All We Have Lost (6 page)

Read All We Have Lost Online

Authors: Aimee Alexander

BOOK: All We Have Lost
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New Me Resolutions:

1. Get organised – make lists.

2. Get fit – bum firmer, tummy tighter and hips, well, smaller.

3. Shoulders back, chest out, tummy in. Remember, posture is camouflage.

4. Get romance (i.e. sex) back on track. Work on strategy.

5. Ignore all bad behaviour – I will, I will, I will.

6. Reward good – especially my own.

7. Arrange more time for self – be firm.

8. Have fun.

9. Chuck self-help books.

10. Think before opening mouth.

 

This will be the new me. I promise.

CHAPTER NINE

 

 

On Sarah’s advice, I send my – edited – first three chapters of what I’m now calling
Peripheral Fear
to her literary agent, Tessa Browne. Weeks pass. Slowly. After six, as advised, I call her.

She gets to the point.

‘The writing is patchy. Some bits are good,’ she says cheerfully, ‘some not so.’

I don’t ask for the ratio. Her comment on the plot helps me out though:

‘It’s been done to death.’

‘Oh.’ My stomach plummets like mercury in a thermometer.

‘Writers have to put in a lot of hard work. It’s a very difficult life.’

‘I see.’

‘Advances have fallen sharply. It’s not a good time to be starting out.’

Somehow, I don’t think she said that to Sarah.

‘If I were you, I’d stick to the PR. Much more lucrative.’

I hold it together till I hang up.

Then – with disastrous timing – Sarah rings.

‘You OK?’ she asks. ‘Tessa just called to say you guys had spoken.’ There’s a pause. ‘She can be a bit… abrupt.’

I’m mortified, wondering what she said to Sarah about what I’ve written.

‘Don’t let her stop you. That would be a mistake.’

‘Maybe she has a point. Maybe I’m just not good enough.’

‘Why don’t you open with a sex scene? Get people right into the story.’

I close my eyes. And breathe.

‘Books sell on the first chapter, Kim. A good sex scene and you have them. Guaranteed.’

‘Right.’

‘Actually, why don’t you write
erotica
?’

Silence while I struggle not to outright bawl.

‘I’ll write it for you if you like.’

‘It’s OK, thanks. How’s Australia?’

‘New Zealand now, mate,’ she says in a Kiwi accent. ‘And I’ve met him – Perfect Man!’

‘Really? So soon? Wow! Who is he?’

‘Maori. The real thing. Staying power of an ox.’

I laugh. ‘So that’s the end of the book, then?’

‘God, no. Why would it be?’

‘Well, you found him. What’s there to write about?’

‘Oh, he’ll be the last chapter. I’ll have to continue my research for the middle of the book.’

‘Right.’ A pause. ‘Won’t he mind?’

‘He won’t know.’

‘Until the book comes out.’

‘I’ll deal with tomorrow tomorrow. How’s that sexy husband of yours?’

Scary when she talks about Ian in those terms. ‘Grand.’

‘Kids?’

‘Yeah, fine.’

‘Give everyone my love.’

‘OK. And Sarah? Thanks, you know, for the introduction. Hope I didn’t waste her time.’

‘Least she could do. I’m making her a fortune. OK, gotta go. There’s a man, here, that needs my attention. Ciao, hon.’

‘Bye, Sarah.’

I need to lie down.

 

The kids are off today so I’m up at six, researching erotica. I’m wondering if I have it in me when I hear whispering and light footsteps on the stairs. I click out of full-on steam.

I go to the door and watch them toddling downstairs in their PJs. They are holding hands.

‘Shh,’ Chloe says.

Sam puts a finger up to his mouth.

Ah, God.

‘Good boy,’ she says, like she’s the mum.

Into the kitchen they pad, partners in crime. Chloe climbs up on a chair to open the fridge. Sam places his order. She starts to pass it down to him. A yoghurt. A tomato. Cheese. Healthy, I’ll give him that.

I reverse into a corner of darkness as they bring their picnic into the sitting room. They turn on the TV and flick through the channels until they find cartoons. It doesn’t matter to them that the voices are in Irish, a language they haven’t yet learned. God, I love kids. Not just my own.

I open the laptop. And a completely new file. The mouse blinks at me, expectantly.

Right.

I’ll have a stab at a sex scene. Can always delete it.

I start out OK but when I get to the actual
act,
mortification hits. I am confounded by terminology, uncomfortable with words like ‘throbbing member’ and ‘dewy mound.’ There are children in the room! Even if there weren’t, I’d have the same problem – because the general idea is for people to read this.

I hear Ian getting up. I scan what I’ve written. And blush. It’s a biology lesson.

I’ve wasted an hour!

I delete every embarrassing word and am faced, once again, with a blank screen.

Maybe I should open with a murder. Something shocking. Unusual.

I press my fingertips into my temples. I crane my neck. Yawn.

I hear the pump come on for the shower upstairs. Desperation rises. I can’t think.

My tummy rumbles. I long for toast.

Then, suddenly, I have it! Electrocution!

My fingers take off over the keyboard. All around me fades.

 

‘Oh. They’re watching television,’ Ian says, like they’re slitting their wrists.

I take him in, all dressed up and somewhere to go. This is how I must have looked to Sally – the over-compensating parent. How easy it is to be right when all you have to do is give instructions and walk out. Not so long ago, I saw television as an unnecessary evil. Now I know it’s a necessary one. The day is long. Start with a hive of activity and you run into trouble of the cranky-tired variety. Ian doesn’t know that. He’s still the working parent. Explain to him, Kim; it’s part of your job description now.

‘Ian, they’re having such fun. They got up by themselves, sneaked down and helped themselves to food. They’re getting on so well because this is their little secret. But here I am, sitting in the corner, keeping an eye.’ I see him soften, so finish off with, ‘Don’t worry. I have it timed. One hour. That’s it.’ I don’t say, ‘Now off you go, your conscience is clear,’ but that doesn’t mean I’m not thinking it.

And as I watch him leave, it hits me that this is not the first time since I quit work that he has tried to tell me how to parent. My heart flutters. He is
not
in charge. We are still a team. Equal.

As the car pulls out of the drive, the hunt begins for my notebook, specifically my list of new me resolutions. This is suddenly important.

After a desperate hunt, I find the notebook behind the couch with a crayon. My list – and most of the notebook – is covered in green scribbles, Sam’s favourite colour. I run my finger under each line of my list. What can I do that’s immediate?

No. 3. Posture.

I straighten up, shove my shoulders back and raise my chin.

No. 9. Chuck self-help books.

Not sure I can do that. It would be like throwing away my safety net. Plus, they were expensive.

But I am determined.

I round them up. It takes a while.

Throwing them out would be sacrilege. I’ll trade them for some crime novels in our local second hand bookshop. Then I’ll bring the kids for a walk on the pier. That’s three resolutions in one day. Go me.

 

I arrive at the bookshop with a carrier bag of advice on how to live a happy, adjusted, rewarding, positive, sex-filled, fun, tantrum-free life. And wait for the man behind the counter to finish with another customer.

‘Guys, stay here.’ What is so fascinating about the door? ‘Hey, look, children’s books over there. Have a look.’

It works.

I have the man’s attention now. He pulls book after book from the bag, doing a quick tot. After about the seventh how-to guide, he sneaks a look at me. His expression gives nothing away. Do I look desperate or cured?

‘I’m perfect now,’ I laugh awkwardly.

He doesn’t react, just goes back to the job at hand. Why did I bring them all in together? Twenty-two self-help books; I could have set up in competition with him. He continues to dip in and pull out. I turn to check that Sam and Chloe are not dismantling his shop. The guy behind me in the lengthening queue looks away when I catch him staring at my books. I look at his. Oh,
Atonement
. Right.

I notice that all my good posture from earlier has gone. I feel a sudden need for books that are no longer in my possession – not badly enough to have to ask for them back, though. I leave the shop with two brand new children’s books, which have used up most of my credit. I take a deep breath. To the pier, my lovelies!

Fresh air. Ah yes. This was a good idea. People pass by, mostly women, some strolling, others powering along. Many are in pairs, chatting animatedly. I long suddenly for an adult conversation. For a friend. Sarah seemed more than enough when my schedule was tight. I could ring Liz, a journalist I used to meet for lunch occasionally. But spending more time with the children has made me realise: I don’t have a lot in common with Liz. Not really. What I need is a new friend. Someone in my position. What am I talking about? I have two thousand words a day to write. I know; we’ll go see Mum.

CHAPTER TEN

 

Mum takes a home-made quiche from the oven and I think it must be true that the smell of baking sells homes – I instantly want to move in. Chloe, carrying salt to the table, decides to tip it into her mouth. Sam looks at his sister and reaches for the sugar. I take the salt from Chloe and move the sugar out of reach.

The arrival of food makes things easier.

The quiche is so good it silences us.

Until finally, Chloe says: ‘I’m full.’

I look at her plate. ‘Just two more spoons, then bring your plate to the sink and you can go outside.’

‘OK, Mum.’

‘I full too,’ says Sam on hearing the word ‘outside’.

‘Let me feed you for a sec, then you can go out with Chloe, OK?’ Never have my days required such a level of negotiation.

Out onto the patio they troop and into the sandpit Mum has bought to entertain them when they’re here. We watch through the open patio doors.

‘How are things?’ Mum asks.

‘OK. Not as easy as I thought they’d be.’

‘It’s a big change. You need time to adjust.’

‘It’s just that I thought that
the writing
would be easier. I just can’t seem to make any progress.’

‘Maybe you need a break.’

‘I took one yesterday to paint Sam’s room. While I was doing it I actually seemed to get some good ideas. So I abandoned the painting, went to the laptop and typed like crazy. Then the Montessori rang to tell me I’d forgotten to pick up the kids. I forgot my own children. Sally would never have done that.’

‘Sally wasn’t writing a novel. At least you got some ideas for the book.’

I shake my head. ‘When I got back to the computer, I realised that what I’d written was complete rubbish.’

‘Some of it must have been good.’

‘No. None. The paint must have made me high. It was off-the-wall.’

She smiles. ‘How’s the room?’

‘Sam loves it.’

‘There you go. Don’t be so hard on yourself. You’re a great Mum.’

I half smile.

‘Why don’t you take a break from the writing for a while? Maybe you’ve got…what’s it called…writer’s block?’

‘Or maybe I’m just crap.’

‘Well, you’re not going to make any progress feeling like that. Take the summer off. Allow yourself time to adjust to the changes you’ve made to your life. You’ve just given up running a business because you couldn’t do it all. Now you’re replacing the business with a novel while still bringing up a young family and keeping a home. Ease into it, love. Soon they’ll be getting holidays. Why don’t you stop now and wait till they go back in September to start again. You’ll be in a better frame of mind.’

‘But I can’t just give up now. I’ve only been at it three months.’

‘You have your whole life. Don’t always be in a rush. Enjoy the kids. Trust me, Kim, they grow up very quickly.’

‘But I have to earn an income!’

‘And you will,’ she says calmly. ‘But you’re getting nowhere at the moment. You’re just tying yourself in knots. Step back. Have a special summer, one that you’ll never forget, let the inspiration come to you and when the kids go back in September, then start writing it all down.’

I nod. Maybe she’s right. Maybe I should just let it come. Stop trying to force it. Press releases were so much easier. I miss the short deadlines, the immediate results. I miss sending out invoices and getting paid. This is just so broad and fuzzy. It feels like I’m getting more and more lost.

‘Apart from the writing, how are things?’

‘OK.’ I look out at the kids. Sam’s sporting a builder’s bum as he loads sand into the back of a pick-up truck. Chloe is sifting sand through a strainer while bossing her family of Baby Born, a mangy monkey and Buzz Lightyear. ‘Sometimes, I feel like I’m falling through the cracks. I don’t have a career and I’m not exactly an earth mother. I don’t really fit in anywhere anymore.’

‘Why don’t you go back to tennis? You used to have a great serve. Tennis clubs are great for meeting people.’

‘Maybe when I make a little progress on the book.’

‘Don’t try to do it all, Kim.’

‘Right.’

‘Have you spoken to Deirdre French?’

I try to throw her off the scent. ‘How do you know each other anyway?’

‘We were in secretarial college together.’

‘What’s she like?’

‘Smart. Ambitious. She wanted to study English but her parents didn’t have the money to send her to college so she got a job in a publishing company and pretty soon convinced them she could write.’

‘I remember reading that somewhere.’

‘Probably when she had a book coming out,’ Mum says, uncharacteristically cynical. ‘I’m not sure I’d completely trust her. I hope you didn’t tell her too much of your plot.’

‘I’ve abandoned that plot.’

‘Did she give you any tips?’

‘Yeah. She was pretty helpful.’ I share some of the advice.

‘She’s a busy bee,’ Mum says. ‘Always was.’

She gets up and starts to clear the table.

I help.

‘Dad’s anniversary is coming up,’ she says, suddenly. ‘Will you be around?’

‘Of course. What’ll we do? Same as last year?’

She nods. ‘He never liked a fuss and you know what he thought of organized religion. So no ceremony.’

‘Will James be over?’

‘He’s busy but he said he’d call.’

‘OK, so it’s just the two of us.’

She smiles and pats my hand.

 

‘Are we rich, Mum?’ Chloe asks as I tuck her into bed. We are so late it’s not funny.

‘Why d’you ask?’ Keep it brief.

‘Well, there’s loads of money all over the house.’

Coins, unfortunately. ‘We’re not rich, honey. That’s small money. You need lots of big money to be rich.’

‘Oh.’ She sounds disappointed.

‘We’re not rich. We’re not poor. We’re somewhere in the middle. We don’t have to worry about money. That’s the most important thing. Now go to sleep.’ I ruffle her hair and kiss her forehead.

‘You should go back to work.
Then
we’d be rich.’ Maybe it was a mistake to tell her we couldn’t get certain things because I’ve given up work.

‘What’s so great about being rich?’ I ask.

‘We’d have lots of money and we could buy anything.’

‘Would you like me to go back to work?’

‘What’s this about rich?’ Ian asks, swashbuckling into the bedroom after a hard day down the mines or financial equivalent.

‘We’re not rich, Dad.’

‘Not yet.’ He winks at Chloe then kisses her goodnight.

Sam is asleep. We cover him back up and kiss the top of his head.

 

I made an effort with dinner – roast chicken isn’t actually that hard – and Ian seems to appreciate it.

‘Let’s get a babysitter,’ I suggest.

He grimaces.

‘Just for an hour. To go for a walk.’

‘We need to cut back. We can’t go on spending like we are.’

‘I know. I’ve totally cut back but I need to get out. I’ve had the children all day.’

‘Right, then, you go. I’ll go later.’

‘Who’ll I talk to?’

‘I’m serious, Kim. Once a week is enough for us to go out, for the moment – at least until I’m permanent. We’ve the mortgage to think about.’

No point suggesting a new kitchen then. I grab my keys and phone, briefly worry about axe murderers, then remind myself I’ll become one if I don’t get out.

‘See you later then.’

‘See you later.’

His kiss feels like a consolation prize.

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