AK-47: The Weapon that Changed the Face of War (4 page)

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Authors: Larry Kahaner

BOOK: AK-47: The Weapon that Changed the Face of War
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The bullet sits atop and within the cartridge case, held tightly in place by a crimp in the case. Brass is the metal of choice for the case because it is soft enough to crimp yet hard enough to keep its shape during the rapid firing and ejection process. The case actually stretches slightly as soon as it is subjected to pressure, sealing the breech, a process known as obturation. It retracts as soon as the pressure drops. Brass is also lightweight for its strength. Inside the case sits powder that ignites when the firing pin in the gun strikes the primer bottom at the center of the case—much like hitting an old-style match head—which then lights the powder. When the powder ignites, it propels the bullet out of the cartridge and through the barrel at supersonic speed.
 
German armament engineers in the 1930s began experimenting with an intermediate cartridge (often the word “cartridge” is used to signify the entire round—bullet plus cartridge case), sized between a pistol round and a rifle round, and they came up with a compromise in the PP Kurz (kurz means “short”), which was “7.92 × 33”—the bullet was 7.92 millimeters in diameter and the case holding it was 33 millimeters long.
 
Sometimes, ammunition is measured in America and Britain (which continue to resist the metric system) in inches instead of millimeters, and referred to as calibers. A caliber is one inch or 25.4 millimeters. To further complicate the nomenclature, caliber sizes are not always exact; a so-called .38 Police Special bullet is actually .357 inches, and a .44 Magnum of
Dirty Harry
fame is really .429 inches in diameter.
 
The new German round, thinner than a rifle round and thicker than a pistol round, was a vast departure from previous submachine-gun ammunition and opened up a world of new possibilities in rapid-firing guns that were light enough for an infantryman to carry, along with a large amount of ammunition, and easy to keep on target. As a bonus to designers, the less powerful rounds offered decreased wear and tear on rifle barrels and other components.
 
While the Soviets were still working on perfecting a submachine gun, German designers Hugo Schmeisser and Carl Walther, whose company produced James Bond’s pistol of choice, the Walther PPK, were busy building competing prototype rifles employing the intermediate Kurz round. By 1942, they were testing the Maschinenkarabiner, or Mkb for short. As the name implied, it was a hybrid of a machine gun and a carbine, but Hitler did not like this idea at all. He was wedded to submachine guns despite their shortcomings, so in an effort to circumvent him the designers and their military supporters decided to rename it Maschinenpistole (MP), or submachine gun, which
was
on the Führer’s “approved list” of weapons.
 
The Mkb42, or MP42, was field-tested against Soviet troops in the battle of Cholm in 1942. Cut off from conventional supply routes, a German army corps found itself encircled by the Soviets in Cholm on the Lovat River south of Leningrad. From February to April, German troops died daily from malnutrition and cold, until a cache of prototype Mkbs was airdropped. Using these new weapons, the Germans were able to blast their way through the Soviet lines and escape.
 
It is not recorded if the Soviets were able to capture one of these breakthrough weapons, but they were impressed by its performance, and so was Hitler, who finally admitted that these rifles outperformed submachine guns. Two years later, in 1944, in a face-saving move, he dramatically renamed the Mkb the Sturmgewehr, or assault rifle, offering the world a new class of automatic weapon and a name that endured. Had World War II continued, all German soldiers would have received this weapon as regular issue.
 
While this was transpiring, the Soviets had been working on their own medium-sized cartridge, the 7.62 × 39, also known as the M43 for the year it was approved by Josef Stalin, who, unlike Hitler, saw the need for a new type of ammunition and weapon to fire it. In the quest for a rifle to fire the new round, the government established a contest among designers. A who’s who of venerable Soviet designers entered, including Alexei Sudayev and Sergei Simonov, people virtually unknown in the West but who were household names among Soviets, on a par with legends Samuel Colt and Smith & Wesson. There was also an unknown designer who humbly threw his hat in the ring, Mikhail Kalashnikov, now only in his twenties.
 
By the time Kalashnikov began work on a rifle to use the new cartridge, the war was winding down and his dream of being the one to produce a weapon to drive out the Germans was dashed. In addition, Sudayev, who won the contest, designed an automatic rifle with too many production shortcomings to be considered practical.
 
 
 
MANY MILITARY HISTORIANS miss the cruel irony of the automatic rifle story, in which the Soviets were their own worst enemy. Although the German Sturmgewehr was considered the world’s first assault rifle, the concept had inadvertently been invented in Russia in 1916 by Vladimir Federov, an arms maker for the tsar. Federov’s Avtomat (“automatic”) employed an intermediate round favored by Japanese soldiers, whose smaller frames preferred the recoil of the less powerful ammunition. Federov’s genius was to place the 6.5 × 50.5mm Arisaka round in his automatic rifle, but he did so because the commonly used larger rounds were too hard on the Avtomats and required heavier bolts, pistons, and other components. He and his contemporaries knew little of the battlefield imperatives that would later necessitate the intermediate round. He was simply trying to make his guns last longer.
 
Federov’s brilliance was lost with the Russian Revolution of 1917, when his political beliefs landed him on the wrong side of the changing government. He even spent time in prison. More importantly, the officers in the field did not understand that this new weapon and round combination was the wave of the future. They still clung to the idea of a more powerful, longer-range ammunition and the mistaken belief that soldiers would always fight battles at long range. As the new regime cleaned house, it swept his work away and the Soviets went back to the old, larger round, which remained standard until 1943. Indeed, some arms historians argue that the Germans were familiar with Federov’s early work and built their Kurz cartridge on his experience. Whatever the true story, the Soviets were now playing technological catch-up. But the ending of the war afforded them the luxury of more time. With the Third Reich beaten by the Allies and the U.S. military showing no interest in assault rifles, the postwar Soviets had a clear road ahead.
 
The U.S. military was oblivious to the weapons revolution playing out in Europe. As World War II was winding down, American ordnance experts sent back samples of the German Sturmgewehr for study by the Springfield Armory that produced the M1 Garand semiautomatic rifle, considered one of the finest weapons of its type. Unlike an automatic, which sprays bullets with one continuous pull of the trigger, the semiautomatic requires one trigger squeeze per round. Although U.S. forces had heard about the power of Germany’s light automatic weapon, and now had them under the microscope, the upper echelon refused to acknowledge the innovation. Like the early Soviets, they believed in the higher-powered round shot long distances by a soldier/marksman. They continued to believe that the key to war was strategy, training, and high-tech weaponry. When they studied the Sturmgewehr, they could not get past the fact that these weapons were machine-stamped and welded, which in the United States was considered a second-class production method compared to machine milling and forging. They did not understand that Germany had taken stamping and welding to a high art, and that the weapons were lighter and just as rugged as guns with machined and forged parts. Armory personnel dismissed the weapons as flimsy and cheap-looking.
 
Although Kalashnikov had great natural instincts about weaponry, his lack of formal education put him at a disadvantage, so authorities teamed him with a small “collective” to help refine his ideas. In addition, he believed in what we would call today a “focus” group, listening to soldiers who actually fired the weapons and then offered their opinions. Using soldiers’ feedback, the weapon was changed and refined.
 
The young man’s success also lay in his ability to take the best ideas available from other gun makers, then combine and refine them. For example, submachine guns of the day relied on a “blow-back” system that used the power of gases shooting backward from the bullet to push back a bolt that ejected the spent cartridge and allowed a fresh one from the magazine to emerge into the chamber for firing. This system worked fine for pistol-sized bullets but not for the intermediate bullet. These new rounds were too powerful, requiring a massive bolt to control them, making for a much heavier gun. Kalashnikov realized this and opted for a gas-activated automatic weapon that used a “short stroke” piston to push back the bolt and eject and load another round. The piston offered the extra power necessary to move the heavier bolt. Although it may sound complicated, the system was actually simple in the world of arms makers.
 
When a cartridge’s primer is struck with a firing pin, the exploding powder creates gases that propel the bullet out at speeds greater than twenty-three hundred feet per second. As the bullet travels through the barrel, gases build up behind it but cannot escape because the spent cartridge is sealing one end and the bullet, traveling tight against the barrel walls, is blocking the other end.
 
 
The M1, or Garand, as it was known for its designer, John Garand, performed flawlessly during World War II, prompting General George Patton to call it “the greatest battle implement ever devised.” It was simple and reliable and the first self-loading rifle to be adopted by any army as standard issue. Unfortunately, the rifle was heavy, clunky, and only held eight rounds in its magazine. While Germany and the Soviet Union were moving toward automatic weapons, U.S. military planners clung to old ideas that put GIs in greater jeopardy with their outmoded rifles.
U.S. Department of Defense
 
As the bullet nears the mouth of the barrel, a vent in the barrel diverts some of these gases into a tube that sits parallel above or below it. The gases hit a piston inside the tube, which pushes a connecting rod into the bolt carrier, forcing it backward. The bolt carrier extracts the spent cartridge from the breech and ejects it, allowing the next round to enter the chamber from the magazine, where ammunition is pushed upward by constant pressure from a spring. The signature banana-shaped magazine is a function of how the cartridges lie when placed side by side. Because they are narrower at one end, the natural and most economical shape of a thirty-round stack of 7.92mm rounds is a curve.
 
Every time the trigger is pulled, the firing pin strikes the primer in the center of a cartridge, firing a bullet, and the cycle continues. This happens at a rate of more than 600 rounds per minute when the selector lever is in the automatic position.
 
Because their fast-moving parts are confined in such a small space, automatic rifles have a tendency to jam. All it takes is a speck of dirt to clog the various movements or keep a round from being positioned properly in the firing chamber. This is where Kalashnikov shined. The bolt rotated widely, making it easy for the round to find its proper place in the chamber. Think of trying to poke a pencil into a hole drilled in a piece of wood. It would be much easier if, when you got the pencil tip near the hole, even slightly askew, you rotated it. This turning action would slide the pencil in much easier than if you just poked it straight. This is one of the best parts of Kalashnikov’s design.
 
In addition, rather than build components that fit tightly into each other, often a signature of professional gun makers, Kalashnikov went the other way, designing components with looser tolerances, more space between parts. Instead of dirt or sand clogging the gun, debris was thrown off in the firing process. During one test, soldiers dragged the gun through what was called the “sand baths.” Each rifle groove and slot was clogged with sand. “I began to doubt that further shooting would proceed without failures,” Kalashnikov recalled. An engineer watching the test voiced similar concerns. But the gun fired flawlessly. “The sand is flying in all directions, like a dog shaking off water,” a team member shouted.
 
 
 
AK PROTOTYPES WERE constantly honed and field-tested, each part altered based on soldier feedback. Unlike with many inventions, there were no Aha! moments in Kalashnikov’s work, only constant incremental improvement until it was soldier-proof. For example, the safety switch, which prevented the gun from accidentally firing, was combined into a single lever that also acts as a dust cover for the ejection port. In other words, a soldier who put his weapon on “safe” to slog through mud without inadvertently firing the weapon, did not also have to remember to close an additional latch to keep dirt out. Again, this was not a new idea—it existed on the Remington Model 8, one of the earliest American semiautomatic rifles, first produced in 1906—but it was Kalashnikov’s cleverness and humbleness that allowed it to be employed in a Soviet weapon. Kalashnikov did not subscribe to the “it wasn’t invented here” syndrome that plagued many other gun makers, and he wasn’t interested in producing a unique or profound piece of machinery. His only goal was to build a weapon that would work every time. He cared even less how it looked. While other designers sought to make their guns sleek and contemporary-looking, Kalashnikov dismissed this as window dressing and very anti-Soviet, which promoted utility over style.

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