A Wedding in Springtime

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Authors: Amanda Forester

BOOK: A Wedding in Springtime
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Copyright © 2013 by Amanda Forester

Cover and internal design © 2013 by Sourcebooks, Inc.

Cover design by Robert Papp/Shannon and Associates

Photography by Jon Zychowski

Models: Danielle Day and Dylan Solon/Agency Galatea

Sourcebooks and the colophon are registered trademarks of Sourcebooks, Inc.

All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems—except in the case of brief quotations embodied in critical articles or reviews—without permission in writing from its publisher, Sourcebooks, Inc.

The characters and events portrayed in this book are fictitious or are used fictitiously. Any similarity to real persons, living or dead, is purely coincidental and not intended by the author.

Scripture quotation taken from the
Holy
Bible
New
International
Version
®.
NIV
®. Copyright ©1973, 1978, 1984 by International Bible Society. Used by permission of Zondervan. All rights reserved.

Published by Sourcebooks Casablanca, an imprint of Sourcebooks, Inc.

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Contents

Front Cover

Title Page

Copyright

One

Two

Three

Four

Five

Six

Seven

Eight

Nine

Ten

Eleven

Twelve

Thirteen

Fourteen

Fifteen

Sixteen

Seventeen

Eighteen

Nineteen

Twenty

Twenty-one

Twenty-two

Twenty-three

Twenty-four

Twenty-five

Twenty-six

Twenty-seven

Twenty-eight

Twenty-nine

Thirty

Thirty-one

Thirty-two

Thirty-three

Thirty-four

Thirty-five

Thirty-six

Thirty-seven

Thirty-eight

Acknowledgments

About the Author

Back Cover

To my family, who is my greatest joy. And to Ed, who remains my hero.

One

London, Spring 1810

Ten minutes into her societal debut, Eugenia Talbot was ruined.

A favorable presentation in court cannot ensure a young lady’s successful launch into society, but a poor presentation can certainly ruin it. Miss Eugenia Talbot pressed her lips together in an attempt to make the laughter gurgling up inside her die in her throat. The Queen of England glared down her royal nose at Genie. Her Royal Highness, Queen Charlotte, was not amused.

Genie took a deep breath—hard to do laced so tight in her stays she feared one wrong move would crack a rib. The restrictive corset held her posture rigid, which helped keep her headdress in place, a heavy jeweled item with a monstrous, white ostrich plume. Genie knelt in a deep curtsy before the queen, a move she had practiced with a special tutor hired by her aunt to ensure her correct performance. A deep curtsy wearing the required elaborate hoop skirt of court that weighed almost two stone needed to be practiced.

Rising majestically from her curtsy, Genie was pleased she had successfully navigated that potential hazard and brought herself under control. Perhaps the queen had not noticed the stifled giggle. It was hardly Genie’s fault, for when the Lord Chamberlain announced her name, he also let loose an audible bodily noise. Having the unfortunate influence of brothers in her formative years, Genie could not help but find amusement in the Lord Chamberlain’s offense.

“How is your family, Miss Talbot?” asked the queen with staunch politeness.

“They are all well, Your Highness,” responded Genie as coached.

“Are your parents with you in London?”

“No, Your Highness. I am staying with Lady Bremerton, my aunt.” Genie glanced at Aunt Cora, whose frozen countenance betrayed her anxiety over Genie’s presentation.

“And your brothers and sisters?”

“I have four brothers. Two at university, one in the regulars, and one in the Royal Navy.”

“Ah, our sons, they have been ripped from our bosom. Ripped I say.”

“Yes, ma’am,” said Genie, pressing her lips together again. She was going to kill her brothers when they returned for teaching her deplorable cant. She could not laugh.

“It is a foul wind that blows from France,” said the queen.

And the Lord Chamberlain chose that moment to blow a little foul wind himself. It was loud and long, and just when Genie thought he had finished, he gave another little toot. She clenched her jaw so tight tears formed in her eyes.

She took a calming breath, sure she had gotten herself under regulation until she spied a man silently laughing, his shoulders shaking, his smile hidden behind his hand. He caught her eye, gave her a broad smile, and winked.

The entire drawing room was silently staring at her with censure. The queen gave her a look that could blister paint. The more Genie tried to get herself under control, the more amusing the entire scene became. It could not be helped; her body started to shake.

Genie attempted to take a deep breath and a giggle escaped. She tried to squelch it, but a laugh emerged, followed by an unladylike chortle and an unfortunate snort. The more she tried to stop, the worse it became, and with a burst, Genie was laughing out loud.

The queen waved a hand to dismiss her. Instead of dissipating Genie’s humor, it only made her laugh harder. Genie managed another deep bow and walked backward out of the queen’s presence, giggling as she went. By some miracle, she did not trip on her gown and fall to the floor. It hardly would have mattered if she had.

The Lord Chamberlain and the laughing gentleman had conspired against her. Her debut into society was a disaster. She would surely never be admitted into the
haut
ton
. She was a failure. A social pariah.

Eugenia Talbot was ruined.

***

People stared as they passed her. Genie never felt more self-conscious, and feared her face was as bright as her skirt. She wanted nothing more than to hide away from the malicious looks and vicious whispers. Unfortunately, wearing courtly attire with feathers that soared at least two feet above her head, she was hardly inconspicuous among the steady throng of people in the outer chambers of the drawing rooms. So she plastered on a fake smile and waited for her aunt to summon her to the coach while the minutes dragged into lifetimes.

“Uncle! I am so glad you are here,” said a youthful voice. A young woman was being escorted into the royal drawing rooms. She struggled forward in a similar unwieldy hoop skirt, dyed an unfortunate shade of bright pink.

“I could not forget your presentation to court,” said a male voice behind Genie.

“I shall be so much less nervous with you here,” gushed the young girl.

“Trust me,” said the man, “after what I just witnessed, you shall be brilliant by comparison.”

“What happened?” asked the girl, forgetting herself for a moment and cocking her head to one side, which forced her to use both hands to steady the plume of white feathers rising from her head.

“A debutante with a shocking lapse of propriety, who is no doubt being banished to the outer regions of the empire as we speak.”

Genie turned to face her accuser. It was none other than the laughing man.

With a flash of recognition, the man had the decency to look sheepish. He waved the young girl forward into the drawing room and stepped up to Genie. He gave Genie a bow and came up smiling, his blue eyes sparkling. He was a handsome man; there could be no denying his appeal, with sandy blond hair and laughing eyes. His features were pleasing, with high cheekbones that gave him an impish appearance. His attire was splendid in the required royal-purple silk coat and knee breeches. Unlike others who appeared foppish in the requisite colors of the English royal court, the man before her commanded his style. It was not every gentleman who could wear purple silk britches with confidence.

“Please forgive me if I have offended you,” said the man with a disarming smile.

“Forgive you? Why, there is nothing to forgive. You only spoke the truth, did you not?” Genie presented the man with a smile, the kind she kept on a shelf to feign good humor when she had none to give.

“Not at all. Merely trying to encourage my niece—timid thing, needs encouragement. Do what I can to make her feel at ease.”

“You are charity itself.”

“No, no I…” The man paused and gave her a guilty grin. “I’m not going to redeem myself from my careless words, am I?”

“I can forgive your words. You are no doubt correct that my aunt is at this moment trying to find a penal colony for me at the greatest distance from London. What I cannot forgive is your shocking wink that caused this trouble.”

“Surely this affair is not my fault! It is my Lord Chamberlain who embarrassed himself beyond redemption.”

“If you had not laughed, I would have been able to calm myself.”

“How could I not be amused? Honestly, I do hope the poor man survives the night.”

“But no one caught you laughing,” said Genie, getting at the heart of the injustice. “They were only looking at me.”

“Naturally they were looking at you. Between the two of us, there can be no comparison.” The man’s easy smile turned flirtatious, but Genie was accustomed to flattery regarding her appearance and considered herself immune to its charms. The magnitude of her failure weighed down her shoulders. She wished she could tear off the heavy headpiece, but she had brought upon herself enough scandal for one day—all thanks to the man before her.

“I do wish I had never seen you,” said Genie in uncharacteristically clipped tones. “And since you are no doubt correct that my aunt is even now booking my passage to the Americas or Botany Bay, I will take comfort in the fact that I will never see you again. Good day, sir!”

With fortuitous timing, Genie was called to join her aunt and she practically flew into the coach on the plumes of her own headdress. Unfortunately, her sweeping exit was hindered by the logistics of maneuvering three hoop skirts belonging to herself, her aunt, and her cousin, which was done with such haste Genie feared her gown would be sadly crushed. Her aunt demanded the curtains be drawn, as if the mere sight of Eugenia Talbot was so offensive the whole of London must be protected.

“Disaster! Oh, how could you do this to me?” Lady Bremerton lay back on the plush squabs of the town coach as it jolted forward, her hand on her forehead for dramatic flair. “I should have known you needed more training, more tutelage. After all, your father’s family can have no concept of what is expected in higher society, let alone what is proper in court.”

Genie swallowed down a retort. She had intended to prove she was every bit as polished as the other debutantes. Acting the hoyden before the queen revealed otherwise.

“I am sorry, Aunt Cora,” said Genie, her contrition a tight knot in her chest. “Sorry, Cousin Louisa.” Louisa’s eyes were sympathetic, but her aunt would give no quarter.

“Sorry will not do you any good, nor will speaking to a known rake,” chastised her aunt.

“A known rake?”

“Mr. Grant. I saw you speaking with him. He will do you no good.”

“I know that is true,” said Genie with a flush.

“Oh, what is to be done? You are ruined, ruined for sure. My reputation is in tatters. There is nothing else for it; you must be married. And quick!”

Two

Eugenia had not taken more than two steps inside her aunt’s Mayfair townhouse before she was given an unwanted command.

“Go change into something less conspicuous,” demanded her aunt. “We must speak with the Duchess of Marchford. She will know what to do.”

Genie would rather have hidden under her bed or in a wardrobe for the rest of the London season, but she had caused enough disgrace for one day and would not add to her problems by being disobedient. So an hour later, she was back in the lumbering coach with her aunt, the Lady Bremerton, and her cousin, the Lady Louisa Munthgrove.

For the outing, Genie chose a plain white muslin dress with little adornment. She hoped it would help her blend into the background. Lady Bremerton, a decidedly plump woman, made the most of her natural assets in a lilac, formfitting half dress that revealed a bit more décolletage than Genie’s country sensibilities found appropriate for social calls. Lady Louisa shared her mother’s dark honey hair and rosy cheeks but on a smaller frame. More modest, as befitted an unmarried lady, she wore a smart blue spencer over her white muslin dress, with a sea of ruffles and lace frills at the bottom of the skirt.

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