All That Follows (26 page)

It is less easy, though, to know how to handle the embarrassment of the wonky video, especially with the summit leaders scheduled to discuss freedom and security in two days’ time and all the world’s press already in town and hungry for a British story to tide them over. What is needed, just to offer balance, is a strip of film showing a heroic and risky intervention by the NSF. A few injured officers paraded for the cameras would help. But there is nothing. They can’t even hope anymore for some drama associated with a rescue or release of Lucy Emmerson. Some shots of a pretty teenager, hurt possibly but certainly tearful, would have played well on the newscasts. Instead, the nation is getting up to watch three of the security force’s celebrated “burly bastards” knocking to the ground, with what commentators are already describing as excessive force, a shabby, middle-aged member of the British public who is guilty of little more than straying.

The command team plays and replays the video footage, looking for a PR spin but finding none. The liberty lobbies are going to have a field day. No question about it, the first kick is rule-breaking; this civilian is clearly offering no threat. He’s walking off, in fact. The man’s back is turned. His arms are down. He is not attempting to run. That kick cannot be justified. Nor can any of the subsequent blows: a knee in the back and a fist to the chin are not appropriate, especially given that the target is offering no resistance and is, to use the parlance of the force, already tarmacadamized. The video’s sound track—enhanced by NSF techs—is little help. It worsens matters, actually. It can’t be long before the news networks enhance the audio for themselves and hear exactly what was whispered full to camera into the arrested and incapacitated man’s ear as he lay stunned on the ground: “You so much as twitch and you are getting tasered. That’s fifty thousand volts, understand, you fuck?”

“Yes, understood—and all too bloody well.” The officer turns off the telescreen. “That’s bloody tasered us, that’s what that’s done.” The other commanders shake their heads in glum agreement. This is a mess. A classic case of excessive and unwarranted, which at best will earn the NSF another roasting in the liberal press—especially when it transpires, as it must, that their captive was not a danger at all but just a nosy parker—and at worst will have its payoff on the streets. Riots, possibly. The mood is jittery already. And it could escalate. The “demo mob” has a hero and a martyr now.

“What was he doing there, anyway?”

The duty CO checks his report sheet. “Picking up his car, it says.”

Leonard has not yet seen the news reports or video. He has been sleeping for an hour or so, despite his bruises and the narrowness of the banquette in the custody cell. The night’s events are tumbling. He makes no sense of them. He mostly dreams of Maxie crashing through the windscreen of the Buzz. But when the command team sends for him, he’s dreaming that he and Maxie have escaped from Alderbeech. Together. Bullets wing the car at first. Then they find themselves in empty neighborhoods with no one in pursuit. “I came for you,” he says to Maxie, the streetlights turning into stars, a sudden blast of light. “Comrade Leon saves your sorry arse.”

The sudden blast of light comes from a set of interrogation lamps, pointing toward the ceiling. The duty CO stands at the end of the banquette, grinning stiffly and holding Leonard’s coat, belt, and shoes and an envelope containing his cell, ID fob, and keys. His instructions are to bring Mr. Lessing up to the visitors’ lounge without his seeing a television screen and to sit him in the soft-backed chair facing the window, out of harm’s way. It is here that he is served a canteen breakfast on a tray while the service paramedic dresses and photographs his wounds and makes light of “the rugby damage” he’s received. A middle-ranking female officer has been instructed to placate and scold the prisoner before releasing him. He should leave the building persuaded that it’s best to make no fuss. Certainly any complaint for wrongful arrest or a claim for damages would be “mischievous and unwarranted.” She shakes Leonard’s hand and offers her regrets for the “necessarily firm” treatment he received. The three men responsible have already been suspended from all duties, she explains, glad to see that he looks surprised and guilty when he hears the news. But the truth is that Mr. Lessing has been foolhardy, in her view and in the view of anyone who saw him on the street this morning. Straying into the middle of a security operation is never wise. But—she’s checked—he has not broken any laws. “We can congratulate ourselves,” she adds, pleased with her bantering tone and the phrasing she practiced before walking into the lounge, “that this is still a nation where straying is not a crime but merely inadvisable. And inconsiderate. And best not repeated.” There will be more questions to be answered, possibly, but not in custody. He can expect a home visit, perhaps. But in the meantime, it might be better, judicious even, if “discretion is allowed to rule the day, on both our sides. We will not be releasing your details to the press, out of consideration for your privacy.”

She does not say that her next task is to preempt any problem he might cause by ghost-briefing some of the NSF’s pet dependents in the press, telling them what she’s learned from a NADA leak just a few minutes ago: that this Leonard Lessing might not be as squeaky as he seems. Somehow he’s linked to Maxim Lermontov and to the not-so-missing girl. He has history as a militant, some Texan connection. He is known to be someone who has provided information to the police. He’s been spotted in a cafeteria with Mrs. Emmerson. Foolhardy, indeed. She shakes his hand again. “Now, let us reunite you with your vehicle, Mr. Lessing. You look as if you’d benefit from …” She pauses, judges that she’d better not be personal. “From forty winks.”

Francine is sleeping in the car, her mouth hanging open like a child’s, when Leonard is finally returned to the now almost vacated waste ground a little before 10 a.m. She must have checked out of the room as soon as it was light and waited at the Buzz for his return, not panicking, even though his cell was off, but finding comfort in logical and reassuring explanations for his absence, as he’d expect of her. She’s always level-headed when she has to be. His yellow cap is clutched in her hand, he sees. That’s puzzling, although he can’t say why. He has to reel back through the events of the morning before he recalls losing it and where. It’s all a haze at first. He can clearly remember the early walk through Alderbeech, the conversations that he had—“What are you? Press?”—the two marquees, the engulfing shadows of the garden wall. Each step of it is still crisp in his memory. It’s crisp until the fireflies start to glow. But when the mayhem begins, the snatch squads and the stun grenades, the heavy boots, the heavy fists, the hoisting of his body in the air, the impact of the metal wagon into which he’s thrown, the shouting and the threats, he cannot concentrate or be certain of the details. Is that concussion or champagne? Is it himself or Maxie Lermon whom he can half remember crashing to the ground? The scene itself has lost its definition. Victim and witness are the same. All he remembers now is haste and pain. Everything is physical.

Leonard rubs his chin. It’s dislocated, possibly. It’s tender, for sure, from the tip into the jawline. It is as though the stubble hurts. Now he more clearly remembers being punched—rubbing the injury has helped—and how the sudden, expert blow clicked his head back sharply. That’s the moment his cap came off. He has it now. The pain shot through his face and shook his forehead with such force that his cap detached and dropped into the street … where Francine picked it up. Finding her husband’s cap but without her husband under it must have unnerved her, surely. It would have been a shock. He’s touched that she has bothered to retrieve it, even though she hates the cap—“That filthy thing”—dislikes all hats on men, and has threatened many times to chuck it in the bin. He needs to believe that she was worried for him just a bit. He looks for signs of anxiety on her sleeping face. But there are none. She looks serene and comfortable for once. Perhaps she fell asleep as soon as she sat in the Buzz and hasn’t realized that he’s been missing for—what? Almost six hours now.

It is tempting to remove the sun cap from her grasp and pull it on. Leonard likes to drive in it, especially to gigs and concerts. His much-repeated tease is that it helps him to concentrate, not only on the driving but also on the music he will play. He has never worn the cap onstage, of course. He knows it isn’t cool or hip. Francine has persuaded him of that. It isn’t blue. But afterward, when he is signing programs and booklets, he sometimes pulls it on, just for fun; its slogan,
QUEUE HERE
, seems pertinent and witty. He leaves it, though, in Francine’s grasp. He does not want to wake his wife just yet. He is not in a hurry to explain himself to her. He wants to settle himself and unravel his story first, sort out what he has dreamed from what occurred. Besides, the prospect of her waking up naturally only to find him sitting calmly at the wheel is an appealing one. He can play it very cool, he decides. He looks forward to her gasp of pleasure and relief, and then the shock when she sees his injuries.

Leonard succeeds in driving out of Alderbeech through the busy Sunday traffic and almost reaching the motorway before Francine wakes briefly. She puts her hand on his thigh and says “Sweetheart” without even opening her eyes. When he squeezes her fingers, she says “Sweetheart” again, more flatly than before, her voice a little slurred.

“You’re whacked,” he says. “Don’t wake, Frankie. I’ll tell you all about it when we’re home. You’ll be amazed.” But she does not respond to the bait. For the moment she would rather sleep than be amazed.

“Who’s the dormouse now?” he asks out loud, for his own benefit. He is already a bit annoyed with her. It’s time she showed some evidence of anxiety. It’s time she saw the state of him, his damaged chin, his blistered, purple mouth, his torn and muddied clothes. “Wow,” she’ll say. “What happened to your face?” And he will reply, pianissimo and casually, “They beat me up, the police. Three guys. They turned their guns on me. They had me in their sights. I very nearly died. I spent the night in cells.” He wants to see her snap awake at what he says and stare wide-eyed at him. He wants to hear her mention pure valiance. Say it, say it,
valiance
.

“I’ll tell you all about it when we’re home,” he says again, though mostly to himself. “Cooked breakfast, or will it be lunch, in bed? How’s that sound?” Francine appears to nod but does not make a sound. She rolls across the seat, drawing up her knees, and rests her head on his shoulder. They are that loving couple in a moving car that safety adverts warn against:
Keep Your Distance from the Vehicle in Front; Keep Your Distance from Your Passengers
. Her hair is unusually unkempt and springy on his cheek, he notices. Like it was when they first met. Her breath is spicy and familiar. It is not until he’s pulled up at the house and turned the Buzz’s engine off that Francine finally speaks. “Carry me upstairs,” she says, just as she did on Thursday evening, but this time there is no agenda other than her need to sleep a little more. Her eyes are open and she’s looking at his face, but she does not seem to notice how hurt he is. Perhaps he’s not as badly hurt as he would like.

16

LEONARD KNOWS
, as soon as he chimes into the house, that there have been uninvited visitors during his absence and ones who have not made much effort to cover their tracks. The first abnormality is that their burglar alarm is not set. It was operating yesterday when he and Francine crept out through the back garden and their neighbor’s side gate to drive to the Emmersons’ house. It’s possible, he supposes, that in their ill-tempered hurry they forgot to turn it on, though that would be a first for him. He is neurotically careful about security. He daren’t risk the loss of his customized saxophone. That first cheap instrument stolen from him with punches in the pub car park many years ago still reverberates.

At least Leonard does not have to key in the alarm code before struggling Francine up the stairs and into her bed. She is not light, small though she is, especially when sleeping or only pretending to sleep, as he suspects. She clearly wants to be treated like an exhausted toddler and returned to her own clean bedclothes where, knowing her, she will doze quite happily until midafternoon. Rest comes first, as ever. He cannot hold her like a toddler, though. The stairs are steep and narrow on the turn. He has to tuck his good shoulder into her waist and give her a fireman’s lift. His right shoulder tenses, but despite the pain, he manages to tumble her onto the mattress, pull off her shoes, and cover her with the duvet. It’s difficult to know if she has offered him a groan of thanks or is merely glad to be in her own bed at last. He considers joining her. He ought to sleep, but he can tell he will not sleep, not while it’s light outside.

Their room is still in disarray. She wouldn’t let him tidy up before they set off on the drive down. But did they leave the desk lamp on? And were the curtains fully pulled open like that? Leonard has an idea that they weren’t. He looks down onto the patio as he snaps off the light and draws the curtains across again. He’s half expecting to see shattered window glass, some signs of burglary, his saxophone case abandoned on the lawn. There is no point in looking for evidence in their bedroom. All the drawers have already been pulled out and emptied onto the rugs, the chests and boxes have lost their lids, clothes are shaken from their hangers. A burglar would be hard-pushed to find any valuables. His spectacles are lost in here, Leonard remembers. But with the curtains now shut and Francine breathing evenly, he cannot and had better not hunt for them yet.

The door to their room is a little lower than the others. It has a Tanzanian carving added on—a frieze of drums. Leonard hesitates, as he often does, directly under the lintel and stands on his tiptoes until he feels the touch of timber on his hair. He has not heard anything to alarm him, but in his current apprehensive mood, hearing nothing is disquieting in itself. Usually there is a distant radio or someone trimming hedges or the thrum of a reversing car. At least there should be birdcalls, shouldn’t there? This silence seems almost physical, a rippling of hinted sound, something present but unexpressed. What if he and Francine disturbed the burglar or the burglars when they returned, and one of them is still inside the house, holding his breath, holding his knife? Leonard looks for something to defend himself with, but in the half-light of the room can find only a heavy leather belt. He pulls it free from his discarded jeans, wraps the strap twice round his hand, and swings the buckled end in readiness. The floorboards creak as he steps out onto the landing.