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Authors: Raymond Carver

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III

For Tess (81)

A Haircut (82—3)

Happiness in Cornwall (84—5)

Venice (86)

The Lightning Speed of the Past (87)

Wenas Ridge (88—9)

Blood (90)

Limits (91—2)

The White Field (93—4)

The Window (95)

Its Course (96—7)

Sinew (98—9)

Eagles (100)

Elk Camp (101—2)

Earwigs (103—4)

The Fishing Pole of the Drowned Man (105)

My Boat (106—7)

Shooting (108)

Cutlery (109—10)

IV

Work (113)

Cadillacs and Poetry (114—5)

The Hat (116—18)

The Young Fire Eaters of Mexico City (119)

Powder-Monkey (120—1)

The Pen (122—3)

The Pipe (124)

What You Need for Painting (125)

Bonnard’s Nudes (126)

A Squall (127)

Kafka’s Watch (128)

My Work (129—30)

The Garden (131—2)

My Crow (133)

Grief (134)

Bahia, Brazil (135—6)

The House behind This One (137)

Reading (138—9)

Evening (140)

Spell (141—2)

The Schooldesk (143—5)

V

After Rainy Days (149)

Hominy and Rain (150—1)

Radio Waves (152—3)

The Phenomenon (154)

Fear (155)

The Mail (156—7)

Egress (158—9)

The River (160)

Migration (161—2)

Sleeping (163)

An Account (164—5)

Simple (166)

Sweet Light (167)

Listening (168)

The Eve of Battle (169—70)

The Caucasus: A Romance (171—3)

The Rest (174)

VI

Locking Yourself Out, Then Trying to Get Back In (177—8)

The Old Days (179—80)

Mesopotamia (181—2)

The Possible (183—4)

Waiting (185)

In Switzerland (186—8)

Ask Him (189—91)

Yesterday, Snow (192—3)

Where Water Comes Together with Other Water (194—5)

The Fields (196—7)

Slippers (198)

Circulation (199—200)

Scale (201—2)

Asia (203—4)

The Gift (205—6)

The notes to
Where Water Comes Together with Other Water
and
Ultramarine
indicate which poems from those two books were included in
In a Marine Light.
The following poems were not included in
In a Marine Light
:

Where Water Comes Together with Other Water

Movement

The Road

The Ashtray

Medicine

Rain

Aspens

At Least

The Grant

The Poem I Didn’t Write

In the Year 2020

The Juggler at
Heaven’s Gate

My Daughter and Apple Pie

Commerce

Next Door

The Party

Interview

The Windows of the Summer Vacation Houses

Away

Music

Plus

Extirpation

The Catch

My Death

Afghanistan

Reading Something in the Restaurant

A Poem Not against Songbirds

Late Afternoon, April 8, 1984

Ultramarine

An Afternoon

The Cobweb

Memory [2]

Stupid

The Jungle

The Sensitive Girl

The Minuet

A Tall Order

Where the Groceries Went

Vigil

In the Lobby of the Hotel del Mayo

Wind

The Best Time of the Day

Company

Yesterday

The Prize

Loafing

The Debate

September

Heels

The Phone Booth

The Scratch

The Child

After Reading
Two Towns in Provence

Appendix 5
Bibliographical and Textual Notes
Abbreviations
1st
First magazine appearance or separate publication
ANP
A New Path to the Waterfall
(New York: Atlantic Monthly Press, 1989)
ANTSM
At Night the Salmon Move
(Santa Barbara, Calif.: Capra Press, 1976)
AUP
Advance uncorrected proof (publisher’s paperbound uncorrected page proofs sent to review sources in advance of finished book)
F
Fires
(Santa Barbara, Calif.: Capra Press, 1983)
EFTD
Early for the Dance
(Concord, NH: William B. Ewert, 1986)
IAML
In a Marine Light: Selected Poems
(London: Collins Harvill, 1987)
NHP
No Heroics, Please: Uncollected Writings
(London: Harvill, 1991)
NK
Near Klamath
(Sacramento, Calif.: English Club of Sacramento State College, 1968).
Note:
Because
NK
is unpaginated, page references to it are given in brackets.
RC
Raymond Carver
TD
Those Days: Early Writings by Raymond Carver
, ed. William L. Stull (Elmwood, Conn.: Raven Editions, 1987)
TW
This Water
(Concord, NH: William B. Ewert, 1985)
U
Ultramarine
(New York: Random House, 1986)
WI
Winter Insomnia
(Santa Cruz, Calif.: Kayak Books, 1970)
WWCT
Where Water Comes Together with Other Water
(New York: Random House, 1985)
Notes
Fires: Essays, Poems, Stories

First edition: Santa Barbara, Calif.: Capra Press, 1983. A Noel Young Book. Simultaneously published in hardcover and paperback. Publication date: 14 Apr. 1983.

First signed, limited edition: “Printed April 1983 for Capra Press by the Kingsport Press. Two hundred & fifty copies have been numbered and signed by the author and bound into boards” (limitation leaf).

First expanded edition: New York, NY: Vintage Books, 1984. Adds “The
Paris Review
Interview”. Publication date: 30 May 1984.

First English edition: London: Collins Harvill, 1985. Omits “The
Paris Review
Interview” and the “Afterword”; adds “My Father’s Life” and “John Gardner: The Writer as Teacher”. Publication date: 15 Apr. 1985.

Dedication: For Tess

Epigraph: From “Cows Grazing at Sunrise” by William Matthews,
Flood
(Boston: Little, Brown, 1982) 4.

Copy-text: First edition, first printing, collated and corrected against later editions and printings overseen by RC.

Small-press sources and separate publications:
NK, WI, ANTSM, Distress Sale
(Lord John, 1981),
Two Poems
(Scarab, 1982),
At Night the Salmon Move
(Capra, 1983),
Looking for Work/Downstream
(n.p., 1988).

1
DRINKING WHILE DRIVING
: in
NK
[26],
WI
55.

1—2
It is August.
 
I have not read a book in six months
NK, WI
8
go, / go
NK, WI
15
will / is going to
NK, WI

2
LUCK
:
1st
in
Kayak
[Santa Cruz, Calif.] 50 (May 1979): 40; in
The Poet’s Choice
, a special issue of
Tendril
[Green Harbor, Mass.] 9 (1980): 43—4.

4
drank, too, but they
 
could handle it.
1st, Tendril
21
to take / and took
1st
28—9
at the starry sky —
 
it was always starry then
1st, Tendril
38
morning. / morning,
1st, Tendril
39—40
I saw a woman sleeping on our lawn.
Tendril
42
then / and then
1st
54
no one / nobody
1st, Tendril
55
luck, I / luck I
Tendril
59—61
for a house where nobody
 
was home, and all I could drink.
1st, Tendril

3
DISTRESS SALE
:
1st
in
Kayak
[Santa Cruz, Calif.] 49 (Oct. 1978): 16—17; separately published as a broadside (Northridge, Calif.: Lord John Press, 1981).

2—7
the child’s canopy bed and vanity
 
table, the sofa, end tables and lamps,
 
the boxes of assorted books and records.
 
We carried out kitchen items,
 
a clock radio, hanging clothes, a big easy
 
chair that had been with them from the beginning
1st
10
and they set themselves up around that
 
to do business.
1st
12
I’m staying there with them trying to dry out
1st
15
It’s / It is
1st
24—5
of clothing before moving on.
 
Everyone who wanders into this scene is embarrassed.
 
The man, my friend, sits at the table
1st
32
This reduces us all. Is this what we’ve come to?
1st
38
I reach for my wallet before I understand
1st
 
I reach for my wallet and that is how I understand:
 
Lord John

4
YOUR DOG DIES
:
1st
in
CutBank
[Univ. of Montana, Missoula] 1 (1973): 32; in
ANTSM
25.

14
it / the dog afterwards
1st, ANTSM
16
it / it,
1st
25
hear / suddenly hear
1st

5
PHOTOGRAPH OF MY FATHER IN HIS TWENTY-SECOND YEAR
:
1st in Colorado Quarterly
[Univ. of Colorado, Boulder] 17.2 (Autumn 1968): 162; in
NK
[13],
WI
17. All lines begin with capital letters in
1st, NK
, and
WI
.

6
denim / levi
1st
7
1934 Ford / Ford
circa
1934
1st, NK, WI
9
wear his old hat cocked over his ear, stick out his tongue…
1st, NK, WI
13
And the beer.
Father I loved you, 1st
 
And the bottle of beer. Father, I loved you,
NK, WI
14
Yet how can I say thank you, I who cannot hold my liquor either
1st, NK, WI
15
don’t / do not
1 st, NK, WI

6
HAMID RAMOUZ
(1818—1906):
1st
in
Mississippi Review
[Univ. of Southern Mississippi] 21 [7.3] (Fall 1978): 118.

1
began / started
1st
3
gunshot / gutshot
1st

7
BANKRUPTCY
: in
NK
[7],
WI
24. All lines begin with capital letters in
NK
.

8
THE BAKER
:
1st
in
Kayak
[Santa Cruz, Calif.] 50 (May 1979): 41; separately published with
“Louise”
in
Two Poems
(Salisbury, Md.: Scarab Press, 1982).

5—6
Pancho introduced his new girl friend
 
and her husband who was made to wear
 
his white apron,
1st
8
him / him everything
1st
17—18
The husband crossed himself,
 
took off his boots and
 
silently left the house
1st
22—3
humiliated, trying to save his life,
 
he is the hero of this poem.
1st

9
IOWA SUMMER
:
1st
in
Chelsea
[New York, NY] 22—3 (June 1968): 57—8; in
NK
[2],
WI
27. All lines begin with capital letters in
1st, NK
, and
WI
.

Title: “Iowa Summer 1967”
NK, WI
7—12
It is only later, after they have gone,
 
I realize they have delivered a letter from my wife.
 
“What are you doing there?” my wife asks. “Are you drinking?”
 
I study the postmark for hours until it, too, begins to fade.
 
Someday, I hope to forget all this.
1st, NK, WI

10
ALCOHOL
:
1st
in
New England Review
[Hanover, NH] 4.4 (Summer 1982): 530.

33—4
[stanza break between these lines in
1st
]
35—6
You hear the song.
1st

11
FOR SEMRA, WITH MARTIAL VIGOR
:
1st
in
Beloit Poetry Journal
[Ellsworth, Maine] 16.2 (Winter 1965—6): 17—19; in
NK
[20—3],
WI
40—1.

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