All of Us and Everything (33 page)

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Authors: Bridget Asher

BOOK: All of Us and Everything
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1.
Augusta says, “Storms are one way to define people….There are those who love storms, those who fear them, and those who love them because they fear them.” Based on how this plays out in the narrative, how would you define the Rockwells and why? Which category do you fall into?

2.
Discuss the characters' relationships with control. In what ways are the Rockwells always striving for it in their personal lives, their romantic relationships, and their approaches to motherhood? Are these relationships healthy? Do the characters eventually relinquish control and if so, what is it that frees them?

3.
Augusta has attempted to spearhead numerous movements, none of which have gotten off the ground. Why do you think she has such a need to organize these campaigns, and why do they all inevitably fail? What's the significance of her causes—Mothers United for Peace, Raise Your Voices, The Movement's Movement, The Self-Actualization Cause, The Individuality Movement, and The Personal Honesty Movement, to name a few—in relation to the story? Is there a commonality between them that's essential to understanding her?

4.
Instead of writing fiction, Ru decides to study an actual matriarchal society in an attempt to “borrow authenticity.” Do you agree with her statement that all nonfiction is “borrowed authenticity”? How does this differ from her approach to writing novels, or does it? What do you think Ru is trying to get at in her writing?

5.
Ru wonders if sisterhood and motherhood are “[ways] to find versions of yourself locked away in others.” Do you think that's an accurate way to describe these relationships? Do you see any of your own sibling and/or parental relationships reflected in the story?

6.
The girls have each adopted a different method of coping with their father's absence. Liv looks for comfort in other people's families and relationships rather than her own, Ru holds onto the belief that her father really is a spy and makes it her mission to find him, and Esme has outright accused Augusta of sleeping with multiple men to satisfy her own selfish desire to become a mother. How do these assumptions shape each of them, their sense of self and responsibility? How does the reality of their father's existence affect the very essence of who they are? Do they each seem to be on a path to healing, acceptance, and self-actualization after all?

7.
What is Liv's impetus for cherry-picking husbands from the engagement pages? Do you think she's capable of real love? Did you empathize with her by the end and, if so, what lessons do you think she needed to learn in order to become a sympathetic character?

8.
What were the different qualities Ru appreciated about Cliff and Teddy? Which qualities made Teddy the right man for Ru and, conversely, Cliff the wrong one?

9.
Esme admits to feeling the other life she could have lived with Darwin Webber, even while she was married to Doug, so strongly that it was like she was in touch with an alternate universe. Is it fair of her to blame her father for the current state of her life? Is it human nature to feel a connection to the path not taken? If you were in Esme's shoes, would you have wanted to reconnect with Darwin and the life that could have been, or do you think that kind of wishful thinking is a recipe for disappointment?

10.
Nick was involved in his daughters' lives from a removed distance, but he certainly changed the course of events for them. Would you say he's more parental or manipulative in that way? Could you pardon him, knowing his reasons for intervening when he felt he must, or do you think he should have stayed out of things? How is his relationship and involvement different with each of the sisters and why?

11.
Do you think Nick is a good father? Is Augusta a good mother?

12.
Did Augusta do the right thing by keeping so much about Nick from their daughters? Was there anything she could or should have done differently?

13.
The sisters argue over whether they're ultimately likeable versus loveable versus unlikeable. Would you agree with their conclusion that they're unlikeable? Why or why not? Why do you think they see themselves that way?

14.
The concept of truth is a muddled one for the Rockwells, who've lied to themselves and one another for various reasons. Why is it so hard for them to be honest? Is one lie more profound, even more destructive, than the others?

15.
Why is it so important that Atty collect the complete set of Nancy Drew books by the end of the novel? What is the thematic significance of Nancy Drew in this story?

16.
The weather is such a visceral piece of the narrative, almost like a character in and of itself. How did the storms affect the way you experienced the story? What did the Rockwells lose as a result of the hurricane and, ultimately, what did they gain? Why does it sometimes take a perfect storm to finally reconcile the past?

If you enjoyed
All of Us and Everything,
You won't want to miss Bridget Asher's novel
The Provence Cure for the Brokenhearted
“Fans of
Under the Tuscan Sun
will adore this impossibly romantic read.”
—
People
magazine
“Unabashedly romantic and unafraid of melancholy, Asher's book is a real charmer about a Provençal house that casts spells over the lovelorn.”
—
Kirkus Reviews
“Like a dip in a cool pool, Bridget Asher's
The Provence Cure
for the Brokenhearted
is a refreshing escape.”
—Campus Circle
Read on for an excerpt

Available now from Bantam Books

E
ver since Henry's death, I'd been losing things.

I lost keys, sunglasses, checkbooks. I lost a spatula and found it in the freezer, along with a bag of grated cheese.

I lost a note to Abbot's third-grade teacher explaining how I'd lost his homework.

I lost the caps to toothpaste and jelly jars. I put these things away open-mouthed, lidless, airing. I lost hairbrushes and shoes—not just one of a pair, but both.

I left jackets behind in restaurants, my pocketbook under my seat at the movies, my keys on the checkout counter of the drugstore—afterward, I sat in my car for a moment, disoriented, trying to place exactly what was wrong and then trudged back into the store, where the checkout girl jingled them for me above her head.

I got calls from people who were kind enough to return things. And when things were gone—just
gone
—I retraced my steps and then got lost myself. Why am I here at this mini mart? Why am I back at the deli counter?

I lost track of friends. They had babies, defended dissertations, had art showings and dinner parties and backyard barbecues…

Most of all, I lost track of large swaths of time. Kids at Abbot's bus stop and in the neighborhood and in his class and on his Little League team kept inching taller all around me. Abbot kept growing, too. That was the hardest to take.

I also lost track of small pieces of time—late mornings, evenings. Sometimes I would look up and it was suddenly dark outside, as if someone had flipped a switch. The fact of the matter was, life charged on without me. This realization still caught me off guard even two years later, although by this point it had become a habit, a simple unavoidable fact: The world charged on and I did not.

So it shouldn't have come as a surprise to me that Abbot and I were running late for the bridesmaid bonding on the morning of my sister's wedding. We had spent the morning playing Apples to Apples, interrupted by phone calls from the Cake Shop.

“Jude…Jude, slow down. Five
hundred
lemon tarts?” I stood up from the couch where Abbot was eating his third freezer pop of the morning—the kind that come in vivid colors packaged in plastic tubes that you have to snip with scissors and that sometimes make you cough. Even this detail is pained: Abbot and I had been reduced to eating frozen juice in plastic. “No, no, I'm sure,” I continued. “I would have written down the order. At least…Shit. This is probably my fault. Do you want me to come in?”

Henry hadn't only been my husband; he'd also been my business partner. I'd grown up making delicate pastries, thinking of food as a kind of art, but Henry had convinced me that food is love. We'd met during culinary school, and shortly after Abbot was born we'd embarked on another labor of love: the Cake Shop.

Jude had been with us from the start. She was a single mom—petite, mouthy, with short bleached-out hair and a heart-shaped face—that strange combination of beauty and toughness. She was our first hire and had a natural flair, a great sense of design, and marketing savvy. After Henry's death, she'd stepped up. Henry had been the one to handle the business side of things, and I'd have lost the shop, I'm quite sure, if it weren't for Jude. Jude became the guiding force, my rudder. She kept things going.

I was about to tell Jude that I'd be at the shop in half an hour when Abbot reached up and tugged on my sleeve. He pointed at the watch he wore, its face in the shape of a baseball. Perhaps as a result of my spaciness, Abbot insisted on keeping his own time.

When I realized that it was now after noon, I shouted, “The wedding! I'm so sorry! I've got to go!” then hung up the phone.

Abbot, wide-eyed, said, “Auntie Elysius is going to be so mad!” He leaned over to scratch a mosquito bite on his ankle. He was wearing his short white sports socks and his ankle looked like it had a golfer's tan, but really it was dirt.

“Not if we hurry!” I said. “And grab some calamine lotion so you don't itch during the ceremony.”

We darted around our little three-bedroom bungalow madly. I found one of my heels in the closet and the other in Abbot's bedroom in a big tub of Legos. Abbot was wrestling on his rented tux. He struggled with the tiny cuff buttons, searching for the clip-on tie and cummerbund—he'd chosen red because it was the color that Henry had worn at our wedding. I wasn't sure that was healthy, but didn't want to draw attention to it.

I threw on makeup and slipped the bridesmaid's dress over my head, grateful that the dress wasn't your typical bridesmaid's horror show—my sister had exquisite taste, and this was the most expensive dress I'd ever worn, including my own wedding dress.

When I'd declined the role of Elysius's matron of honor—or was it, to be grimly accurate,
widow
of honor?—my sister had been visibly relieved. She knew that I'd only gum up the works. In a heartbeat, she'd called an old college friend with a marketing degree, and I was happily demoted to bridesmaid. Abbot had been enlisted as the ring bearer, and to be honest, I didn't even feel like I was up for the role of mother-of-the-ring-bearer. I'd made a last-minute excuse to get out of the rehearsal dinner the night before and that day's spa treatment and group hair appointment. When your husband has died, you're allowed to just say, “I can't make it. I'm so sorry.” If your husband died in a car accident, like mine, you're allowed to say, “I just can't drive today.” You can simply shake your head and whisper, “Sorry.” And people excuse you, immediately, as if this is the least they can do for you. And perhaps it is.

This was wearing on my sister, however. She'd made me promise that I would be at her house two hours before the wedding. There was a strict agenda that we had to stick to, and it included drinking mimosas with all of the bridesmaids while each gave an intimate little toast. Elysius likes it when the world finds her as its proper axis. I couldn't judge her for that; I was painfully aware of how selfish my grief was. My eight-year-old son had lost his father. Henry's parents had lost their son. And Henry lost his life. What right did I have to use Henry's death as an excuse—time and again—to check out?

“Can I bring my snorkel stuff?” Abbot called down the hallway.

“Pack an overnight bag and bring the gear,” I said, shoving things into a small suitcase of my own. My sister lived only twenty minutes away—a quick ride from Tallahassee to the countryside in Capps—but she wanted family to spend the night. It was an opportunity to capture my mother's attention and mine and hold it for as long as possible—to relive the strong bond the three of us had once had. “You can snorkel in the morning with Pop-pop.”

Abbot ran out of his bedroom, sliding down the hall to my doorway, still wearing his sports socks. He was holding the cummerbund in one hand and the clip-on bow tie in the other. “I can't get these to stick on!” he said. His starched collar was sticking up by his cheeks, like the Halloween he dressed as Count Dracula.

“Don't worry about it. Just bring it all.” I was fussing with the clasp of a string of pearls my mother had lent me for the occasion. “There will be ladies there with nervous energy and nothing to do. They'll fix you up.”

“Where will you be?” he asked with an edge of anxiety in his voice. Since Henry's death, Abbot had become a worrier. He'd started rubbing his hands together, a new tic—a little frenzy, the charade of a vigorous hand-washing. He'd become a germophobe. We'd seen a therapist, but it hadn't helped. He did this when he was anxious and also when he sensed I was brooding. I tried not to brood in front him, but it turned out that I wasn't good at faking chipper, and my fake chipperness made him more nervous than my brooding—a vicious cycle. Now that his father was gone, did he feel more vulnerable in the world? I did.

“I'll be with the other bridesmaids doing mandatory bridesmaidish things,” I reassured him. It was at this moment that I remembered that I was supposed to have my toast prepared. I'd written a toast on a napkin in the kitchen and, of course, had since lost it and now couldn't remember anything I'd written. “What nice things should I say about Auntie Elysius? I have to come up with something for a toast.”

“She has very white teeth and buys very good presents,” Abbot said.

“Beauty and generosity,” I said. “I can work with that. This is going to all be fine. We're going to enjoy ourselves!”

He looked at me, checking to see if I was being honest, the way a lawyer might look at his client to see what he's really in for. I was used to this kind of scrutiny. My mother, my sister, my friends, neighbors, even customers at the Cake Shop, asked me how I was while trying to ferret out the real truth in my answer. I knew I should have been moving forward. I should have been working more, eating better, exercising, dating. Whenever I went out, I had to be prepared for an ambush by some do-good acquaintance ready to dispense pity and uplifting sentiments, questions, and advice. I practiced, “No, really, I'm fine. Abbot and I are doing great!”

I hated, too, that I had to do all of this fending off of pity in front of Abbot. I wanted to be honest with him and to protect him at the same time. And, of course, I wasn't being honest. This was the first wedding I'd been to since Henry's death. I'd always been a crier at weddings, even the ones of people I didn't know well, even TV weddings. I was afraid of myself now. If I could bawl at a commercial of a wedding, how would I react to this one?

I couldn't look at Abbot. If I did, he'd know I was faking it.
We're going to enjoy ourselves?
I was hoping merely to survive.

I moved to the full-length mirror that Henry had attached to the back of my closet door. Henry was everywhere, but when a memory appeared—the mirror had tipped when he was trying to install it and nearly broke in half—I tried not to linger. Lingering was a weakness. I knew to fix my attention on something small and manageable. I was now trying—a last-ditch effort—to put the pearl necklace on with the help of my reflection.

“I like it better when you don't wear makeup,” Abbot said.

I let the strand slip and curl in my cupped hand. Could he possibly remember having heard his father make a comment like that? Henry said he loved my face
naked;
sometimes he would whisper,
the way I like the rest of you.
I looked so much older than I had two years ago. The word
grief-stricken
came to mind—as if grief could literally strike you and leave an indelible mark. I turned to Abbot. “Come here,” I said. “Let's have a look at you.”

I set the pearl necklace on the bedside table, folded down his collar, smoothed his hair, and put my hands on his bony shoulders. I looked at my son—his blue eyes, like his father's, with the dark lashes. He had Henry's tan skin and his ruddy cheeks, too, even though he was just a little boy. I loved his knobby chin and his two oversized adult teeth—so strangely set in his still-small mouth. “You look so handsome,” I said. “Like a million bucks.”

“Like a million-bucks ring-bearer?”

“Exactly,” I said.

—

Abbot and I parked at the end of my sister's winding gravel driveway, maneuvering around a multitude of vans—the caterer's, the florist's, the sound engineer's. The driveway continued past the pool and the clay tennis court and faded to grass between the newly constructed studio and the old barn. Elysius was getting married to a sweet and diffident artist of national reputation named Daniel Welding, and even though they'd been living here together for eight years, I was always struck by the grandeur of the place she called home—and now it was even more breathtaking. The wedding itself was going to be held on the sloping lawn, which Abbot and I now marched up as quickly as we could. It was lined with rows of chairs strung together with sweeping tulle, and the exchange of vows was to take place next to the Japanese-inspired fountain where there was a trellis canopy, woven with flowers. They'd installed a temporary parquet dance floor under a large three-pronged white tent.

Abbot had his stuff in a canvas bag he got for free at the local library. I could see the cummerbund and clip-on bow tie shoved in there, among his snorkel gear—the tubing, the mask, and fins, which were gifts from my father. I was trying to pull my little suitcase on wheels. It bumped along behind me like an old obdurate dog.

We hurried to the studio to drop off our bags, but it was locked. Abbot cupped his hands to the glass and peered in. Daniel worked on massive canvases, and his detached studio had high ceilings, as well as a canvas stand that retracted into the floor. This way, he's not teetering on ladders to get to the upper reaches. There was a sofa in the loft that pulled out into a double bed, where he sometimes took a rest midday and where Abbot and I would sleep that night. Daniel's work sold incredibly well, which is why he could afford the house, the two driveways, the sloping lawn, the retractable canvas stand.

“He's in there!” Abbot said.

“He can't be. It's his wedding day.”

Abbot knocked, and Daniel appeared behind the glass door, opened it wide. He was broad-shouldered, always tan, his hair tinged silvery gray. He had a regal nose that sat a little arched and bulky on his face—an elegant face. He took off his glasses, tucked his chin to his chest in a way that made his chins fold up like a little accordion, and looked at me, messy but in a lovely dress, and Abbot, in his not-yet-garnished tux. He smiled broadly. “I'm so glad you're here! How's it hangin', Abbot?” He pulled Abbot to him, gave him a bear hug. That's what Abbot needed, bear hugs, affection, from fatherly types. I was good at pecking foreheads, but I could tell how happy he was to be lifted up off his feet by Daniel. Abbot had a silly grin on his face now. Daniel hugged me, too. He smelled of expensive products—hair gels and imported soaps.

“Are you allowed to be here?” I asked. “You're dressed like a wedding-party escapee.”

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