eye brought a deep flush to Marta’s face and a pink tinge to Lydia’s, and elicited a long-suffering smile of apology from Lettice, who followed closely on her heels. ‘Where would you like us to start?’

*

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Normally, Hedley White would have been looking forward to his night off but, as he placed the furniture for the opening scene and moved to the side of the stage to run through the list of properties for each successive change, his mind was otherwise occupied. He knew he had behaved frightfully, and cursed himself again for such a rash act of stupidity, one that no amount of wishing or hoping could undo. The deed was done; Aubrey knew about it; and later he would face the consequences when he was called to the producer’s office.

Although he had only worked for him for six months, Hedley already looked up to Aubrey as the father he had never known, respecting him as someone who, through sheer hard work, had made a practical success of a profession which liked to make itself as esoteric as possible. Hedley was well aware that working-class boys like himself did not naturally enter the theatre but, in offering him a job as an assistant stage manager, Aubrey had dispelled all notions of Masonic exclusion by showing him that there was an alternative to universities and drama schools and being born into the right family, an alternative which made use of his talents and gave him the experience he craved. Working at both Wyndham’s and the New, he spent his days making tea, painting flats, sweep-ing the stage and walking around sets while electricians focused lamps. It was hard work, physically, which suited his strength and energy, and extra responsibilities built his confidence faster than he would have believed possible. If anybody had told him this time last year that he would be taking walk-on parts in front of hundreds of people and enjoying it, he would have laughed in their face.

Like all outsiders who are suddenly welcomed into a club to which they doubt their right to belong, Hedley was well versed in the peculiar language of theatre and revered its traditions and rituals. Each night, he took great pleasure in carefully preparing the ground for the Ricardians, an exclusive group, established in the early days of the production, whose membership was restricted to the three actors left on stage towards the end of
Richard of
Bordeaux
. The rules of the club were strictly observed after all 68

shows except matinees, and it was Hedley’s job – or McCracken’s in his absence – to place a small table and three chairs in the wings during the final act. Lewis Fleming, as Bolingbroke, was the first of the group to make his final exit, and would open a waiting bottle of claret, the quality of which had improved dramatically as the play’s success grew; the actor who played the King’s loyal servant was next off and would dutifully pour the wine into the waiting glasses while John Terry paused on stage to make the most of the bitterness and regret contained in Richard’s closing lines. As the play finished, Terry joined the other two for a toast to the next performance and, after the cast took its many curtain-calls, all three Ricardians returned to savour the rest of the bottle.

Tonight, when Aubrey took to the stage for his customary cameo appearance as the guard – a role that Hedley often played himself – the club’s membership would be extended to four and, as the producer drank nothing but Scotch, it was the junior stage hand’s task to ensure that a single malt was added to the inventory before he went off duty after the matinee. The sense of having thrown away his place in this little world haunted Hedley even more than the prospect of being handed over to the police, and he was entirely at Aubrey’s mercy. He would kill for a second chance, he thought, as he placed the decanter on the shelf next to the claret, ready for the evening performance.

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Five

Penrose sat at his desk on the third floor of New Scotland Yard and stared at the collection of bleak photographs laid out in front of him. Fallowfield must have conveyed his instructions to the letter, because the photographer had been relentless in his thoroughness: in stark black and white, the camera’s handiwork offered death from every angle, challenging him to erase the question marks which were all over that small railway carriage, and preserving the scene for those who might need to comment later on whatever answers he came up with. As detailed as the pictures were, his own memory really needed no material reminders of what he was dealing with: it would be a long time before a far more intense image of this particular death was erased from his memory. In his head, he heard his superior’s familiar words of warning: ‘You only see what you look for, and you only look for what is already in your mind.’ The trouble was, his mind was a blank. Rarely had he been so without inspiration in a new case, lacking any instinct other than a sense that things would get worse before they got better.

He turned now to the carefully labelled personal effects which, if he only knew how to read them, told the story of the last few hours in Elspeth Simmons’s life. Taken out of context and placed in uniform evidence bags, her things conveyed little of the warmth and animation which, according to Josephine, had characterised the girl in life. There was a handkerchief, a powder compact and comb, a packet of Symington’s Jelly Crystals and another of Mackintosh Toffees, a purse and a small pile of loose change, made up of two half-crowns, two sixpences, a shilling, four pen-71

nies and a halfpenny, and the magazine that had linked Elspeth to Josephine on the day she died – all the paraphernalia of a young woman on the move and, with hindsight, touching in its normality. What he found more interesting, though, were the note and the flower which hinted at a promise of affection, even love. He looked at the iris, with its striking triad of dark purple petals, and wondered what it had meant to her or to the person who sent it.

How did she feel when she received it? And how would she have felt if it was her lover’s face she had looked into as the life drained out of her? He hoped to put a name to that face when he questioned Frank Simmons and his wife in a couple of hours’ time.

There was nothing out of the ordinary about the bag itself, except that the contents scarcely seemed to justify its outlandish size. Perhaps the dolls were the answer. It certainly made more sense for them to have been hers rather than carried by a killer for whom speed and invisibility were of the essence; the fingerprint report would at least tell him whether or not she had handled them. He looked at the miniature king and queen, less lifelike now in their forensic wrapping, and gave an involuntary shudder. There was something unnerving about the violence with which the female doll’s hand had been broken off and discarded, but perhaps the gesture was nothing more than spite towards the victim, a scorning of Elspeth’s love for the artificial passions of the stage rather than a sinister strike against Josephine herself. As much as he felt for the dead girl, a lovers’ quarrel in which the dolls simply represented a mockery of her relationship would be a welcome explanation for her murder.

A brusque knock at the door interrupted his thoughts and, without waiting for a response, Sir Bernard Spilsbury came into the room. Others might have been surprised to see the celebrated Home Office Pathologist at the Yard on a Saturday but, to all intents and purposes, he was also a member of CID and behaved like any other hard-working member of the team. At fifty-seven, he often spoke of retirement but was actually busier than ever, driven hard by the police at his own insistence. In all the years Penrose had worked alongside Spilsbury, he had never known him 72

to refuse a call. His reports were not quite as prompt as they used to be, and age had made him a little excessive in his thoroughness, but Penrose was always prepared to wait a little longer to hear opinions from a man for whom he held tremendous respect.

Although by no means infallible, Spilsbury had proved to him on countless occasions that medicine had its value even in the face of death, that it was a path to truth even when life had been outwit-ted by evil – and that justice could prevail if someone paved the way for it with diligence and care.

‘Sorry I’m late, Archie, but the traffic down Gower Street was diabolical. Of course, if the Metropolitan Police thought it worthwhile to catch up with the rest of the civilised world and build a laboratory of its own, then you’d have had your report by now and you might even be halfway to getting another killer off the streets. But who am I to criticise?’

Penrose smiled at the rebuke, which was invariably the first thing Spilsbury uttered when he arrived at Scotland Yard. The pathologist’s opinion that Britain lagged behind other countries when it came to a commitment to forensic evidence was well known and, Penrose believed, fully justified. Among many of his colleagues there was still a prejudice against importing too much science into an investigation even though most were coming to rely on such developments as a matter of course; the analysis of dust in a suspect’s pockets or mud on his boots was all very well, they would say if asked, but there was still a preference for direct rather than scientific methods of proving guilt and, even if the force as a whole could be persuaded that forensics were an aid to rather than replacement for observation and patience, the argument that English judges and juries were inclined to be dis-trustful of laboratory evidence had yet to be overcome. If anybody could change that, though, Spilsbury could; no name was more closely associated with violent or mysterious death. He had a quiet authority and a core of steel, yet it would have been hard to imagine a more affable and sympathetic character.

Penrose had never known anyone get the better of him in cross-examination, although privately he wondered whether the 73

unquestioned influence that Spilsbury’s opinion carried always contributed to justice.

The charm and the steel were both evident today as he sat down and took his report out of the vast bag which he took everywhere.