Authors: Judith Hermann
The taxi pulled up at the kerb. The driver made a face; he didn't feel like climbing out, getting his feet wet, packing all their stuff into the boot â the pushchair, the suitcase, the overnight bag, the bags of food. He got out. Maja
took the child from Alice and smiled at the driver. Alice got into the front seat. In the back the driver fiddled nervously with the child's seat. Maja was holding the child in her lap, still smiling. Then they drove off. Nice windscreen wipers, music on the radio, the regional station, idle chatter, a gong, and then pop songs. Looking out of the window. Driving down the street, crossing the motorway â the signposts, upcoming exits were all clearly visible, drawing one to distant places, the possibility of getting away from Zweibrücken again. Let's beat it, disappear, clear out, skedaddle â it was a language that was suddenly no longer appropriate here. They drove past the park; the hospital whisked by, seven storeys with twenty windows each â the third from the left on the seventh floor was the window of the room where Misha lay in bed, breathing in and breathing out. The door to his room always ajar, and his breathing so loud you could already hear it as you walked out of the lift.
You'll be shocked when you see him, Maja had said the first time Alice went to the hospital. And she had been.
Alice didn't look up at the hospital window. They drove uphill briefly, leaving the centre of town, then through a wooded area and into a housing development. The cab driver had a terrible cough. Number twelve, Maja said from the back seat. Alice paid, didn't ask for a receipt. The driver took their things out of the boot, mumbling to himself as he did. Then he drove off. Alice, Maja and the child stood in the street looking at the house â a small, new, white house with a conservatory in which huge azaleas were pressing against the fogged-up panes. A rustic witch sitting on a
straw broom hung outside the stained-glass panel set into the front door, swinging and rustling in the wind. Alice thought she knew what the doorbell would sound like. The air was brisk. Suddenly they could smell the rain, the wet soil, the damp leaves.
Alice had been at the hospital that morning. After breakfast. One of the doctors had said, There are people who find it easier to die alone; let him be by himself for a little while, don't worry. Misha had been alone from one o'clock at night till ten o'clock in the morning, nine hours during which he had been breathing and did not die.
That morning Alice sat at Misha's bedside until noon. First on one side of the bed, then on the other. The room was utilitarian, fitted cupboards, a sink, the door to the toilet, a bare area of painted linoleum where a second bed had stood in which another patient had been lying. Some days ago the nurses had pushed him elsewhere, without giving any reasons. To some other place.
Sitting on the right side of the bed, Alice had her back to the window that looked out on the city and a distant range of hills. Sitting on the left-hand side of the bed, she'd be next to the IV drip stand for the morphine, but leaning back against the wall unit, she could look out of the window and see the hills when she could no longer bear to look at Misha. To look at his face. Misha slept with his eyes open. The entire time. Like a plant, he had turned to the light, towards the grey but bright day â his body, his head, his arms and hands turned towards the window. In
spite of the open eyes he looked as though he were sleeping, but perhaps it was something quite different, this state he was in, anaesthetised by morphine, flooded by images, or by nothing at all any more. He had sighed, often and deeply. Sometimes Alice would take his hand, which was warm and so very familiar. The door to the room was slightly ajar, the squeaking of the nurses' shoes was comforting â the ringing of the telephone at the nurses' station, the rumbling of the lift, the whispering and laughter, a constant bustle, the food trolley rolling past the room. Now and then one of the nuns would come in. An old, wrinkled nun came by often; Alice thought she came on her account rather than because of Misha.
Everything all right?
Yes, so far.
The nun had stopped at the foot of the bed and, holding on to the metal bar, had gazed at Misha with her head cocked. Interested. His mouth was open, the gums black, his unseeing eyes turned towards the window. The nun had looked at Alice and asked what sort of man he had been.
How do you mean? Alice had asked, sitting up; she had been slumped down in the chair leaning against the wall unit.
Do you mean what was his profession?
The nun had lifted her hands casually and dropped them again, giving the bed a jolt. She said, Well, how did he spend his life? What did he do?
They had both looked at Misha, and Alice thought the nun would never know what Misha had been like, how he
had looked, how he talked, cursed, and smiled â how he had lived his life. She saw only the dying man. Was she missing something?
Hesitantly Alice said, Well, I'd say he was a magician. A conjurer â do you know what I mean? He could do all sorts of tricks, pull rabbits out of a hat, juggling. Mind reading. But he always let you look at his cards. He always wanted to show you his cards. I can't explain it.
The nun said, I thought it was something like that. Her tone of voice was neutral; it could have been agreement or scorn, hard to tell. She said, Well, it won't be much longer. Once their features get so sharp, it doesn't take much longer. Then she left the room.
The door to the small, white house opened by itself, they didn't have to ring. Probably everybody here had seen everything, standing behind the curtains of their terrace doors, in the shaded corners of their living rooms on this quiet, peaceful street. They had all seen the taxi stop, had seen them get out. A blonde and a dark-haired woman and a small child wearing a little pink hat. And all three with dark rings under their eyes. A suitcase, bags, and a push-chair. The door opened by itself, the owners came out of the house. Welcome, they extended their arms. A fat woman and a fat man, older people, the age of Maja's parents, Alice's parents. Alice was older than Maja, and Misha wasn't that young any more either. Alice had always thought he would outlive her. Would outlive them all. Misha would always be there. That's what she had thought. She wouldn't have been
able to say why she thought so. Perhaps it was an expression of her love, something timeless. Standing in front of the house, the food bags in one hand and the overnight bag in the other, and Maja next to her with the child on her arm and all those little things at the edges of the picture â ornamental spheres in flower beds, the earth already dug up, green grass, a white clay turtle â Alice felt a trembling in her knees that threatened to get out of control but then went away again. The woman had a big bosom, was wearing violet-tinted glasses; she was incredibly cordial, not quite natural. The man, always hovering a little distance behind her, his hands rough and worn, his handshake firm; his tracksuit bottoms were filthy and there were extensive scars on both sides of his broad, shaven skull, as if his head had once been held in a clamp. It looked peculiar, but then everything seemed peculiar, had to be accepted for what it was. Alice carried her bag into the front garden and up the broken paving stones of the front path while the child on Maja's arm kept saying, Rabbit. Rabbit. Rabbit. As if to calm everyone.
The holiday apartment was in the basement. The woman explained that it had been their own apartment; they had finished it with their own hands. The man said nothing, just smiled. Their daughter used to live upstairs with the grandchildren and they themselves, downstairs. Then the daughter and the grandchildren had moved out, had gone away to another city. Now they were living upstairs again, so they wanted to rent out the basement flat; it would be a
shame not to. The woman gave this verbose explanation as if to apologise; she spoke in a heavy dialect, and Alice understood only half of what she was saying, but when all was said and done, it didn't matter who had lived in the apartment or when or why. Alice walked behind Maja who was following the woman who had immediately taken the child into her arms, had taken off the little pink hat, and was now carrying the child as though it were her own. They all trooped down the stairs. First, the woman with the now silent, serious child, then Maja, then Alice, then the man, who was carrying the suitcase, overnight bag and bags of food. Very helpful. He was right behind Alice, breathing heavily.
The house was built on a slope. Only half the apartment was below street level, and at the back it led out to the garden. At first glance everything seemed fine. It had a certain cosiness â a large room with a wall of fitted kitchen cabinets and built-in appliances and in the middle a table of light-coloured wood; there were shelves filled with cookbooks and bric-a-brac, a television set, and a corner sofa; leading off from this room there was first one bedroom and then another, both with beds in them, and the bathroom with a tub and a washing machine.
But on second glance it wasn't quite all right â small details, here and there. Maybe these people had moved upstairs only yesterday, hadn't taken everything up with them, had left behind their personal stuff: framed photos, a collection of liquor bottles, crumpled magazines, and half-finished knitting. In the bathroom, a row of cheap
shampoo and shower-gel bottles on the rim of the bathtub. And children's toys â immediately discovered by Maja's child. Clothes in the wardrobe, slippers under the coat rack. There really was nothing to object to, everything was comfortable otherwise, but it was also very intimate and personal, an additional burden. Alice felt a twinge of nausea, but then she remembered the depressing décor of the other holiday apartment, where everything had been practical but nothing more. The child was very happy here. She immediately swept all the bric-a-brac off the shelves and pulled down the tablecloth, emptied a washing-powder box full of building blocks, and rattled the refrigerator door. The woman cooed and laughed, trying to reassure Maja, who kept apologising for the child's behaviour. The woman ran hither and thither showing off everything: the electric kettle, the coffee maker, the electric blinds, the television set, video recorder, bed sheets, keys. On the key ring, a tiny witch on a wire broom.
Alice stood at the window in the kitchen, gazing out at the garden. A porch swing on the terrace was covered with a tarpaulin. Four white chairs surrounded a plastic table and in the middle, a furled patio umbrella. The trees were already nearly bare. Wilted dahlias, asters, sunflowers, a pergola, and red grapes. A nice view of other gardens up and down the hillside, then the first city houses, and far to the left, there was the hospital â a long rectangle with many windows. Too far away for her to identify the window of Misha's room, but close enough to know: Misha's there. And we're here.
Alice saw it and felt that if she didn't immediately show Maja she would be guilty of a betrayal. But she kept it to herself a moment longer. Maja was busy with the woman and the child in one of the bedrooms. It sounded as if the child was jumping up and down on the bed, squealing with delight. Alice turned away from the window to look at the stainless-steel sink, at the shelf above it. Plastic containers of herbs and spices, half full, marjoram, rosemary, multi-coloured pepper, all of it a little messy, a sticky film on the jar tops; the sink wasn't entirely clean either. She turned on the tap to test it and shut it off again. Then the man was standing behind her. He put his arms around her, his hands on her hips, pulling her towards him, holding her like that; then he pushed her to one side and let go. He said, The tablets for the dishwasher are under the sink, and he gestured vaguely downwards.
Alice said, Oh, thanks, I'm sure we'll be using them. She raised her hand to touch the back of her neck, astonished, and slowly turned to face him. As though it were possible to obliterate what had happened. To obliterate that embrace.
He shook his head. He smiled out of the window and said, There's no need for thanks. You're having a hard time. You're having a really hard time.
Then he stepped aside as though he were already standing at the newly dug grave. He retreated with feigned modesty, his eyes cast down, still shaking his head. His wife came hurrying out of the bedroom carrying a pile of lilac-coloured sheets and pillowcases in her arms, red patches on her face.
We'll make the beds ourselves, Maja called out from the bedroom. Please don't go to any trouble; we can manage by ourselves, really. The woman looked at her husband, then at Alice, but not back again. Alice went over to her and took the sheets. Are you sure? the woman asked. Yes, Alice said without knowing what she was supposed to be sure of.
Maja came into the kitchen-living room; she leaned against the bedroom doorway. The door frame was cobbled together from old beams, an imitation of permanence. The child crawling behind her on all fours now pulled herself up on Maja's hand and twined her little arms around Maja's knee. Wearing only a shirt and tights, and hiccupping softly, she looked heartbreakingly tired.
Alice said, we're really glad to be here. It's lovely; the garden alone â she searched for a gesture and found none â but it didn't matter at all. The man and the woman finally left, finally dragged themselves upstairs. Heavy animals, shy and curious; they went up the stairs backwards, kept calling out reassurances, consolations, directions â until they disappeared from view, the man first. Maja pushed the door shut with the palm of her hand; then leaned her head against the glass pane.
That afternoon Alice went to see Misha once more. For an hour, while Maja and the child slept. She left the development, then walked along the street into town, downhill through the woods. It was no longer raining, just misty and cold. She had her hands in her jacket pockets and a scarf around her neck. It was peaceful in the hospital. A mosaic
in the entrance hall showed a monk with his arms spread in a blessing under a sky of thousands of tiny blue tiles. Next to it a coffee machine was humming. Alice walked past a bulletin board full of passport photos of the hospital's doctors, nurses, and nuns. She could have looked for the face of the little wrinkled nun who had asked what sort of man Misha had been. Could have looked for her name, but something kept her from doing it.